Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« February 2015 »
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Saturday, February 21, 2015
'BODY DOUBLE' AT ALAMO IN KANSAS CITY SUNDAY
BADASS DIGEST: "ONE OF THE MOST REWARDING FILMS OF DE PALMA'S CAREER"
If you're in Kansas City on Oscar night tomorrow, you can catch Brian De Palma's Body Double at the Alamo Drafthouse Cinema at 6pm. In preparation for screenings at multiple Drafthouse locations across the country, Badass Digest's Jacob Knight has written rather lovingly about the film. "The choice to make Scully as vanilla pudding as possible is deliberate," Knight states of the main character played by Craig Wasson, "and it’d feel like an insult to Wasson if the actor weren’t so knowingly game for the entirety of the movie’s near two-hour runtime. Yet there’s an almost impish glee Wasson conveys as he goes from helpless Peeping Tom to gullible murder suspect to undercover porn hustler in a mere matter of Acts. To criticize Scully for being a schmuck is missing the point entirely, for we are all dopey, doe-eyed adventurers in this cum-stained playground just looking for something to get off on.

"But even if a viewer can’t get over Wasson’s jokingly willful naïveté, it’s hard to imagine anyone who truly loves cinema dismissing the virtuoso display of craftsmanship De Palma yet again employs in service of creating this sticky jungle. As Scully stalks, De Palma yet again unleashes his love of the Steadicam, transforming a California shrine to consumerism (The Rodeo Collection at 421 Rodeo Drive) into a veritable maze through which his camera can cruise. Later, De Palma stops the entire film dead in its tracks in order to stage an elaborately choreographed song and dance number set to Frankie Goes to Hollywood’s 'Relax,' all of which ends in a round of softcore pawing. Had De Palma been allowed by the studio to execute his original concept (he wanted Body Double to be the first big budget picture to sport unsimulated sex scenes), it would’ve resulted in the most cinematically daring act of onscreen sex ever created. All the while, Pino Donaggio’s twinkling pianos, shimmering synths and soft drums add a playful sheen of eroticism, as the composer (and longtime BDP collaborator) seems most at home in this den of misdeeds.

"None of this would matter if it weren’t for Holly Body (Melanie Griffith), the gyrating soul living in the movie’s black heart. De Palma initially cast Annette Haven, but Columbia Pictures made the director rethink the role once they discovered that she was an actual porn queen, having starred in numerous classic fuck films since 1973. But Columbia’s pearl-clutching became a blessing in disguise for the director, as Griffith ends up giving the greatest performance of her entire career. Holly Body is a marvel of a character, completely sexy while never once relinquishing control to her male counterparts. When propositioned to star in the fake movie Scully’s producing, she rattles off a litany of lewd acts that decimates the impotent actor’s confidence. The woman is a professional, direct and to the point, and no man is going to dictate what she does with her body just because he’s offering a paycheck. Griffith straddles the line between pixie dream girl and art rock ass-kicker with such command that it’s impossible to look away from her whenever she’s on screen. Casting a real life porn star in the role would’ve been a great gimmick, but we would’ve never been graced with such a scene-stealing performance."

Near the beginning of the article, Knight writes about one of the movies De Palma had picked for his "Guilty Pleasures" article in a 1987 issue of Film Comment. "Amongst the apologetics," Knight writes, "was a 1981 slice of smut titled Nightdreams, directed by FX Pope. In reality, FX Pope doesn’t exist. The name was a nom de skin, belonging to commercial photographer and artist Francis Delia who, along with partner Stephen Sayadian, designed ads for everything from Hustler magazine to key art for major motion pictures. Included in their portfolio of immaculately designed one sheets (which also boasts John Carpenter’s The Fog and Escape From New York) was the iconic image for De Palma’s own Dressed to Kill. The admiration wasn’t one sided; in Nightdreams, Delia and Sayadian recreated the image from the piece of art they invented to help sell De Palma’s infamous murder mystery, repurposing it into one of the most harrowing scenes in the history of hardcore."


Posted by Geoff at 9:12 PM CST
Post Comment | Permalink | Share This Post

View Latest Entries