AND RANKS 27 OF DE PALMA'S FILMS, WITH 'PASSION' IN TOP 10
Roger Ebert.com's Peter Sobczynski posted an interview with Brian De Palma the other day, discussing Passion with a SPOILER WARNING. "In a weird way," Sobczynski says to De Palma, "with the increasingly cruel treatment that Christine perpetrates on Isabelle, the film sort of reminded me of Carrie, minus the supernatural element and with the cruelties transplanted from the locker room to the board room…"
"That is true," replies De Palma. "In Carrie, she is being tormented by her fellow students and seemingly set up and destroyed by another woman. There is a similarity but I must say that did not occur to me as I was making the movie."
DE PALMA SHOT TEST OF BALLET TO USE WHILE SHOOTING MURDER SCENE
In discussing the split-screen sequence in Passion, De Palma tells Sobczynski, "I used this particular piece in order to juxtapose Christine waiting for her lover with a ballet having to do with two dancers in a rehearsal studio who are going through their exercises while there is a growing sexual tension between them. I thought it would be an interesting juxtaposition between the two venues of action. It is very intricate but the advantage is that I shot a test of the ballet before I actually shot that sequence and when I was shooting the material of Christine being killed, I had my test footage of the ballet to play it against in order to determine how one scene juxtaposed against another and how it was working. By the time I got down to the shooting of the ballet, which was during the last two days of filming, I knew exactly what I needed in order to properly juxtapose the murder."
DE PALMA KNEW FROM EARLY ROLES THAT RAPACE COULD PLAY VULNERABLE
Sobczynski tells De Palma that when he first heard about the casting, he had assumed Noomi Rapace would play Christine and that Rachel McAdams would play Isabelle. "Fortunately," De Palma replies, "I had seen these Swedish movies that Noomi had done before she had become this international star of the Dragon Tattoo films where she plays this demonic creature—films in which she played vulnerable characters and mothers—and had sort of a fuller grasp of her acting talent."
'PASSION' DISTRIBUTION; 'PARANORMAL ACTIVITY'; FAV MOVIE CRITICS & OTHER DISCOVERIES
In discussing the VOD and limited theatrical release of Passion, De Palma tells Sobczynski, "That is the strategy of the distributor—they are the ones that paid for the movie and they have an idea about the best way to exhibit it in order to maximize their investment. I have no idea if this is going to make the movie any more successful as opposed to opening it in a more conventional way."
When asked how close he came to directing Paranormal Activity 2, De Palma tells Sobczynski, "Not very. Basically, I think one of the producers was an admirer of my work and they talked about it but nothing really came of it." When asked about the current state of film criticism, De Palma says, "I think that some of the best film critics nowadays are on the web. Dana Stevens over at Slate, Stephanie Zacharek over at the Village Voice—they write some of the best criticism around."
The interview ends with Sobczynski asking De Palma if there are any of his lesser-seen films he might like to see rediscovered. De Palma replies, "The public basically decides the movies that are going to be remembered and you have named a couple of them [Scarface and Blow Out]. Anyone who likes a director's work is exposed to them by the best-of movies, and then they start digging. Take someone like Fritz Lang—you start by seeing things like Metropolis or The Big Heat and the other fantastic films that he made and then you start exploring the ones that are less well-known. I assume that is what people do with me—they know the movies that are well-known and then ask 'Who is this guy?' and start digging into the others."
SOBCZYNSKI RANKS DE PALMA'S FILMS - 'BLOW OUT' TOPS LIST
Also posted that same day is Sobczynski's ranking of 27 of De Palma's films. "I have compiled the following retrospective look at his entire career (minus one or two obscurities)," Sobczynski explains in the introduction. "Some are better than others but with few exceptions, they are all the work of a singular director with a singular vision that stand out all the more amidst its committee-created competition and which make even his weakest efforts more interesting than the best works of most other filmmakers working today." Sobczynski's top three are Blow Out ("De Palma's masterpiece"), Femme Fatale ("this may be the most purely De Palma film of them all"), and Phantom Of The Paradise ("one of De Palma's most wildly entertaining films").
Sobczynski ranks Passion at #7 on the list, stating, "the film as a whole is a sexy stunner that is De Palma's most satisfying work since Femme Fatale." In contrast to Jake Cole's list from earlier in the week, Sobczynski ranks The Untouchables at number 5. Some possible surprises on Sobczynski's list: Raising Cain makes his top 10, Snake Eyes up at number 12 (even though "the ending is a bit of a letdown"), and Casualties Of War all the way down at number 23 ("I must confess that it is one that has never quite worked for me that well," writes Sobczynski). All the way at the bottom of the list is Get To Know Your Rabbit.