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Guide to getting and playing better gigs


   

Book It 3

     
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Gigging Tips
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Touring in Europe
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Unless you know someone, you have to work very hard to get booked at the larger local venues, and it's a whole different ballgame. They expect you to vigorously promote your show, and the success of your first show determines whether you'll be asked to play there again. Although a financial success is good for the venue, they'll also factor in the behaviour and attitude of the bands and the crowd when making a decision. These venues have an enormous amount of pride in themselves and often treat fans of all ages like children, like this is the first show they've ever been to and they have to be told how to behave. This usually causes the fans to rebel or act like children or develop a dislike or hatred for the venue. Your performance and behaviour onstage determines how the crowd will behave once they've entered the venue.

When you're playing to a larger crowd, there will definitely be people seeing you for the first time. Media critics and music industry professionals are likely to be watching you, and this may be their first impression of you. Although it's assumed that every one of your die-hard fans will be there, it's very important that you perform as if no one in the audience has ever seen or heard you before. If you put on a show for your friends and family, those people that sing along with all your songs and are ecstatic when you talk about them from the stage, you immediately distance yourselves from people who are seeing you for the first time.

The regular Joe in the crowd feels left out because he doesn't know the words to your songs and he doesn't know who these people are you're talking about onstage and you're not giving him any information that would help him to understand your band or your fans - he feels like someone who was invited to a party where he didn't know anyone but everyone else knew each other, everyone else had a great time, he had a lousy time. The venue doesn't like you inviting or pulling your friends onstage and having to monitor and discipline your fans when they get out of hand, and they sense the disapproval or disappointment of the regular Joe's who aren't having a good time. Music industry folk see that you're only playing to your die-hard fans and, if your show includes too much banter and fooling around with those fans, may decide that you interact with the crowd so much because your music stinks.

You may argue that internationally famous bands interact with the audience, so it shouldn't be that tragic for your band to do it. Well, there's a difference there. When U2 first started touring the United States, they basically just played their music, maybe explaining the meaning of a song or two, understanding that a lot of the crowd wasn't familiar with them. The last time they played St. Louis, they pulled someone from the crowd to play guitar with them. They have actually stopped singing and playing and left the stage to let the audience continue singing a song. They have pulled girls onstage to dance. They can pull this stuff off for two reasons: 1) they don't know the people they are interacting with, and 2) everyone in the crowd paid a lot of money to see them because they know all their songs and feel a kinship with the band.

Unless you're sure that everyone in the audience has come to a show to see your band, it's a bad idea to put on a show for your fans. Pulling someone you don't know onstage is acceptable - pulling someone you know onstage is rude. Friends and family of successful touring bands stay backstage.

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