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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

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Carrie...A Fan's Site

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No Harm In Charm

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a la Mod

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a la Mod

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Fly Rule

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Directorama

The Filmmaker Who
Came In From The Cold

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Scarface: Make Way
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(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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italkyoubored

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EatSleepLiveFilm

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De Palma a la Mod
site

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Saturday, December 10, 2022
DON JOHNSON ON THE DE PALMA FILM HE TURNED DOWN
"I WAS OFFERED A MOVIE THAT WENT ON TO BECOME A VERY BIG MOVIE"
https://www.angelfire.com/de/palma/donandkevin.jpg

Talking to Collider's Maggie Lovitt, Don Johnson mentions "a story that I don't think I've ever revealed to anyone" --
When you look at your resume, you see all of these very iconic characters. What is it like for you as an actor to have those iconic characters on your resume and for that to be what people recognize you for?

JOHNSON: For me, I mean, I just have this blessed career, and that people, my fans and the audience out there, tend to follow me into whatever adventure I'm going on. The biggest challenge was to break the stereotype of Sonny Crockett.

To that end, during that time - I'll tell you a story that I don't think I've ever revealed to anyone - I was offered a movie that went on to become a very big movie. The character was a slick-dressing - it was a period piece - but he was a slick-dressing guy, and it was all about the bad guys and the FBI, and all that stuff, and at the time I said, "Okay, I've got to not do this if I want to have a career outside of the slicky boy hero type. I've got to not take this part," even though I know it's going to be pretty good, and I loved the director. He was a friend of mine. It was a Brian De Palma film, I'll give you that much.

I turned it down, and I've struggled with that over the years, but I also think that it was the difference between me being identified forever as Sonny Crockett, even though it was a different film. It's just kind of when you do something that's similar, then you further get yourself put into a box of, "Oh, well this is who he is," and it's a challenging thing. So, I've been very fortunate in that I've been able to play a variety of different characters, and the audience will follow me and go with me everywhere, and honestly, I think it comes down to the training and the preparation.


In the De Palma documentary, De Palma told Noah Baumbach and Jake Paltrow that for The Untouchables, "Well, first we had to find Eliot Ness, and I wanted to use Don Johnson, because I knew Don, and he was very big in Miami Vice now. And Art [Linson] felt very strongly about Kevin [Costner]..."

Posted by Geoff at 4:57 PM CST
Post Comment | View Comments (2) | Permalink | Share This Post

Tuesday, December 13, 2022 - 4:00 AM CST

Name: "anonymous"

DePalma has perfected a visual style to preposterous artificial scenarios of implausible plot devices of thin connecting story tissues of thin bare narratives 

Thursday, December 15, 2022 - 5:11 PM CST

Name: "JJ"

The character wouldn't have worked as well. Costner had just the right mix of innocence and bravado. 

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