Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« March 2021 »
S M T W T F S
1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, March 4, 2021
BÉART FONDLY RECALLS DINNERS WITH DE PALMA
MISSION IMPOSSIBLE - "I WAS OBSESSED WITH THE IDEA OF HOW MANY AUTEUR FILMS IN FRANCE COULD BE MADE WITH THIS MONEY"
https://www.angelfire.com/de/palma/depalmabeart.jpg

Today kicked off the Film at Lincoln Center's 26th edition of Rendez-Vous with French Cinema. One of the free virtual events is a Discussion with Emmanuelle Béart. As the Rendez-Vous official Guest of Honor, Béart is interviewed by Columbia University Professor Richard Peña, who eventually asked her about working on Mission: Impossible:
Richard Peña: In addition to working with artists like Téchiné, Sautet, Rivette, Assayas, and others, you also have worked in Hollywood. Specifically on Mission: Impossible. And I'm wondering if you could talk about what your impression was when you arrived to be in a very big-budget Hollywood film, and then maybe on that, what was it like to work with another auteur like Brian De Palma?

Emmanuelle Béart: [via a French-English translator] Well, it was quite a strange experience for me. I must say that I got on this project, while I was RAISED in auteur cinema, so I had as an actor, a culture, habits of the background that I had, and the kinds of films in which I had been in. And all of a sudden, I got there, and I think Brian once told me, when it was the premiere of the film, he told me that he felt the same. That it was, when we were on set, the boss wasn't Brian De Palma. It was Tom Cruise and his team. That's what it was about. And this is something I really found hard to adjust to. I mean, for me, the director is the absolute master. He's the master and commander of the boat, of the set. And I expected this to be the same there, especially with a director as great as Brian De Palma. But it wasn't like that at all. And, it wasn't the problem of Tom Cruise, who I really got along well. And I think, for him, it was okay, it was the way it had to be, but it wasn't MY culture. It wasn't my way of engaging in a film project. So, that was quite strange.

And I was... a bit, also, I found incredible, the amount of money that was being used for ONE film. I was wondering all the time, I was obsessed with the idea of how many auteur films in France could be made with this money. Why are we putting so much money on ONE film? And when we were really too depressed, Brian and I, I remember, we would go in the evening into Italian restaurants, eat pasta, and talk about films, and talk about auteur cinema. And we had great fun, the two of us together, after, once the shooting would wrap, to go and enjoy our time together.

But for the film itself, I have mixed feelings, I would say. From one side I was like a kid. I found it funny, so, so much money, and to be able to just push a button and see a car explode. And this was a bit crazy. But at the same time, I felt quite embarrassed and not really at the place I wanted to be. That's why afterwards, I didn't stay in Los Angeles. I had an agent, I had many more offers, but they didn't make sense to me. It was too stereotyped. It was just a kind of, um, what's expected from a French actress, and really too similar to what I'd done before, and so I couldn't relate to any of these offers. And I just longed to go back home.


Posted by Geoff at 7:59 PM CST
Post Comment | View Comments (10) | Permalink | Share This Post

Friday, March 5, 2021 - 12:26 AM CST

Name: "Harry Georgatos "

The cult of Tom Cruise has taken over the planet with a pious Ethan Hunt super spy. If Beart thought the first Mission was expensive the sequels doubled and tripled in dollars. It's time that Cruise shows flaws in Ethan Hunt. There's no such person as pious spy. That only exists in the movies.

Friday, March 5, 2021 - 2:10 AM CST

Name: "Rado"
Home Page: http://rado.bg

But it is an auteur film with very high artistic and philosophical qualities, next to the entertainment value.

Friday, March 5, 2021 - 8:03 AM CST

Name: "Geoff"
Home Page: http://https://www.angelfire.com/de/palma/blog

Yes, it definitely is, Rado. You can look at any frame, any shot in the movie and tell that it is a De Palma film through-and-through. De Palma's sensibility and visual depth is sewn into the very design of the shots, and of the film itself.

Friday, March 5, 2021 - 6:20 PM CST

Name: "Neil "

MI has the best acting in the franchise. The sequels are bigger and louder world building from DePalma's original starter. 

Friday, March 5, 2021 - 8:12 PM CST

Name: "Harry Georgatos "

Tom Cruise Ethan Hunt character is cultivated to suit box office appeal which means no ambiguity or character flaws. DePalma was a director for hire and visually made this film his own. DePalma even knew he couldn't mess around with Tom Cruise central character. Cruise Ethan Hunt character is one dimensional pious super spy which wreaks of cashing in at the box office. The gold standard of a real spy characterised on film is Richard Boone in The Kremlin Letter. DePalma brought a level of nuance to Hunt in his film where the sequels with Ethan are more black and white with a character beyond corruption. It would be good to see Ethan turn bad like Jim Phelps in the first movie which would justify turning Phelps into a traitor and murderer. With Cruise image makers that would never happen.

Friday, March 5, 2021 - 8:29 PM CST

Name: "Geoff"
Home Page: http://https://www.angelfire.com/de/palma/blog

It really doesn't matter if Ethan turns bad or traitor, because what is implied by the subversive bookends on the airplane that De Palma provides is that the potential is there for Ethan to be corrupted just as his father figure was before him.  The latest MI by McQuarrie toys with this idea, having Ethan pose as a cold-blooded killer, even to the point of Ethan himself picturing it all in his head as if he would be so corrupt, cold, and cruel. This sequence echoes the one in De Palma's, where Ethan tries to alter in his own mind the images he has of Claire going hand-in-hand along with Jim Phelps' plan.

Friday, March 5, 2021 - 8:57 PM CST

Name: "Harry Georgatos "

The temptation is there for Ethan, but Cruises team and image makers would never allow Ethan to go hardcore bad. Finchers MI3 wanted to explore the evil side of Hunt but that version unfortunately never happened with Tom Cruise who went and did Abrams bland and pious version of Hunt that was poo for me in Abrams MI3

Friday, March 5, 2021 - 11:28 PM CST

Name: "Geoff"
Home Page: http://https://www.angelfire.com/de/palma/blog

Also, at the time Mission: Impossible was made, Aldrich Ames was fresh in the collective mind. The disillusioned CIA officer who was desperate for money became a mole who sold operatives' names to the KGB, betraying those who thought they knew him. Phelps' betrayal in MI is shown to be the deepest of tragedies, not treated lightly, and it reflected what was really going on in the world.

Saturday, March 6, 2021 - 12:39 AM CST

Name: "Harry Georgatos "

Chris Cooper played Ames in the excellent movie BREACH. There was also a more accurate mini-series with William Hurt in the lead role:

Saturday, March 6, 2021 - 4:08 PM CST

Name: "Tex"

Breach was based on Robert Hansen not Aames

View Latest Entries