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a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


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De Palma interviewed
in Paris 2002

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The Black Dahlia 2006


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Carrie...A Fan's Site


No Harm In Charm

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Scarface: Make Way
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(Blow Out)

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De Palma a la Mod

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Saturday, October 12, 2019

After an early screening today of Brian De Palma's Blow Out at the Hamptons International Film Festival, De Palma took part in an onstage conversation with Alec Baldwin. Toward the end of the event, De Palma was given a lifetime achievement award by the festival, which was presented to him by his daughter, Piper De Palma.

Vulture film critic Alison Willmore tweeted:

Brian De Palma, talking about his MPAA battles, is asked if he thinks there’s anything in his work that couldn’t be made today: “I don’t think so... You can practically do anything on cable”

“My first idea was, we kill them all in the first mission!” De Palma on the dilemma of adapting MISSION: IMPOSSIBLE, a show about a group of characters, into MISSION: IMPOSSIBLE, a Tom Cruise movie

(This is something that drives me nuts about the first MISSION: IMPOSSIBLE)

In conclusion, De Palma is a fan of MARRIAGE STORY and ONCE UPON A TIME IN HOLLYWOOD and very much not a fan of the lighting in most streaming movies, and Alec Baldwin will not be cowed into socks by autumnal weather

The Swan Archives has a brief report from the event, as well:
Today the Hamptons International Film Festival gave Brian De Palma a lifetime achievement award, and celebrated by hosting an onstage event with De Palma and Alec Baldwin entitled "A Conversation with Brian De Palma," which would have been better titled "Alec Baldwin Does Impressions, Tells Anecdotes, and Reveals His Complete and Total Ignorance of Brian De Palma's Early Career Whle Occasionally Permitting De Palma to Get the Odd Word In." The award was presented to De Palma by his daughter, Piper, who aptly described it as "glass and sharp." In the course of the approximately sixty minute conversation, in addition to Baldwin extensively discussing incidents from his own career, the two touched briefly on Mission Impossible, Carlito's Way, Raising Cain, Blow Out, and Dressed to Kill.

On Sunday, Roger Friedman at Showbiz 411 reported:
HIFF has had lots of nice parties, and conversations with filmmakers also including a talk with Alfre Woodard, star of “Clemency.” Alfre is certainly on the list for possible Best Actress nominees this year. Alec Baldwin interviewed legendary director Brian DePalma at Guild Hall, and DePalma’s 23 year old daughter Piper– named for actress Piper Laurie, star of DePalma’s “Carrie”– presented him with HIFFs Lifetime Achievement Award. DePalma’s long list of great movies is stunning in clip reel. From “Carrie” to “The Untouchables” to the first “Mission Impossible” movie and all his great quirky films like “Dressed to Kill” and “Body Double,” what a resume!

DePalma certainly had a good time, too. He, Woodward, and Baldwin among others turned up later in the day at Silvercup Studio owner Stuart Match Suna’s glittering annual gathering in East Hampton, where the canapes were good but secondary to the smart talk.

Mark Segal at The East Hampton Star also filed a report Sunday:
Brian De Palma, the recipient of the festival’s Lifetime Achievement Award, sat down with Alec Baldwin on Saturday afternoon for an illuminating and often hilarious conversation at Guild Hall that covered many aspects of Mr. De Palma’s work.

Among the director’s recollections were the struggle to get Tom Cruise to approve a script for the first “Mission Impossible,” Al Pacino burning his hand on the barrel of his “little friend” in “Scarface,” the importance of cinematographers and composers, his battles with the movie ratings board, and discovering John Lithgow in a college play.

As usual when he hosts the festival’s Conversations With . . . programs, Mr. Baldwin had a few anecdotes of his own in this program, among them working with Woody Allen and Tim Burton, and getting his prosthetic fingers chopped off in “Miami Blues.”

At the conclusion of the talk, Piper De Palma, the director’s daughter, presented her father with the award. Earlier in the day, his 1981 thriller “Blow Out” was screened for a full house at the East Hampton Cinema.


Posted by Geoff at 11:58 PM CDT
Updated: Monday, October 14, 2019 11:21 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post

Sunday, October 13, 2019 - 2:38 AM CDT

Name: "Adam Zanzie"

Yes, I thought it was odd how Baldwin asked De Palma if Dressed to Kill and Blow Out were the first movies De Palma had written himself, or how he asked if Blow Out was the first time De Palma had ever worked with John Lithgow. Clearly I wasn't the only fan in the audience who was bemused by Baldwin's lack of research about De Palma's earlier work. Still, Baldwin was an affable host (I'm glad he asked the paparazzi to cool it with the picture-taking, because it was indeed getting a little distracting), and when De Palma told that familiar story about Pacino as Carlito getting so exhausted in his leather jacket that he "took the train home..." the goofy reaction on Baldwin's face was just priceless! 

Sunday, October 13, 2019 - 10:23 AM CDT

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma/blog

Hah, interesting, Adam-- too bad he didn't do a lot of research (I mean, he couldn't even bring himself to put any socks on :D), but I can just picture Alec Baldwin saying something like that to photographers.

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