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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

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a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

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Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

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A Lonely Place

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italkyoubored

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24 Frames Per Second

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So Why This Movie?

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Nothing Is Written

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Thursday, May 4, 2017
RAPACE CONTRASTS DE PALMA / RIDLEY SCOTT
SAYS DE PALMA KNOWS EXACTLY WHAT HE WANTS - "HONEY, I'M EDITING IN MY HEAD ALREADY"
Noomi Rapace is the subject of yesterday's "Early Works" column at VICE. Here's the last paragraph, as she told it to Larry Fitzmaurice:
I went right into Prometheus after Sherlock Holmes, and then I worked with Brian De Palma on Passion. Ridley and Brian are filmmakers from the same generation, and obviously I grew up watching Brian's work—Scarface, Carlito's Way. When I heard that he wanted to meet with me, I was quite shocked. It was interesting to work with him, because he knew exactly what he wanted. He did very long takes, sometimes for four minutes. When he had three takes, he was like, "I'm happy. I'm good. We're moving on." Very different from Ridley's films and what I was used to. I was like, "Whoa, wait! We're not doing coverage?" But he was like, "Honey, I'm editing in my head already. No need for that. We're moving on." He's someone who knows exactly what he wants. It was very different and interesting working with him.

Posted by Geoff at 3:03 AM CDT
Post Comment | View Comments (5) | Permalink | Share This Post

Saturday, May 6, 2017 - 7:02 PM CDT

Name: "harry georgatos"

PASSION is a cool visually lavish piece of dreamlike cinematography that seduces the senses. Every shot is there for a reason and there isn't one pointless image. Cool soundtrack by Pino Donaggio. Can't understand all the negative reviews on rotten tomatoes. Needs better consideration then what a lot of pompous reviewers had to say with their tabloid attention grabbing headlines.      

Sunday, May 7, 2017 - 2:39 PM CDT

Name: "Christian G"

Problem with Passion was the (lack of) sound design..

 

 

Sunday, May 7, 2017 - 3:26 PM CDT

Name: "Geoff"
Home Page: https://www.angelfire.com/de/palma/blog

Lack of sound design...? Do tell...

Monday, May 8, 2017 - 7:36 PM CDT

Name: "Christian G"

I wasn't very precise.. I guess I meant say lack of texture - of which the sound design is one part, but also a lack of camera movement, angles, framing, editing... The De Palma touch.

The first 45 mins or so suffers IMO and is quite bland and dull.. Some scenes just seem oddly quiet in the background.. If I remember correctly Redacted had the same issue in some scenes.. A lack of extras, the office building seems almost deserted.. Budget might be part of it but can't explain all imo..

It does pick up  steam in the second half though, the murder scene is terrific and I absolutely love the final sequence. The last half marked a great return to form, harking back to the days of DTK and Body Double, and his best work since Femme Fatale.. 

 

Monday, May 8, 2017 - 10:49 PM CDT

Name: "harry georgatos"

De Palma was going to have a INCEPTION type opening of a hi-tech hi-gloss commercial that goes into several dream-layers. De Palma's indie friend directors talked De Palma out of that dazzling attention grabbing opening as a rip-off of Nolan's INCEPTION. De Palma who has based his career of paying homage to other directors in his movies should have kept that opening in PASSION. The second half of PASSION is an improvement from the subdued first half. The best aspect to PASSION is the opulent style of the cinematography and a cool score by Pino Donnagio. The writing is a series of mechanisms from one scene to the next. When it comes to visual style PASSION would be a good double bill with FEMME FATALE. 

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