Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Pacino wows
in Venice

Pacino delivers a
masterclass as
a lion in winter

The Humbling
and Manglehorn
reviews

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

« March 2013 »
S M T W T F S
1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics
Ambrose Chapel
BAMcinématek
Bart De Palma
Becoming Visionary
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Dressed To Kill
Eric Schwab
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Get To Know Your Rabbit
Greetings
Happy Valley
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Key Man, The
Lithgow
Magic Hour
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Obsession
Oliver Stone
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Rie Rasmussen
Robert De Niro
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Tabloid
Tarantino
Toronto Film Fest
Toyer
Treasure Sierra Madre
Tru Blu
TV Appearances
Untouchables
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, March 21, 2013
'PASSION' LIMITED RELEASE JUNE 7
AS LISTED ON SEVERAL MOVIE SITES; RECEIVES 'R' RATING FROM MPAA
Looks like eOne is making some progress on getting Brian De Palma's Passion into U.S. theaters this summer. Yesterday, Rope Of Silicon's Brad Brevet noted that all ten films rated this week by the MPAA received R ratings, including Passion, which was given an R "for sexual content, language and some violence." Meanwhile, perhaps not coincidentally, several movie sites, such as Movie Insider, ComingSoon.Net, Rotten Tomatoes, and The Numbers are listing June 7 2013 as the release date for Passion. The latter three sites note that it will be a "limited" release that day, meaning it probably won't be in enough theaters to compete head-to-head with M. Night Shyamalan's After Earth (with Will Smith), or the Vince Vaughn/Owen Wilson comedy The Internship, but it will be out and about, and will hopefully go wide at some point.

Passion opened today in Hong Kong and in Greece. South China Morning Post's Andrew Sun is not impressed, complaining about the film's use of dream sequences, and saying that "if you enjoy trashy kitsch so stupefyingly bad it is entertainingly good, Brian De Palma's latest fetish thriller is a ripe, aromatic cheese of a Showgirls piquancy."

Horrorant's John Hatzopoulos took a while to warm up to Rachel McAdam's performance in the film, and really liked Karoline Herfurth's. He notes that the exaggerated interpretations of the actors in the slower first parts of the film help to prepare the viewer for the more surreal twists and turns of the latter parts. Hatzopoulos goes on to praise the cinematography of José Luis Alcaine as "excellent", adding that "there are many beautiful shots, while the blue color that prevails in the second half is the right touch to put us in the surreal world of the film." Hatzopoulos expects that Passion will divide audiences.


Posted by Geoff at 12:51 AM CDT
Updated: Thursday, March 21, 2013 6:56 AM CDT
Post Comment | Permalink | Share This Post
Wednesday, March 20, 2013
ATTIA'S 'UNTOUCHABLES' FILMING LOCATIONS
SECOND PART UPLOADED TO YOUTUBE TODAY



Posted by Geoff at 10:38 PM CDT
Updated: Wednesday, March 20, 2013 10:40 PM CDT
Post Comment | Permalink | Share This Post
Tuesday, March 19, 2013


Posted by Geoff at 7:22 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Monday, March 18, 2013
TURKISH 'PASSION' POSTER & STILLS
AND 'PASSION' TO PLAY OFFICIAL DANISH FILM FESTIVAL IN APRIL
Thanks to Lindsey for pointing us to a Flickr page with some terrific high-quality stills from Brian De Palma's Passion, including the Turkish poster here at left.

Meanwhile, thanks to Carsten for letting us know that Passion will screen April 17 and 21 at CPH PIX, the official Danish film festival that takes place in Copenhagen from April 11 through April 24.

Posted by Geoff at 8:36 PM CDT
Post Comment | View Comments (4) | Permalink | Share This Post
Sunday, March 17, 2013
'SPRING BREAKERS' HAS 'SCARFACE' ON REPEAT
WILMINGTON: LIKE OLD-STYLE SOFT-CORE PORN BLENDED WITH TEEN-SLANTED 'SCARFACE' PASTICHE


In Harmony Korine's Spring Breakers, which was shot by frequent Gaspar Noe cinematographer Benoit Debie, James Franco's plays a meth dealer who, while showing his new spring break girls around his crib, boasts about having everything he needs, including Brian De Palma's Scarface on repeat. Here are some of the reviews:

Michael Wilmington, Movie City News
"It may be the apotheosis or culmination of all the Korines: a picture that starts off, as many have noted, like an arty Girls Gone Wild video, inflated to Hieronymus Boschian or Pieter Brughelian Beach Party proportions, and ends up doing a riff on the Al Pacino-Brian De Palma 1983 Scarface, mashed up into Charlie‘s Angels gone homicidal...

"A lot of Spring Breakers is shot and shaped like old-style soft-core porn show– even to the old cheapo porn trick of repeating some scenes and lines over and over. It’s blended with what plays like a teen-slanted ‘83 Scarface pastiche. But, as long as Franco is on screen, it’s a good movie, and there’s also something crazily compelling about the scenes of that huge outdoor dance-a-thon. The ending is beyond ridiculous, and not funny enough to save things. And the four femme stars could have used better parts and better lines, but what the hell. The movie‘s credibility vanishes after the restaurant robbery scene anyway, which is shot flashily, in a Gun Crazy-style single take. But as the man says, who needs credibility? Just pretend…"

David Edelstein, Vulture
"Spring Breakers switches gears midway through with the arrest of these bacchanalians (bikinis behind bars!) and the arrival of James Franco as a flamboyant meth dealer with silver teeth and red-tinted cornrows. He watches them go before a judge and, enraptured, bails them out. 'Sprang break … Sprang break … ' he intones, attempting to lull us with his sexy outlaw incantations. In his lavish manse, he shows off his arsenal, invokes Scarface, and says, 'This is the fuckin’ American dream, y’all.' Every one of Franco’s lines could be the prelude to a rap song too moronic for airplay. 'Sprang break ... Sprang break … ' I wanted to spring-break his silver teeth, but at least he’s more committed here than in his other movie on screens now, Oz the Great and Powerful — a Disney production."

Joshua Rothkopf, Time Out New York
"Already swollen with girl-on-girl flirtation, criminal fantasy and naive dreaminess, the movie explodes into Tampa Bay–set skankitude, where our leads are never out of bikinis, even when flung in jail for trashing a hotel room. They’re bailed out by Alien (James Franco, more alive than ever in the film’s only actual performance), a cornrowed, heavily armed wanksta rapper who nakedly desires them for his posse.

"It all plays out in a final flourish of DayGlo Scarface wish fulfillment, and you can’t really believe what you’re watching. Alien—and Korine—tell us it’s the American dream come true, and even if you resist going there with them, the have-your-cake-and-fling-it-too stupidity is breathtaking. It takes some kind of cracked artistry to put coeds in hot-pink ski masks and have them twirl around to a Britney Spears ballad toting machine guns. Spring Breakers is either an inspired satire of the youth movie or the most irresponsible comedy mainstream Hollywood will never make. The bros in your crowd will call it rad—and radical it is."

Peter Travers, Rolling Stone
"Too bad the movie itself is rarely as outrageous as he is. The promise of nudity and girl-on-girl action among Disney hotties Vanessa Hudgens (High School Musical), Selena Gomez (Wizards of Waverly Place) and Ashley Benson (Pretty Little Liars) is just a porny tease. Candy (Hudgens), Brit (Benson), Faith (Gomez) and Cotty (Rachel Korine, the director's wife) are merely college BFFs yearning for a spring break. Everyone but Faith (she's into Christian studies) agrees to rob a local chicken shack to finance a Tampa getaway. Here's your chance to hear the chirpy Hudgens say, 'Give me your motherfucking money or I'm going to shoot your fucking brains out.' And they're off.

"Alien laps them right up. At his crib, where bongs and blow are plentiful and Al Pacino's Scarface plays on a continuous loop, the coeds live the dream. Violence looms in the form of Archie (Gucci Mane), Alien's gangsta enemy. No sweat. When Alien isn't going down on a gun barrel in a homoerotic domination game, he sits at his poolside piano and croons Britney Spears ballads to the girls, who wear pink ski masks and dance around waving AK-47s."

Katie Calautti, Comic Book Resources
"Sure, it has the aesthetic of a Girls Gone Wild video mashed up with Scarface (and there’s certainly a portion of the film’s audience that will be all too happy to take it at that face value), but deep beyond its epic one-liners, brazen nudity, omnipresent drug use and stylized scenes of criminal activity, there’s a core that reveals an all-too-terrifying truth about the desensitization of youth and the moral quandaries it presents...

"That is to say, after watching Spring Breakers, you’ll have Britney Spears and Skrillex stuck in your head on a loop, you’ll quote (and re-quote, and re-quote) James Franco’s dialogue (his crooning repetition of 'spring breeeeeeak' will haunt your nightmares), you’ll never watch High School Musical the same way again, you’ll feel the crushing urge to view Scarface on repeat, you’ll realize you’re inadequately prepared (abdominally speaking) for swimsuit season, and you’ll suffer the after-effects of an onslaught of so much perverse and perverted imagery that you’ll want to disinfect yourself by taking a bath in (and swallowing shots of) tequila."


Posted by Geoff at 11:51 PM CDT
Updated: Saturday, March 23, 2013 11:25 PM CDT
Post Comment | Permalink | Share This Post
Friday, March 15, 2013
VARIOUS 'PASSION' STILLS
BEGINNING WITH A COUPLE OF CAPTURES FROM THE LCI VIDEO (Thanks to Patrick!)


AND SOME OTHERS OUT OF GERMANY AND HONG KONG...


Posted by Geoff at 1:07 AM CDT
Post Comment | View Comments (2) | Permalink | Share This Post
Tuesday, March 12, 2013
'PASSION' REGION 2 DVD COMING IN JUNE
DVD COVER ADDS A HOOD TO NOOMI'S HEAD
For a few weeks, the IMDB has listed June 19 as the date for the Swedish DVD premiere of Brian De Palma's Passion. Now we have cover art to go with it (which includes a newly-hooded Noomi Rapace). According to Scanbox, the Passion Region 2 DVD and Blu-ray Scandinavian editions, as well as Video-on-Demand, will be available on June 18 in Denmark, and on June 19 in Sweden, Norway, and Finland. The DVD will be in English, with choice of Danish, Swedish, Norwegian, or Finnish subtitles. Passion is expected to be released in North American theaters that same month.

Posted by Geoff at 8:47 PM CDT
Updated: Tuesday, March 12, 2013 8:54 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post
NEW 'PASSION' CLIPS
UPDATED WITH TRANSLATION OF DE PALMA INTERVIEW
Thanks to Patrick for pointing us toward the above video, which was posted at TF1 News. There are some new Passion clips we haven't seen before, dubbed in French, amidst an interview with Brian De Palma, which is Patrick has also translated for us:

"I have a very specific way of shooting scenes, I enjoy long, silent sequences build on a very moving piece of music. And you see these passages in all of my movies, they're very specific, like split screens, the use of slow motion, techniques I've been using ever since the seventies."

"The girls are mind-fucking each other: Christine uses every psychological means in the book to break Noomi, she traps her, she humiliates her in front of her co-workers, until Noomi finally snaps."

The LCI reporter says, "After his last film flopped, De Palma has turned his back on Hollywood to point his cameras on a Berlin as down-to-earth as it is dreamt up, using his personal grammar with a brilliance as seductive as it is cringe-inducing."

(Thanks to Patrick!)


Posted by Geoff at 7:20 PM CDT
Updated: Wednesday, March 13, 2013 5:42 PM CDT
Post Comment | Permalink | Share This Post
Monday, March 11, 2013
GERMAN POSTER FOR 'PASSION'
DE PALMA'S FILM OPENS IN GERMANY MAY 2ND


The German poster above for Brian De Palma's Passion was posted today at FILMSTARTS. The words above the title read, "MONEY. POWER. SEDUCTION." Except you have to read that with a long drop of blood punctuating the space in between the words "power" and "seduction." Passion opens in Germany on May 2nd.

Posted by Geoff at 4:44 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Sunday, March 10, 2013
DE PALMA DOSSIER, PART 2
SUMMARIES OF FIVE MORE ESSAYS
On Thursday, Feux Croises posted a De Palma Dossier made up of eight new essays about De Palma's cinema. That same day, I posted summaries of the first three essays. Here are summaries of the remaining five:

In Le mauvais œil, Feux Croises' co-creator Cédric Bouchoucha looks at the way De Palma and his characters attempt to reconfigure space via editing, whether by placing a body double in a shower, or, as in Snake Eyes, showing two different points of view of the same event via split-screen. "For De Palma," states Bouchoucha, "this coexistence in the space of the frame, though impossible, can take several forms," including split-diopter shots that collapse the space between two characters, the aforementioned split-screens, and cross fades, such as the one in The Untouchables where the still image of the four crimefighters is replaced by the face of a smiling Al Capone. Discussing the "infinite sadness" of some of De Palma's characters as they fall into a world of disillusion, Bouchoucha notes of Passion that after Christine humiliates Isabelle in public, she asks here where her sense of humor is. "The terrible, unexpected laughter of Isabelle is a distant echo of Selina Kyle in the ballroom scene of Batman Returns."

In Woton’s Wake: Un conte d’un sculpteur et d’un cinéaste, Li-chen Kuo looks at how De Palma constructed a film about the cinema via the myth of a sculptor. Kuo notes the opening shot, which shows a bookshelf full of film books, with one title, "Woton's Wake," in flames and leaning against them, signalling a film about cinema. "The idea to animate the inanimable has been linked to cinema from the moment of its invention," Kuo states, "and the story of Pygmalion and Galatea had also been staged in 1898 by Georges Méliès. The film attempts to fix the figures by placing them in another medium and sets motion to the image. Cinema fixes them in their 'life', and thus declares the desire for movement. In sculptural art is also this transformation into 'real', into 'life.' These two arts, film and sculpture, attach themselves to common desires: the desire to see and touch." Kuo links De Palma to the sculptor played by William Finley, the latter creating a woman out of metal trinkets, the former "sculpting a film" out of several types of material, physical or conceptual. "How would you define the act of Brian De Palma in this film?" asks Kuo. "Close to his character, the filmmaker collects fragments of images, movie scenes, diegetic motifs, by cutting the film reel, sticking them back together, and ultimately shaping a new form." Kuo adds that this early short from De Palma "does not explicitly explore the question of point of view." As Luc Lagier has pointed out, Kuo writes, Woton's Wake was made in 1962, prior to JFK's assassination, and "could thus be considered a work still 'innocent'."

In D’envol en chute : ce qui hantera toujours De Palma, Sidy Sakho states that "All De Palma is indeed a history of vertigo, that of a man - often a woman - haunted by an image, a unique sound. The line of nearly all his stories is that of the absolute abandonment of heroes and an ideal that is forever elusive." Sakho further states that the resolution of the puzzle in a De Palma film is "above all a false movement, already dead" (or a stalemate). Sakho elaborates on this by describing the bombastic fanfare of the opening shot (sequence) of Snake Eyes as, cruelly, also being a swan song for Nick Santoro, as well as for the viewer. Sakho suggests that the gaze in De Palma's cinema is, like Ethan Hunt dangling just above the Langley floor in Mission: Impossible, forever caught "between the fall and impact, when fear of death and the hope of a recovery question one another."

In Cils conducteurs, Claire Allouche suggests that Chris Marclay's Up And Out, which presents the moving image of Antonioni's Blow-Up against the sound from De Palma's Blow Out, allows us to see the latter's images again, despite the sound being dissociated from its images. This puts the viewer of Up And out in a similar position to Blow Out's soundman protagonist, Jack. "In this sense," writes Allouche, "the plot of Blow Up could pass for a 'film location scouting' and that of Blow Out for 'film postproduction.'" Allouche further notes that Blow-Up is longer than Blow Out by five minutes, leaving the Marclay film to end in silence. "We do not know the meaning ascribed to Thomas," writes Allouche, "and yet our lost gaze is directed towards the imaginary game of tennis. Up and Out ends in a world where reality does not provide anything more to see and hear. The dark room is an anechoic chamber, a heart beating intensely as at the beginning of the De Palma film. Between terrifying scream and spellbinding silence, Up and Out takes one last breath. The 'blow' reasserts itself. But this time, it is ours."

And finally, in William Finley, fantôme dionysiaque, Laurent Husson offers up a tribute to Finley as an important figure who "decisively contributed to forging the subversive tone of the De Palma cinema."


Posted by Geoff at 10:59 PM CST
Updated: Sunday, March 10, 2013 10:59 PM CST
Post Comment | View Comments (1) | Permalink | Share This Post

Newer|Latest|Older