SAYS DE PALMA'S REDACTED SHOWS AN IRAQ RARELY REPORTED
Investigative journalist and documentary filmmaker John Pilger had a column in the New Statesman yesterday in which he blasts Hollywood filmmakers for consistently overlooking the oppressed victims of invasions, and lays into film critics for playing into the politics of omission by hiding behind sheens of "safe snipes and sneers." Pilger cites one critic's dismissive prose in describing Brian De Palma as "divisive" as an example of how a film like Redacted (which, according to Pilger, "shows an Iraq the media do not report") effectively buries the film from proper consideration. Here is an excerpt from Pilger's editorial:
With honourable exceptions, film critics rarely question this, or identify the true power behind the screen. Obsessed with celebrity actors and vacuous narratives, they are the cinema's lobby correspondents. Emitting safe snipes and sneers, they promote a deeply political system that dominates most of what we pay to see, knowing not what we are denied. Brian De Palma's 2007 film Redacted shows an Iraq the media do not report. He depicts the homicides and gang rapes that are never prosecuted and are the essence of any colonial conquest. In the New York Village Voice, the critic Anthony Kaufman, in abusing the "divisive" De Palma for his "perverse tales of voyeurism and violence", did his best to taint the film as a kind of heresy and to bury it.
In this way, the "war on terror" - the conquest and subversion of resource-rich regions of the world, whose ramifications and oppressions touch all our lives - is virtually excluded from the popular cinema. Michael Moore's outstanding Fahrenheit 9/11 was a freak; the notoriety of its distribution ban by the Walt Disney Company helped it to force its way into cinemas. My own 2007 film The War on Democracy, which inverted the "war on terror" in Latin America, was distributed in Britain, Australia and other countries but not in the United States. "You will need to make structural and political changes," said a major New York distributor. "Maybe get a star like Sean Penn to host it - he likes liberal causes - and tame those anti-Bush sequences."
TELL ME NO LIES
Writing that "censorship by omission is virulent," Pilger's editorial calls for "another Wall Street, another Last Hurrah, another Dr Strangelove."
Incidentally, in 2005, Pilger edited a book titled Tell Me No Lies, which is also the title of Angel Salazar's documentary within the fiction of De Palma's Redacted.