Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« December 2020 »
S M T W T F S
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Monday, December 14, 2020
JULIE SALAMON - 'BONFIRE' REMAINS PAINFULLY RELEVANT
"30 YEARS ON, THE MOVIE DESERVES TO BE RECONSIDERED, IF NOT FOR ITS QUALITY, THEN FOR HOW TIMELY IT FEELS"
https://www.angelfire.com/de/palma/brucebriantom.jpg

Julie Salamon revisits The Bonfire Of The Vanities for the latest issue of Town & Country:
The 1980s were good to me. My career and family flourished, yet, looking back, I feel some embarrassment. So many of today’s social ills took root in that decade. Not that I was oblivious, but I was wrapped up in my own concerns. I feel similarly mixed emotions when I think about The Bonfire of the Vanities.

In 1990 Brian De Palma agreed to give me full access to the movie he was making—an adaptation of Bonfire, the 1987 Tom Wolfe novel that had been embraced as a metaphor for everything that was wrong with 1980s New York.

In the book, Wolfe lampooned the city’s racial politics, corrupt judicial system, rampant gentrification, barracuda press corps, and ethnic hostilities. It was high-octane social commentary as entertainment, and Bonfire became an instant sensation.

Warner Bros. hired De Palma to make a film version. But studio executives quickly developed a case of buyer’s remorse. Step by step, the story and characters were homogenized as the budget ballooned. The reviews were savage. Variety called it “…a misfire of inanities.” Good Morning America’s Joel Siegel said, “You’ve got to be a genius to make a movie this bad.” Bonfire became the movie everyone loved to hate.

My book The Devil’s Candy, about the making of the film, was published less than a year after the movie’s ignominious demise. No doubt some of the book’s success was due to Bonfire’s failure. Newsweek put it succinctly: “De Palma’s misfortune is Salamon’s gain.” Ouch. Not nice repayment for De Palma’s generosity in opening his set to me.

Now, 30 years on, the movie deserves to be reconsidered, if not for its quality then for how timely it still feels. Sadly, Bonfire remains all too relevant; only the vocabulary and technology have changed. The “masters of the universe” are now the “one percent.” Twitter has replaced the tabloids. Black Lives Matter leads the charge against racial inequity. The movie may not hold up as a great film, but it was never as bad as its worst reviews. You can watch it now as campy fun, or as a worthy artifact, reminding us that the times have changed but New York’s complicated, messy, grand machinations haven’t.

If anything has changed, it’s Hollywood. In 1990 there were movies and there was network television, with the former being considered decidedly superior.

It wasn’t until The Sopranos came along, in 1999, that long-form series on TV became serious rivals to movies. Bonfire’s many layers would work far better as one of today’s limited series.

Back in 1990 Wolfe was anticipating the future, though he didn’t know it at the time. “It’s too bad movies don’t run nine or 10 hours,” he told me. “The way I constructed the book, almost every chapter was meant to be a vignette about New York as well as something that might advance the story, and to me one was as important as the other.” Amazon Studios bought the rights to make an eight-­episode adaptation of the book in 2016, but a series has yet to appear. Indulging its overindulgence, Bonfire has important things to say. Maybe we just didn’t listen closely enough last time.


Posted by Geoff at 12:01 AM CST
Updated: Tuesday, December 15, 2020 12:07 AM CST
Post Comment | View Comments (1) | Permalink | Share This Post

Tuesday, December 15, 2020 - 4:30 AM CST

Name: "Harry Georgatos "

The issues are timely but the movie is average. DePalma was more bitingly savage with the black and white race war with Hi,MOM!. The acting in Bonfire leans towards comedy which the book wasn't. The film looks great but should have been masterful if Warner and the producers gave DePalma full creative control. This neeed a three hour running time to do justice to the book.

View Latest Entries