TWO GUYS WATCH DE PALMA'S FILM - ONE OF THEM FOR THE FIRST TIME - AND DISCUSS
Hello and welcome to the unofficial Brian De Palma website. Here is the latest news: |
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E-mail
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Recent Headlines
a la Mod:
Listen to
Donaggio's full score
for Domino online
De Palma/Lehman
rapport at work
in Snakes
De Palma/Lehman
next novel is Terry
De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"
Supercut video
of De Palma's films
edited by Carl Rodrigue
Washington Post
review of Keesey book
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Exclusive Passion
Interviews:
Brian De Palma
Karoline Herfurth
Leila Rozario
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De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006
Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
"DAMAGED Viewing, inspired by the absolute litany of Louis Fowler’s DAMAGED outings (DAMAGED Magazine, the DAMAGED Hearing radio show and the DAMAGED Viewing movie podcast), is a fun and funny live version of the absolutely insane world of trash and cult cinema, presented without pretension or prejudice.
"Hosted by Fowler and Patrick Crain, two cinema obsessives whose love of obscure film goes far beyond the realms of the silver screen and into the dumpster behind it, DV’s mission is to bring these classic (and not-so-classic) movies out of obscurity and present them, warts and all, for a public eager for something they’ve never seen before. DAMAGED Viewing explores a world of wild cinema that only the dark and dirtiest of us even knew existed."
"Phantom of the Paradise could well have represented a pyrrhic victory of style over substance, beating its audience into submission with all of its chromatic fireworks and brouhaha, yet there is a touching romance as its core...
"Of course the film is anchored in the 70's and wonderfully so, and yet it feels strangely timeless, as if it was already so over the top for the era it was made that it has transcended it. Flamboyant and frankly insane, Phantom of the Paradise is an absolute delight and a must-see for a cult fans."
The Unloved - Phantom of the Paradise from RogerEbert.com on Vimeo.
Above is the twelfth edition of Scout Tafoya's video series, The Unloved (found at RogerEbert.com), which examines Brian De Palma's Phantom Of The Paradise. The series takes films that were received indifferently upon initial release and reveals the artistry that seemed to be overlooked in the critical and public dismissals of their time.
"Cult movies usually have to do something wrong in order to miss out on a first-run audience," Tafoya states in the video. "Idiosyncrasies and eccentricities pile up, and only a handful of people can see them as integral to the film's success as a crowd-pleasing oddity. In the case of Phantom Of The Paradise, the indifference that greeted it from critic and public alike seems much more baffling than its continued success in Winnipeg.
"It's easy to why Rocky Horror failed with mainstream audiences at first. It's entirely too pleased with itself, and features nothing in the way of sex or violence that audiences couldn't find in movies without self-conscious glam-rock all over the soundtrack. Phantom Of The Paradise had something to say, not to mention something to prove. Though it's rarely lumped in with many of its landmarks, the Phantom came out of the New Hollywood movement. By 1974, American artists were finally digging in and starting to take advantage of the creative autonomy offered by more adventurous studios. 1974 was a watershed year in particular, because it was when passion projects started flowing out of major studios. Directors were taking immense formal risks left and right, telling dark stories in daring ways, bowing to no one but their muse. There were huge successes, films that changed everything. And then there were films like Phantom Of The Paradise.
"Up until this point, Brian De Palma had been making bizarre little movies that mixed Godard and Hitchcock with abandon. Phantom Of The Paradise was his biggest film to date, and it remains his best. Perhaps sensing that he was the right man to make a crazed irreverent hash of classic literature, he grabbed his own pet influences to make a film that did for rock and roll what fellow enfant terrible Ken Russell had been doing for classical music."
In response to Estefan's tweet above, Williams tweeted, "I don't have language skills sufficient to describe Emilio and Gloria's generosity. Old Souls. Angels." Emilio is Gloria's husband, a musician and producer who was with her in Miami Sound Machine. Their son, Nayib Estefan, is the man behind Miami's Secret Celluloid Society, which has programmed De Palma's film several times in recent years, culminating in last night's 40th anniversary screening.
According to a report at FOX News Latino, last night, "Estefan acknowledged that she has been a great fan of [Phantom Of The Paradise] since it came out 40 years ago and especially of its music, which was nominated for an Oscar and a Golden Globe award."