Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« November 2020 »
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction  «
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, March 30, 2017
SHERRY LANSING ON DE PALMA & 'FATAL ATTRACTION'
BOOK EXCERPT AT HOLLYWOOD REPORTER; HALLOWEEN SCENE HAD ALEX IN KABUKI MASK
Yesterday, The Hollywood Reporter's Stephen Galloway posted an excerpt from his upcoming biography of former Paramount CEO Sherry Lansing (Leading Lady: Sherry Lansing and the Making of a Hollywood Groundbreaker, due April 25th). The excerpt covers a period of time in the 1980s, when Lansing was an up-and-coming producer, and the development of what turned into Adrian Lyne's Fatal Attraction. Prior to Lyne, however, it was Brian De Palma's involvement that got the project a green light. Although De Palma would eventually drop out because he did not think audiences would sympathize with Michael Douglas in the lead, the excerpt below provides intriguing details about what De Palma's film might have been like. For instance, James Deardon, who wrote and directed the short film that Fatal Attraction was based on, notes that with De Palma on board, "We even had a Halloween scene, with Alex running around in a Kabuki mask, terrorizing the household." Of course, years later, we see a killer running around in a Kabuki mask in De Palma's Passion.

For his part, last year, De Palma told Business Insider's Jason Guerrasio, "I think Adrian did a very good job with Fatal Attraction." Coincidentally, it was Lyne who ended up directing Flashdance after De Palma left that project to make Scarface. Here's an excerpt from Galloway's excerpt:
With the screenplay in place, there remained the question of casting. On a flight with [Stanley] Jaffe, Lansing ran into Michael Douglas, who read the script. "It was the perfect what-if, the ultimate quickie nightmare," he said.

The actor was no longer the B-list star Lansing had met when she served as an executive on 1979's The China Syndrome. But he still did not have the heft to get a film greenlighted on his name alone, and Paramount, where Lansing and Jaffe were based, passed on the project, as did every other studio. Its head of production, Dawn Steel, was so outraged by the script, she hurled it across the room.

"She yelled, 'How can you give me this? I'm a newlywed!' " recalled Lansing. "She said, 'Why should we care about a guy who cheats on his wife, especially when he doesn't have a reason?' But the fact there was no reason was the whole point. Things like that happen, and knowing it adds to the feeling of, 'This could happen to me.' "

She failed to persuade Steel, however, just as she failed to persuade numerous directors to sign on. "Everyone passed," she said. "I begged John Carpenter [Halloween]. And it wasn't just him. I begged everyone."

The movie was in trouble. Studio readers were sick of seeing the same old script recycled, making its way again and again through their story departments. And the agencies were bored with Lansing's repeated requests to show it to clients.

Everything changed when Brian De Palma (The Untouchables) said yes. The director was at the top of Hollywood's A-list, and Steel could not have been more excited. Suddenly it became her favorite project. Red flags might have been visible if Lansing had cared to look: De Palma did not share her sympathy for the jilted woman and wanted to make changes that seemed close to turning the story into a horror film.

"We even had a Halloween scene, with Alex running around in a Kabuki mask, terrorizing the household," noted Dearden.

But De Palma had Steel's support, and that meant Fatal was a go. Gearing up for the shoot, Lansing rented an apartment in New York, where the movie was going to be filmed, while Jaffe set to work finding locations and staff. Then De Palma had second thoughts.

"We were just a few weeks away from the shoot," recalled Lansing, "and he said, 'I can't make the movie with Douglas. Michael's completely unsympathetic. No one will ever like him.' " De Palma gave an ultimatum: "It's either him or me."

"It was one of those come-to-Jesus moments," Lansing continued. "De Palma was the element that got us a green light, but Michael had been on the movie for two years, when everybody else rejected us. We said, 'We're sticking with Michael.' "

With De Palma out, the film was dead. It had an actor nobody wanted and a script in which no one believed. Then ICM agent Diane Cairns sent it to her client Adrian Lyne. The British director was at home in the South of France when he received the package and sat down on the stone steps of his farmhouse to read it. He finished the whole thing without moving.

"I woke my wife up," he remembered. "I fell in the bed and said, 'Listen, if I don't f— this up, I know this is a huge movie.' "

A key piece of the puzzle lingered: finding Alex. "The role was critical because she had to be sexy but vulnerable, a career woman who had her act together but could still completely collapse," said Lansing. Her first choice, Barbara Hershey, was unavailable. Another possibility, French actress Isabelle Adjani, did not speak enough English. Debra Winger, Susan Sarandon, Michelle Pfeiffer and Jessica Lange were all considered or turned the role down. Melanie Griffith was also in contention, but the filmmakers feared that what she had in sexuality, she might lack in gravitas.

Cheers star Kirstie Alley read for the role and contributed a unique element to the film. "Her husband [Parker Stevenson] had been stalked by a woman who camped outside their house and made their lives hell," said Lansing. "Kirstie had saved a tape of the woman's calls and gave it to Adrian. You could hear the woman crying as she begged to be part of this man's life. Adrian ended up using it verbatim."


Posted by Geoff at 8:15 AM CDT
Updated: Thursday, March 30, 2017 6:32 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post

Newer | Latest | Older