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De Palma a la Mod


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Recent Headlines
a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


« August 2021 »
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De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site


No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags


The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the

FilmLand Empire

Astigmia Cinema


Cultural Weekly

A Lonely Place

The Film Doctor


Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds


No Time For
Love, Dr. Jones!

The former
De Palma a la Mod

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Sunday, August 1, 2021

In a Zoom interview that runs just over a half hour, Brian De Palma is interviewed by Sam Fragoso for the latest episode of the podcast Talk Easy. Centered around the 40th anniversary of Blow Out, Fragoso kicks off the conversation with a quote from Pauline Kael's 1981 review of that film in The New Yorker: "For the first time, De Palma goes inside his central character, and he stays inside. He has become so proficient in the techniques of suspense that he can use what he knows more expressively. It's as if he finally understood what the technique is for. This is the first film he has made about the things that really matter to him." Fragoso then asks De Palma, "How does that description land with you?"
De Palma: It's very perceptive. I don't know if it's the first time I've made a film about things that matter to me, but it came from a very interesting idea, and I developed it into a whole scenario with characters that were full-blown. So it had a kind of emotional depth to it.

Fragoso: If she is right about making a film about the things that matter to you, I'm curious, what were those things?

De Palma: I'm obviously very interested in visual storytelling, and this lent itself to tell a story, a lot, with just pictures. And not relying on dialogue to explain everything. The whole idea of this film came from a couple of things. One was when I was cutting a soundtrack for footsteps -- I think it was for Murder a la Mod, there's a lot of footsteps in the graveyard -- I realized what we were using to separate the sounds, which is known as "fill," was Lawrence Of Arabia. Here, one of the greatest films of all time, is now "fill," in the footsteps of the mix I'm preparing for Murder a la Mod. So that irony stayed with me. And the other thing, which starts the whole film off, is when I was mixing Dressed To Kill, and I talked to my sound mixer. I said, "That effect of wind in the trees-- I've heard this!" I mean, I'd been working with the same sound guy for years, and I kept on hearing the same wind in the trees.

Fragoso: This is Dan Sable.

De Palma: Yeah, Dan Sable. And I said, "Dan, get me some new wind in the trees!" So that gave me the whole beginning of the movie, and this sort of ironic twist at the end. You know, the fact that the scream becomes just an effect to be used in a kind of tawdry horror film.

And that's just the start-- here's the podcast description of the episode:
Legendary filmmaker Brian De Palma joins us this week! In celebrating the 40th anniversary of Blow Out, we discuss how the project came to be (4:17), the casting of John Travolta (7:49), a post-production mishap (8:48), and the film’s initial reception in 1981 (10:27). Growing up in ’40s Philadelphia, De Palma reflects on his complex childhood (11:06), his Quaker education (12:54), the moment he knew he wanted to direct (15:42), and the chaos of his early documentary work (20:44). Then, before we go, we revisit his masterpiece, Carlito’s Way (27:44), the end of “the director-as-superstar” era (33:16), and the enduring power of a childhood favorite, The Red Shoes (37:09).

Posted by Geoff at 5:44 PM CDT
Post Comment | View Comments (4) | Permalink | Share This Post

Monday, August 2, 2021 - 10:21 PM CDT

Name: "Mustafa"

Thank you Maestro.

Indeed, visual Cinema has died. 

Maybe Edgar Wright, who is a De Palma enthusiasit, has some visual sensibilities, and few scenes from other directors here and there.

But the greatness, for me, has gone after the Master stopped making movies 

Tuesday, August 3, 2021 - 5:50 PM CDT

Name: "Harry Georgatos "

David Cronenberg has started filming his sci fi film Crimes Of The Future in Greece with Viggo Mortensen and Lea Seydou. Next off the auteur films is David Finches globetrotting assassin film for Netflix! Cinema is not yet dead.

Wednesday, August 4, 2021 - 6:54 AM CDT

Name: "Christian G"

This site is such a treasure trove of information. Thanks, Geoff!

Now all we need is another De Palma film, although the next book sound really interesting as well. 

I'm wondering - In the Light the Fuse podcast De  Palma mentions seeing himself making one, possibly two more films. 

He is then asked if he would ever work in television. 

To which he answers that in fact he is writing a script for a Civil War TV series. Did you guys enterpret that as a third project or one of the two - "maybe one more movie, if possible maybe another " - was his wording, I just listened to it again. To me that sounds like three projects. Catch and Kill would be the first film, right? What would be no. 2? Geoff, any thoughts? 

Wednesday, August 4, 2021 - 8:04 AM CDT

Name: "Geoff"
Home Page: http://https://www.angelfire.com/de/palma/blog

I would say the TV series is a third project, Christian. Keep in mind that De Palma is always writing, so if one project doesn't pan out, not only are there many potential scripts to go back to, but there might be something brand new that we don't even know about.

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