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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« March 2016 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
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Laurent Bouzereau
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Wednesday, March 16, 2016
AV CLUB LOOKS AT DE PALMA'S 'OBSESSION'
"DE PALMA FINALLY WENT FULL HITCHCOCK WITH THIS 'VERTIGO' RIFF"
In honor of the new movie Midnight Special, which apparently pays heartfelt homage to the films of Steven Spielberg and John Carpenter, A.V. Club's "Watch This" column is "recommending excellent homages to other films and filmmakers" this week. In today's post, Noel Murray looks at Obsession, Brian De Palma and Paul Schrader's direct homage to Alfred Hitchcock's Vertigo.

"Obsession is both crazy and quasi-relevant," states Murray, "as well as being the most boldly Hitchcock-derived movie in De Palma’s filmography. (Body Double is a close second, with Dressed To Kill lurking just behind.) Screenwriter Paul Schrader patterned the story directly after Vertigo, a movie that circa 1976 was out of circulation, and had a mixed critical reputation. But Schrader and De Palma weren’t trying to fool anybody. They just both loved Vertigo, and rather than writing an essay for some film journal, they made a movie together that expressed what fascinated them about it."

And in his closing paragraph, Murray writes, "Obsession doesn’t exactly plumb any depths that Vertigo didn’t hit first, nor do its insights into one dangerously driven man differ much from what Hitchcock and screenwriters Alec Coppel and Samuel Taylor had already done. But the movie’s extended, dialogue-free set pieces are mini-masterpieces of cinematic choreography. And the heightened luridness of Obsession does succeed in making Vertigo’s twisty plot seem all the more inessential to that film’s power. What both movies do is cut a tale of murder and madness down to its essence, exploring characters who’ve been damaged by social expectations and their own desires. The difference is that in Vertigo, James Stewart’s Scottie Ferguson is, deep down, probably a decent guy—while [Cliff] Robertson’s Michael is an empty suit, defined only by his wants. That’s the De Palma touch."


Posted by Geoff at 11:57 PM CDT
Updated: Thursday, March 17, 2016 12:03 AM CDT
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