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Recent Headlines
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Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
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De Palma/Lehman
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in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
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"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Wednesday, December 27, 2023
TOM SMOTHERS HAS DIED AT 86
"TOMMY WAS ONE OF THE HIPPEST PEOPLE ON PLANET EARTH BACK THEN" IN 1972
https://www.angelfire.com/de/palma/tfh1.jpg

Tom Smothers, who starred in Brian De Palma's first ever studio film, Get To Know Your Rabbit, has died at 86. According to The Hollywood Reporter's Mike Barnes, Smothers was a "countercultural comedy icon admired for the 1960s variety program he created and hosted with his younger brother, Dick, and for the tenacity he displayed in frequent clashes with CBS censors."

Following CBS' cancellation of The Smothers Brothers Comedy Hour, Get To Know Your Rabbit was to be a Hollywood star vehicle for Tom Smothers. De Palma, fresh off the counterculture success of independent films such as Greetings and Hi, Mom!, was hired by Warner Bros. to direct the film. However, De Palma had run afoul of the studio when he suggested a new ending which would see Smothers' tap-dancing magician superstar escape the dual traps of conformity and commodification by appearing to make a bloody mess of a live rabbit on the Tonight Show with Johnny Carson. Smothers became unsure about De Palma's direction, and since the whole project was conceived as a vehicle for the star, De Palma was locked out. Despite the compromised vision, though, what remains in the bulk of the film is a comedy that flows with De Palma's sardonic sense of the absurd, as a continuation of the countercultural indifference on display in Greetings and Hi, Mom!. The film, made in 1971, sat on a shelf until Warner Bros. dumped it into theaters, of ten as part of a double bill, beginning in 1972 and into 1973.

In his commentary at Trailers From Hell, Larry Karaszewski states that at the time Get To Know Your Rabbit was made, "Tommy was one of the hippest people on Planet Earth."

 

Here's more from Mike Barnes' obituary at The Hollywood Reporter:

The Smothers Brothers Comedy Hour ran from February 1967 until April 1969, when the pair were fired after 72 episodes (and with their show in the top 10 and already renewed for a fourth season). Up against NBC powerhouse Bonanza at 9 p.m. on Sunday nights, their program succeeded by attracting younger, hipper, more rebellious viewers — while also launching the careers of Steve Martin, Rob Reiner, Bob Einstein, Mason Williams and many others.

Clean-cut and sporting closely cropped hair in an era of Easy Rider and acid trips, the former folk singers and makers of hit music-comedy records did not look like the kind of guys who would be lightning rods for controversy.

“Their antics turned television upside down, blending slapstick humor with political satire, making them comedic heroes who blazed the trail followed today by satirists such as Jon Stewart, Stephen Colbert and Samantha Bee,” Marc Freeman wrote in his introduction to an oral history of The Smothers Brothers Comedy Hour that was published in November 2017.

“It was the first show to deal with the White House, Congress, war, counterculture, drugs, civil rights,” Dick noted in the piece. “We were the first in and first out. We made comedy for TV relevant and not just escapism. We nailed it.”

Comedian David Steinberg did religious sermons that stirred up controversy. David Frye impersonated President Nixon as a buffoon. Censors killed many skits (including one about censors written by Elaine May) and changed the language in others, though clever references about drugs sometimes got through. Pat Paulsen, one of the show’s regulars, ran for president in 1968 in a spoof of national politics.

CBS also pre-empted one episode with a rerun and yanked performances of Pete Seeger’s anti-Vietnam War song “Waist Deep in the Big Muddy” (he was allowed to sing it a year later) and Harry Belafonte‘s “Don’t Stop the Carnival,” which featured a video collage of the riots at the 1968 Democratic National Convention.

“When we tried something and were told ‘no,’ I wanted to know why,” Tom said. “Why is content controversial, putting in something real, something with meaning? I couldn’t understand why that would be an issue. And when it became one, I became extra stubborn.”

At the time, the Nixon administration had put the FCC on notice to watch for content it deemed inappropriate. After CBS banished the brothers, they filed a lawsuit against the network for breach of contract and copyright infringement. They won a settlement of about $900,000 but never regained their clout.

“Dickie and I always get pissed off when people say we were canceled,” Tom said. “We were fired. Death can come in two ways, natural causes and murder. We were murdered.”

The show won an Emmy for writing after its demise, with Martin, Einstein, Williams, Lorenzo Music and Allan Blye among those sharing the honor. Tom and Dick, meanwhile, were nominated for outstanding variety or musical series but lost out to Rowan and Martin’s Laugh-In.

At the 2008 Emmys, Martin presented Tom with a special award, and the pair entered the TV Academy Hall of Fame two years later. A 2002 documentary, Smothered, detailed their duel with CBS.



Posted by Geoff at 9:45 PM CST
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Sunday, December 18, 2022
1972 WB INSERT PROMO SLATE INCLUDES 'RABBIT'
TWEETED BY ADSAUSAGE ARCHIVES, INSERT APPEARED IN 1972 ISSUE OF THE HOLLYWOOD REPORTER
https://www.angelfire.com/de/palma/1972wbinsertinhr585.jpg

On Saturday, @adsausage tweeted all the pages of a Hollywood Reporter insert from 1972, featuring Warner Bros.' upcoming slate for that year. This included, of course, Brian De Palma's Get To Know Your Rabbit. Some of the other films included in the insert are Stanley Kubrick's A Clockwork Orange, Peter Bogdanovich's What's Up, Doc?, John Boorman's Deliverance, Don Siegel's Dirty Harry, Sydney Pollack's Jeremiah Johnson, and Paul Williams' Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues. The latter marked John Lithgow's film debut.

Posted by Geoff at 12:01 AM CST
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Friday, December 16, 2022
RADIO SPOTS FOR 'GET TO KNOW YOUR RABBIT'
A FILM THAT CLICKED WITH MOVIE JAWN'S ROSALIE KICKS IN 2022


Movie Jawn editor-in-chief Rosalie Kicks includes Get To Know Your Rabbit in her article "Flicks That Kicks Uncovered in 2022" -
This zany film from Brian de Palma is not perfect but sure did stick with me.

It might be due to turning 39 years of age and my brain telling me its now or never, but 2022 really has turned out to be the year of contemplation for the old sport. This movie struck a lot of personal chords as it tells the story of a guy that leaves his silly, stuffy, nonsensical corporate job to pursue a life more serious, freeing and sensible as a tap dancing magician. Trained by the illustrious Orson Welles he sets out to achieve his dreams and escape the rat race. This is just one of several films I watched this year that I am taking as a sign to take the plunge.


Posted by Geoff at 12:01 AM CST
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Tuesday, April 12, 2022
'BONA FIDE INNOVATORS'
ED SYMKUS LOOKS AT 'GET TO KNOW YOUR RABBIT', RELEASED 50 YEARS AGO THIS JUNE
https://www.angelfire.com/de/palma/tommyorson1.jpg

"So, let’s say hello to three bona fide innovators, three singular voices – Ken Russell, Bob Rafelson, and Brian De Palma – all of whom had their careers in gear before the end of the previous decade, each of whom took interesting turns with the films they released in 1972 – Savage Messiah, The King of Marvin Gardens, and Get to Know Your Rabbit – and are now celebrating their 50th anniversaries." With that, Ed Symkus at The Arts Fuse takes a brief look at the three films mentioned, including Get To Know Your Rabbit:
Get to Know Your Rabbit is a mess – a mishmash of creative visuals rubbing awkward elbows with dry and slapstick comedy ideas. One reason for this disjointed quality, the film’s jumps around in rhythm and moods – Warner Brothers did a major re-edit after director Brian De Palma handed in his final cut. The result is that it feels as if you are watching pieces taken from different films that have been haphazardly thrown together. Improbably, that’s also what gives this movie its eccentric, shaggy charm.

Or maybe it’s because it has one hell of a cast: Tommy Smothers, Orson Welles, John Astin, Katharine Ross and, in cameo roles, Bob Einstein, Allen Garfield, and M. Emmet Walsh.

Hold on, it could be the story: Donald (Smothers), an overworked marketing analyst at a large corporation, fed up with the stress of the daily grind. He quits and enrolls in a school for tap-dancing magicians run by Mr. Delasandro (Welles). Donald’s feckless boss, Mr. Turnbull (Astin), realizing he’s helpless without Donald, hatches myriad underhanded schemes to get him back. Too late; Donald has graduated, been given his rabbit, and hopped a bus to begin “a 7-week swing through the second-rate bars and cocktail lounges in America’s heartland” as a tap-dancing magician.

His boss falls from grace but, because he was once a marketing man of merit, the guy comes up with a surefire publicity gimmick: an offer for burnt-out executives to quit their jobs, reinvent themselves as tap-dancing magicians, and “live life at the gut level!”

The film is uneven and goofy, but it features stand-alone segments that are brimming with heart. Of the actors, Smothers contributes a welcoming, natural delivery, Ross plays it slightly ditzy, Welles goes eloquently over the top in a self-deprecatory manner, and Astin comes up with a zany character who is smart, sympathetic, deceitful, ruthless and, most important, fun to watch.

De Palma is already dealing with stylistic elements that would become hallmarks in his later films: dissolves, wipe edits, split screens, and film-within-film.

Highlights include Welles joyously conjuring a cocktail from a handkerchief; a tracking shot of Smothers walking (from the viewpoint of an overhead camera) through his maze of an apartment, and every single scene featuring Astin.


Posted by Geoff at 12:01 AM CDT
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Friday, May 7, 2021
UP IN A TREE - PAUL HIRSCH RECALLS 'RABBIT' ROUGH CUT
AND THE BITTER STRUGGLE FOR TREE SCENE - DE PALMA WANTED IT OUT, THE PRODUCERS WANTED IT IN
https://www.angelfire.com/de/palma/inthetree2.jpg

In between Hi, Mom! and Sisters, Brian De Palma went to Los Angeles to make his first studio film at Warner Bros., Get To Know Your Rabbit. Paul Hirsch, who had edited Hi, Mom!, found himself back in Manhattan, cutting trailers for a "fly-by-night company" run by Sig Shore, as Hirsch describes in his book, A long time ago in a cutting room far, far away.... (out in paperback as of this week). In chapter four of the book, Hirsch, who had been editing a trailer for a film called Detective Belli, tells of meeting up with De Palma in late 1971 (almost 50 years ago) and attending a screening of a rough cut of Get To Know Your Rabbit, which would end up being released in 1972, a long delay after De Palma had been fired from the movie and locked out of the editing room:
The negative for Detective Belli was to be made in a lab in L.A. from materials supplied by the Italian distributor, and I was dispatched there in late 1971 to make sure everything was copacetic. Brian De Palma was also in Hollywood then, editing his picture Get To Know Your Rabbit. It was Brian's first studio picture, and he hadn't been able to hire me to work on it because I wasn't even in the New York union, not to mention L.A.'s.

I called him to say I was in town. He invited me to come see a rough cut of his movie, which he was screening that afternoon out at Warner Bros. I went and watched the picture with Brian, his editor, and his producer. When the house lights went up, all eyes turned to me, since mine were the only fresh eyes in the room. The producer asked me what I thought, and I tentatively offered that there was one scene in particular I thought they could do without, a scene in which Tommy Smothers is up in a tree.

As soon as the words were out of my mouth, a silence fell on the room, and I could feel a kind of tension. Brian thanked me, and we made a date to get together for dinner later. He explained to me that night that the scene I had mentioned had in fact been the subject of a bitter struggle between Brian and the producers, Brian wanting it out, them wanting it in. They wrongly assumed that Brian had told me what to say. I went on to give Brian a more detailed list of suggestions, which hadn't seemed appropriate to offer in front of anyone else.

I returned to New York and shortly thereafter left Sig Shore's employ.



Posted by Geoff at 12:01 AM CDT
Updated: Saturday, May 8, 2021 1:04 AM CDT
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Thursday, January 3, 2019
BOB EINSTEIN HAS DIED
BEGAN CAREER AS WRITER FOR SMOTHERS BROTHERS, APPEARED IN 'GET TO KNOW YOUR RABBIT'
https://www.angelfire.com/de/palma/bobeinstein.jpg

Bob Einstein, who won an Emmy in 1969 as a writer for The Smothers Brothers Comedy Hour, where he got his start, has died of cancer. He was 76.

"On Smothers Brothers, Einstein crafted the humorless, helmet-wearing motorcycle cop Officer Judy who would perpetually ride in to sketches to 'bust' other characters," according to an obituary by Variety's Cynthia Littleton. "During his tenure on the groundbreaking and controversial CBS series, Einstein was a writing partner and roommates with future comedy superstar Steve Martin."

Einstein reprised the Officer Judy role in Get To Know Your Rabbit, pictured above, which was Brian De Palma's first major studio picture. In an interview from the early 1990s, Einstein described the creation of Officer Judy:

The first time I did Officer Judy was... we had Judy Collins on the show, and we were trying to come up with a way to have fun with one of her records. And she just, you know, she sings beautifully, so it was kind of difficult. So we came up with an idea... "I Think It's Gonna Rain Today" was the song. Absolutely beautiful. And Judy Collins had been on once in the show, and then in the second half of the show, Tom says, "Ladies and gentlemen, once again, here's Judy." And the music started in front of the audience, "I Think It's Gonna Rain Today." Curtains open, and I'm there with my motorcycle, lip-synching "I Think It's Gonna Rain Today," her voice. Finish, and we cut over to Tom and Dick, and Dick says, "What was that, Tommy?" He says, "That was, uh, that was Officer Judy." That's how the name happened. And he said, "What was going--" He says, "Well, I got stopped. I was speeding coming over here. And I got stopped." And Dick said, "And you promised this cop he could be on the show?" And he said, "Well, not just once, I think it was six." And at that point, I came in, back to the camera, blocked the whole thing and said, "How did I do, Tom?" He said, "You were great." That was the frst time he was ever on. It was just kind of a fun idea because it was a show with a policeman. And any time things-- you know, we were always in the news about, we've gone too far, or we're stretching this or we're pushing that, and we had our own policeman now to come on and be very straight and to make sure the show would keep at a certain level. And then I arrested Liberace on the Emmy show, which was a lot of fun.

Posted by Geoff at 11:04 PM CST
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Friday, July 13, 2018
'GET TO KNOW YOUR RABBIT' - '73 CANBY NY TIMES REVIEW
TWEETED TODAY BY LARRY KARASZEWSKI TO CLOSE OUT DE PALMA WEEK @ TRAILERS FROM HELL
https://www.angelfire.com/de/palma/rabbitnytimes.jpg

Trailers From Hell closed out its Brian De Palma week today with Larry Karaszewski's 2011 commentary on Get To Know Your Rabbit. Today, Karaszewski tweeted the image above (for a full-sized version, see his tweet), which features Vincent Canby's New York Times review for the film from September 21, 1973, side-by-side with its newspaper ad as the bottom half of a double-bill with Paul Mazursky's Blume In Love (Mazursky later played the judge in De Palma's Carlito's Way).

"Brian De Palma's Get To Know Your Rabbit was made three years ago," Canby begins in his review, "yet it did not arrive in New York until Wednesday, and then with less advance word than usually accompanies the opening of a Broadway shoe store. This casual treatment is unfortunate since De Palma (Greetings, Hi, Mom) is a very funny filmmaker. He's most funny, so far, anyway, when he's most anarchic, and Get To Know Your Rabbit, though somewhat inhibited by conventional form, has enough hilarious loose ends and sidetracks to liberate the film from its form."

TFH's Joe Dante, meanwhile, posted his own tweet today: "Have you gotten to know #GetToKnowYourRabbit lately? Director #BrianDePalma’s surreal comedy, starring #TomSmothers and #OrsonWelles, was his first studio film. TFH Guru @Karaszewski has your full primer on the flick as Brian De Palma Week concludes!"


Posted by Geoff at 8:04 PM CDT
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Wednesday, May 6, 2015
'GET TO KNOW YOUR RABBIT' SATURDAY @ NEW BEV
RARE CHANCE TO SEE EARLY DE PALMA FILM IN 35MM PRINT, PROGRAMMED BY TARANTINO


Beginning tonight, and through this upcoming weekend, Quentin Tarantino's New Beverly Cinema will celebrate the Orson Welles centennial with several Welles-related films. Welles was born 100 years ago today. Included in the series will be a midnight showing this Saturday (May 9) of Brian De Palma's first studio feature, Get To Know Your Rabbit, in which Welles appears as a tap-dancing magician instructor. Warner Bros. eventually fired De Palma from the film and locked him out of the editing room, but thankfully, De Palma had already begun his no-coverage shooting method, creating passages of film that stand today as unmistakably De Palma-esque, both in style and tone. Also, the casting of Allen Garfield marks a nice throughline continuation of comic absurdity from De Palma's Greetings, to Hi, Mom!, and then to Rabbit.

It is not certain whether the 35mm print of Get To Know Your Rabbit will be from Tarantino's own private collection, or is being provided by the Warner Bros. archives. Thompson on Hollywood's Anne Thompson reports that since Tarantino took over programming the New Beverly, it has been a success, and that Tarantino, with help from three managers, is still very much in charge of programming, even while he continues to shoot his new movie, The Hateful Eight. Thompson writes, "One of [Tarantino's] producers, Coco Francini, reached out to tell me that he's been able to move beyond his own collection--which accounts for about 50 % of the programming-- to pull amazing prints of films people had not seen in a long time from the Paramount and Warner Bros. archives, among others. He programs 90% of the films shown at the New Beverly, enjoying taking breaks from filming to figure out which films go together, she said. Getting art to go with the prints can be a challenge, however."

(Thanks to Matthew!)


Posted by Geoff at 4:16 AM CDT
Updated: Wednesday, May 6, 2015 4:23 AM CDT
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Monday, June 27, 2011
LARRY KARASZEWSKI ON 'GET TO KNOW YOUR RABBIT'
AT TRAILERS FROM HELL

Posted by Geoff at 6:14 PM CDT
Updated: Monday, June 27, 2011 6:24 PM CDT
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Monday, June 29, 2009
RABBIT AVAILABLE JULY 7
AS A WARNER BROS. ARCHIVE TITLE
Get To Know Your Rabbit, which was mostly directed by Brian De Palma (see my post from last week), will be made available as a Warner Bros. Archive title beginning July 7th. You can place pre-orders right now at the Warner Archive shop (thanks to Ryan for the heads up!). So it doesn't look like Warner Bros. is planning a wide DVD release of the title, but we do get to own a widescreen edition of this rare and overlooked work from De Palma. Looking forward to it.

Posted by Geoff at 6:55 PM CDT
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