Meanwhile, according to Roger Friedman's Showbiz 411, De Palma attended a screening of Levinson's Pacino-starring The Humbling on Thursday. "Famed novelist Philip Roth really owes Oscar winning director Barry Levinson," Friedman states in his recap. "The Rain Man director has made a stellar, quirky, and really hilarious film out of Roth’s novel The Humbling. I think it’s Levinson’s best work in years, hugely accomplished for its mixed tones of utter zaniness and comic beauty.

"Al Pacino is simply outstanding as Simon Axler, a fading self obsessed famous theater actor who does a swan dive off a Broadway stage and announces his retirement. At a country house he falls into a relationship with Pegeen (luminous Greta Gerwig), daughter of his friends (Dianne Wiest and Dan Hedaya). Nina Arianda has a scene stealing recurring role as a super fan Simon meets in a psychiatric hospital.

"The audience last night at the Elgin loved this film. No less a presence than Brian DePalma was in the theater. You know a movie’s good when the introductory speech is short– no horsing around, just 'here’s the movie.' When Levinson and Pacino made quick remarks, I thought, wow, they know what they’ve got and they want us to see it. Not to be missed is a hilarious scene in a veterinarian’s waiting room. It recalls the tone of Levinson’s Wag the Dog."

Zacharek liked (loved) The Humbling much more than she did Pacino's other Venice world premiere, David Gordon Green's Manglehorn. However, some critics seemed to have the reverse opinion about each of these. In his review of Manglehorn, The Guardian's Xan Brooks writes, "Pacino's Manglehorn is a subtle master class in neutral shading, with none of the garish flashes that sometimes bedevil his work. The actor's natural tendency is to hit for the fences and crank up the volume, often magnificently (Dog Day Afternoon), occasionally not (The Scent of a Woman). But Manglehorn provides him with a grand late renaissance, a fresh string to his bow. It takes the splenetic livewire of American film and installs him as condemned human property, boarded up and fenced off. The irony is that, by playing this wreck, Pacino looks as vital and exciting as he did in his pomp."

[Note: In July of last year, De Palma appeared on George Stroumboulopoulos Tonight, where he talked about Passion, played around with the idea of texting during dates, discussed the lack of a current counterculture in film, Robert De Niro, and quotes from Scarface.]

"Perhaps Bahrani is invoking Brian De Palma’s Scarface in the Florida setting: certainly, Carver’s nihilistic state-of-the-nation rants recall Tony Montana in his self-actualising pomp, and [Michael] Shannon delivers them with Tyrannosaur charisma. He and [Andrew] Garfield are an ideal double-act, and the possibility of a late Damascene conversion for either man seems unlikely, but never out of the question."

(Thanks to Justine!)

(Thanks to Rod!)

Meanwhile, Glenn Kenny posted a Blu-ray consumer guide on his Some Came Running blog, and included a capsule review of Scream Factory's Phantom set: