De Palma had taken McKay's play and expanded it, adding De Palma touches such as flashbacks that repeated certain scenes from different perspectives, newly invented characters, and locations to provide set pieces for a true blue De Palma film.

In 2005-2006, as post-production work was being done on The Black Dahlia, there were rumored to be plans to shoot Toyer in Venice, Paris, and London. One new character is an English surgeon named Laura Manning, and it had been rumored in 2004 that Tilda Swinton was in talks for that role. With the various settings, of course, an international cast was planned, and Giancarlo Giannini had been rumored for the role of the Italian Inspector Scarlatti. With a four/five-year gap since the project was last considered, the casting has started anew, and it will be interesting to see who fills out some of these roles this Fall.

DON'T LOOK NOW & DONAGGIO
As noted earlier, De Palma had planned to have Pino Donaggio compose the score for Toyer, and I suspect that will still be the plan. Donaggio also scored Nicolas Roeg's Venice-set thriller Don't Look Now in 1973. De Palma briefly discussed Don't Look Now in 2002 with Rodrigue and Suppa. "I love the way Roeg shot Venice in that period," De Palma said. "I always wanted to shoot a movie in Venice in the winter."

THIERRY ARBOGAST, DANTE FERRETTI
Also in 2005-2006, Thierry Arbogast was set to be the cinematographer on Toyer, and Dante Ferretti, having just worked with De Palma on The Black Dahlia, was getting ready to jump onto the Toyer project, as well. Hopefully this dream team is still available... Incidentally, Ferretti will be honored at next month's Venice Film Festival. On the morning of September 10th, Ferretti will receive the Premio Bianchi prior to the premiere of Gianfranco Giagni's hour-long documentary, Dante Ferretti: Production Designer. The film will then be shown on Italian TV in October.

Producer Scott Steindorff tells De Palma a la Mod that there is a new cast now in talks for Toyer. This was in response to my question of whether or not they are still talking with Juliette Binoche and Colin Firth about the lead roles in the upcoming film. It looks like we can expect to see some news of a new cast in the upcoming weeks. Steindorff also confirmed for me that Brian De Palma is the sole writer of the screenplay adaptation (so the long-ago unsubstantiated rumor of a Ted Tally revision was probably never true).

When I talked to De Palma in Paris in 2002, he told me that he "had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists." In later months, it was announced that he would be filming an adaptation of Gardner McKay's Toyer with producer Tarak Ben-Ammar, and it always seemed to me that this must have been the film De Palma had been referring to. "A kind of serial murderer" is different than saying "a serial murderer," and seems close to the premise of Toyer, which is about a serial killer who does not actually kill his victims, but has the surgical skill to lobotomize them. Hence, "a kind of serial murderer." There was also a rumor around 2004 that De Palma had planned to cast famous actresses in cameo roles as Toyer's victims (or should we say, Venice "tourists"?). This would be one obvious alteration to the original one act play, which has only two characters.

When De Palma said in the quote above that he "had an idea," part of that idea was undoubtedly visual. As he explained in the same interview, "you know, now you go through a process of reading a lot of material, books, scripts, writing… until you get something that’s going to get you interested enough to make the movie. And as you get older, it just gets harder. And you say, do I want to spend all this time making something I’m not really a hundred percent sure that it’s going to be moving what I’m doing another step. You know, 'What am I saying with this movie? Am I involving some kind of cinematic idea I’m working on?'" With Toyer, which he has tried to get off the ground repeatedly, it is a safe bet that De Palma feels he will be working out some new cinematic ideas.

Pino Donaggio had mentioned around 2004 that he had been asked by De Palma to write the score for Toyer, something he said he was looking forward to. In a 2008 interview with Joep de Bruijn at MainTitles, Donaggio said, "And of course I would have liked to do all other films by Brian De Palma. He keeps on changing composers, but there is still something out there. He came to Venice to talk to me about The Toyer. After that meeting The Black Dahlia followed and another one. I don't know, I'll wait for it."