COURTESY OF THE ARP SELECTION WEBSITE
The two pictures above appeared on the ARP Selection website, along with other pics we've seen previously.
Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:
a la Mod:
INTERVIEW: BRIAN DE PALMA From “Sisters” to “Carrie” to the new “Passion,” he’s been thrilling us in the most stylish ways. Plus: horrific highlights from decades of De Palma.
FEATURE: THE “PASSION” MASK How to make a face that suits two of the screen scene’s most accomplished actresses.
INTERVIEW: P.J. SOLES She turned a small part in “Carrie” into a memorable mean girl. Plus: Pino Donaggio and William Katt on making beautiful music with Carrie.
PREVIEW: “CARRIE” She’s headed for the prom again this year, and director Kimberly Peirce is chaperoning.
FIRST RITES “Carrie” on through the changes
Guare's Cop-Out is a surreal play in which two policemen, one in uniform and one in plainclothes, are played by the same actor, who interchanges (amidst stage blackouts and musical cues) between the two counterpoints of straight-laced police work (the stuttering uniformed one) and noirish absurd fantasies (the smooth and cocky plainclothes one). Each man interacts with a woman, the only other performer in the piece, and she alternates along with him. At one point, the plainclothes cop is drawn into an avant-garde play (a play-within-the play) which finds him under the covers, servicing Marilyn Monroe under the guise of several U.S. presidents, from Washington to Lincoln to Roosevelt, etc. The actor pops up from under the covers to deliver each president's gag-line as Groucho Marx might (complete with cigar), singing crude songs, etc.
The driving "plot" of the play is a whodunnit detective story, with a marked contrast between the cops who, played by the same actor, seem like two sides of the same personality. This aspect, of course, would have fit right in with the types of films De Palma would go on to make throughout his career, and it seems likely he might have envisioned some sort of split-screen for the film version, having just finished the split-screen Dionysus In '69. It certainly would have been an interesting film.
DE PALMA AUDIO SNIPPET
While you're at the Hollywood Outbreak link, check out Srisavasdi's snippet of audio from an interview he did with De Palma for Femme Fatale a little over a decade ago, in which the director talks about leaving enough room in a screenplay to allow for visual design. Great stuff!