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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« January 2015 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
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Blue Afternoon
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Redacted
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Saturday, January 10, 2015
OSCARS TO HOST 'PHANTOM' SCREENING JAN 23
DOUBLE FEATURE WITH 'ALL THAT JAZZ' PART OF CONTEMPORARY COSTUMING THEME
On January 23rd, the Oscars will host a double feature with the title "Street Clothes: Contemporary Costuming in New Hollywood." The two movies that will make up the double feature are Bob Fosse's All That Jazz (at 7:30 pm, from DCP) and Brian De Palma's Phantom Of The Paradise (at 9:50 pm, in 35mm). The screenings will take place at the Bing Theater at the Los Angeles County Museum of Art. The Oscars web page description of Phantom includes a sentence about the costumes:

"Writer-director Brian De Palma remade Gaston Leroux’s classic novel The Phantom of the Opera as a horror-rock musical that has remained one of his most visually dazzling movies. Winslow Leach (De Palma regular William Finley) is a talented but naïve songwriter whose ambitious rock version of Faust is stolen by Machiavellian music mogul Swan (Paul Williams, who also wrote the Oscar-nominated song score). Driven mad by a disfiguring accident, Winslow faces off against Swan for the love of beautiful young singer Phoenix (Jessica Harper), culminating in a thrilling finale that shows off De Palma’s pictorial and editorial mastery. A box office disappointment at the time of its release (except in Winnipeg), Phantom has been elevated to cult status, and Rosanna Norton’s imaginative and eye-popping costumes – a direct influence on Daft Punk’s leather-bound, helmet-clad aesthetic – help bridge the film’s wildly disparate genres."

Posted by Geoff at 11:36 AM CST
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