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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« August 2019 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Saturday, August 31, 2019
DE PALMA - 'THE CRUCIAL PROBLEM IS CLIMATE CHANGE'
CITES GODARD IN VENICE INTERVIEW - "CINEMA IS LIFE SEEN FROM A DIFFERENT PERSPECTIVE"
https://www.angelfire.com/de/palma/briansigns4small.jpg

Brian De Palma has been at the Venice Film Festival the past couple of days. Yesterday, Christina Newland tweeted, "Guys, I just thought I’d inform you: I did a very brief interview with Brian De Palma and we talked about onscreen fucking. (His words, not mine.)"

Huffington Post's Giuseppe Fantasia also caught up with De Palma and posted the interview yesterday. Here's an excerpt, with the assistance of Google Translation:

"The crucial problem is climate change. We have not been up to a responsibility that we have towards the environment, and that consists of having to protect it, which is our crucial role. Someone like Trump does not want to put it in his head and even goes so far as to deny that this is the role of America. Children will have to face a world different from this one in which we have not been able to safeguard what is around us. Thumberg is right to point this out to us. We are the ones who are living the life unlivable to them. Isn't it terrible?"

Here at the Lido, where the 76th International Film Festival is underway, today Brian De Palma, director-symbol of New Hollywood origin, "father" of tension-rich impact shots, such as the characteristic slow motion shot or 360 ° rotation of the camera around a body, the worthy heir of Alfred Hitchcock whose styles and manners have been revisited. From Carrie - which featured his ex-wife Nancy Allen - up to Blow Out, Scarface, The Untouchables and Carlito's Way, just to name a few, his work has contributed to maintaining the thriller genre while making suspense his strong point. That word, which has a different sound depending on whether it is pronounced in English or in French, is preferable to fear, which has nevertheless always managed to be conveyed in its own way in his films. "I've always created it, even though I'm not a master like Hitchcock. When I make films, it's as if they were a canvas that involves the audience in the protagonists and their personas, and all facets of the characters. In any case, today, given the situation we are experiencing, there is something to be afraid of."

"In America" - he adds - "we have a crazy president, but unfortunately he is our president." And yet, we point out to him, there is a large slice of the population that voted for him and continues to love him. "We are living in a very particular period," he replies. "We have never had such a president and I hope he will not be re-elected." "We can call it the last bastion of white America," he adds. "America is a great country that is based on migratory flows and that has always tried to include migrants. What he is doing, as we know, is keeping them out, even though our country has always welcomed those who are different, it has always tried to integrate it. The mistake lies in having created a structure that is exclusive, rather than inclusive." Also in Italy, we point out to him, we are experiencing a situation in many ways similar. "I don't know much about Italian politics," he says, "but I keep myself informed and I obviously have my ideas..."

...

Fighting the many bad things that surround us is a "Mission Impossible," wanting to mention one of his most beloved movies, which was followed with later chapters. "Cinema helped me a lot," he explains. "It gave me so much and it gives me so much today when I do it, but there is one thing that it gave me and made me discover even better, which is beauty. I am a visual storyteller, I tell the story through images. My goal is always to create stories that speak through images and I learned to tell stories through images even when politics was going to disturb what was around me. The real challenge was to be able to create those images despite what was happening, often in a dangerous and ridiculous way."

"See Life Through A Different Lens" is the title of the Masterclass organized by Mastercard which included him as a panelist together with the actresses Rossy De Palma, Nadine Labaki and our Valeria Golino. "It's what we do with films: to see life with different eyes, from another perspective. We should always do it. It is a gift that not everyone has. I think of my job being to point the camera at someone or something and then show them how I live life. I'm inspired by Godard: cinema is in line with what is said in those seconds or minutes. Cinema," he concludes before saying goodbye, "is life seen from a different perspective.”


Posted by Geoff at 3:51 PM CDT
Updated: Saturday, August 31, 2019 4:22 PM CDT
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