"THE VEGAS OF TODAY IS NOT THE '80s"

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E-mail
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Recent Headlines
a la Mod:
Listen to
Donaggio's full score
for Domino online
De Palma/Lehman
rapport at work
in Snakes
De Palma/Lehman
next novel is Terry
De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"
Supercut video
of De Palma's films
edited by Carl Rodrigue
Washington Post
review of Keesey book
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Exclusive Passion
Interviews:
Brian De Palma
Karoline Herfurth
Leila Rozario
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De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006
Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
Statham seems like he will be a great match for De Palma. The actor, who loves to do his own stunts, fights, etc., told Ivan Solotaroff in the April 2012 issue of Details about his disdain for special effects. "Fahkin' hate green screen," Statham is quoted as saying. "Pay significant amounts of money never to do it again. You cannot fake adrenaline." Sounds like an actor tailor-made for De Palma's brand of No Net Productions and long, continuous, choreographed takes.
This tightly-wound, fun action-thriller, tells the story of a tough recovering gambling addict (Statham) who makes his living providing protection in the rough edges of the gambling world. Statham’s character refuses to resort to gunplay, strictly using hand and edged weapon combat. When a dear friend is brutally beaten by a high-rolling mobster, he helps her get her revenge and he ends up in more trouble than he ever imagined.
Sierra's Nick Meyer states in the press release, "We are pleased to once again be working with Jason and Steve on another project which in this case is based on great source material from a rare combination of an acclaimed novelist who is also at the top of his game as a screenwriter. We look forward to bringing this elevated action-thriller from Brian De Palma to distributors around the world. We feel this project has it all—a first rate piece of material, a legendary director and a global action star."
The 1986 version of Heat is currently streaming on Netflix.
Mark at Good Efficient Butchery recalls seeing the film back in the day, and notes that the Netflix version is different from the U.S. theatrical release. "It seems this alternate version was released on the budget-priced R1 DVD by Platinum Disc," he writes, "and is not the version released in US theaters or on the Paramount VHS." This could possibly be the U.K. version of the film, which was released in 1986. Heat was not released in the U.S. until 1987.
According to Mark, the film seems a "noble failure" that shows its behind-the-scenes troubles on screen. According to Mark, who seems to know his stuff, Heat "was started by Robert Altman, who left after a day of shooting. He was replaced by Tootsie producer Dick Richards, who helmed most of the film (and got his ass kicked by Burt), then veteran TV director Jerry Jameson was brought in to finish it. Richards gets sole credit, under the name 'R.M. Richards.'"
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