Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod


De Palma Discussion


Recent Headlines
a la Mod:

Domino is
a "disarmingly
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book


Exclusive Passion

Brian De Palma
Karoline Herfurth
Leila Rozario


AV Club Review
of Dumas book


« September 2015 »
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30


De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site


No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags


The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the

FilmLand Empire

Astigmia Cinema


Cultural Weekly

A Lonely Place

The Film Doctor


Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds


No Time For
Love, Dr. Jones!

The former
De Palma a la Mod

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Boston Stranglers
Bruce Springsteen
Capone Rising
Carlito's Way
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Conversation, The
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Happy Valley
Havana Film Fest
Hi, Mom!
Home Movies
Inspired by De Palma
Iraq, etc.
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
Oliver Stone
Paranormal Activity 2
Parties & Premieres
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Responsive Eye
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sean Penn
Sensuous Woman, The
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Taxi Driver
The Tale
To Bridge This Gap
Toronto Film Fest
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Wednesday, September 23, 2015

The video above comes from last week's press and industry screening of De Palma at the New York Film Festival. Amy Taubin was on hand to discuss the film on stage following the screening, telling the two filmmakers at the end that after watching their film, everyone on the NYFF selection committee would say that they wanted to go back and look at all of Brian De Palma's films now.

The second-to-last question from the audience is from a woman who worked on Carlito's Way. Here is the Q&A transcript from that exchange:

Publicist: Could you talk a little bit about Mr. De Palma as a teacher? I’d describe him as one of the most generous directors I’ve ever had the pleasure of working with. I was a unit publicist for Carlito’s Way, and he didn’t say a word to me. But I never got kicked out of video village, anything I wanted to see I got to see, and it was the most amazing experience. I didn’t realize until watching this that… he’s a teacher. So could you talk a little bit about that?

Paltrow [nodding rigorously] : I really think that’s where the movie comes from. I think you sort of summed it up. That’s our experience of Brian, too, and that’s, exactly—not getting kicked out of video village… you know, virtually everybody would do that. I mean, that’s such a unique thing. And I bet you it’s not even conscious, he’s not distracted by that sort of thing. But that’s the core, I think, why we even made this in the first place.

Baumbach: Yeah, it’s interesting. I always knew about Home Movies, but in going through the timeline of his career, I guess I never quite thought, until we were doing the interviews and cutting the movie, is that he already had made Carrie and The Fury, and was now going to Sarah Lawrence and making this tiny movie with students and, you know, it’s so idiosyncratic. But as you know, Brian, as you point out, as you get to know him, it doesn’t actually seem out of line with the career—it actually seems very much in line with it. But it’s still… I don’t know any other filmmaker who’s done something like that.


Emily Buder, IndieWire

"'The Hollywood system destroys creativity,' Brian De Palma tells us in Noah Baumbach and Jake Paltrow's documentary. That's not the first nor the last of the impassioned statements the director makes throughout the course of the film, which feels less like a retrospective and more like a cinephile confessional. 'It's in the same spirit as having coffee with him,' said Paltrow. That is, if you take your coffee blood red...

"Studio veteran influences aside, one of the most surprising revelations of De Palma is the extent of the director's stalwart low-budget conviction. 'What's the point of film school if kids don't learn how to create low-budget movies?' De Palma asks in the film. Clashes with studios, such as Columbia and Paramount, further highlight his commitment to his vision. But what stands out most is one of the most original films any low-budget guru has ever attempted... [In that last sentence, Buder is referring to Home Movies, as she then segues into the quotes from Baumbach talking about that film.]

"Throughout the film, De Palma speaks candidly of his confrontations with failure. Embedded within every film is a colony of mistakes, regrets and blunders De Palma is quick to detail. 'Your films are like a public record of things you didn't finish,' he says."

Jason Bailey, Flavorwire

"In De Palma, the filmmaker makes no attempt to hide Hitchcock’s influence — in fact, it opens with him describing the formative experience of seeing Vertigo at Radio City Music Hall, something he says he 'will never forget.' If anything, De Palma seems confused that more of his contemporaries weren’t influenced in the same way, situating themselves similarly as 'practitioners' of the vocabulary Hitch perfected.

"The two filmmakers now also share the experience of walking through their careers with younger directors who idolize them, and De Palma has both the scope and specificity of the essential text Hitchcock/Truffaut, covering the entire career (even the movies we don’t really talk about) while pausing for in-depth explanations of the reasoning behind certain iconic shots, or the aesthetics of trademark techniques."

Anne-Katrin Titze, Eye For Film

"On the way out of the theatre, I told both of them that I was not the greatest De Palma fan, that I actually despised Passion, and that their documentary made me reconsider and curious to go back and re-watch a number of his films (not Passion, though). 'That's a good reaction to have,' Baumbach responded. Paltrow, when I brought up the great sense of completion due to the fact that they discuss all of his movies, confirmed that for them that was also a very important factor."

Nick Newman, The Film Stage

"Being a great admirer of Brian De Palma, I found that no film from 2015 was as purely pleasurable as Noah Baumbach and Jake Paltrow‘s De Palma, a blow-by-blow examination of the director’s massive oeuvre. Its structure is simple — De Palma speaks candidly about his upbringing, early efforts, and subsequent successes (as well as failures); many clips and archival materials are interspersed — but the effect to which their resources are wrung evinces a great deal of attention and care. In Baumbach’s own words, 'This is the only movie, probably, I can safely say, that I’ll be involved with that I can just keep watching over and over again. I find it so interesting.'

"After screening their work for press and industry members at this year’s New York Film Festival, the pair engaged in an Amy Taubin-led Q & A featuring audience questions. It’s hit-and-miss, as these things tend to be — I’ll pat myself on the back a little too strongly by noting that my own question, the very last, is the only one that seems to impress and stump both of these De Palma experts — but good insights are gathered throughout. My favorite part? When Baumbach explains the unexpected influence by saying, 'In a way, Brian, for me, sort of existed as what movies were awaiting me as a I got older. And then, once you start seeing them, they kind of go into your head and they don’t come out. I carry so many of those images over. The way I remember them, when I revisit them, I’m always surprised at how different they might be than the way I remembered them.'”

Posted by Geoff at 11:58 PM CDT
Updated: Thursday, September 24, 2015 12:22 AM CDT
Post Comment | Permalink | Share This Post

View Latest Entries