Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

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De Palma Discussion
Forum

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« February 2017 »
S M T W T F S
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12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
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Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
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Obsession
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Palmetto
Paranormal Activity 2
Parker
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Passion
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Pimento
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Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
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Saturday, February 25, 2017
'BLOW OUT' KICKS OFF 5-WEEK FILM/STYLE COURSE
SUNDAY, FEB 26, AT FILM STREAMS IN OMAHA; COURSE ALREADY FILLED TO CAPACITY
Brian De Palma's Blow Out will be the first of five films to be screened and discussed as part of a five-week course titled "Film/Style." The course, currently filled to capacity, will be taught by Diana Martinez at Film Streams in Omaha, Nebraska, every Sunday from February 26 to March 26. The course syllabus lists Blow Out as the film to be screened and discussed February 26 in terms of frames. Here is how the Film Streams site describes the course:
Film/Style is currently at capacity. To be added to the wait list or receive notifications about our next Courses offering (coming in Spring 2017!), please email Film Streams Education Director Diana Martinez.

Film Streams Courses is a new program of themed, multi-week seminars that will provide adults with an introduction to the tools of film analysis. Every participant will leave better equipped to analyze film aesthetics and examine the tremendously important role film plays in our culture.

Film/Style

Step in the vivid worlds of cinema’s most stylish films.

Instructor: Diana Martinez, Film Streams Education Director
Dates: Sundays, Feb 26 – Mar 26, 2017, 11am – 2pm

There is no art form more capable of provoking our senses than film. It can create fantastic places and expose the stark reality of life. Film/Style is an introduction to the aesthetic techniques employed by some of the most influential and challenging filmmakers in the medium’s history.

Film/Style will explore the complex interplay of mise-en-scène, cinematography, sound, and editing that shapes our viewing experience. An international tour of film aesthetics begins with a classic from Brian De Palma, and will conclude with a film by the great Chinese auteur Wong Kar-Wai, with films in between from Czechoslovakia, France, and Germany.

COURSE SYLLABUS
Frames: Blow Out 1981
Rhythm: Daisies 1968
Sound: Holy Motors 2012
Color: The Bitter Tears of Petra von Kant 1972
Texture: In the Mood for Love 2000

Cost: $125 General, $75 Film Streams Members, $100 Student/Teacher/Senior/Military Includes Course materials and snacks


Posted by Geoff at 11:53 PM CST
Updated: Saturday, February 25, 2017 11:56 PM CST
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