PARADISE CITY-- SLASH SPORTS 'PHANTOM' SHIRT
WHILE DOING PRESS FOR FILM HE PRODUCED & SCORED, 'NOTHING LEFT TO FEAR'
The image above comes from the Winnipeg Free Press
, showing Slash
(a.k.a. Saul Hudson
) wearing a Phantom Of The Paradise
T-shirt as he promotes his debut film as producer, Nothing Left To Fear
, in Toronto. While Slash produced the film under his production company, Slasher Films, he tells the Winnipeg Free Press' Randall King
that he is not interested in making slasher films. "The moniker 'Slasher' just goes along with my name, so it was the easiest thing," Slash tells King. "But it's really the antithesis of the kind of movies I want to make."Nothing Left To Fear
was released on DVD, Blu-ray, and VOD October 8th. Aside from producing the film, Slash also co-composed the score, explaining to Rolling Stone's Steve Baltin
that the score is important to him, "because that's the one thing where I actually know what I'm doing. The rest of it is just me using my wits and sensibilities and going to what I think I should do. But with the music, it's something I have a grasp on, and one of the reasons that becoming a producer for horror flicks was enticing was the fact that I could be responsible for the music. So in this film, it was understood from the very get-go that we wanted to do something orchestral. So I wrote a bunch of different music and played it for the director to see which one he thought fit his sort of cinematic vision for this thing. Then he introduced me to an old friend of his, Nicholas O'Toole
, who's a scoring composer and sound designer, and so the music that we picked I gave to him and he interpreted it to an orchestral application. Then we just sort of worked hand in hand through the whole movie. It was great. It was really sort of a combination of people, but it was a lot of fun to do and I was really happy with the end result. Then Myles [Kennedy]
and I have the theme song at the end."
As far as horror influences, Slash tells the Globe and Mail's Geoff Pevere that he, first-time director Anthony Leonardi III, and co-producer Rob Eric all universally loved Rosemary's Baby, and went for the "slow-burn" effect of Roman Polanski's film. Slash also mentions in two of the above interviews that as a kid, he was creeped out by George Romero's Night Of The Living Dead. In addition, he tells King, "When I was a kid, one of the big ones for me was The Omen, the original. I always thought it was a marriage of great directing, a great story and great actors. It was really well done, and it was made in the fashion of the old feature movie."