Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod


De Palma Discussion


Recent Headlines
a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


« June 2020 »
1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30


De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site


No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags


The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the

FilmLand Empire

Astigmia Cinema


Cultural Weekly

A Lonely Place

The Film Doctor


Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds


No Time For
Love, Dr. Jones!

The former
De Palma a la Mod

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Boston Stranglers
Bruce Springsteen
Capone Rising
Carlito's Way
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Conversation, The
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Happy Valley
Havana Film Fest
Hi, Mom!
Home Movies
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
Oliver Stone
Paranormal Activity 2
Parties & Premieres
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Responsive Eye
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sean Penn
Sensuous Woman, The
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Taxi Driver
The Tale
To Bridge This Gap
Toronto Film Fest
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, June 18, 2020

Early on in the Collider Connected video above, Drew Taylor asks David Koepp about the films he made with Brian De Palma in the 1990s:
Drew Taylor: Brian De Palma recently talked about how Mission: Impossible and Carlito's Way were the highlights of his career. And I want to know what you're experience was on these movies, and sort of what your take was.

Koepp: They were great. Brian and I have stayed close friends ever since. He lives just a couple miles away. We have socially-distanced coffee from time to time.

They were turbulent. Of the three movies I did with Brian, the only peaceful one was Snake Eyes. But I think the other two are stronger films, in part because of the chaos and fighting and friction. You know, the old expression, "Bad experience, good film. Good experience, bad film." So, I mean, I loved them. They were really fun, and even though there was fighting, I always felt Brian and I were allies. Even when he fired me-- had to fire me and rehire me-- on Mission: Impossible. He just the other day said, "You know, I think I was the first person to ever fire you." Yeah, Brian, you know [laughs], so what?!? You came back, didn't ya? But they were great experiences, yeah.

Drew: In the documentary, he talks about how you and Robert Towne were in different hotel rooms in the same hotel, working on different drafts of Mission: Impossible. [Laughing] Did you know there was a guy next door working on the same...

Koepp: Yeah, they didn't put us in the same hotel, actually. He was in the Dorchester, I was in the old Hyde Park Hotel, which is now the Mandarin. But yeah, it was really stressy. Once the movie got up and running, or once Paramount greenlit it, Tom got rather anxious, and wanted to bring Towne in to work on it. And then Towne came in, and Brian didn't want-- [Koepp throws his hands in the air] yeah, there was a lot of fighting. And then Towne came in and threw all the pages up in the air. And things stayed quite chaotic. And then three weeks before shooting, they said, "Will you come back... you know, try and put it all back together. But Bob's going to keep working, and you're going to keep working, and we'll just figure out what we shoot." I was like, "Okay... this oughta be interesting."

Drew: Has there ever been a situation where the movie was just too chaotic, or the script was in such disrepair, that you said, "I can't do this"?

Koepp: You know, I've always been able to find an appropriate moment to leave, if I needed to leave. I never had a dramatic leaving. I think, sometimes... and I think I've gotten better at it as I've gotten older. John Kamps and I wrote Zathura, that Jon Favreau directed, and Favreau really wanted to take a pass at it himself. We didn't want him to, so it seemed to make sense to leave, and, you know, let him do that. Which I think he was about to implement anyway, so, you know, [laughing] I'm not sure if I had walked out or was shoved. It's fine, I guess. You know, you gotta sometimes take your own shot at stuff. I didn't want to let that go, because it had a lot of my two sons in it. So it was a lot of personal stuff. I didn't want to leave it to somebody else. So, I think I probably threw a hissy fit on the phone as I left.

Other than that, you kind of know when you're time is up on a movie. Because usually if you get fired, or quit, it's not because people are unpleasant. It's because you're out of ideas. Or your ideas are just not jelling with theirs.

Koepp's new thriller, You Should Have Left, hits V.O.D. tomorrow.

Posted by Geoff at 11:50 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post

Tuesday, June 23, 2020 - 9:52 PM CDT

Name: "Harry Georgatos"

Koepp impressed me with TRIGGER EFFECT and STIR OF ECHOES as a writer director. DePalma has a credit in STIR OF ECHOES. Looking forward to watching YOU SHOULD HAVE LEFT, streaming now. Can be a brilliant writer with CARLITO'S WAY and a disappointing writer with KINGDOM OF THE CRYSTAL SKULL and LOST WORLD. I liked ANGELS AND DEMONS, and is better then what most critics had to say. Would like to get my hands on Koepps SNAKE EYES script to see how it differs from the end product.

View Latest Entries