Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« July 2017 »
S M T W T F S
1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Scorsese
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, July 20, 2017
ERIC KOHN ON DE PALMA'S 'SCARFACE'
"A MOVIE THAT DERIVED ITS POWER LESS FROM WHAT IT WAS ABOUT THAN HOW IT WAS ABOUT IT"
A week ago today, IndieWire posted email exchanges between Eric Kohn, Anne Thompson, and Kate Erbland, discussing whether Universal should abandon the new Scarface movie, now that David Ayer has become the latest in a long line of directors to leave the project. Kohn in particular wrote some inspired words about Brian De Palma's 1983 version:
Setting aside narrow production schedules and one director’s priorities, the biggest problem with “Scarface” is that the material never gelled with studio priorities in the first place. Howard Hawks’ 1932 original was a Hollywood gangster saga that generated controversy for its violence but was otherwise pretty straightforward; Brian De Palma’s 1983 reimagining, however, was a jolt to the system, a high style indictment of the drug lord fantasy that culminated in one of the most outrageous shootouts ever captured on film. “Say hello to my little friend” was an astonishing, subversive battle cry, both cartoonish and mortifying at once, and it crystalized the mania of power-hungry drug dealing better than any journalistic expose.

It was a breed unto itself, a movie that derived its power less from what it was about than how it was about it. So it was especially intriguing when Chile’s Pablo Larrain was attached to direct the remake three years ago. This endlessly innovative filmmaker, whose projects range from the allegorical horror movie “Tony Manero” to last year’s elegant period drama “Jackie,” clearly doesn’t compromise. His version, according to reports at the time, aimed to cast a Latino actor in a “mythic origin story” set in modern times, one that would expose the cycle of violence that brings the war on drugs from Mexico to America. Call it whatever you want — “Scarface” is just a placeholder — this is a powerful concept with the prospects of resonating on many levels at once. Of course, America’s relationship to Cuba continues to evolve in trepidatious ways that could make the original backdrop resonate with renewed topicality.

But it’s not the kind of material that a studio, eager for a blockbuster success, might want to take a risk on. (Thankfully, Larrain moved on to more original concepts.) De Palma and Al Pacino made their surreal, iconic look at a drug-fueled capitalist psychopath at a moment where it seemed as though they could get away with anything; short of Christopher Nolan and Quentin Tarantino, few American directors could pull off the same feat today within the confines of the Hollywood system. Needless to say, De Palma’s movie didn’t exactly go over perfectly when it first came out, only gaining acclaim with time; it has since been co-opted by gangsta rap, novelizations, and video games. When a movie resonates this strongly in popular culture, it doesn’t beg for a remake so much as a second visit. Here’s an idea: Pop it back in theaters and audiences might flip, as “Scarface” no less immersive and unsettling than it was over 30 years ago.

Ultimately, the best home for a gangster saga might be the medium best suited for long-form, immersive storytelling — television. “Breaking Bad” did a fine job of mapping out the process through which, in Vince Gilligan’s famous terms, “Mr. Chips becomes Scarface.” So before we argue any further about whether the studio should remake “Scarface,” it might be worth considering the possibility that somebody already beat them to it.


Posted by Geoff at 11:58 PM CDT
Updated: Thursday, July 20, 2017 11:50 PM CDT
Post Comment | Permalink | Share This Post

View Latest Entries