RICHARD KELLY'S '70S-SET FILM ECHOES BLOW OUT & DRESSED TO KILL
Richard Kelly's third film, The Box, opens in theaters today. At left is a shot from the film juxtaposed with the key shot from Brian De Palma's Blow Out, courtesy of Peet Gelderblom at Directorama (thanks Peet!). Back in June, Kelly talked about the film to Aint It Cool's Mr. Beaks, discussing how he wanted The Box to have the feel of a 1970s picture, even though he shot it digitally with the Genesis camera. When Beaks brought up Vilmos Zsigmond, Kelly talked about how actor James Marsden was reminded of De Palma:
It's funny. When Marsden saw the film last week, he brought up DRESSED TO KILL and early De Palma for some reason. We do use a lot of zoom lenses. But because it's the Genesis, it has clarity that's beyond that. But it still does not feel digital. I've seen it digitally projected and I've seen a print, and I have to say I prefer the print because Genesis transfers to film beautifully. It's such a great camera system. Normally, when I see digitally-photographed films, I prefer to seem them digitally projected. And I do prefer digital projection only because I hate cigarette burns at the reel changes. And I hate it when the plate system is not well calibrated and you sometimes lose a few seconds in between changes. That drives me crazy - especially when it's a film I directed. My biggest nightmare is having a press screening where the projectionist is not quite hitting the reel changes right. That's upsetting. And that's why I'm like, "Please, just digitally project it." But I'm really happy with the print.
(Thanks to Rado!)