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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« July 2018 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

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Guillotine

FilmLand Empire

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A Lonely Place

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italkyoubored

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24 Frames Per Second

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So Why This Movie?

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Nothing Is Written

Ferdy on Films

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This Recording

Mike's Movie Guide

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
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Are Snakes Necessary?
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Thursday, July 5, 2018
ANTWERP SUMMER FILM SCHOOL ON DE PALMA JULY 9-14
FOLLOWED BY 2ND SERIES IN ROTTERDAM JULY 18-22; ADRIAN MARTIN & CHRISTINA ALVAREZ LOPEZ
https://www.angelfire.com/de/palma/zomer2018.jpgLast March, I posted about the upcoming Summer Film School Rotterdam, running July 18-22, with lectures and screenings of five Brian De Palma features all presented by Cristina Álvarez López and Adrian Martin.

What I missed is that, the week prior to that, there is another Summer Film College in Antwerp (July 9-14), this one including six De Palma films and lectures, all, again, presented by Cristina Álvarez López and Adrian Martin (with two extra films bookending the series: Carlito's Way and Scarface, sans lecture). That series is titled, " BRIAN DE PALMA: VISION, OBSESSION AND SET-UP." Here is the schedule of De Palma films in Antwerp:
July 9
Sisters (1972, 93’, 35mm) - De Palma’s Beginnings: Art, Music and the Counter-Culture
Carlito's Way (1993, 144', 35mm) - Introduction by Adrian Martin & Cristina Álvarez López

July 10
Dressed To Kill (1980, 105', 35mm) - The Hitchcockian Model and its Variations

July 11
Blow Out (1981, 107’, 35mm) - Vision and Sound: The Complex Machine

July 12
Raising Cain (1992, 92', 35mm) - Story, Identity and Point-of-View

July 13
Femme Fatale (2002, 115', 35mm) — The Dream-Film: De Palma’s Testament

July 14
Passion (2012, 102', 35mm) — The Langian Model: Narrative and Society as Trap
Scarface (1983, 169’, 35mm)


Summer Film School Rotterdam

July 18 — De Palma’s Beginnings: Art, Music and the Counter-Culture
Phantom of the Paradise (1974, 92’, DCP)
July 19 — The Hitchcockian Model and its Variations
Obsession (1976, 98’, DCP)
July 20 — Vision and Sound: The Complex Machine
Carrie (1976, 98’, DCP)
July 21 — Story, Identity and Point-of-View
Body Double (1984, 114’, DCP)
July 22 — The Langian Model: Narrative and Society as Trap
The Black Dahlia (2006, 121’, 35mm) 

 



Posted by Geoff at 6:23 PM CDT
Updated: Thursday, July 5, 2018 6:31 PM CDT
Post Comment | View Comments (4) | Permalink | Share This Post

Friday, July 6, 2018 - 6:47 AM CDT

Name: "Lear"

In this month's issue of French magazine Positif, Brian de Palma  mentions Domino twice: he said that the villain's motive is to record the terrorist attacks so that he can get the attention of the media and become a 'star'. He also mentioned how he  only shot 30 days out of the 100 scheduled days. 

Friday, July 6, 2018 - 5:54 PM CDT

Name: "$$$"

Apparently Domino only had a budget of 6,000,000 euro. That would be around the same budget of Redacted.

Friday, July 6, 2018 - 7:44 PM CDT

Name: "sue"

For such a cheap budget the running time of DOMINO at various sites has it hitting at 148 minutes.

Friday, July 6, 2018 - 7:53 PM CDT

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma

Man oh man, please, not this running time stuff again-- we now know that Domino was not even scored nor completely shot when those running times were posted. Here is what I wrote this past April (before the film was even complete) -- 

"As we approach next week's anticipated announcement of the full Cannes lineup, places such as the IMDB and Wikipedia are both listing the running time for Brian De Palma's Domino at 148 minutes. I remain skeptical of that precise figure, because both the IMDB and Wikipedia are subject to random user edits, but also because of an odd match with Brimstone, which also has the precise running time of 148 minutes. Brimstone also stars Guy Pearce and Carice van Houten, and shares some of the same producers as Domino."

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