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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
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De Palma discusses
The Black Dahlia 2006


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Carrie...A Fan's Site

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No Harm In Charm

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Scarface: Make Way
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The Big Dive
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Carrie: The Movie

Deborah Shelton
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Welcome to the
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The Carlito's Way
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FilmLand Empire

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A Lonely Place

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italkyoubored

Icebox Movies

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Not Just Movies

Hope Lies at
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So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

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This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
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De Palma a la Mod
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Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Ambrose Chapel
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Sunday, December 23, 2012
'CARRIE' SOUNDTRACK IN LIMITED RE-RELEASE
THIS TIME, JUST ONE-DISC EDITION FROM KRITZERLAND
A couple of years ago, Kritzerland released a two-disc limited edition of Pino Donaggio's soundtrack from Brian De Palma's Carrie, which sold out rather quickly. Now, the company is releasing a one-disc edition, limited to 1000 copies. The second disc on the previous edition consisted of the original LP release from 1976. Since the first disc featured new remixes of the entire score from Carrie, plus instrumental versions of the two songs Donaggio had provided music for, the new release consists of only that disc. And what more is needed, really?
(Thanks to Randy!)

Posted by Geoff at 12:26 PM CST
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Saturday, December 22, 2012
'PHANTOM' TO PLAY AT PAUL WILLIAMS FILM SERIES
WITH WILLIAMS IN ATTENDANCE, AT MUSEUM OF THE MOVING IMAGE IN JANUARY

The Museum Of The Moving Image in New York will hold a concentrated retrospective of Paul Williams films the weekend of January 25-27, 2013. Williams will be present for each film screening, which kicks off at 7pm Friday, January 25, with Brian De Palma's Phantom Of The Paradise. The other films are The Muppet Movie, Ishtar, and the recent documentary, Paul Williams: Still Alive.

Posted by Geoff at 3:43 PM CST
Updated: Saturday, December 22, 2012 3:45 PM CST
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Tuesday, December 11, 2012
VIDEO - NOOMI BRIEFLY TALKS 'PASSION' & RACHEL
"IT WAS A REALLY INTENSE JOURNEY FOR ME"

In the video above, Noomi Rapace is interviewed at the British Independent Film Awards, and at one point is asked about working with Rachel McAdams on Brian De Palma's Passion. "Oh, we had such a great time," replies Rapace. "We were in Berlin for three months. And I love working with her, we had such a… it was fun, even though we didn’t really like each other on screen, but... [laughs, then looks serious again]. And it was a really intense journey for me."

Posted by Geoff at 6:41 PM CST
Updated: Tuesday, December 11, 2012 6:44 PM CST
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Sunday, December 9, 2012
SAGNIER EAGER TO SEE 'PASSION'
SAYS HER MEMORY OF 'LOVE CRIME' IS TAINTED BY THE PAIN OF CORNEAU'S DEATH
The Guardian's Xan Brooks interviewed Ludivine Sagnier about her career and her work on Alain Corneau's Love Crime. Here is the passage in which they discuss that film, and Brian De Palma's remake of it:
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In her latest film, Love Crime, Sagnier plays a corporate worm that turns. For the first half she's the supplicant, sweating through an agonising, quasi-sexual relationship with her implacable boss (Kristin Scott Thomas). For the second she's the agent of change, apparently martyring herself in the service of committing the perfect crime. "Human beings are so complicated," grumbles the detective called in to clean up the mess.

Sagnier explains that she actually shot Love Crime three years ago and that her memory of it is coloured by the subsequent death of its director, Alain Corneau. "I mean, I do like the movie," she stresses. "But for me it's tainted by frustration and so much pain, because he died on the very week it got released in France." Corneau, she now realises, was suffering from lung cancer while the picture was being shot. In hindsight this explains a lot.

"In France we have a saying: 'He never put his arms down.' Forward, forward, never stop, which was very difficult for me and Kristin. He was like a little boy playing with iron soldiers and we were the soldiers. He wouldn't talk, wouldn't listen, and we had to do exactly what he wanted. It was like he only had so much energy to spare. He must have known he did not have much time left."

The film, she adds, has just been remade by Brian De Palma, as Passion. She's eager to see it; she wants to know if the sexual undercurrent has been brought to the fore.

What if the new version is better than hers? Wouldn't that make her mad? She gives an airy shrug. "I would not be surprised."


Posted by Geoff at 12:00 PM CST
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Saturday, December 8, 2012
PAUL WILLIAMS TEAMING UP WITH DEL TORO
FOR STAGE MUSICAL VERSION OF 'PAN'S LABYRINTH', & ANIMATED 'DAY OF THE DEAD'
Deadline's Mike Fleming Jr. posted the other day that Paul Williams has just signed on to write lyrics for a stage musical version of Guillermo del Toro's Pan's Labyrinth, which del Toro has been quietly working on for four years. The music is being written by Gustavo Santaolalla. "I admire and love Gustavo and Paul wrote the perfect album in Phantom Of The Paradise, which I have loved for decades," del Toro told Fleming. In 2010, Harry Knowles wrote about how one night, del Toro had spent "hours" telling Knowles why he wanted to remake Phantom Of The Paradise, which is one of his very favorite films.

Del Toro also revealed to Fleming that Santaolalla and Williams are writing songs for the animated film Day Of The Dead, which del Toro is producing for Reel FX. That project is being directed and co-written by Jorge R. Gutierrez, and will be released in the fall of 2014.

Since 2009, Williams has been working with Brian De Palma and Edward R. Pressman on a stage version of Phantom Of The Paradise, something they have taken stabs at off and on for years. De Palma and Williams had tried to get a stage version going in 1987, and in 2003, Antonio Banderas discussed the possibility of taking on the title character for a stage version. For now, however, we have the incredible film from 1974. And, of course, the Baltimore Rock Opera Society.


Posted by Geoff at 7:51 PM CST
Updated: Monday, January 27, 2014 7:54 PM CST
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Friday, December 7, 2012
'FEMME FATALE' AT NY MUSEUM OF MOVING IMAGE
SCREENED FRIDAY AS PART OF SERIES "THE CINEMA AND ITS DOUBLES"
Sorry about catching word of this too late (the screening is happening as I write this), but I had to note that Brian De Palma's Femme Fatale is screening tonight at New York's Museum Of The Moving Image, as part of the series "The Cinema and its Doubles." I especially like the quote at the Moving Image site from Jonathan Rosenbaum, which I don't recall ever reading before. According to the site, Rosenbaum called Femme Fatale "a synthesis of every previous Brian De Palma film... I enjoyed every minute of it, maybe because De Palma took such obvious pleasure in putting it together."

Posted by Geoff at 8:40 PM CST
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Wednesday, December 5, 2012
RUMOR: NEW 'SCARFACE' TO BE MEXICAN
FACT: 'DONNIE BRASCO' WRITER PAUL ATTANASIO HIRED TO REWRITE SCREENPLAY


This past October, Deadline's Mike Fleming Jr. posted the news that Universal had hired Paul Attanasio to rewrite David Ayer's original draft of the new Scarface film being produced by Marc Shmuger and Martin Bregman. Fleming wrote that "the film is not intended to be a remake or a sequel. It will take the common elements of the first two films: An outsider, an immigrant, barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition. The studio is keeping the specifics of where the new Tony character comes from under wraps at the moment, but ethnicity and geography were important in the first two versions."

Latino Review's El Mayimbe took the "keeping under wraps" part of that paragraph as a challenge, and claims to have discovered, via unnamed sources, that the new Tony "is actually Mexican and the remake takes place in the world of drug cartels." We shall see.


Posted by Geoff at 11:52 PM CST
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Tuesday, December 4, 2012
CRUISE TRIBUTE TO INCLUDE 'MISSION: IMPOSSIBLE'
DEC 17-20 INCLUDES CAREER DISCUSSION AT LINCOLN CENTER IN NEW YORK
Tom Cruise will discuss his film career with the New York Film Festival's director of programming, Kent Jones, at the Film Society of Lincoln Center's An Evening with Tom Cruise on Monday, December 17. The conversation will be followed by a preview screening of Jack Reacher, the potential Cruise franchise vehicle-starter directed by Christopher McQuarrie that opens in theaters that following Friday. In between those days, the Tom Cruise tribute continues with seven films programmed by Scott Foundas, including Brian De Palma's Mission: Impossible, which will screen at 6:30pm on Thursday, December 20. The other films are Tony Scott's Top Gun, Paul Brickman's Risky Business, Barry Levinson's Rain Man, Oliver Stone's Born On The Fourth Of July, Cameron Crowe's Jerry Maguire, and Ed Zwick's The Last Samurai.

Last month, Deadline's Mike Fleming Jr. posted that McQuarrie will direct the fifth Mission: Impossible film, which will be produced by Cruise and JJ Abrams. Writers were still to be hired for the project, according to Fleming, but it would seem likely that McQuarrie himself would be involved in the writing, as he has written every film he has directed so far, including the screenplay adaptation of Jack Reacher, from the Lee Child novel One Shot. McQuarrie also co-wrote the screenplay for Valkyrie, which starred Cruise and was directed by Bryan Singer.

Posted by Geoff at 7:18 PM CST
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Saturday, December 1, 2012
FRIGHT RAGS REVEALS NEW 'PHANTOM' SHIRT
AND DE PALMA'S FILM TO HAVE FEBRUARY MIDNIGHT SCREENINGS IN CHICAGO


Fright Rags last week revealed a new T-shirt design (above) inspired by Brian De Palma's Phantom Of The Paradise. The shirt sells for $21.95, and is advertised as "A super smooth screenprint on the softest 100% pre-shrunk ringspun cotton." Fright Rags also has a Carrie design available.

This next bit of news comes to us courtesy the great and highly informative Swan Archives. Chicago's Music Box Theatre will screen Phantom Of The Paradise on two nights this upcoming February, as part of its ongoing Midnight Movies series. Phantom will screen on Friday and Saturday nights, February 15 and 16. Here is the Music Box website's description of the film:

"Praise be to whatever dark lord made this unholy masterpiece! Brian De Palma’s glam-rock musical, featuring songs by Paul Williams, is a coked-out mashup of T. Rex, Hitchcock, Universal Monsters, and Rocky Horror. Winslow Leach is a promising musician whose work is stolen by the evil producer Swan (played to pig-faced perfection by Paul Williams). tortured and beaten for attempting to reclaim his music, Winslow transforms into the steel-toothed, cape-wearing, leather-clad Phantom, out to wreak havoc upon Swan’s new nightclub, The Paradise!"


Posted by Geoff at 10:22 AM CST
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Friday, November 30, 2012
PAULSEN DETAILS 'BODY DOUBLE' AUDITION & FILMING
"BRIAN SAID, 'PUT THE SCRIPT DOWN, LET'S JUST IMPROVISE'"


This past April, Rob Paulsen spoke to Dan Roberts about his small but memorable role in Brian De Palma's Body Double. This week, Paulsen provides even more details to A.V. Club's Will Harris:
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Oh, dear. [Laughs.] That is an interesting story, actually. My son was coming along, and I remember that my agent called me—I was still doing live-action stuff at that point—and said, “Hey, Brian De Palma wants you to come in and read for him.” And I said, “Wow! That’s pretty cool!” I don’t know how the hell he knew who I was, but I was happy to do that, because he had actually just come off of directing Scarface, and Scarface had a lot of press that was very… [Hesitates.] Not criticizing, really. I mean, the movie got pretty good notices, and it was a successful movie. But [De Palma] had gotten a lot of reviews that suggested that the violence of Scarface should’ve made it an X-rated movie. Mind you, this was 28 years ago, so the stuff that was considered racy or violent then was nothing compared to what it is now. I read an article in the L.A. Times where Brian De Palma said, “You know what? Screw those people. If they want an X-rated movie, I’ll give ’em one!” And that movie was Body Double.

I remember going to audition for Body Double, and I read for a different role, and when I went in, I read the part, and Brian said, “Put the script down, let’s just improvise.” And I’m comfortable with that, so we did. And by the time I got home, I had a message on my machine from my agent, saying, “Hey, Brian loved you! He doesn’t necessarily want you for the part he read you for, but he really loved you and wants to use you. It’ll be three or four days.” And I said, “Oh, great!” Mind you, I was in my late 20s at the time, Brian De Palma was a big deal, and it was a Columbia Pictures movie, his first movie after Scarface. So they just said, “Your call time is such and such, you’re going way down on Melrose, way past Hollywood. It’s Melrose and Heliotrope, it’s an abandoned warehouse, and you’re going to shoot your stuff there.”

So I drove down there, and they said, “Your scenes are going to be with Craig Wasson and Melanie Griffith, the stars of the film.” And I remember Steve Burum was the director of photography, a very well-known and excellent DP, and, of course, De Palma’s there, too. Now, I knew that the movie had something to do with the adult-movie business, but I didn’t know that I was going to be involved in the parts that were directly involved in the adult-movie business. [Laughs.] But when I got down there, they just kind of handed me the script and said, “You’re this guy.” And then the guy that was playing the director in the adult movie was Al Israel, a really intense actor who got a lot of notices for being the chainsaw guy in Scarface. So I was already thinking, “Wow, this is really weird…” And then as I was getting ready to do my scenes, they brought Melanie and Craig in, and then they also had a bunch of extras who were real adult-movie actors, and… It was all just really bizarre for a young man from Flint, Michigan. [Laughs.] I mean, I’d already been out here for about five years or so by that point, but it was still pretty disconcerting. But I didn’t have the guts to say, “I can’t do this.” I don’t think it was purely discomfort. It was a little bit of consternation, but also going, “Wow, what the hell is going on here?”

So these folks were all in various stages of undress, and Melanie was very uncomfortable with all of the people there, so the only crew that were allowed on the set were the DP, Brian De Palma, and… that was it, actually. The rest of us were actors. And it was a very odd circumstance. They shot more than [they] ended up [using]. But that isn’t necessarily a bad thing. [Laughs.] I was on the movie for three days, and I remember coming home and telling my wife, “Wow, that was a bizarre experience. At least I know I’m making some diaper money, but it was pretty wild.” Luckily, I didn’t have to take off my clothes. Nobody’s going to want to see me naked, anyway. Trust me.

Years later, my son was about 16, he had a bunch of buddies over, and they were watching movies. I’d already gone to bed, and he came in and said [whispers loudly], “Hey, Dad!” He woke me up, and I said, “Yeah! You okay?” He said, “Yeah, yeah, yeah. Uh… Were you in a movie called Body Double?” And I heard my wife immediately laugh. He and his buddies were watching Body Double, and they saw me. Then he said, “That was so cool!” I said, “It wasn’t really that cool, buddy, but…” [Laughs.] So it came back to haunt me. And it shows up every now and then in articles like this or whatever. But, hey, if you decide to be in show business or politics, your life is an open book. So I have no problem with people asking about it. I suppose it’s a left-handed compliment: When you achieve a certain modicum of celebrity—and I don’t consider myself a celebrity, but other people do—your past is available. Whether it hurts you or helps you, it’s all fair game.


Posted by Geoff at 7:07 PM CST
Updated: Friday, November 30, 2012 7:10 PM CST
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