'SHOCK VALUE' AUTHOR MAKES CASE THAT DE PALMA'S FILMS ARE HIGHLY PERSONAL
A new book on modern horror films that officially comes out tomorrow (Thursday, July 7th) has been getting quite a bit of pre-release web publicity this week. In the book, Shock Value, New York Times writer Jason Zinoman looks at the way horror movies changed in the 1960s, moving through the early 1980s, and, according to reviews, blasts several myths about these films and their makers along the way (notably citing "the problem with Psycho," and how these filmmakers responded to that "problem"). See reviews from Drew Taylor at the Playlist, Joe Meyer, Bookgasm's Rod Lott, and Johnny at Freddy In Space, who says he'll never look at a De Palma film the same way again. That's apparently because Zinoman begins his discussion on De Palma by relating the story about how as a teenager who wanted to impress and help out his mother, De Palma spied on his father (a doctor), and caught him cheating with his father's nurse. Zinoman, it is said, links this story to De Palma's films in a way that he argues makes them highly personal, and not the cold exercises in pure style they are often mistaken for. NPR's Fresh Air posted an audio interview, as well as an excerpt from the book.