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Warren Beatty's
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moving forward

Filmmaker Mike
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vertigo shot

Rie Rasmussen
to direct remake
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Mentor Tarantino
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AV Club Review
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Spielberg Predicts
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Scorsese tests
new Zaillian
script for
The Irishman
with De Niro,
Pacino, Pesci

James Franco
plans to direct
& star in
adaptation of Ellroy's
American Tabloid

Coppola on
his recent films:
"What I was
trying to do with
those films was to
make three student
films in order to
try and set a new
trajectory and try to
say, 'Well, what
happens if I have no
resources?' Now, having
done that, my new
work is going to be
much more ambitious
and bigger in scope and
budget and ambition,
but now building on a
new confidence or
assurance. The three
little films were very
useful. I'm glad I did
it. I hope George Lucas
does it, because he
has a wonderful personal
filmmaking ability that
people haven't seen
for a while."

Sean Penn to
direct De Niro
as raging comic
in The Comedian

Scarlett to make
directorial feature
debut with
Capote story

Keith Gordon
teaming up
with C. Nolan for
supernatural
thriller that
he will write
and direct

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
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The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

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a la Mod

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and the Infield
Fly Rule

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The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
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Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

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Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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Wednesday, April 9, 2014
SET PIC FROM 'BLOW OUT'
POSTED BY NANCY ALLEN, EARLY FOR THROWBACK THURSDAY


Nancy Allen posted the picture above to her Facebook page tonight, an early "Throwback Thursday" post. As Allen points out, behind Brian De Palma's head on the left, Vilmos Zsigmond can be seen.

In other news, Nancy Allen has been added to the Days Of The Dead: Indianapolis conference, which takes place the weekend of June 27th-29th. P.J. Soles is also scheduled to be there, as is Dario Argento.


Posted by Geoff at 11:52 PM CDT
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Sunday, March 16, 2014


Posted by Geoff at 11:19 AM CDT
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Friday, February 7, 2014
NANCY ALLEN 'THROWBACK THURSDAY' PIC
WITH TRAVOLTA & LITHGOW, POST-'BLOW OUT' GET TOGETHER


Nancy Allen posted the above photo to her Facebook page yesterday, with the comment, "Throwback Thursday: Post Blow Out get together with John Travolta and John Lithgow."

Posted by Geoff at 1:06 AM CST
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Friday, January 24, 2014
'24 EXPOSURES' - VAGUE ECHOES OF 'BLOW OUT'
ALSO HAS "DISORIENTING FAKEOUT" THAT IS "AS GRACEFUL AS DE PALMA"
Joe Swanberg shot 24 Exposures prior to last year's Drinking Buddies, but it is being released in theaters and VOD today. The Los Angeles Times' Gary Goldstein says that while Swanberg "is on to something" in 24 Exposures, "unfortunately, this would-be erotic thriller is just too unfocused and slapdash to satisfy its promise. With vague echoes of such art-meets-murder films as Michelangelo Antonioni's Blow-Up and Brian De Palma's Blow Out, Swanberg attempts to provoke and grip. But he fails on both counts in telling this tale of Billy (Adam Wingard), a 'personal fetish photographer' whose violence-laced work begins to parallel a murder being investigated by a depressed cop (Simon Barrett)."

The Village Voice's Alan Scherstuhl also finds the film's thriller/horror elements disappointing, and criticizes Swanberg's seeming use of nudity for nudity's sake. "Nobody's arguing that nudity precludes the possibility of serious artistic intent," states Scherstuhl, "except maybe those dopes who complain that the flesh bared on Girls doesn't seem to be there to inspire masturbation. 24 Exposures, on the other hand, seems crafted for viewers to watch with their hands in their pants. Yes, as the horny photographer and his girlfriend (Caroline White) hook up with their models, there are clever feints toward parody and criticism of godawful erotic thrillers, but the point of the many nude scenes never feels like anything more than the nudity. Swanberg has made an inspiring career out of rejecting the aesthetic crimes of Hollywood. It's dispiriting, then, that he so doggedly indulges in its tradition of male gazing. This is strict T&A, in a literal sense — just tits and ass, often gamely fondled.

"It's cheerful T&A, at least, and the women are allowed to be chatty, likable people, their characters always eager participants in their fetishization. If there's any artistic breakthrough it's in Swanberg's reclamation of the humanity of softcore, a project he's verged upon before: The women who get naked are the kind these indie filmmakers happen to know and like, a different set than the ones usually hired for movie erotica. Expect bobs, pores, nerves, and an affable freshness, and none of the steely, professional determination of the starlets of the Cinemax circuit. And don't expect to watch these women (all white) suffer acts of violence — there's none of that feeling, familiar from too many horror flicks, that at some level the filmmakers enjoy seeing women suffer.

"Granted, the female cast here all poses for Billy's crime-scene photo shoots, which involve ripped bras and tights, bathtubs of stage blood, and Laura Palmer–style corpse makeup. Since this is also something of a (gentle, self-referential, dissatisfying by design) horror film, those scenes of play-acted murder get juxtaposed against one that's meant to be real in the movie's story. It's a disorienting fakeout, as graceful as De Palma, and perhaps something of a commentary on the aestheticized sexual brutality of CSIs, SVUs, and every Shannon Tweed vehicle, but the deepest the movie digs into it is Billy admitting that he doesn't want to think too hard about what gets him off. (That could be the movie's thesis statement.)"

CraveOnline's Brian Formo adds that "there is a great Brian De Palma film within 24 Exposures. It is also filled with some perfectly framed De Palma moments: peering at women through blinds, sterile unfulfilling design of homes and offices, a third act that reveals that it never knew where to go with the narrative and explains it away in very writer-ly fashion."


Posted by Geoff at 1:51 AM CST
Updated: Saturday, January 25, 2014 11:01 AM CST
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Saturday, November 16, 2013
GLOBE & MAIL'S ART OF JFK INCLUDES 'BLOW OUT'
"10 WORKS TO REMEMBER" IN THE YEARS SINCE THE ASSASSINATION
The Globe And Mail's James Adams has written an article headlined "The art of JFK: 10 works to remember." Introducing his list, Adams writes, "The President’s assassination and the events surrounding it have been a fount of inspiration for artists (and ‘artists’) of all stripes in the past five decades. Herewith some examples of their insinuation into the warp and woof of popular culture." Amidst works by Andy Warhol, Don DeLillo, and Lou Reed, Adams includes the Zapruder film itself ("the 26-second precedent-setter for the 'convulsive beauty' of Bonnie and Clyde, The Wild Bunch, Taxi Driver and Scanners", etc.), as well as Brian De Palma's Blow Out.

"Films have feasted heartily on the assassination," Adams writes of the latter, "using it as either direct inspiration or riff bait. Blow Out’s one fun, heady concatenation, at once a variation on Antonioni’s Blow-Up and an interpolation of the themes and events of JFK’s assassination with Ted Kennedy’s 1969 Golgotha at Chappaquidick. John Travolta stars as the Zapruder-like witness – except here it’s a microphone and tape-recorder, not a Bell & Howell camera, that make him one troubled man."

Posted by Geoff at 8:32 PM CST
Updated: Saturday, November 16, 2013 8:34 PM CST
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Wednesday, November 13, 2013
PROJECTION BOOTH 3-HOUR 'BLOW OUT' PODCAST
WITH NANCY ALLEN, DENNIS FRANZ, FRED CARUSO, BILL MESCE JR.


The Projection Booth yesterday posted a three-hour podcast centered around Brian De Palma's Blow Out, including new interviews with Nancy Allen, Dennis Franz, producer Fred C. Caruso, and Bill Mesce Jr., the latter having won the Take One magazine screenwriting contest for what was known at the time as Personal Effects. The first hour of the podcast features the show's hosts, Mike White and Rob St. Mary, discussing many facets of Blow Out with Jamey Duvall of Movie Geeks United. At about the 49-minute mark, the Mesce interview begins. Mesce says he was never a De Palma fan, but knew he was a stylist, so instead of focusing on plot, he wrote what he thought was a very De Palma-esque script. However, he laughs that with this one, De Palma decided to do a non-De Palma-esque movie. Ultimately, Mesce says, De Palma's film kept a few lines of his dialogue, and that the closest to an entire scene of his that was kept was when Sally goes to visit Manny in order to get the negatives of the photos he took.

The Fred Caruso interview begins around the 1:36 mark. Caruso tells the podcast that it was his idea to include the Mummers Parade in the film's final act, as well as the fireworks going off in the background. Caruso says there was a big question from the studio and producer George Litto about whether Nancy Allen's character should die at the end. But De Palma said, look, that's the ending. If they like it, fine, if not, so be it. He also mentions that De Palma drew his own storyboards and had his entire office filled with them, from the first scene to last.

The Nancy Allen interview begins around the 2:06 mark. She talks about the heart and warmth that John Travolta brought to what on the page was a very dark piece. She also talks about how she and editor Paul Hirsch thought Travolta had to save the girl, but "John and Brian said nope, that's not happening." She also talks about the remake of Carrie (which she doesn't seem to have seen at the time of the interview), saying she is not a fan of remakes. She doesn't see the point unless you can somehow make it better, and doesn't think that is possible with Carrie. She and Paul Verhoeven did a Q&A after a screening of Robocop last year, and when someone brought up the upcoming remakes of that film and last year's remake of his Total Recall, Verhoeven said, "It's very depressing. I should be dead." Allen laughed and said she really gets that. Allen also confirmed that it was really her scream in Blow Out.

At about the 2:42 mark, there is a conversation with Dennis Franz, who at first says he does not remember much about Blow Out, having only watched it once around the time it was first released. But after the host mentions some things, Franz begins to remember a little more, including the fact that it was shot in Philadelphia, where Franz met his future best friend, who happened to be De Palma's driver at that time. Franz recalls De Palma calling him as Dressed To Kill was in theaters, saying, "Looks like we have a hit on our hands." De Palma asked Franz if he was interested in a part in this new thing he was working on. After listing off some of the potential roles, De Palma laughed. "Why are you laughing?" Franz asked him. De Palma said he had this character named Manny Karp. Franz immediately said, "I'll take it. You're laughing about him, I like the name, I'll take it." Franz told the podcast that once De Palma starts a job, he crawls into his shell and focuses, while Allen, who De Palma was married to at the time, enjoyed being social and having people over, which weighed on De Palma a little bit after long days on the set.


Posted by Geoff at 12:55 AM CST
Updated: Wednesday, November 13, 2013 4:58 PM CST
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Tuesday, October 15, 2013



To watch on Vimeo, click here.
(Thanks to Donald!)

Posted by Geoff at 7:33 PM CDT
Updated: Tuesday, October 15, 2013 7:39 PM CDT
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Sunday, September 29, 2013
'BLOW OUT' LAST NIGHT AT MILWAUKEE FEST
SCOTT TOBIAS EXPLAINS WHY THE DISSOLVE CHOSE THE FILM
Scott Tobias tweeted last night that the Milwaukee Film Festival screening of Blow Out, and the Dissolve panel that preceded it, went well. In an article posted Friday by OnMilwaukee's Matt Mueller, Tobias explained the origins of The Dissolve online journal, and why its staff chose Brian De Palma's Blow Out to present at the festival.

"I think ultimately we settled on the idea of going big, and Blow Out is big," Tobias told Mueller. "A lot of us love Brian De Palma, and I think it's his best film. And then I think we wanted something that was about the movies. And Blow Out is that as well. It checked a lot of boxes for us. Personally, I'm incredibly excited just to see it in 35mm. I just came back from the Toronto Film Festival, and I didn't see a single film on celluloid. Everything was digital. It'll be fun to see something projected in 35. I don't know when I'll ever have a chance to see that again."

Posted by Geoff at 11:38 AM CDT
Updated: Sunday, September 29, 2013 11:39 AM CDT
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Tuesday, September 10, 2013
PODCAST CRITICS WATCH 'BLOW OUT' & 'PASSION'
ALL EXPERIENCE 'BLOW OUT' FOR FIRST TIME, AND LOVE IT, GREAT DISCUSSION
"THE GUY FROM 3RD ROCK IS AFTER YOU"; BAFFLED BY 'PASSION'


Posted by Geoff at 12:37 AM CDT
Updated: Tuesday, September 10, 2013 12:58 AM CDT
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Thursday, September 5, 2013
'BLOW OUT' TO PLAY MILWAUKEE FEST SEPT. 28
PRESENTED BY THE DISSOLVE STAFF AS ONE OF ITS FAVORITE FILMS
Brian De Palma's Blow Out will be screened at the Milwaukee Film Festival at 4pm on Saturday, September 28, at the Oriental Theatre. The screening will be presented by four staff members of recently-launched online journal The Dissolve: Tasha Robinson, Keith Phipps, Nathan Rabin, and Scott Tobias. Earlier that afternoon (at 1pm), the four will take part in a roundtable discussion "about the present and future of film and film criticism," moderated by Steven Hyden. The MFF website states that Blow Out was "collectively selected as one of their favorite films."

Posted by Geoff at 12:04 AM CDT
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