AT LISBON & ESTORIL FILM FESTIVAL NOVEMBER 9-18

"Since the beginning, his films showed the experimental vein and the penchant for intertextuality and metafiction of the 'nouvelle vague', besides making use of the restrained and distilled suspense Hitchcock became famous for.
"An admirer of Bretchian distanciation who likes to keep the viewers aware of their emotional involvement in the film, De Palma values the medium of film first and foremost. 'You suck them in and annihilate them. Then you say, “It's just a movie, right? It's not real,”' he noted in an interview.
"He reached a wider audience with Carrie, the film adaptation of Stephen King´s horror novel, which garnered the actors Oscar nominations for their performances. In it, Brian De Palma made extensive use of split-screen and slow motion shots to tell the story visually rather than through dialogue. His film, The Fury, made an impression on Godard, who included De Palma in his project Histoire(s) du Cinéma."
Updated: Wednesday, October 17, 2012 7:11 PM CDT
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