EXAMINES INFLUENCE OF 'PSYCHO' SHOWER SEQUENCE ON THE CINEMA OF DE PALMA
Peet Gelderblom posted the above video to Vimeo last week. In it, he examines, in very precise side-by-side split-screen detail, just how deeply the entire shower sequence from Alfred Hitchcock's Psycho has embedded itself within the cinematic sensibility of Brian De Palma. Be warned that when the blood comes in this video, it does so rather prolifically, as Gelderblom spins out the sparks of stabbing violence from various De Palma films like a DJ spinning fireworks. And he does it expertly as one who has studied the shots from De Palma's films, as well as from Psycho. I myself have looked at De Palma's Mission: Impossible literally dozens of times, and have never before made the connection between this shot (below) and Psycho:
At RogerEbert.com, Matt Zoller Seitz posted Peet's video today, as well, writing, "Gelderblom's piece clarifies the relationship between the two directors by showing just how completely De Palma absorbed particular bits of Hitchcock's artistic DNA into his own body of work. Not content to rework the plots and themes of particular Hitchcock films ("Vertigo" as "Obsession" and "Body Double," for instance, or "Psycho" as "Dressed to Kill"), he has integrated discrete stylistic tics into his own directing, cherry-picking individual shots that run as short as one or two seconds into scenes in De Palma films where you might not necessarily expect to see them. And yet these appropriations are transformed into something uniquely De Palma; this becomes much more clear via Gelderblom's use of split-screen, a technique that Hitchcock didn't lean on with the same geometric playfulness as his most famous disciple has displayed in fifty years' worth of his own work."