Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« March 2020 »
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Sunday, March 15, 2020
DE PALMA TALKS WEINSTEIN, #METOO, SNAKES, DAHLIA
HOPES TO BEGIN SHOOTING 'PREDATOR' LATER THIS YEAR IN PARIS
https://www.angelfire.com/de/palma/miamediumer.jpg

Promoting the upcoming March 31st U.K. release of Are Snakes Necessary?, Brian De Palma recently spoke with Lina Das of The Mail on Sunday's Event Magazine. It is not clear precisely when this interview took place, but keep in mind that it very well could have been before virus fears had swarmed over. All of the De Palma/Lehman book signings in New York City have been canceled just within this past week.

I bring this up because in the article, De Palma tells Das that he is hoping to begin shooting Predator in Paris later this year. It remains to be seen what kind of affect this virus ends up having on upcoming productions, but hopefully, things will work out for the best.

The title Predator is never mentioned in this article, but that was the title of the screenplay that De Palma turned in to Saïd Ben Saïd in early June of 2018. It seems likely that the title would be changed by the time the film is released, in order to avoid confusing it with the sci-fi horror franchise of the same name. Speaking to Das in the interview below, De Palma says, "Having been a director for 50 years, needless to say I’ve come across a couple of the notorious predators in the business."

In the article, De Palma discusses that project, his initial impression in the early '90s of Harvey Weinstein, and, within this #MeToo context, also addresses Jemima Rooper's comments from last November about filming with De Palma on The Black Dahlia. Of course, the interview also delves into Are Snakes Necessary?, and more:

Ask Brian De Palma about his first impression of Harvey Weinstein and he is unequivocal. ‘I saw a bully. Just a bully.’ He had met the now disgraced producer in New York when Weinstein’s company was making a presentation of Neil Jordan’s 1992 hit The Crying Game about the IRA. ‘They wanted me to host the dinner,’ explains De Palma, 79, the legendary director of hits such as Scarface, Carlito’s Way and the Oscar-winning The Untouchables. ‘I’d seen the film and thought it was quite remarkable, but when I first saw Harvey Weinstein, I thought, This is a person I do not want to be involved with.’

The director was so horrified at the tidal wave of sexual assault allegations that engulfed the now-convicted producer that he plans on shooting a film on the subject. ‘It’s a combination of the Weinstein stories and a lot of the other #MeToo stories that came out,’ he says. ‘Having been a director for 50 years, needless to say I’ve come across a couple of the notorious predators in the business.’

De Palma’s first major hit came with in 1976 with a blood-soaked version of Stephen King’s horror story, Carrie. ‘I was hearing stories even then,’ he says. ‘George Lucas was casting Star Wars and we would both hear from these young actresses on other films about how they were being manipulated by the person meeting them. It was the old, “Let’s have a meeting at 6.30pm in the office when nobody’s there” line, and then they would try to seduce them. You want to make actresses feel as safe and as good as possible and the fact that these people then cross the line drives me crazy. It’s against everything you want to accomplish for the film.

‘But it’s not like everybody didn’t know what was going on,’ he adds. ‘People saying they didn’t know – that’s hard to believe.’

That De Palma is such a vocal supporter of women in the industry may strike some as slightly ironic, given that critics have often labelled his own work misogynistic. Beautiful women who meet their demise in gory fashion have memorably featured in his movies (Angie Dickinson in the 1980 hit Dressed To Kill is a famous case in point) and he’s rarely been afraid of nudity either. It’s a criticism that draws a weary sigh from the man himself.

‘I just think it’s incorrect,’ he says. ‘If you’re making a suspense movie, would you rather photograph an attractive woman walking around with a candelabra in a haunted house, or Arnold Schwarzenegger? Being politically correct,’ he adds, ‘has never been my problem. I just do what I think is right for the film.

It’s a code he has adhered to over the years, although it came with its own set of problems. After filming The Black Dahlia in 2006, British actress Jemima Rooper, who had a small part as a porn actress, recently claimed that while filming the pornographic element, De Palma asked ‘if my pants could come off, and I was like, “Oh my God, what do I do?”’ (When it was apparent that she had tattoos on her back that would have been time-consuming to conceal with make-up, the idea was scrapped).

De Palma says now: ‘Of course I realised that she was worried, but Jemima certainly knew what was going to be in the scene. It’s not that you haven’t prepared them for what they’re going to do, but it doesn’t mean that once they get in there, they won’t feel very uncomfortable.’

He recounts a similar experience on the set of Carrie, starring Sissy Spacek, which opens with a scene in the girls’ showers at school. ‘There were many girls who just couldn’t do the nudity and I said, “OK.” But because Sissy had done all the nudity in the shower scene a day before, they said: “Well, if Sissy can do it, I can do it.” But it’s always a delicate situation. You have to be very careful.’

De Palma’s latest project marks a departure from movie-making. He has written his debut novel, the political satire Are Snakes Necessary?, with his partner Susan Lehman, a former New York Times editor. ‘We did it for fun,’ he says. ‘I’m very good at plot and dialogue and I would send her a scene. She would write the descriptions and broaden out the characters and then send it back to me.’

The story follows a senator who is cheating on his Parkinson’s-afflicted wife with the beautiful young videographer trailing his campaign. Events, however, soon take a turn for the worse, and when the senator tries to put things right, deadly consequences ensue. It’s fast-moving, laced with De Palma-esque twists and inspired in part by the real life US senator John Edwards, who fathered a child with his campaign videographer. ‘I follow American politics,’ says De Palma, ‘and that whole thing was like a comedy.’

Eagle-eyed De Palma fans will spot recurring themes of his screen work such as voyeurism – a fascination for which can be traced back to an incident in his own childhood. When he was 17, he followed his philandering father with a camera and after catching him with a mistress, threatened him with a knife (though no one was harmed). ‘One tends to be overdramatic as a teenager,’ he admits. ‘Afterwards I went home, got in my car and drove to the seashore. My parents got divorced and I recovered.’

An ability to capture human behaviour at its most vulnerable and unsavoury has certainly served him well as a director. Scarface, his brilliant portrait of megalomaniacal drug lord Tony Montana (played by Al Pacino), was heavily criticised on its release in 1983 for its excessive violence and profanity, but has since been hailed as a masterpiece.

The making of the film was fraught – not only did Pacino burn his hand on the barrel of a gun, necessitating a two-week stay in hospital, but due to the frequent cocaine-snorting scenes, Pacino has suffered from nasal problems ever since. Did they use real cocaine?

De Palma laughs. ‘No! But I don’t remember what Al was snorting. He worked very hard. It was an exhausting schedule.’

Further problems ensued with the screenwriter Oliver Stone, who went on to direct Wall Street and JFK. ‘He told me that he almost got himself killed one night,’ says De Palma. ‘He was doing research and hanging out with a lot of cocaine cowboys in South Florida and they thought he was a narcotics agent.’

While admitting he has ‘always been controversial’, De Palma has nonetheless enjoyed huge hits including gangster classic The Untouchables, which earned Sean Connery his only Oscar, although having played the indestructible James Bond for so many years, he wasn’t used to being on the receiving end of bullets (‘he hated being shot’). De Palma also helmed the first of Tom Cruise’s Mission: Impossible outings, although declined to direct the sequel. ‘It was a very difficult shoot and the only reason to do another would be to make more money. How much money does one person need?’

De Palma has also endured bruising failures, such as 1990’s critical and commercial disaster The Bonfire Of The Vanities. Described by one critic as ‘one of the most indecently bad movies of the year’, De Palma admitted that once the movie bombed, ‘I might as well have put on my leper suit [in Hollywood].’ But as he explains now: ‘You’re not going to last very long in the film business if you can’t take a horrendous reception of your movie. Of course it hurts, but I’ve had some of the worst receptions in the history of movies and I’ve managed to go on and make other movies.’

Despite the fickleness of Hollywood, De Palma has maintained a circle of ‘lifelong friends’ including directors Steven Spielberg, George Lucas and Martin Scorsese.

In fact, Scorsese has been kind enough to give his friend a rave review for his new novel, noting that reading it is like ‘having a new Brian De Palma picture’. And while De Palma has no plans as yet to turn it into a movie, he’s hoping to start shooting his Weinstein/#MeToo-themed film later this year in Paris. ‘It’s a lot of fun,’ he says, ‘and it’s really scary.’

As a description of Hollywood itself, De Palma would no doubt agree, it couldn’t be more apt.


Posted by Geoff at 12:07 PM CDT
Updated: Sunday, March 15, 2020 4:15 PM CDT
Post Comment | View Comments (5) | Permalink | Share This Post

Sunday, March 15, 2020 - 2:53 PM CDT

Name: "rado"
Home Page: http://rado.bg

Great stuff. Thanks Geoff and good luck, Mr De Palma!

Sunday, March 15, 2020 - 5:32 PM CDT

Name: "JJ"

I already ordered an autographed copy of the book. If I can't see a new De Palma film right now, then second best is to read one. 

Sunday, March 15, 2020 - 9:19 PM CDT

Name: "Brett"

How does one order an autographed copy of the book?

Sunday, March 15, 2020 - 9:37 PM CDT

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma/blog

Looks like you can order a signed copy from Strand:

https://www.strandbooks.com/product/are-snakes-necessary/_/are%20snakes%20necessary

 

Wednesday, March 18, 2020 - 2:31 AM CDT

Name: "anonymous"

I doubt "Predator" will happen in France with the coronavirus that may last up to a year.

View Latest Entries