'GRAND PIANO' & 'OPEN WINDOWS'
Variety's Justin Chang on Open Windows:
"A fiendishly inventive thriller built around an audacious if unsustainable gimmick, Open Windows elevates Hitchcockian suspense to jittery new levels of mayhem and paranoia. Essentially conceived as a technologically sophisticated mash-up of Rear Window and Rope, this latest mind-bender from Spanish genre trickster Nacho Vigalondo (Timecrimes, Extraterrestrial) unfolds entirely in one carefully manipulated 'shot,' with the camera glued to the lead character’s computer screen, employing desktop videos, images and pop-ups to tell its lurid tale of celebrity obsession, stalking, hacking, surveillance, blackmail and murder. Barely maintaining coherence if not plausibility, the compulsively watchable result should enjoy a vigorous fest and VOD life; fitting as it might be to stream it on your laptop, its complex visual layers and blink-and-you-miss-’em plot turns are best suited to the bigscreen.
"One of former adult star Sasha Grey’s higher-profile vehicles since her mainstream debut in Steven Soderbergh’s The Girlfriend Experience, Open Windows also plays like a companion piece of sorts to Eugenio Mira’s Grand Piano, another recent thriller in which a justifiably freaked-out Elijah Wood found himself at the mercy of a menacingly disembodied voice. If that film suggested an ivory-tickling riff on Brian De Palma, then Vigalondo’s picture feels like a high-tech Hitch homage on speed, one that exerts a strong narrative grip for about an hour before tumbling down a discomfiting series of rabbit holes that strain credulity and internal logic to the breaking point."
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