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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

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italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
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Motion Pictures Comics

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So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
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The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Ambrose Chapel
Are Snakes Necessary?
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Cop-Out
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Tuesday, January 24, 2017
DE PALMA TO VISIT NY FILM ACADEMY WEDNESDAY


Previously:
De Palma speaks at class in New York


Posted by Geoff at 8:29 PM CST
Updated: Tuesday, January 24, 2017 8:45 PM CST
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CARLOTTA UNVEILS 'PHANTOM' ULTRA COVER ART
AND 'PHANTOM' TO SCREEN IN 35MM AT STOCKHOLM CINEMATEK MARCH 21


Two days ago, on its Facebook page, Carlotta Films unveiled the above cover for its upcoming Ultra Collector's Box of Brian De Palma's Phantom Of The Paradise, which will be available April 12th. The cover art was created by Matt Taylor. It sounds like more specs will be announced as we get closer to release date, but the set will include a brand new 2K restoration of the film, two hours of supplements, and a 150-page book that will collect articles and analyses, archived promotional materials, interviews, and more.

Meanwhile, on March 21st, Phantom Of The Paradise will screen in 35mm at the Stockholm Cinematek. The screening will be introduced by Ari Gunnar Thorsteinsson, a film critic who has written for IndieWire, among others.


Posted by Geoff at 8:06 PM CST
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JOBLO'S FACE-OFF - 'PSYCHO' v. 'DRESSED TO KILL'
TURNS OUT TO BE RATHER DISAPPOINTING, SHORT-SIGHTED VIEWPOINT
With M. Night Shyamalan's Split released last week, there have been a lot of articles and reviews mentioning Brian De Palma and especially Raising Cain. JoBlo.com's Cody Hamman posted a "Face-Off" column pitting Alfred Hitchcock's Psycho opposite De Palma's Dressed To Kill, with disappointing remarks such as De Palma's main character, Kate Miller, not coming off as "very likeable, so her death doesn't have much emotional impact despite the fact that we've just spent more than 30 minutes watching her." (I am always flummoxed by criticisms that this or that character is not very likeable.) There's also this, regarding Dressed To Kill: "It's an interesting story of a psycho with multiple personalities, but the way the film mishandles the concept of gender reassignment surgery, treating it as a joke at times, can be rather cringeworthy when you look at it 37 years later."

And then Hamman completely lost me with this short-sighted gem: "De Palma takes wordless sequences to an extreme in DRESSED TO KILL. In the first 35 minutes of the film, the characters exchange maybe around 7 minutes of dialogue. The silent seduction at the museum takes up 10 minutes, and as the film goes on there will be several more lengthy stretches without dialogue. Composer Pino Donaggio plays some good music over these sequences, but that doesn't stop them from coming off as being painfully dull to me. Unable to connect with the characters, I don't care what they're doing when they're not speaking, so as these sequences drag on and on I struggle to keep my attention on the film."

Posted by Geoff at 8:10 AM CST
Updated: Thursday, January 26, 2017 12:08 AM CST
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Thursday, January 19, 2017
PASTE SUGGESTS 'THE UNTOUCHABLES'
"CHEERFUL CONTENT" TO HELP "FEEL BETTER THIS WEEKEND"
Paste today posted its "Official List of Cheerful Content," which consists of staff "suggestions for how to feel better this weekend." Staff writer Jason Rhode explains, "Paste friend Sean Doyle had a suggestion: during this highly fraught week, while Paste will certainly be publishing plenty of serious features, it might be helpful if we put together a list of light-hearted/cheerful/delightful media or ideas that we turn to in these moments; really, anything that keeps us sane during the next several days. I asked Paste staffers to compile a staggering list of heart-dazzling brilliance, so all may taste the rainbow. In this winter of discontent, we bring you the winners of this content."

Rhode himself begins the list with his choice of Brian De Palma's The Untouchables:

When I consider media which brings me good cheer, one movie immediately comes to mind. In any moment, for any reason, for any question, there is a single answer, and that is Brian DePalma’s The Untouchables. You know that movie you love? Well, all the movies you love secretly adore this flick, and have been writing fan letters to this piece of pure American kino. Oh, the greybeards and Philip Roth will say that this is not a cheerful movie. You know what makes me cheerful? Knowing when they go to sleep and wake up they are wrong, wrong, wrong.

The Untouchables is one of most encouraging movies ever made. I’ll spare you a recitation of the plot, since we have all watched at least five minutes of TBS in our lives and thereby absorbed DePalma by means of osmosis. What can account for the cultural cachet of this epic tale of brotherhood and bloodspill?

You know all of those empires which have fallen? Looks like they weren’t Untouchable. There are Oscar-winning movies that cover tweens learning violin, kids discovering that dinosaurs were just like us, and how the yam farmer is the noblest of God’s creatures … but they don’t have Kevin Costner pushing a Prohibition baddie off a roof and into a car. Does your beloved Jennifer Lawrence vehicle feature Sean Connery chasing an assassin out of his house in his suit-vest, only to be shot himself? No? Oh, how disappointing that must be for you.

Does your movie happen to be the most heartwarming bro-picture of all time? In the other movies, does an accountant discover in the moment of trial that he can go full truffle-shuffle and wreck shop on Capone’s illegal hooch empire with a gun in his hand, and an even bigger gun in his chest—his heart? Yes, the heart is a gun. The Untouchables teaches this lesson, and so many more. DeNiro’s Capone isn’t even acting; it’s as if the memes from all his Scorsese movies (“To-day! To-day! To-day!”) plugged into an feedbacking amp the size of the world. This movie does not chew the scenery, it devours the backdrop for the fuel to rise above the concept of scenery. That’s the Chicago Way.


Posted by Geoff at 11:50 PM CST
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Wednesday, January 18, 2017
PORTLANDIA'S 'MEN'S FILM FESTIVAL' SKETCH
PROMISES NOT TO LET BRIAN DE PALMA'S VOICE BE SILENCED

"We've gotta preserve films made by men." That is the skewed perspective of the sketch above from an upcoming episode of IFC's Portlandia (this one will air February 9th). "If you look at a newspaper, blog, television show," begins one of the two male programmers in the sketch, "what do we hear about? Women in film." The small group of men in the audience nod in agreement. Soon after, the programmer played by Fred Armisen begins by pulling from a container one of the audience's anonymous suggestions of films and directors to showcase: "I see the name Brian De Palma." [Applause] Turning to a young boy in the audience, he asks him if he's heard of Brian De Palma. "No. I was born in 2003." The other programmer (played by Carrie Brownstein) chimes in, "So, you've probably only heard about female film directors." They bring up Kathryn Bigelow, and the boy nods in agreement. After riffing on her, the Armisen male gets animated: "Brian De Palma is this guy who worked overtime to make movies." Brownstein: "Carrie. The Untouchables. Scarface." Armisen: "Do you guys know these movies? No, not so much. Well, we're going to educate you." Brownstein: "We will not let his voice be silenced."

Posted by Geoff at 9:39 PM CST
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Tuesday, January 17, 2017
'BLOW-UP' & 'BLOW OUT' IN BROOKLYN THURSDAY
DOUBLE FEATURE IS PART OF "STAFF PICKS" SERIES THIS WEEK AT SYNDICATED
Hot on the heels of last Friday's double feature of Blow Out and The Conversation at The Carolina Theatre in Durham, North Carolina-- a theater in Brooklyn will pair Brian De Palma's film with its other main antecedent, Michelangelo Antonioni's Blow-Up. The double feature happens at Syndicated this Thursday night (January 19th), as part of the theater's weeklong "Staff Picks" series. Blow-Up screens at 7pm, followed by Blow Out at 9:45pm.

Posted by Geoff at 10:22 PM CST
Updated: Tuesday, January 17, 2017 10:24 PM CST
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Sunday, January 15, 2017
CRAMPTON: 'ALWAYS SHINE' FEELS VERY DE PALMA


Previously:
Always Shine director discusses her influences
Tweet: Always Shine "feels like De Palma's 3 Women"
Star Mackenzie Davis says the gaze of Always Shine feels very different from that of De Palma's cinema

Posted by Geoff at 11:34 PM CST
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Friday, January 13, 2017
'BLOW OUT' / 'CONVERSATION' DOUBLE FEATURE
TONIGHT IN DURHAM, NC - ALSO, THE CONVERSATION BETWEEN COPPOLA & DE PALMA
The Carolina Theatre in downtown Durham, North Carolina, has a fantastic Friday-the-13th double feature tonight as part of its RetroClassics Film Series: Brian De Palma's Blow Out, at 7pm, followed by Francis Ford Coppola's The Conversation.

It just so happens that the 1974 conversation between Coppola and De Palma has been making the rounds on the internet the past three or four weeks, thanks to a post at Cinephilia & Beyond that includes the full article from Filmmakers Newsletter #33, and, at the botom of the page, an hour-long documentary about the early years of American Zoetrope.

Posted by Geoff at 1:16 AM CST
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Thursday, January 12, 2017
PIPER LAURIE w/'CARRIE' & 'HUSTLER' SATURDAY
IN ORINDA, CA; AND ARMOND WHITE LINKS 'BROKEN BLOSSOMS' WITH 'CARRIE'
Piper Laurie will be on hand at the Orinda Theatre in Orinda, California this Saturday, January 14th, for a double feature of two of her greatest films, Brian De Palma's Carrie (5pm), and Robert Rossen's The Hustler (8pm). According to Diablo Magazine's Pete Crooks, Laurie will appear for a Q&A with the audience following each film.

Meanwhile, the other day, Armond White mused on D.W. Griffith's Broken Blossoms for Out, and mentioned De Palma's Carrie:
Film buffs esteem Broken Blossoms for its artiness — dreamlike, fuzzy images project us into the exoticism of other states of being. It heightens our response to effeminacy while critiquing Battling Burrows’s masculine threat. Crisp’s macho sneer is on a behavioral continuum with Gish’s fragility (her fright hiding in a closet was repeated in Brian DePalma’s modern sexual gothic Carrie) and Barthelmess’s ethereal, idealized compassion. The man and girl’s idyll is crushed (“The spirit of beauty breaks her blossoms all about his chamber”), and no contemporary gay-bashing would be more heartrending.

Posted by Geoff at 8:01 PM CST
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Monday, January 9, 2017
TWEETS - ELDER STATESMEN OF CLASSICISM

Posted by Geoff at 12:11 AM CST
Updated: Monday, January 9, 2017 8:18 AM CST
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