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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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Carrie...A Fan's Site

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No Harm In Charm

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italkyoubored

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De Palma a la Mod
site

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A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Friday, June 14, 2013
DE PALMA TO TALK 'PASSION' ON STAGE AUG. 19
AS PART OF LINCOLN CENTER'S 'SUMMER TALKS' SERIES IN NEW YORK
Brian De Palma will be on stage to discuss Passion and take questions from the audience during an hour-long event at 7pm Monday, August 19, at the Film Society Lincoln Center. The event is part of a series called "Summer Talks," an extension of the New York Film Festival Live talks that took place last fall. These events (including the De Palma one) are free and open to the public. The Lincoln Center website states, "Complimentary tickets will be available only at the Elinor Bunin Munroe Film Center box office on a first-come, first-served basis. Limit: One ticket per person." Video of each discussion will also be posted on the website (Filmlinc.com). Passion will open at Film Society on August 30.

"A salacious hit at the 50th New York Film Festival," reads the description at Filmlinc, "Brian De Palma's Passion is a film that is sure to have people talking. De Palma exhibits great panache and a diabolical mastery of frequent, small surprises in his most cinematically ingenious movie since his magical comedy-of-coincidences, Femme Fatale."

The rest of the description is similar to the one posted for the NYFF last year, but it's a fun description, so here it is: "With tongue planted in cheek—or maybe not, it’s up to you to decide—De Palma turns French director Alain Corneau’s 2010 film Love Crime into a droll, erotic tale of female competition. Noomi Rapace more than matches her performance in the original Girl with the Dragon Tattoo as the assistant to an unscrupulous advertising honcho (Rachel McAdams), who steals her ideas and acts as if it’s all good sport. It’s great fun until De Palma zeros in on the fury in Rapace’s eyes. The De Palma trademarks are all present and deployed with coolly calculated abandon: a brilliant use of split screen, a confusion of identical twins, dreams within dreams, and shoes to die for."


Posted by Geoff at 10:57 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post

Saturday, June 15, 2013 - 11:47 PM CDT

Name: "harry georgatos"

Finally saw PASSION. Somewhat disappointed. Story-wise plays like a standard 80's midday telemovie. Visually picks-up in the second-half with a lot of dutch tilt camera angles and somewhat interesting use of dreams within dreams. Photographer Alcaine shoots this like an Almodovar movie with clean visuals. Rachel MacAdams and Rapace give pitch-perfect performances. PASSION feels like a standard by-the-numbers DePalma films from the early '80's. Even the much herald split-screen sequence feels like DePalma has done this better in his heyday. Somewhat I suspect DePalma is going through the motion of his particular grammar of cinema. After watching PASSION i feel now that FEMME FATALE is one of his masterpieces.  80% of the shots in FEMME FATALE feel like works of art compared to PASSION. The final shot in PASSION can be seen in CARRIE and DRESSED TO KILL and many other films in DePalma's cannon. I still got my fingers crossed that DePalma might go onto make THE DEMOLISHED MAN?

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