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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« December 2016 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
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Sunday, December 18, 2016
CAIN & CARLITO PART OF STEADICAM FEST IN NY
CAIN TONIGHT AND FRIDAY; CARLITO ALSO FRIDAY AT LINCOLN CENTER
The Film Society of Lincoln Center in New York began a series on Friday (December 16th) titled "Going Steadi: 40 Years of Steadicam." Brian De Palma's Raising Cain screens tonight at 8:45 as part of the series, and again on Friday December 23rd, at 4:30pm. On Friday, you can make it a De Palma double feature by sticking around for the 6:30pm screening that day of Carlito's Way, also part of the series.

"Combining the freedom of a handheld camera with the stability of a dolly," reads the series program description, "Steadicam made its groundbreaking debut in Hal Ashby’s 1976 film Bound for Glory, which won the Oscar for best cinematography. Since then, it has become an essential tool of filmmaking and has allowed cinematographers to execute some of their most iconic, astonishing camera movements. And while Steadicam has left an indelible mark on Hollywood filmmaking (especially in the films of Martin Scorsese, Paul Thomas Anderson, Brian De Palma, and Quentin Tarantino), it has also been used to striking effect in works by international filmmakers such as Hou Hsiao-hsien, Béla Tarr, Bertrand Tavernier, and many others. Steadicam enabled the camera to move with the same grace as the bodies, objects, and spaces that it films, expanding the medium’s visual possibilities in ways that many of the key filmmakers of the past four decades have found indispensable. The Film Society is proud to celebrate 40 years of Steadicam’s usage, with Steadicam inventor and cinematographer Garrett Brown appearing in person."

Here is the program description of Raising Cain:

"Brian De Palma’s darkly comic, hall-of-mirrors thriller stars a deliciously deranged John Lithgow in a diabolical double role: as a mild-mannered child psychiatrist and his evil twin brother, who both take to kidnapping and murder in order to procure toddlers for a bizarre psychological study. Out-of-left-field plot twists, electrifying set pieces, and Hitchcockian doubles (and triples and quadruples) abound, while the film’s labyrinthine plot and disorienting, dreamlike tone are enhanced by the intricate, maze-like Steadicam shots."

I'll do a couple more brief posts centered around this fest in the next couple of days.


Posted by Geoff at 5:45 PM CST
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