INSPIRED BY ZOLA'S 'THÈRÉSE RAQUIN' - READY FOR WHENEVER THE PUBLISHING WORLD RECOVERS
In last week's La Repubblica interview, Brian De Palma is asked by Silvia Bizio whether he and Susan Lehman will write together in the future. "We have already written another book," De Palma responds. "It's called Terry. It is inspired by Emile Zola's Thérèse Raquin and it's about a film production that is making a film about the book. There is a love triangle in the film, a lover, and a murder. And the same thing happens among the characters who are making the film."
In March of 2019, in an on-stage chat at the Quais du Polar in Lyon, France, De Palma had mentioned Thérèse Raquin as both a film idea he's had for years, and also as the subject of their next novel. With Lehman on stage with him, the subject came up during the Q&A when an audience member asked De Palma, "Are there any French characters, authors or films that inspire you?"
"I've made a lot of movies here," De Palma began in response. "And Thérèse Raquin is an idea I've... always had an idea for a movie for. Thérèse Raquin's been made many times, but I think I have a new way of... in fact, that's sort of the subject of our next novel, isn't it? We love the French, that's why we're here. They're very kind to me."
In fact, De Palma was close to getting his film version of this story, to be titled Magic Hour, made in 2013 with producer Saïd Ben Saïd. The pair had just made Passion together the year before. Screen Daily's Geoffrey Macnab reported that Emily Mortimer was to play the lead in the film, which was described as a "loose adaptation of Emile Zola's Therese Raquin, featuring both period and contemporary elements." Macnab added that "the story is about a film director and two actors shooting a movie version of Zola's novel and finding that it reflects experiences in their own lives."
"IT IS A KIND OF FILM TESTAMENT"
Earlier in 2013, without naming the project, Ben Saïd told Nicolas Schaller about a film he was then developing with De Palma: "This is a film about cinema that is not devoid of humor or cruelty. It happens on a shoot between a director, an actor and an actress. De Palma wrote it by drawing on things that have happened to him. It is a kind of film testament."