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E-mail
Geoffsongs@aol.com
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Recent Headlines
a la Mod:
Listen to
Donaggio's full score
for Domino online
De Palma/Lehman
rapport at work
in Snakes
De Palma/Lehman
next novel is Terry
De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"
Supercut video
of De Palma's films
edited by Carl Rodrigue
Washington Post
review of Keesey book
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Exclusive Passion
Interviews:
Brian De Palma
Karoline Herfurth
Leila Rozario
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De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006
Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
Noomi Rapace on the four actors "soaked into this world of passion"
Passion Filmclip: Telefonterror
What Oswalt rambles on about are his ideas for "Star Wars VII," which he hilariously cross-brands with the Marvel universe, as both are now owned by Disney, and also with the mythical figures of Clash Of The Titans. But to start it off, he begins at the beginning:
"We begin with standard title sequence," says Oswalt, "John Williams fanfare, followed by a scrawl to be written-- I would like to mention that Brian De Palma wrote the original opening scrawl for Star Wars Episode IV: A New Hope. I think it would be a nice nod to the franchise if he were to write this opening scrawl."
In fact, it was De Palma and Jay Cocks who rewrote the opening scrawl. When George Lucas showed a rough cut of Star Wars to his friends, he'd had a long scrawl at the beginning that seemed to go on and on. Among the friends at the screening were De Palma, Cocks, and Steven Spielberg. Cocks recalled in the Nov/Dec 2002 issue of Creative Screenwriting that the morning after the screening, "I was sitting in a work room above a garage in [George Lucas'] house with a yellow pad with George and Brian and a couple of other people. Brian said, 'All right Jay, you sit down there at the typewriter. No one understands what this movie is about, we gotta set it up.' What I remember saying is: 'George, you gotta make other people understand this is a fairy tale.' We wrote something that [did] that, and in some form became the prologue to Star Wars or was part of the prologue to Star Wars."