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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« April 2021 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
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Redacted
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Saturday, May 1, 2021
OLYMPIA DUKAKIS HAS DIED AT 89
OSCAR WINNER FOR 'MOONSTRUCK' HAD EARLIER UNCREDITED ROLE IN BRIAN DE PALMA'S 'SISTERS'
https://www.angelfire.com/de/palma/olympianamessmall.jpg

Olympia Dukakis, who had an uncredited role as the Staten Island bakery worker who remembers the names on the cake in Brian De Palma's Sisters (1973), died Saturday at the age of 89. Dukakis is best known for her Oscar-winning performance as the mother of a young widow (played by Cher) in Norman Jewison's Moonstruck (1987). As Carmel Dagan describes in a Variety obit, Dukakis tackled that role "with an extraordinary comic ethnic gusto characteristic of the movie as a whole."

Sisters was made in 1973, the same year that Dukakis and her husband, Louis Zorich, helped found the Whole Theater Company in Montclair, New Jersey (the first photo below, dated from 1973, shows Dukakis in the front chair with the rest of the company). In Sisters, Phillip is running errands for Danielle when he spots the 4 Corners Bakery, and asks the worker inside to decorate a birthday cake with the names Dominique and Danielle. The lady turns her head back to Dukakis, telling her this guy wants her to write names on a cake. "I'd like to see you try!" Dukakis scoffs back at her, and the co-worker take it as a challenge (and we get a classic eerie suspense queue from Bernard Herrmann). Later, as Grace begins investigating Phillip's murder, she stops at the shop with her mother, and asks the lady about the cake. The lady cannot even remember the names she wrote on the cake(!) but, even during a busy moment, Dukakis pulls herself into the conversation to say the she remembers the names: Dominique and Danielle.

Excerpt from a 2003 New York Times brief by Margo Nash about Dukakis promoting her autobiography:

The trim 72-year-old actress with the throaty voice and direct manner has appeared in more than 40 films, 100 plays and 26 television movies. She has played parts ranging from her Oscar-winning role in 1987 as Cher's mother in ''Moonstruck,'' which made her famous, to the transsexual landlady in television's ''Tales of the City'' and ''More Tales of the City.'' She has also directed, taught acting, helped found five theaters, including the Whole Theater, and won numerous awards.

She and her husband, Louis Zorich, were Manhattan theater actors when they moved to Montclair in 1970, seeking a peaceful place to raise a family. They also wanted to start their own theater company, and so with other acting couples, founded the Whole Theater.

The company's first play was ''Our Town,'' in 1973. For the next 17 years, the theater produced five plays a season, including the works of Pirandello, Euripides, Eugene O'Neill, Samuel Beckett, Tennessee Williams, Edward Albee, Lanford Wilson and many others, in productions that were critically praised. Among the actors performing were Jose Ferrer, Colleen Dewhurst, Blythe Danner and Samuel L. Jackson, as well as Ms. Dukakis and Mr. Zorich.


Excerpt from New York Times obit by Anita Gates:

Olympia Dukakis was born on June 20, 1931, in Lowell, Mass., the older of two children of Constantine and Alexandra (Christos) Dukakis, both Greek immigrants. Her father worked in various settings, including a munitions factory, a printing business and the quality control department of Lever Brothers. He also founded an amateur theater company.

Olympia graduated from Boston University with a degree in physical therapy and practiced that occupation, traveling to West Virginia, Minnesota and Texas during the worst days of the midcentury polio epidemic. Eventually she earned enough money to return to B.U. to study theater.

Even before she received her M.F.A., she threw herself into her new career, making her stage debut in a 1956 summer stock production of “Outward Bound” in Maine. She moved to New York in 1959 and made her New York stage debut the next year in “The Breaking Wall” at St. Mark’s Playhouse.

Her first screen appearance came in 1962, on the television series “Dr. Kildare.” Her first movie role was an uncredited one as a psychiatric patient in “Lilith” (1964). She received an Obie Award in 1963 for her role as Widow Begbick, the canteen owner, in Bertolt Brecht’s drama “A Man’s a Man” and another, 22 years later, for playing the grandmother of Mr. Durang’s character in “The Marriage of Bette and Boo.”

Along the way she married Louis Zorich, a fellow actor who had appeared with her in a production of “Medea” in Williamstown, Mass. Together they helped found the Whole Theater Company in 1973 in Montclair, N.J., where they lived while bringing up their children. The company produced the likes of Chekhov, Coward and Williams for almost two decades. Ms. Dukakis also taught acting at New York University.



Posted by Geoff at 12:01 AM CDT
Post Comment | View Comments (2) | Permalink | Share This Post

Sunday, May 2, 2021 - 4:33 PM CDT

Name: "Harry Georgatos "

Wasn't her brother Michael Dukakis presedential candidate for the Democratic Party against George Bush senior at the time?

Sunday, May 2, 2021 - 7:33 PM CDT

Name: "Geoff"
Home Page: http://https://www.angelfire.com/de/palma/blog

That was her cousin, and it was during the time of her Oscar win, yes.

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