Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« March 2017 »
S M T W T F S
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Saturday, March 4, 2017
MIRIAM COLON DIES
ACTRESS WAS 80; CO-FOUNDED PUERTO RICAN TRAVELING THEATER; PORTRAYED TONY MONTANA'S MOTHER IN 'SCARFACE'
Miriam Colón, who portrayed Tony Montana's mother in Brian De Palma's Scarface, died Friday. She was 80. According to Deadline's Patrick Hipes, Colón's husband "told the Associated Press that Colon died owing to complications from a pulmonary infection."

Colón was born in Puerto Rico, and moved to New York City in 1953, where "Elia Kazan accepted her into the Actors Studio after a single audition and she won a Broadway role in In the Summer House with Judith Anderson," according to a 1971 New York Times profile of Colón by Patricia Bosworth. In 1967, Colón "became a driving cultural force in New York barrios when she founded the Puerto Rican Traveling Theater and began bringing free drama into the most deprived areas of the ghetto, often to audiences that have never seen theater before," wrote Bosworth.

In the early 1980s, Al Pacino was based in New York, and thus most of the parts for Scarface were cast from auditions that had been set up at the Puerto Rican Traveling Theater, including, of course, Colón herself. Underneath the frame from Scarface below is an excerpt from a 2003 Fresh Air interview with Colón (hosted by Terry Gross; transcription via Puerto Rico Herald) in which she discusses her role in the film.

GROSS: You're now starring in "The Blue Diner." What does that role mean to you professionally?

Ms. COLON: It's a good role. It's a woman that is very simple, that is hardworking, that has a sense of honor and dedication. She cares for her daughter, and she's very vigilant about what that daughter is going through, what is she getting involved, you know, like all mothers. In a way this woman reminds me very much of my own mother, whom I lost about three years ago; may she rest in peace.

GROSS: What about this character reminded you of your mother?

Ms. COLON: Because my mother was this hardworking, she and I would fight sometimes. My mother maybe went to the sixth or the seventh grade, but she had a wisdom in herself, a kindness, a humanity that really determined my life. I had such admiration for her, and I was so sorry that she had to work so hard. But such dignity and pride, she was the best image I had. I wish I could be like her.

GROSS: Is it fair to say, though, lately you've been playing mothers who are more conservative and strict than their children, I mean, you know, who are from a culture that is more conservative and strict than the culture their children are growing up in?

Ms. COLON: Yeah. And I just relish--I guess that's why the people loved so much what I did in "Scarface." This was another woman--in fact, I enjoyed...

GROSS: Describe your role in that.

Ms. COLON: Oh, the mother was my mother. The mother in "Scarface" is my mother, so that's another instance in which I just swam into it. It was like a tailor-made dress that was made for me: the mother that also works very hard; that is very stern; that has standards in her house; the fact that she is poor and they may not have an automobile, that they may not have a nice house, that they may live in the outskirts of the city cannot under any circumstances be used to try to put them down or to be disrespectful to the them. And this is what she did to the character played by Pacino. The thing of honor, the stern--well, she's the only one that defied him, told him, `Get the hell out of here,' that didn't wind up with her head cut off. I love characters like that, and I think I can play them very well. And that's also great because I have such sympathy for those women.

GROSS: Do you have a favorite scene from "Scarface" that you're in?

Ms. COLON: The scene with Pacino where I'm watching him coming to introduce himself into our life again. And I know that he's pushing drugs, and I know that we may be poor, but we are not in the drug world. And I know that those suits cannot be bought from working in a factory or something like that. So I think I instinctly know. But what is worse is his insinuating himself into my kitchen, into my house, into the relationship with my daughter, which is all I have left, is very dangerous. And that's why I throw him out. And everything I said would happen happened. He destroyed her...

...GROSS: Do people recognize you a lot from that role?

Ms. COLON: Oh, yes.

GROSS: "Scarface" is such a cult film now. I mean, it has such a following.

Ms. COLON: Oh, yes. You know what? Youngsters. I've had the weirdest, the weirdest, all true, episodes in the subway platform.

GROSS: Yeah?

Ms. COLON: It's happened not twice, not four times, at least a half a dozen times. They're staring, and I say, `Oh. Oh, my God, they're coming in my direction. What are they here for? Are they going to push me off the platform or something, or are they going to take my ring or something?' And then it turns out that they come close and they say, `Mama Montana?' I say, `Si, I'm Mama Montana.' They say, `Yeah!' They have done this scene for me saying my lines and his lines. They have memorized the entire scene. But I've seen kids that I know they don't have any money, and they told me, `Oh, I own that film.'


Posted by Geoff at 9:10 PM CST
Updated: Sunday, March 5, 2017 11:21 AM CST
Post Comment | Permalink | Share This Post

View Latest Entries