HOLLYWOOD HATES CHRIST/CHRISTIANS WHILE PROMOTING EVERYTHING EVIL/ANTICHRIST
As Britain’s Aleister Crowley put it in about 1915, L.A. is home to “the cinema crowd of cocaine-crazed, sexual lunatics, and swarming maggots of near-occultists.” Never mind that this description fit Crowley — and that his work in black “magick” had inspired Parsons.
The Occult Sex Magician Who Sent America to Space is Getting a Television Show. ‘Strange Angel’ will tell the story of Jack Parsons, the man who invented rocket fuel and spread the gospel of British Occultist Aleister Crowley. You might not recognize his name, but Jack Parsons played a big role in getting humanity into space. Parsons was a literal rocket scientist who invented the first castable solid-state rocket fuel in 1942. Alongside associates from the California Institute of Technology, he founded the Jet Propulsion Laboratory, an organization that paved the way for NASA. He paved the way for mass production of the devices that would both launch humans into the stars and fuel their weapons of war. Parsons also pursued a lifelong obsession with the Occult, sex, and the intersection of the two. He joined Thelema, the Occult movement founded by British Occultist Aleister Crowley, and took over the movement's California branch. Scientology founder L. Ron Hubbard lived in Parson’s home for a time. [Hubbard eventually robbed a great deal of money from Parsons to build the Church of Scientology that today recruits Hollywood's elite.]
Every show and movie you watch, Satan’s presence is ample. The truth is, Hollywood is now openly run and kept running by the Satanic elite who clearly have an agenda to push and they now push it openly, as we as a society have just allowed this satanic steamroller to slowly run over us all, while even the fleetest of foot refuse to escape and just accept it like broken, fenced animals. The following are some examples and signs we have encountered in Hollywood and pop culture that point towards a Satanic agenda that hints at the uprising of a powerful Antichrist figure, as well as may summon the very Apocalypse itself. This is how they program us... [and] they are not even being bothered to hide it or make it subdued. We are becoming the very demons we fear as a result of all this, selfish creatures who only fed their own needs [for a] damning lifestyle they try to sell us through film and TV. Only the wisest of us see it for what it really is ... part of the illuminati agenda.
We don’t know what else they have in store for us, but ultimately it will come down to the Apocalypse. This is our current Hollywood, people, and it is entirely evident it is not only run by the Satanic elite, but that they have willingly and convincingly pushed that agenda upon the masses and we let it happen. In Hollywood, it is kind of a given that if a man wants to fuck a child, (male more than female, though both are prominent), that they can. The kids are generally told “this is how this works if you actually want to work in this town” and most of them just accept it. In the current X-Men movie called 'Apocalypse,' we actually meet a “mutant” who is looked at as a literal God and lays claim to all of Earth’s greatest achievements. Game of Thrones, the most successful television show of all time, features incest as a regular part of the show. The best part being that the family that do all good things get abused and killed and raped and stabbed. But the EVIL incest family? Oh, well, generally very little bad ever befalls them. That is the quiet scream we are all hearing. Hollywood telling us, the bad guys WILL win, so you may as well start cheering it now. So guess what we do? Cheer, like they ask, and buy tickets and watch the shows, therefore agreeing to all of it.
[Corey] Feldman also spoke of the alleged incident in his 2013 tell-all book 'Coreyography: A Memoir.' “At some point during the filming of ‘Lucas,’ Haim explained an adult male convinced him it was perfectly normal for older men and younger boys in the business to have sexual relations, that it was ‘what all guys do,'" Feldman wrote. Corey Feldman alleges that Corey Haim was raped by Charlie Sheen on the 1985 set of 'Lucas,' and was responsible for sending him down a drug-fueled spiral that ultimately resulted in his tragic demise. Feldman says Haim told him he was bent over by Sheen in broad daylight between two trailers and sodomized. “So they walked off to a secluded area between two trailers during a lunch break for the cast and crew, and Haim allowed himself to be sodomized.”
“[Award-winning director] Alexander Payne. You sat me down & played a soft-core porn movie you directed for Showtime under a different name. I still remember your apartment in Silverlake. You are very well-endowed. You left me on a street corner afterwards. I was 15. I just want an acknowledgement and an apology. I do not want to destroy. This was me at 15.”
✠ The Occult and its Obvious Presence in Television and Film What is the Occult?A sinister in its intent, mind-manipulative, millennia-old, cursed communication of demons with mankind. The Occult has always used the arts of man to tell their story, from the earliest cultural myths, to the arcane symbology that rose up from its teachings. Paganism being its counterfeit religion. That art and way of getting across their story has not stopped from ancient times to this much more technological age, having been passed down right into our modern era. Statues, paintings, books, music, and with the advent of film, movies and later, television, all are being used to make you become more Occult in your thinking, for a purpose. As it is with modern Metaphysical books, so too is this trend seen within modern film, catered to an entire pop-cult generation of old and young alike who eagerly turn out to Occult-based cinema depicting the latest Messianic hero churned out by a Satanic-led Hollywood. Certainly, our generation is that one which is even now being groomed into Anti-Christ thinking, acceptance, and ultimately, submission. Thus, film, as a medium, is potent at effectively placing subliminal archetypes into the subconscious mind, that linger and can later be awakened using certain visual stimuli, paralleling a form of mass hypnosis. Seeing its efficacious mind control potential early on, film was utilized as the source propaganda tool by Hitler, and his Occult-led Nazi's, to brainwash all of the German people ultimately into total compliance for what they themselves were secretly preparing for. With the advent of globally released film and DVD, it has now been made much easier for the world to be more influenced then ever before by those in control, who can easily implant Occult ideology into the increasingly receptive minds of this latter-day generation. To get to the truth behind why such programming is increasingly being propagated at this time, we must remember who controls the film industry itself, and who they are in complete service to. Just as my generation was raised in the radical new age of the 1960's and 70's and pulled toward magical thinking based on the supernatural and Satanic, today's kids are being literally assaulted and brainwashed by an even more relentless pursuit of Generation Z. While the turn of the new century brought with it the Gnostic-based, Occult-filled, Merovingian epic known as The DaVinci Code to herald a new form of Occult storytelling geared toward adults, at the very same time their children were being bombarded with the same Satanic and Antichrist messages from the Harry Potter series. Where has all of that devolved into today? Listen to what your kids are listening to and watch what they are daily being influenced by. Increasingly younger children today are being mind-controlled like never before through television, film, music, and now even their clothing choices. Video games are another front whereby Satanic mind control is permeating the minds of our children today. Between 2019-2020 alone, the very titles of some upcoming games literally give their own agenda away: Doom Eternal, Judgement, Gods & Monsters, Skull & Bones, Star Wars Jedi: Fallen Order, The Black Order, The Black Masses, Bloodstained: Ritual of the Night, Vampire: Bloodlines 2, Code Vein, Darkborn, Witchfire, MediEvil, Devil May Cry 5, The Beast Within, Unholy, New World, Blood & Truth, Watchdogs: Legion, and Faith: The Unholy Trinity, to name a few. Many more games without such titles, such as We Happy Few, depicting an Orwellian British society under the control of drugs and an evil government. Not coincidentally, Watchdogs: Legion features much of that same dynamic, with London run by evil overlords who seek to take over the planet. Fallout 4 takes the player on a shocking plot twist after America is destroyed by nuclear war with China, only to have government agencies experiment on them while survivors are locked within "Vault-Tec" underground vaults to ride out the aftermath. We should all find it collectively peculiar that while such media from books to television to games consistently mock God the Father, Jesus Christ and the Bible, they have no issue with constantly employing Satan and his demons, their ancient and modern occult symbols, and those that worship them to create entirely new genres of successful storylines. Anyone who still believes pop culture's turn toward the Illuminati and Satanism is just coincidence doesn't know Hollywood or the black hand that controls it. Try to step outside the Masonic mind control matrix for just a moment and think, critically. When is the last time Hollywood has created a film that actually edifies or uplifts the soul, that supports a strong, functioning family unit rooted in ethics or morals not based in debauchery, non-traditional sex, hedonism, murder, theft, witchcraft, mythical heroes, or the supernatural? Few and far between? Now think of how many films or binged TV series you've recently seen that contain violence, murder, revenge, theft, infidelity, immoral sex, debauchery, homosexuality, hedonism, drugs, paganism, or witchcraft. Do those subject matters make up the entirety of most everything you watch today? Why? Better asked, who is controlling the collective that tells us we actually need to see more of that constant barrage of distressing content that's now masked as entertainment? Perhaps even better asked, who or what kind of people actually view such immorality and evil as their entertainment?
What you probably don't know, as yet, is that like America itself, Hollywood was built from the ground up as Freemasonry's propaganda machine to desensitize the masses toward, ultimately, Antichrist acceptance, but to get there, Christian morals must first be eroded to the point where good appears evil, and evil as good. Their programming, formerly subtle, has today ramped up to the point that its clear existence and dark manipulation toward forcing society to accept the occult, can no longer be denied. Simply looking at the filmographies of Hollywood's A-list celebrities themselves proves my point. You've been under their maligned programming your entire life and never even realized it. Some of the most awarded and highly esteemed film actors and filmmakers of our time are connected to films propagating the Occult in some subversive way. Michael Caine, the veteran British actor who has played in countless of what I call 'agenda films,' including his very first film, The Adventures of Sir Lancelot, in 1956. Caine has also been cast in: The Man Who Would Be King, The Last Witch Hunter, Jack the Ripper, Bewitched, The Holcroft Covenant, and Children of Men. More recently, Caine is consistently tapped to play the key role of a mentor to the main hero, in everything from 'Batman' to 'Kingsman: Secret Service,' to the 'Now You See Me' franchise. Sir Michael Caine was knighted by Queen Elizabeth II, in the year 2000. Along the same vein, have you ever asked yourself why there are so many blockbuster films today whose starring roles are consistently given to British actors? Malcolm McDowell, for example, whose list of works range from both the Arthurian to the Satanic, has starred in almost exclusively occult agenda films and productions, following that of his brother, Roddy McDowell. The Satanist-reputed, Australian-born actress Nicole Kidman has taken countless roles dealing with themes of murder (especially of children) suspense, supernatural and the Occult. Another of Kidman's subtly Occult films is "The Family Fang," with most of its well-known stars having been involved in some way with actual murders in real life (i.e., Christopher Walken is connected to Natalie Wood, etc.) Take careful notice of the paintings presented in the film with children being tortured, sacrificed, or killed by people or animals with Nicole Kidman's line being "Wow mom, these are really great!" A later scene has her author husband talking about a plot to his new book involving children escaping an evil orphanage only to end up kidnapped by unknown people in the forest who take them to an underground lair with other kidnapped children. Kidman's author husband tells a writing class he has to think of the rest of what happens next with the implication being either slavery or sacrifice. Other notorious agenda films of Nicole Kidman include: Dead Calm, To Die For, Practical Magic, Eyes Wide Shut, The Others, The Human Stain, Bewitched, The Invasion, The Golden Compass, Rabbit Hole, Stoker, Aquaman, Secret in Their Eyes, Big Little Lies, and more recently, 2022's The Northman, set in 10th century Iceland about a Nordic prince embarking on a mission of revenge after his father is murdered. Such agenda actors are of course not restricted to either Britain or one of its commonwealth nations like Australia, as America has also produced no shortage of actors who've taken, or have had chosen for them, roles that advance the Occult, or are intended to desensitize audiences to occult murder. Like Kidman, Academy-awarded actress Meryl Streep has also been connected by Fiona Barret to Satanism within in the Hollywood establishment. Like Kidman, Streep also has a long list of films dealing with disturbing themes of mothers rumored to be witches and sacrificing their own children, as is the plotline to Streep's 1988 real life account turned film 'A Cry in the Dark,' where an Australian mother blamed the loss of her newborn infant on a wild dingo, igniting widespread public scorn and rumors of her reputed witchcraft. Instead of the film's writer choosing to depict the real life account of the woman's guilt, of which she was convicted in an Australian court, it portrayed Lindy Chamberlain-Creighton in an overwhelmingly strange, sympathetic light where she was completely innocent. Interestingly enough, that film tapped Sam Neil to play Chamberlain's husband. Sam Neil was the actor who played the Antichrist himself in The Omen III (as well as in the 1998 NBC mini-series, Merlin). Another oddity with 'A Cry in the Dark' is that it goes by another name: 'Evil Angels.' Oddly, Streep's next film was a 1989 comedy titled 'She-Devil.' Other Streep films that have murder, death of children, homosexual/lesbian, feminist, occult, supernatural, conspiracy, apocalyptic, or afterlife themes to them include: Silkwood, Defending Your Life, Death Becomes Her, The House of Spirits, First Do No Harm, The Hours (with Nicole Kidman), The Manchurian Candidate, The Giver, A Series of Unfortunate Events, The Devil Wears Prada, Doubt (Anti-Christian film), Into the Woods, Suffragette, The Post, Big Little Lies (with Nicole Kidman), Little Women, Heads Will Roll, The Prom, and 2021's holiday comedy "Don't Look Up" which is a Christmas-released comedy of two astronomers faced with alerting the American President (Meryl Streep) and media about an approaching comet that will destroy the earth. As with several other agenda films of late, like Satanic Panic, the comedy aspect is also being used as a front for the Masonic propaganda being disseminated to audiences, that while they make you not belive in Satanists or Satanism as evil, they're still educating you in its darker mythos and religious trappings.
The first was The Fairy King Ar (1998), depicting a family stumbling upon a mine filled with demons and 2011's Suing the Devil, where Malcolm McDowell plays Satan himself. Malcolm began his occult agenda film works early, starting in Stanley Kubrick's 'A Clockwork Orange' in 1971, which depicts a futuristic dystopian Britain where violence is rampant and the government uses mind control to quell it. As a child growing up in the early 1970's, watching occult-laced programs like "The Night Gallery," appealed greatly to me. I had not, however, discovered the UK's Hammer House of Horror series from the early 1980's until downloading the Pluto TV app in 2019. The very first episode I saw depicted a Satanic cult who finds an unwitting man to use in one of their ceremonies. The man happens to be born on the Summer Solstice (June 21) and is found perfect to be sacrificed in a ceremony to raise the demon Choronzon. Upon the man being lured by a young female cult member to be sacrificed, Choronzon immediately possesses his body, to which the cult is finally given both their Lord and Lady to rule the world. Interesting story. The actress playing the lead role in that episode was no stranger to Occult films. Her name is Rosalyn Landor and her very first film in 1968, was called The Devil's Bride (also called 'The Devil Rides Out') starring Christopher Lee, where she similarly played a young girl kidnapped by Satanists to wed the Devil. More intriguing, in 1985, Rosalyn Landor starred in the British film Merlin and the Sword, as Guinevere, the wife of King Arthur. She has since lent her voice mostly in occult-laced video games, whenever an English voice is needed apparently, as well as several Disney productions being listed among her credits. The subliminal vehicle used to pass along Antichrist brainwashing used to be more subtle, specifically relegated to the horror or fantasy genre, but since at least the turn of the century, anyone can see how their tactics are ramping up to become much more blatant. I mentioned the Pluto TV app. While showing "Beast 666" on one of its channels, the next channel over is playing "8 Millimeter," the 1999 movie where Nicholas Cage enters the dark world of Satanic "snuff films," and tracks down the evil men who filmed the ritual-like torture and murder of a missing teen. Starring James Gandolfini as a porn producer, there are scenes that disturbingly show parts of snuff films and then immediately cut to the character of Cage's young infant sleeping peacefully in a crib, as if the writers of the film are hinting that their true prize is found within much more innocent blood. While the film never makes a direct correlation that snuff films are connected to the Satanic underground in Hollywood, they still placed many hints that there is a direct correlation between Satanists, low-rent porn producers, and sacrificed victims. One such obvious connection is the tattoo of a pentagram seen on the mysterious killer's hand in the film, and his listening to obvious Satanic music in his room where a 'Danzig: Twist of Cain' poster is prominently displayed. Watching more of Pluto TV, I quickly discovered if any one film has scenes with Satanic cultists sacrificing people, eating them, or otherwise conjuring demons or even contains a single scene debasing Christianity or the Church, Pluto is running it. Another trend I'm seeing on Pluto, is that they'll run films like "Meteor Apocalypse" or "Apocalypse Earth" and immediately follow that up with Arthurian-based films such as "Merlin and the War of the Dragons" on the same channel. Across different channels, Antichrist-themed films like "Rosemary's Baby," "Messiah of Evil," "666: The Child," or "Beast 666" are run almost daily across various channels. Another destabilizing theme seen in these productions depicts traditionally conservative family units being shunned in favor of people idolizing evil, crime, and murder. It's literally becoming that obvious that no longer is there to be anything uplifting of human decency or edifying of spirit in these programs. Mental and spiritual corruption has become the new normal.
Keep browsing thru Pluto's channel adult and children's line-up, and you'll be struck by the sheer number of documentaries and Christian-bashing films centered around mayhem, murder, serial killers, missing children, human sacrifices, while propagating some facet of either the Occult or Satanism itself, placing a consistent emphasis on Satan, the Antichrist, sacrifice, and demonic possession. In the short time I've been watching, the Pluto TV app managed to feature: I Saw the Devil, The Devil's Own, The Devil's Mistress, The Devil's Advocate, The Devil's Rejects, The Devil and Daniel Webster, The Devil and Max Devlin (Disney Corp), Devil's Playground, The Devil's Double, The Devil Bat, She-Devil, Along Came The Devil, The Day of the Beast, Rosemary's Baby, 11/11/11, Flight 666, 666 The Child, 666 The Beast, Eye of the Beast, Killers 2: The Beast, The Messiah of Evil, Lord of Illusions, Lords of Salem, Lord of War, Kingsman: Golden Circle, On Her Majesty's Secret Service, Celtic Britain (Documentary), Deliver Us From Evil (Documentary), Princess Diana Conspiracy Theories (Documentary), Hitler's Children (Documentary), Windsor, Royal Deceit, William and Kate: A New Royal Family (Documentary), A Royal Night Out, William and Kate: Into the Future (Documentary), AE: Apocalypse Earth, The Apocalypse, Rapture-Palooza, Countdown to Armageddon, Revelation: The End of Days, Meteor Apocalypse, Night of the Comet, Camelot, The Fisher King, The DaVinci Treasure, Arthur & Merlin, King Arthur and the Knights of the Round Table (Set in the 21st century), Guinevere, Avalon, Merlin [BBC Series], Merlin and the War of Dragons, Legend of the Red Dragon, Red Dragon, Bram Stoker's Dracula ["Dracula" means "Son of Satan/the Dragon"], Blood of the Vampire, Young Dracula, Dracula's Curse, Poltergeist II: The Other Side, Poltergeist III: The Possession, The Possession of Gail Bowers, Anneliese: The Exorcist Tapes, Amityville II: The Possession, Amityville IV: Evil Escapes, Exorcist II, Exorcist III, American Exorcist, American Illuminati, Illuminata, Blessed: Evil Pregnancy, The Prophecy, Witchery, The Conjuring, The Oxford Murders, (Roman Polanski's) The Ninth Gate, Deals From the Darkside, The Virgin Suicides, Bound, Monster, Ted Bundy, Dahmer, My Friend Dahmer, Gacy, Gacy House, The Murder of (Pregnant) Lacey Peterson, Charles Manson, Waco: Madman or Messiah?, Nightmare Next Door, Skeletons in the Closet, It Takes a Killer, Midsomer Murders, Veronika Decides to Die, Tamara, Alice, Abandoned, Aimy in a Cage, In a Dark Place, Nowhere to Run, Human Trafficking, The Brain Eaters, Hell's Angels on Wheels, Road to Hell, Crazy as Hell, Hell Baby, Catch Hell, Catching Hell in the City of Angels, The Silence, To Die For, Too Young to Die, Never Too Young to Die, You're Next, Dressed to Kill, A Prayer for the Dying, Dead Bodies, Dead Ringers, Evil Twins, The Evil Dead, The ABC's of Death, An American Haunting, Strangerland, Sinners and Saints, Eden, Eden Log, Outcast, Masters of the Universe, Thor: Tales of Asgard, Defenders of the Earth, Highlander, The Last Warrior, The Hive, The Institute, The Palace, Blood Ties, Wolf Blood, Wicked Blood, Bad Seed, Dark Rising, Patrick: Evil Awakens, The Shadow Line, The Visitor, Agora, The Fades, Parasomnia, Paranormal Activity, Troll, Necromancer, Incubus, Succubus, Night of the Demons, House of Good and Evil, Dead Zone, Hammer House, Blood of Redemption, Kingdom of Blood, The Field of Blood, The Blood Lands, Beyond the Black Rainbow, Sacrifice, Covenant, Burnt Offerings, Hillside Cannibals, Cannibal Island, Cannibal Girls, Children of the Corn, Killing Eve, and Kane See No Evil. With such a consistent focus on films containing Satanism, Satanic cults, Christian-bashing, demonic possession, the paranormal, and murder, it's clear the opposite of Christianity is hard at work in the entertainment industry itself. Of all the obvious Satanism on Pluto, however, we'd do well to remember who is touted as this world's first murderer, Satanist, occult magician, and cannibal, who carried the bloodline and archetype of the Antichrist himself, Cain.
The films feature a recurring archetype: the arrival of a stranger, the discovery of a secret cult, then a vicious murder, perhaps a sacrifice, designed to propitiate pagan gods. The metropolitan visitor, the outsider from the mainland, comes into a situation strange to them and to us. Here the enlightened laws of the nation do not pertain. In these forgotten spaces, there are other laws: rules and rituals that are both familiar remnants of some tribal memory yet utterly strange. In their portrayal of the crowd, these films display a kind of power worship – the mob over the individual. Later, we may side with another crowd, the revengers, but that identification will be just as dehumanizing. As long as there is blood and suffering, we are supposed to be satisfied... He and his partner may think they are crusaders, King Arthur’s knights executing horrible people, but we quickly realize they are just vicious killers themselves. The gang-rape and murder in 'Blood on Satan’s Claw' begins from the victim’s point of view, but then plays out through the watching mob’s lascivious gaze. The killing crowd in these movies is us.
We can no longer escape all of the sex, violence, death, and murder, that Hollywood indulges, because the power behind Hollywood itself is operated by those who are involved with everything from snuff films to child sex trafficking rings, to the facilitating of illegal drug cartels and anything else that works to destroy society and facilitate global misery on every front. They create both TV and film to subtly glorify this fact, as well as their attempt to brainwash all of us to become more like them, with the idea being if they can corrupt the majority of society, Jesus Christ won't have anything or anyone to return to. Ultimately, Hollywood and its power moguls are trying to raise Hell on earth so there's no longer any resistance for the arrival of the Antichrist himself. Netflix's latest drama creation, "Godless," certainly provides an interesting storyline amid characters in constant search of themselves, with its obvious title relating to what they are becoming, but it's how Netflix chooses to present even their seemingly most innocent programs that do not have such obvious occult-laden themes, that truly speak to their increasingly obvious agenda. Netflix's most popular hit series to date, 'Stranger Things,' has achieved a global audience all its own. The first season depicted a shadowy MK/Ultra-styled 'deep state' that carries out inhumane experiments on children in an underground facility, that has also managed to unwittingly open a gateway to Hell. Its main character is named Will, a boy who gets possessed by the Satan-inspired "Mind Flayer." (Read that last sentence again). Will is later helped by Eleven, a young girl who was being experimented on before she escaped her captors within the underground facility. Together Will and 011 join forces to destroy the growing evil of the Mind Flayer. Interestingly, William, is also the name of the very similar character in the most recent reboot of The X-Files from 2018. In The X-Files, William is born of alien DNA that grants him supernatural power in order to fulfill a prophecy about a new global order. He is the son of [Diana] Dana Scully, played by Gillian Anderson, the actress who before has an Arthurian connection from her film "The Mighty," and is now slated to join the cast of "The Crown." The name of Will was also used in the film "The Darkness is Rising," about, once again, a boy who uses his supernatural powers to vanquish evil and establish "The Light." Such films are replete with Occult props and Satanic and/or Celtic symbols appearing in the background, proving these psychopathic mind controllers work in the adjunct realm of subtlety to manipulate society employing every psychological means to do so. Such agenda films and series disseminate their subtle mind control through the use of various methods, not least of which is displaying ancient symbols known in the Occult as 'demonic sigils' that are used by employers of black magic to conjure demons. Such symbols are usually presented in the storyline as "symbols of protection" to ward off evil spirits, when in fact, they attract demons. Likewise, you are told that certain elements within black magic are to be heralded as protecting mankind and the earth itself, when in fact it destroys us and opens our dimension to even greater demonic activity. You'll see this exact method of normalizing demonic sigils and evil practices in such series as Charmed, Blood Ties, Grimm, Supernatural, Shadow Hunters, The Secret Circle, Buffy the Vampire Slayer, The Originals, Salem, Hex, Outcast, Jonathan Strange & Mr. Norrell, The Shannara Chronicles, Hemlock Grove, Lost Girl, Being Human, Witches of East End, Eastwick, The Magicians, Ravenswood, Believe, Constantine, Chilling Adventures of Sabrina, His Dark Materials, etc. In the pretend world of such programming, they'll use one aspect of evil magic (touted as good) to battle an obvious enemy steeped in evil, and usually win, leaving the impressionable viewer thinking that black magic is good, if used for "light," when in fact magic is always demonic, and always evil in the real world. The point being, the Satanic-aligned producers of these many programs are attempting to entice as many people as possible toward Occult familiarity, study and practice, knowing that such subtle conditioning helps society prepare themselves for all of what's coming in advance of the Antichrist's 'New World.'
Occult subliminals can also be found in the background and props of such agenda-laced films that have the super hero, apocalyptic, horror, or other supernatural themes. Looking closer, you'll begin to understand why such obviously occult-orientated films are actually doing, which is telling the collective history of Lucifer himself, albeit from a Satanic point of view, where he is a demi-god, hero, or supernatural mutant saving the world. One need only watch the highest grossing film of all time, 'Avengers: Endgame' to see this dynamic at work. The film is centered around Thanos and his relentless quest of collecting every one of the "Infinity Stones," so that he can advance in power to God-like status. Apparently, writers and filmmakers can no longer hide their complete adoration of their Masonic "God," [Lucifer] because Satan's own history is consistently included in so many films today that have to do with either Western superheroes, or storylines drawn from Celtic, Anglo-Saxon, Nordic, Scandinavian, Slavic, or Germanic legends. Marvel's founder, Stan Lee, was himself connected to Freemasonry, which becomes even more evident given his earlier comic pitches like "The Mark of Satan," that was never released due to worry "that the public would never accept a comic book with Satan as the main character." The "Son of Satan," was created instead. Remember, the god of Freemasonry is the "Holy Lucifer" from his former position as the "Bringer of Light." As if to further connect the film's 'Infinity Stones' with Lucifer's own stones of power, the origin of these stones are explained in the film to have come at a time "before Creation," which is mostly unheard of in today's films whose makers are supposedly atheist. I'll let that fact alone sink in for a moment. It all makes sense when you understand that theistic Satanists, like Christians, believe in a Creation by God and His Son, but work in direct opposition to God in their wanting Satan to take his 'rightful place' upon God's Throne. The storyline of Thanos and his need for Infinity Stones, with Lucifer's own need to obtain his lost Emerald that has come to be known in the West as "the Holy Grail," is no mere coincidence either. In fact, when looking at the larger scope of all of what Marvel and other similar publishing groups have created over the decades, it's clear to see many of them, just like their counterparts in the entertainment industry itself, have advanced knowledge of the Occult and things only those attached to various secret societies would ever know. And this is done in an in-your-face way to both mock society that never realizes they're being systematically mind-controlled to the point of accepting the Antichrist himself, which is the Satanic endgame. In addition to the kind of Satanic subliminals found in the plotlines of these films, is also the use of advanced sampling methods that are employed in the film's audio. This trend was first used in the 1970's and to a much greater extent in the 1980's, as sampling technology became more advanced where sped-up or slowed down demonic-sounding voices provided various Satanic subliminal messages. I first noticed this decades ago with Spielberg's "Raiders of the Lost Ark," in the scene where the Ark is opened, releasing its angels of death. Listen very closely to within the thunderclap at the end of that scene. You'll clearly hear "SA-TAN" being said at the same time the thunder rolls. When you understand, as I did, that this could not have been mere coincidence, a fluke, a prank among the sound department, or even limited to one film, then you'll begin to understand how far the Satanic control goes in Hollywood to ultimately discover that the creation of Hollywood itself and further back, to the creation the United States is a Masonic and Satanic enterprise to advance Antichrist via our enslavement which includes our brainwashing by entertainment, so that by the time he rises, a foundation for his global dictatorship has already been well-established.
This audio technology that started in the late 1970's has never stopped appearing in much of the programming we have all been exposed to, now more than ever before. Proof of their skewed Satanic messaging where good is evil and evil is good can be seen (and heard) everywhere in entertainment today. Don't believe it? Simply cue up the film "I, Frankenstein," then watch, and more importantly, listen. If you binge watch anything, it's there on some subtle level depending on the nature of the program. Horror and Sci-Fi dominate the overt but even programs like 'The Handmaid's Tale' carry its more subtle underpinnings. It can be heard in The Walking Dead's season one finale, where a sped-up chant of "Satan" is clearly heard when the Center for Disease Control explodes (at the same moment the tank is first seen). In an even more recent program presented on BBC America named Britannia (2018), "Satan" is similarly heard in the show's intro using the same sped-up vocal technique that's clearly distinguishable from the background music. If that weren't enough, Satan's Biblical narrative fills the virtual airwaves by appearing in programs themselves, such as "American Horror Story," "Penny Dreadful" and "Lucifer," where Satan has ironically become a new hero for its young Gen Z and older Millennial audiences. Mere coincidence? BBC's new series for 2019 named "Killing Eve" is another interesting one coming out of that network, given the way Satan's minions have this obvious love affair with trashing the Scriptures, while at the same time consistently validating them. Why? Because more than anyone, they know Satan exists, but since the Scriptures are a guide from God on how to defeat Satan in our own lives, they hate the book but love its draconic Serpent. Amazon's own entrance into the Apocalyptic fray is kicked off in 2019 with "Good Omens," a dark comedy featuring a British cast that tells the homosexual love story of an angel from Heaven and a demon from Hell joining forces to find a certain young boy (Antichrist) and prevent the Apocalypse. Again, when taken together, none of this could come about by mere chance nor could it all be simple coincidence because it's now beyond obvious that blatant Occult themes are so clearly being presented. They must all have the same source, spanning across decades, a hive-minded group who have become powerful influencers within entertainment in the West. It is therefore no wonder that as we approach the time of their Messiah, that the Antichrist propaganda created by those who worship Satan is also being amped up like never before. In addition, knowing how the Hollywood Satanic cabal sacrifices at least one of their own every year, you really have to wonder who will die in 2019 that was originally recruited to unwittingly serve its hidden agenda. This is partly why such programming depicting zombies walking an earth with few survivors left has become so popular, knowing that these powerful elites will release a deadly plague among the human population during the coming Collapse, to fulfill their ages-long dream of population control in advance of placing the Antichrist in power. Of course, what all of their sinister notions of population control is really about is simply sending as many souls to Hell as possible.)
While Stranger Things showcases those shadowy forces within our government who attempt to work in concert with otherworldly beings to bring about an apocalyptic end of the world, which parallels the truth, the Walking Dead showcases a post-apocalyptic "New World" brought about by an unknown virus that spreads to create reanimated corpses. The Walking Dead, perhaps more than any other series on television today, is showing us what life would be like after a complete collapse of society and the rule of law. Each season also makes consistent knocks against Christianity, specifically. The Walking Dead starts out innocently enough, with King County sheriff's deputy Rick Grimes waking up to a world he doesn't recognize, after a global collapse. By the second episode, we are witness to a strong Arthurian theme early on, vis-à-vis the love triangle between Rick (Arthurian archetype) and his wife, Lori (Guinevere), and her lover, Shane (Lancelot). By the finale of season one, an episode called "TS-19," Rick arrives at the CDC in a post-apocalyptic Atlanta with his band of survivors (Arthur's knights) to hear that the undead apocalypse was caused by a "virus" that invades the brain (much like COVID-19) and then causes a high fever from which a person eventually dies before rising to become a "walker." The new report that Covid literally turns off and even shrinks areas of the brain, in effect making someone a "zombie," is nonetheless just one more archetypal parallel betwen the show and what has become our current and future existence. During the earliest days of the still unnamed virus, there came several videos, supposedly out of China, depicting the infected walking the streets like "zombies," as they were called before falling down in the street dead. It wasn't long after this, we started hearing the initial warnings from the CDC while Atlanta was forced into lockdown later that spring. In the series, the scientist alive at the CDC looks thru a microscope at the zombie-causing virus to see a spiked virus cell that looks exactly like "the Crown virus" (Coronavirus literally means Crown virus). The admission Jenner gives the group about France was near to finding a cure, was itself interesting since a report has come out of France today citing another variant (they created?) named Deltacron. Near the end of the TS-19 episode, Jenner whispered something to Rick that we only find out several episodes later the content of that information, Rick said, "We're all infected. Back at the CDC, Jenner told me... whatever (virus) it is, we all carry it."
Clues Hide in Films: Resident Evil's Anagram in RACOON (CITY) is CORONA
Of course, this isn't the first time we've seen programs and films where a global contagion is released that initiates a chain of events, like martial law, the military killing the sick, and the rule of law no longer intact. The original X-Files film (1998) strangely referenced the "Hantavirus" that was to cause FEMA to become the Orwellian government entity that would erase American freedoms overnight. This is a consistent theme within such films, where a global contagion is released to take the world into an apocalypse. Fear the Walking Dead provided even more predictive programming originating within its August 2015 pilot episode that metaphorically begins in an abandoned Church with fallen crucifix (the writers speaking volumes from the very first scene) complete with "666" and other graffiti placed noticeably on its walls. From its first season, we are given more information as to how the virus infected Los Angeles specifically. Before the outbreak, life seems as normal as we are taken into the local high school named "William's," where main character Madison is a guidance counselor. She enters and immediately sees the principal "Artie" (Arthur) and makes a joke about just receiving her "flu shot." Madison then notices a sullen student named Tobias entering the school with a knife that sets off the metal detectors. She plants 77 cents on him in front of the principal to explain the metal detector (77 is a known Masonic number) and quickly brings him in her office where he explains the knife. Tobias feels the online rumors regarding a strange "virus" infecting five states is connected to a rash of recent killings. Madison tells him he's spending way too much time online and that the government would inform the public if it were true. Tobias plays along but scoffs at her blind trust of the government. We then see Madison's boyfriend, Travis, an English-lit teacher speaking to his class about the author Jack London. He asks them, "What is London trying to teach us here?" On his chalk board is clearly seen the words "My 5 years..." which may be subtly referencing the year 2020, five years after this pilot episode aired, the place name of "London" is more obvious. We later see the teachers and students watching viral videos with the first zombies being gunned down by police. The next time they meet, Madison soon learns Tobias was right. He then informs her of the inevitable power grid collapse and explains "when civilization ends, it ends fast." After the scavenge the school for food and medical supplies, Maidosn and Tobias are encountered by William's principal "Artie" who's already turned and tries to kill them. After Madison is forced to kill Artie, she drops off Tobias and sees her neighbor's little girls wearing very familiar medical face masks (that we've all worn since 2020) with zombie teeth drawn on them, an obvious omen. The timeline of this season one spinoff matches season one of The Walking Dead. By season two of The Walking Dead, we hear Hershel reference the zombification as an "epidemic," that was shown on TV, which is what the media called Covid in its earliest days.
As Madison and Travis return home in a LA suburb, Madison unknowingly sees an Asian female walker dressed in traditional farmer clothing wearing a "Coolie hat" as to perhaps subtly suggest the virus began in Asia. Once home, they see a coughing (apparently infected) male neighbor gathering up belongings to apparently leave the city, while others remain hopelessly ignorant to what's happening. Mass panic in the downtown streets then occurs when police shoot more of the infected, leading to riots as the virus quickly spreads and citywide chaos ensues. After Travis, Madison, and Madison's son, Nick, are forced to kill one of the recently turned zombies themselves, Nick makes the comment to Madison that the rest of society aren't yet aware of what's actually happening, that the dead are walking. By the pilot's end, we see Madison's house with its street address 2052. The year 2052 falls within the timeframe I've concluded that Armageddon world occur from 2040-2060. Also interesting, AMC's Walking Dead Universe network ran this same pilot and second episode 24 hours a day for days on end during the Christmas week of 2021 until New Year's Eve, obviously hoping that everyone on their holiday break would see it at least once. Again, this is how the corporate powers think and operate when telegraphing what's coming as well as to shape their false narrative about how we should view all of it. As season one of Fear the Walking Dead progresses, another main character, Daniel, explains to Madison that when societal collapse happens "...it happens quickly," and that she "must be prepared." This is the second time Madison hears similar advice about it all ending fast/quickly. After the initial wave of infection, martial law is established, and we later see the main characters living behind barbed-wire fencing set up by the National Guard. On the fence is the graffiti "Rev. 21:4," referencing Revelation 21:4 in an obvious sarcasm. In these early episodes of Fear the Walking Dead, Madison's neighbors are shown coughing, while people are beginning to wear the now very familiar medical masks that we've all been forced to wear. Again, this was an episode from 2015. Later episodes reveal more digs against Christianity with Nick mocking the Rapture and Christianity, which is interestingly juxtaposed against his later acceptance of a death cult symbolized by the owl, where people are sacrificed. A larger wooden owl is also seen in the Walking Dead by Rick in his utopian vision of a future Alexandria. (Ancient pagans and occultists have long used the owl to represent the demon Moloch; Bohemian Grove in California has a giant owl that is worshipped by our world leaders in the ritualistic "Cremation of Care" ceremony.) By 2017's season three, episode 16 of the show, Nick is eating freshly harvested adrenal glands cut from the faces/brains of dead zombies, paralleling the scene in "Fear and Loathing in Las Vegas" where Satanists are referenced as obtaining "adrenochrome" from sacrificed humans. Do you recall the real-life account of the "Florida zombie" where a crazed man on a bridge literally ate another man's face? Even then some called him a government lab rat being tested with a "zombie virus." The very fact that both the CDC and Pentagon prepared reports of a "Zombie Apocalypse" around the same time may of itself been predictive programming. Covid-19 and its vaccines have yet to prove their actual lab origins. Clearly, the US and UK governments are preparing us for something.
By season four, episode two (2013), of The Walking Dead, there are other similarities to Covid-19. Hershel tells the other survivors to "wear a mask" after fears of a new zombie-to-human contagion at the prison. In the next episode named 'Isolation,' Hershel wears a mask to enter a walled-off cell block full of quarantined people on lockdown. The quarantined are suffering from a new 'super-flu' that's highly contagious and causing coughing, then fever, then lung failure, before death. Also like Coronavirus, Hershel uses ventilators in attempt to save them. TWD provides us a glimpse into the best and worst of what mankind will yet face after a societal collapse. Robert Kirkman, creator of TWD, has also written in characters that bring both a Biblical connection to the apocalyptic plot as seen in his character's names of Adam, Jesus, Mary, Gabriel, Noah, Abraham, Aaron, Leah, Ezra, Elijah, and Ezekiel. From TWD's spinoff called "World Beyond, we have Isaac, the father of character Elton Ortiz, and Silas, a character named after the apostle from the New Testament. Mind you, none of these characters play as Christians, and the only one that is, Father Gabriel, is seen in one episode angrily destroying the Bible inside his church at Alexandria, and has killed others when threatened. The show also uses names derived from the occult, such as Sophia (meaning wisdom) as well as from Christian Apocryphal texts, such as Judith. The name of Sophia is also particularly interesting because she is the Goddess of the Cainites and all Occultists dwn thru the ages. Wikipedia explictly state this about Sophia: "Ireneaus states that the Cainites regarded Cain as derived from the highest God, not the Creator God worshipped by Jews and other Christians. According to Irenaeus, they claimed fellowship with Esau, Korah, the men of Sodom, and all such people, and regarded themselves as persecuted by the Creator. But they escaped injury from him, because they were protected by the goddess Sophia." Celtic paganism is also referenced in the character's names. Tara, whose name means both goddess and Queen, as well as the bow-wielding Diana, patterned after the Celtic and Greco-Roman "goddess of the hunt." The names of Dante and Milton are also characters appearing in the series and comic, which are not so subtle references to the book "Dante's Inferno" and "Paradise Lost," a sympathetic book about Satan after falling from Heaven by one, John Milton. The enigmatic writing of both the comic and show is also pushing a parallel occult narrative that follows the tarot theme, where The Fool (Rick Grimes) is slowly taken on a mystical journey whose character deaths work as enigmatic signposts that eventually bring him to final enlightenment. Polanski's The Ninth Gate worked in a similar theme. By season nine of the series, the classic Arthurian theme of a "once and future king" was finally brought to bear, when King county Georgia sheriff deputy Rick Grimes is seemingly killed by a large bridge explosion, only to have a mysterious black helicopter (brandishing an occult logo) pick up his body and transport him to parts unknown, from where only the viewer knows he would one day return to his people. That should sound oddly familiar to you, given that King Arthur was "killed" only to have a mysterious barge operated by ghosts take his body to the isle of Avalon, from whence he is still to return "when his people need him most." Season 10 of the series brought us a new character named 'Princess,' while expanded themes from the original comic that is still crossing over into the series seasons 10-11 will bring us a "New World Order," and "the Commonwealth," as well as more information on the shadowy "CRM (Civic Republic Military)." Interesting to note, CRM's logo (three circles joined) is the very same symbol that was long employed by occultists to denote the number 666, the number of the Antichrist. [See OTO's tarot card called "The Hierophant."] The Walking Dead's spinoff series known as 'World Beyond' is already providing us insights as to the origins and purpose of the Civic Republic Military. It's leader, for example, is a seemingly evil woman named Elizabeth (what else?) dressed in CRM's traditional black garb and wielding a thick British accent that she uses to manipulate others. How Rick is also influenced by CRM's (evil?) leadership remains to be seen in upcoming theater releases between 2022-2025, of which it's been already rumored that the Walking Dead films would take place in a post-apocalyptic England.
"In a World Plagued by Evil, ONE MAN/LEGEND WILL Rise
to Save Us All, and a New World (or New Age) Will Begin."
Hollywood just loves the Apocalypse, prophecy and all that religious-themed stuff. End of times movies generally do well, as do movies about demonic possession, angels vs. demons, Jesus making babies with Mary movies. Filmmakers seem to be willing to do anything to rile up the religious folks of the world, or just to give us a fresh take on the end of the world, so maybe Robert Kirkman will do just that. Maybe he'll end The Walking Dead on a religious note, tying it into the Bible.
According to the Arthurian legend, when King Arthur received a mortal wound that seemingly killed him, he was suddenly and mysteriously taken adrift on a barge to the otherworldly isle of Avalon for the healing of his wounds, from which he would one day return when his people need him most. The exact same open-ended premise was strangely presented for The Walking Dead's main character, Rick Grimes. How many times have you heard something very similar to the above coming from any modern movie trailer? Have you ever stopped and asked yourself why are they always talking about "One man" rising up, or one hero with a band of "knights" or "heroes" who help him conquer his enemy and save the world? Probably too many times to count. What is actually being propagated there is the undying notion of a Messianic hero who has supernatural powers and goes about to save the planet in the most Apocalyptic or epic 'Good vs. Evil' way possible. Of course, many of these same films, of late, are based on one kind of myth or another, whether that myth be modern, as in our comic heroes come to life on the big screen, or ancient. From Star Wars, to The Lord of the Rings, to Promethius, Thor, Alexander, Beowulf, Hercules, Aquaman and Superman, from the X-Men to the Matrix, are similar storylines of an otherwise ordinary man or Royal Prince/King, whose usually has some kind of issue with his father, but who suddenly rises to become a supernatural hero. and eclipse everything that his father was. "The Hero's Journey" notwithstanding, anyone with eyes can see that there is something very strange and similar running rampant in many of today's film plots, in regards to epic storylines based on both ancient myth or modern heroes. Compare the 1982 film Excalibur with Star Wars with Highlander with The Matrix, for example, in each you will find the same theme of a young apprentice who is destined by a prophecy, vision, or oracle's intuition to be a great leader, warrior, knight, King, of which 'There can only be One' or "The One" who is secretly mentored, taught, or trained in the ways of fighting an ongoing war via sword, saber, or magic, using a strict code of conduct, training, or Force, all the while his elder friend, Mentor or teacher provides hints about a perilous mission, hunt, or quest, whose sub-quest involves finding a dark, shadowy, figure that is said to be his mysterious, lost, or dead father, leaving the neophyte to doubt, then exceed, his own strengths, skills, or supernatural abilities. As the young student, apprentice, or Prince grows under the metaphysical teachings of his elder teacher, Jedi mentor, or wizard trainer, he eventually acquires a group of friends, disciples, or knights who attach themselves to his knightly quest to destroy the present order of death/war/chaos and bring in the Golden Age of freedom, light, or balance, to a hurting world on the verge of a New Age. Also interesting is how almost every one of these films depict (White) British, Nordic, and/or Celtic-born actors are increasingly given roles that cast them as villains at the very least, even as the epitome of all evil at worst. The same films or commercial programming are always rife with Occult symbols, props, Masonic or Illuminati verbiage referencing 'the Light,' or "Lucifer," or "illumination," from which the name Illuminati is derived. Game Of Thrones is by far the most successful and globally watched program where fantasy, the Occult, Royal bloodlines, and draconic birthright power has enthralled audiences of all ages, including the heads of state of many nations far outside of Western control. It was widely reported in 2019 that the leadership of China, including President Xi himself, became rabid fans of the HBO program. Because so many films today contain its themes, I would submit that a new film genre has arisen of late, the Magic genre, because both TV and film are now awash in pagan magic that have increasingly created a global cult following all its own, as intended. Since The Craft first appeared on the big screen right up until today's Sci-Fi Channel's series, The Magicians, as well as ABC's Once Upon a Time, BBC's Merlin, and Lifetime's Witches of East End, has this genre dominated the minds of the Harry Potter generation, with similar result, which is to bring about more intense interest in Witchcraft and magic to increasingly younger audiences. At the same time, yet another sub-genre has recently arisen that revolve consistently around the Cainite's own history, with tales of vampirism, royal bloodlines, and global power, with Game of Thrones being just one example of how hungry the current generation is for such programming.
Other clear examples include the hit series Grimm, Vampire Diaries, True Blood, The Originals, Van Helsing, Blood Ties, The Strain, and others that focus on powerful bloodline families and Occult lineages fighting for control. Films not including Bloodline storylines, nonetheless, are presenting Masonic themes. One example of this type of propaganda, was the 2016 film "Now You See Me 2," that depicted a band of street magicians (called "The Four Horseman of the Apocalypse," so immediately the Book of Revelation is brought into the fray) who are hastily recruited by a secret society called "The Eye," (which is an obvious reference to Freemasonry and it iconic "Eye of Horus"). The Eye wants to put their slight of hand talents to best use by stealing a computer chip by which The Eye could control all of the world's computers (which is a not so subtle allusion to the Beast's own future global financial network) all the while the Horseman are treated to Masonic-sounding lessons of, what else, how to be effectively illuminated by "The Light" and how they can aid 'the Light' to bring about a new era of global peace and prosperity. Sound familiar? In effect, this is what Freemasonry itself teaches their own neophytes, as they ascend the proper "degrees of illumination" until they are finally given the Luciferian-based secrets of the Master Mason. With Tarot cards, spy craft, a strong Occult agenda, and subtle knocks against Christianity, all thrown in for good measure, this film has become a cult favorite among Millennials today. The end scene has the Four Horseman at the headquarters of The Eye, and this clearly went over heads of likely 99% of the global audience who actually sat thru this film, but that black-and-white tiled (Masonic pattern) floor they stood upon at the film's end is the exact same floor tiling that appears in the home of the Queen of England herself. This is what The Matrix film creators were actually trying to tell us regarding the current illusion of choice between a Left/Right, Red/Blue system itself that is our American Matrix, created by Freemasonry to keep most of us sleeping and living out our lives within their American dream social construct as slaves, whose energy and taxes they need to keep building their future empire. The Masonic 'twin-pillar' parallel to reality here is two-fold. On the one hand, every man is presented by God with a similar choice, between Satan or Christ. Satan is referenced by the Left Hand Path and has its increasing connection to the (Blue) Democrats and their liberal system that takes many of its cues from the East, where God is openly rejected in favor of mankind's own will. On the other hand, Christ is seemingly being connected to (Red) Republicanism and awakening. Notice I said, seemingly, because in its political archetype, this apparent war between the Red vs. Blue paradigm is in reality two sides of the same Masonic coin, and its been this way since the very first Occult-led President of the United States, a Freemason. What is the Matrix? Control, over slaves living within an invisible Orwellian prison system whose unseen leadership are entirely in service to not any polarized political ideology, agenda, or corporate profit, but Satan himself. Christ knowing far better than us, explained that we needed to overcome the 'world system' for a reason, while other Scriptures show us that Satan is the "Prince of this world" leading unseen "principalities and powers in high places." Knowing how pervasive the Masonic control has not only infiltrated, but created the Left vs. Right paradigm, should tell you something. The lesser of two evils is still evil. In America, we've been lulled to sleep because we believe we have the freedom of choice, when there is no choice, not when every political party serves the same Masonic overlords that daily plan our sacrifice to Satan. Those who are "Redpill" actually believe they've been awakened and now serve on the side of right (right-wing), while those who remain "Bluepill" are made out to be the robotic-like proxies of the Satanic Matrix (left-wing) and must be destroyed to help destroy the Matrix itself. That is the interpretation of the film by those who follow Trump. In reality, the dream world of the Matrix parallels the long-standing American dream itself. People should have picked up on the subtle clues within The Matrix as soon as the film dropped its "Alice in Wonderland" references, which in itself was a story depicting the false perception of reality vs. the truth of what lies behind false perception and certainly by the trilogy's second and third films when the Merovingian was introduced through which the film's creators all but announced their trilogy was about Christ vs. Antichrist.
Alice falls into a world underground where various characters, like demons and/or the "degrees" of Freemasonry itself, reveal aspects to her of what is true behind the thin veil of perceived reality that we've all been taught to believe, which makes you question what Alice in Wonderland's author actually wanted to impart to his readers. The main antagonist within the story is the Red Queen of Hearts, who while the author Lewis Carroll never officially disclosed the inspiration for his Queen as he did for other characters, many readers believe she was based on Queen Victoria who herself was connected with Freemasonry. Researching Lewis Carroll also himself proved interesting, in that he was a pedophile for the real-life Alice of whom he based the book upon. He also attended Oxford, notoriously known for its Satanists who recruited the elites among British society into their "Hellfire Club." Also interesting was that Alice is later in her life connected to England's New Forest, known for its own deep connections within Druidism, the most ancient forum of Celtic Satanism.) The fact that the Wachowski brothers are believed to be occultists themselves is further underscored by the naming of the other characters within the Matrix trilogy, such as Trinity, Seraph, Apoc[alypse], Smith, Cain, Abel, the Twins, and so as to make no mistake that The Matrix is telling the story of Christ vs. Antichrist from a Grail mythos perspective, the Wachowski's gave us the character of the Merovingian and a Messianic storyline that revolves around the impending "destruction of Zion." The Matrix contained innumerable veiled references to Christ and Antichrist with not so veiled background props, subliminals, and verbiage, that were entirely Masonic. The film's trilogy can be confusing to most, but not when looking at it through what the directors themselves are trying to imbue in their Masonic-laden 'As Above, So Below' twin-pillar enigma. The Machine World that has enslaved mankind are, like everything else in the film, to be taken as two-fold, even as opposite Yin/Yang ideologies juxtaposed within or against themselves. On the one hand, the Machine World represents Masonic control over the Western society itself (which is the truth), but on the other hand, the machines represent God's perceived wanton control over all creation, which is not coincidentally from a Luciferian perspective, as I strongly suspect the Wachowski's brothers obviously hold. By the time we're introduced to Morpheus, it's clear Morpheus is akin to the Devil attempting to wake up his chosen candidate to become "the One," which is the Antichrist. As mentioned, however, there's an opposing flipside at work. As the Wachowski's would have it, Neo is at times also representing Zion's Messiah Jesus Christ. However, as this page makes clearer, Neo could only be the Antichrist who saves those going to Hell. Satan's archetype in Morpheus presents itself more clearly when he first meets Neo, in which he explains to him that he offers only the truth via two pills in either of his hands that from Neo's perspective appears as a blue pill in Morpheus' left hand (Left Hand Path), and a red pill in Morpheus' actual left hand. Neo is then told there is only one choice to make in the form of consuming either the red or the blue pill, that will either awaken him to the truth of his enslavement in the Matrix or have him continue sleeping blissfully unaware within it. The parallel to our daily reality here is also two-fold, as it were. On the one hand, the colors of these two pills denote Freemasonry itself, with its Scottish (British) Rite denoted by the color blue, and the York (American) Rite denoted by the color red - while in America, these two colors (not coincidentally) represent the Left and Right political parties of Republican v. Democrat that together keep everyone sleeping blissfully unaware to their enslavement within the larger Masonic-Matrix reality. On the other hand, everyone is presented with the ultimate choice between Satan or Christ (good or evil). Neo ultimately chooses the red pill and awakens to the reality that his whole life was a dream within the Machine's Matrix program.
By the time Neo ascends in the power of self-awareness as the One (a very New Age/Eastern concept used to replace Christ), he meets the computer program that created the Matrix, named the Architect, which again shows us how the Wachowski brothers have written The Matrix using dual parallels of meaning throughout. While the Architect's name is an obvious reference to Freemasonry's Grand Architect, the Architect of the Matrix, in parallel, also represents God the Father with his telling Neo, (who in this scene represents Lucifer) that he "is the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision. While it remains a burden to sedulously avoid it, it is not unexpected, and thus not beyond a measure of control.” Compare that to Ezekiel 28:14-16: "Thou [Lucifer] art the Anointed Cherub that covereth and I have set thee so. Thou wast upon the Holy Mountain of God, thou hast walked up and down in the midst of the stones of fire. Thou wast perfect in all thy ways from the day that thou wast created, until iniquity was found in thee. By the multitude of thy merchandise they have filled the midst of thee with violence, and thou hast sinned. Therefore I will cast thee as profane out of the mountain of God." Obviously, Lucifer is the 'eventual anomaly' that used his free will for evil, who himself was not beyond a measure of God's control to then use him for mankind's own test that results in their own individual choice of good or evil. Further underscoring the Wachowski's obvious Luciferian-Masonic connection in their trilogy, is Neo's line "The problem [for the Machines/Architect] is choice" referencing the God-given free will that was provided to each of us, the same free will Lucifer used to rebel against his Creator. But the Architect's creation of the Matrix world system to keep mankind under manipulated control, proves he is ultimately Satan, and we know that from the way he mocks Neo's love for Trinity, and his wanting to "destroy Zion," (interpreted: Jews/State of Israel). Neo's attempt at not being controlled by the Architect to instead choose the path of love for Trinity and saving Zion in this instance makes him Jesus Christ, but again, only temporarily, as the Wachowski's make much use of mixing lies with the truth and blending good with evil archetypes where Neo is sometimes Christ, and others times, Antichrist. When Neo is introduced to the Oracle, he stands under a sign in Latin that in English reads: Know Thyself, a concept that is widely upheld in Freemasonry. Neo also stands in front of a beaded curtain that contains the Freemason's symbol for Lucifer as a double-headed eagle, the esoteric meaning of the two heads looking in opposite directions to convey the Masonic illusion of choice that always ends in Lucifer's will as opposed to God's will being made manifest [the same two-headed eagle symbol that appears on the cover of Dan Brown's latest pro-Masonic series 'The Lost Symbol']. For America, the Masonic-controlled two-party political system is our illusion of choice that only has one outcome by which the founders have devised as a foregone conclusion. All of the parallels combined within The Matrix go to show that the film's plot is attempting to wake us all up to the reality that we are each a mere slave within a Masonic system of dystopian government that's engaged in mind control, called the United States, and that there are varying degrees of consciousness to which the vast majority never wake up from. [Note: Eerily similar to Alice in Wonderland and The Matrix is the Resident Evil franchise, where main character Alice confronts the Red Queen and an evil corporation named Umbrella who wants to control the planet via human experimentation and the use of vaccines. In a connection back to The Matrix anime film Animatrix, Trinity gave herself the hacker name Red Queen.] The Matrix trilogy ends with Neo (Christ/Antichrist) attempting to stop the virus replication of Smith (Antichrist/Cainite control), who threatens the Matrix program (world) itself and most of mankind still trapped within it. With help from the Machine World, Neo sacrifices himself (Christ) to rid the Matrix of the virus (Antichrist archetype), an evolving concept that will be picked up in The Matrix 4: Resurrections.
The so-called Truther movement is therefore anything but, and only exists to ensure the world accepts everything the Antichrist later demands. The Matrix plotline has often been compared to the original 1984 Terminator film, where AI machines take over the planet and enslave what's left of a human resistance. A memorable actor in that film was the offbeat detective helping to protect Sarah Conner, played by Lance Henriksen. I mention this actor because he is one of many who have built their career playing in films that have strong Occult, Antichrist, and New World Order themes. His first role in a blockbuster film was actually one of the first blockbuster films ever created, Steven Spielberg's Close Encounters of the Third Kind. From there, Henriksen found quick success as an actor, playing leading roles in such noteworthy films as: The Omen II, Alien, The Visitor, Terminator, The Nature of the Beast, Powder, Mind Ripper, Profile for Murder, The X-Files, Millennium (X-Files Spinoff), Scream III, Demons on Canvas, Hellraiser: Hell World, Run Like Hell (Video Game), Four Horsemen of the Apocalypse (Video Game), Black Ops (Video), Supernova, The DaVinci Treasure, The Chosen One, Dying God, Godkiller: Walk Among Us, Necessary Evil, The Genesis Code, Castle, Scream of the Banshee, The Witches of Oz, All Hail King Julien (TV Series short), The Dog Who Saved Halloween (Children's TV Movie), Hannibal (TV Series), Star Wars: The Old Republic (Video Game), It's in the Blood, The Strain (TV Series), Sin Reaper 3D, The Book of Daniel, Hearthstone: Heroes of Warcraft (Video Game), Dark Awakening, Garm Wars: The Last Druid, Paranormal Island, Criminal Minds (TV Series), After the Sun Fell, Gehenna: Where Death Lives, DC's Legends of Tomorrow (TV Series), The Blacklist (TV Series), The Dead of Night, Wraith, and Exorcism at 60,000 Feet. Of special note, Lance was the voice of Baron in the Disney TV series Tangled: Beyond the Corona Walls which was released in 2018, a year before the Coronavirus itself walled off entire nations. Henriksen also starred in another recent film named West of Hell, in which he plays the Devil himself. However, it is still Lance Henriksen's 1978 appearance in The Omen II, as the first person to hint to Damien that he is the Antichrist by having him read the 13th chapter of the book of Revelation, that will forever stand out in my mind as his most intriguing role to date.
The Occult elite is all about power and symbolism. The above ceremony showcased both. The Occult Elite tell the world that they control the world's resources and manpower. In other words, they are the only ones who can make such projects happen because they control politics, finance and business. Furthermore, by creating overtly Occult ceremonies, the Elite tells the world: "This is what we believe in, this is what we think of you and there is nothing you can do about it."
This is also an example of the psychological skill employed in creating the story told in the Dossiers Secrets. The creators have used other such tricks, particularly in incorporating themes and symbols that possess a potent emotional charge: in other words, archetypes. Special Bloodlines and magical inherited powers routinely crop up in blockbusters, such as Harry Potter and the Star Wars series.
The Sion Revleation p. 20, 281
The role of Secret Societies in such plots - whether Ludlum, LeCarre, JK Rowling, JRR Tolkien, or Dan Brown - is not to be understated.
Secrets of the Code p. 162
There are also Christ/Antichrist themes in the new film. The nine-year-old hero, Anakin Skywalker, who become the evil Darth Vader in later episodes, is said to be "the Chosen one" who is virgin born whose coming was predicted in hundreds of "old prophecies and legends, handed down for centuries as a part of Jedi lore."
[Earle speaking to young Bruce Wayne] You're in excellent hands. We'll be watching the empire. When you grow up, it'll be waiting for you.
It's well known that Spielberg's long-time comrade is George Lucas, the creator of Star Wars. What's not as well known to the general public is that Lucas has admitted in a 1994 History Channel documentary (about Star Wars) that his epic script and original storyline that became the first Star Wars film was based on the much older "Arthurian theme," where Lucas swapped out the typical medieval theme usually associated with King Arthur and his knights, for a more updated storyline based in science fiction. This very candid admission, by Lucas, was made for a recent television History Channel documentary piece about the legend of King Arthur, which proves that today's epic Hero and Superhero films based on the classic themes of truth or justice, are themselves to be subliminally rendered versions that consistently hearken back to the ancient myth of King Arthur and King Arthur's future return. This is clearly evident when you break apart the chivalrous plots and Arthurian-like storyline's of these same modern films, as well as its characters. For example, Luke Skywalker is a youthful, blonde, Messiah-figure having magical blood that is infused with so-called 'Midiclorians,' present in his blood stream, of which a high-count results in being powerful in utilizing The Force, which is their word for having supernatural powers, be it good or evil. How very familiar. For any amount of research into the Merovingian Bloodline would quickly educate you that the supernatural abilities attributed to the Royal Merovingians were literally traced thru their Bloodline, that is supposedly attributed to The One, aka Messiah, Christ Himself. Thus, looking closer at the name Midiclorian, which was obviously based on the root word Mitochondria, pertains to the life essence or force of the cell itself, and through these are all connected to the larger Force that governs the cosmos itself. As it was also explained in the film, the Midiclorians connect us to the Will of The Force, a will that can be discerned with proper education and training. Therefore, the message that is being sent to the audience, however subtle, is that living among us are some that are more naturally adept to having supernatural abilities, connected to a unknown 'higher power' of Good/Evil, as a result of their specific bloodline and lineage (much like Satan's own Bloodline within Antichrist that empowers him, supernaturally). Moreover, how difficult is it to obtain the word, Merovingian (or historical Merovingian names Theodoric or Clovis) from what Lucas created in Midiclorian? The links below will provide understanding on how subtly Hollywood instills Antichrist propaganda into your minds. As seen above, it's also interesting to note that George Lucas went to certain Arthurian novels, from Mallory to Tolkien, to obtain some of the names that still appear in the Star Wars franchise of films. Star Wars is also not without its own prophecies about a coming Hero of Light and Lord of Darkness that lay at the root of the cosmic war that proceeds them and their followers and descendants. Anakin Skywalker, whose destiny was prophesied to herald in a New Age, actually brought his turning to the dark side, and great ruin for all. Anakin is subtly twisted by the Emperor toward the dark side of the Force, and as every last trace of good in him falls away, he ultimately becomes evil, and is found not to be The One, so prophesied, and so the legacy is passed down to his son, Luke.
This storyline was clearly ripped from the pages of early French romances about King Arthur, and most aren't even aware of this. Where it was an elder Merlin who takes the young Arthur to live with foster parents for a time, before coming back and training the older boy in the magic of Druidism and chivalric knighthood, it became Obi-Wan who finds foster parents for young Luke, who lives with them for a time before Obi-Wan returns [exactly like Merlin did] and begins to train Luke in the ways of the Jedi Knighthood, and their all-permeating quasi-God, the Force, the quasi-religion of the Templar-like "Jedi Order." Then there is the whole evil 'Dark Father' aspect to the supposed prophesied Messianic-like son dynamic, that Lucas was keen to include that hearkens back to not only King Arthur's dead and mysterious father, depicted in the original French Arthurian romances, but also the various cultural myths that have spanned the ages, such as seen within the Egyptian Anubis, Isis, and Horus themes where a 'Golden Child' [Messiah/Antichrist archetype] is created to rule the world. Understand, such ancient myths, found within the Egyptian, Greek, and Roman, themselves, are based on far older truths that were imparted to ancient man by those same fallen 'sky gods' he worshipped, to prepare mankind for the reality of the actual 'Dark Father' Satan, and of his earthly son, Cain, who became this world's most ancient Royal progenitor, who via his well-protected lineage that leads to the Antichrist, shall one day rule this world for his evil Father. All of this is done in counterfeit to Genesis 3:15, when God first gave the prophecy of His Son, the true Messiah, who will destroy Satan's seed, the Antichrist, and have His Son set up a Kingdom that from that moment on, could never be destroyed. The Illuminati and their Masonic education machine, that controls history itself, doesn't want us knowing any of that, but instead deceives the world by telling it that Christianity itself is the by-product of Egyptian myth, when in fact the exact opposite is true. By the time he has finished his Jedi training, Luke begins to be tempted by the Dark Side via the Emperor, by which his father's earlier choice in siding with absolute evil was made complete in the killing of innocent children. How this consistent aspect will translate into the Antichrist's own future story, in the ongoing struggle and pull by evil, as seen in these many films, is no less intriguing, in that William will be given a mentor in advance of his becoming smitten completely with the entirety of evil by its literal source. This is without a doubt to invoke the enigmatic Father-Son dynamic that is also prominent in the Scriptures, with God and His Son opposing Satan and his. Once your eyes are finally attuned and you realize what Hollywood and its producers are actually portraying, as well as who they literally worship, you'll see it everywhere. The rumors of an insidious evil at work behind a well-orchestrated and pervasive mind control in nearly everything the public still unwittingly consumes, was true all along. How ironic it is, therefore, that the mainstream media finds so many occasions to tell us otherwise. (See also The Atlantic Sarcastically Mocks Hollywood's Occult Programming and Notion of 'Reptilian Overlords'.)
Arthur's sister, Morgana, becomes Princess Leia, whilst Arthur's trusted knight, Lancelot, becomes Han Solo, and so on. In addition, as some have discovered, Yoda exists as yet another more obvious reference to Satanism and the Occult within the Star Wars saga. Incidentally, R2-D2, or more commonly referred to as ART-oo; sounds exactly like Artu, the Latinized form of Arthur. Moreover, George Lucas provided some other very interesting names to his admitted Arthurian retelling, names that provide further insight to where he is going with his story. For example, Anakin Skywalker's name is borrowed from the ancient word Anakim, which later became Annunaki, the aeon of fallen Angels who in Genesis 6 fell due to their lust of mortal women. Luke Skywalker is an obvious reference to Lucifer, who as the 'Prince of the Air,' hovering to and fro above the earth, and as Satan, "walking up and down in it" (see Job 1:7) is for all intents and purposes, thus a 'Sky-Walker,' whose name LU-ke skywalk-ER has a phonetic similarity to LU-cif-ER. His father, who is an obvious Satanic figure under control of the Satan-like Emperor, has a name derived from one of the most renown Arthurian books ever written, Le Morte d'Arthur (French for The Death of Arthur) by Sir Thomas Malory. Although when asked, Lucas will only say that Darth was his play on words to reference "Dark." Vader was itself derived using a play on words, this time from the German word for Father, used to possibly evoke Adolph Hitler, as many believe. Certainly, Darth Vader's unmistakably Nazi-like helmet, and caped black armor, was referencing both Hitler's Occult SS officers, as well as Germany's more ancient Teutonic Knights, possibly even the Knights Templar, the Knights who since the Crusades, have taken power over this world be creating an entire underground that today reach into every facet of both the American and British government, as well as their Occult-driven security agencies who act as modern knights on behest of their Royal King. The fact that they control every media, from school curriculum and higher academia to global news networks, print, television, and film industries, proves the existence of a global Cainite cabal that have one mind and purpose aside from their role of creating the Antichrist himself, which is to then be his propaganda machine to deceptively force mankind into his worship, even as they slowly groom William into his future role as The Beast. They have waited centuries for his arrival, and now that he exists among us, these more or less subtle positions given him, such as making William the President of one of their most effective evil propaganda industries, film, more clearly shows their elusive controlling hand of guiding the young Prince along his destined, ill-fated path.
Much More Than a Seemingly Misplaced Sword Scene in a Batman Movie - Listen
It's a wonderful idea, gloriously simple. To consolidate every terrorist group in the world into one cohesive, overwhelming force, in order to create international crisis and political chaos. With millions of dollars behind them, and working under inspired leadership, they could assassinate any world leader, anywhere, turn any world religion, race, color, or creed against each other, start riots in any city, at any time, until suddenly, the world is reduced to a state of anarchy and panic ready to accept a strong new leader who can restore order and take command. That new leader has already been chosen.
The Holcroft Covenant
In Lucas' admitted sci-fi rehashing of the classic Arthurian theme, the questing Knights of the Round Table become a Council of Jedi Knights who also meet around a round (virtual) table with a quest of their own, ensuring that Anakin, then Luke, himself a Prince, son of Queen Amidala, becomes the prophesied One who ultimately fights their rebel cause and defeats the Emperor, a storyline that can be twisted either way, with the classical view that Satan is the evil Emperor, and Luke represents then a Christ-like Messiah, or that Jehovah, who from the skewed Satanic perspective, is the ultimate evil Emperor who forces all to worship Him, and therefore, they see anyone rising up, like Lucifer has done before, against God, and will do again in the future, as a Hero of Freedom and Light. It is precisely this, that these stories are trying to infect impressionable minds with, all of which has the blessing of the President of the British Film Industry, Prince William. Being that Satan has always viewed himself as the original artificer of the arts, which is connected to his time whilst holy, being God's living musical instrument of love and light, by which many of those in the arts (namely in music) throughout the centuries have revered him as such, right up unto the present era. Of the Cainite Bloodline itself, we've have all been entreated to their own history and lore, but many have never recognized or realized it as such when it finds its way into a television storyline, or film premise. As a child growing up in the early to late 1970's, I remember even our early Saturday morning shows that were geared toward our generation touched upon obvious Cainite references. One particular series, called Land of the Lost depicted a family stumbling upon an otherworldly gateway that brought them back to a prehistoric time when an ancient race of reptilian creatures called the Sleestak (who evolved from the peaceful Altrusians, a likely reference to Atlantis) existed alongside stone-age man and flesh-eating dinosaurs. An elder among the Sleestak named Enik (Enoch is the Biblical name of Cain's first son), explains that an advanced entity named Sol (meaning Sun; Sun-God; Lucifer), originally taught them many things that led to the Sleestak's one-time knowledge and enlightenment had been lost, a common theme in such Satanic Agenda programming and is used to reference Satan's providing ancient man forbidden knowledge that God has since removed from mankind, the sinking of Atlantis, the destruction of the ancient library of Alexandria, et al. As such, ancient crystals, the "Pylon," time travel, and New Age religious indoctrination were rife in this 1974-1977 series targeting children of my generation. Another Saturday morning program, named Isis, depicted a similar New Age slant, this time depicting an archaeologist/school teacher named Andrea Thomas, who travels to Egypt and discovers an an ancient amulet of Tutmose that allows her to transform into the superheroine goddess, Isis, who then uses her powers to "fight evil." In addition to the subtle mind control, shows like these also go out of their way to include telling names among their main characters, like Diana Prince in Wonder Woman being an example. For this series, Rick Mason, who played a completely non-essential role in the series as Andrea's potential love interest, was included in nearly every single episode for seemingly no viable reason other than being Mr. Mason, as the school children called him.
Agenda-laden shows that were there when I was a child have more recently given way to a greater ramping up of Occult themes for the Millennial generation that came after mine. Much more obvious Occult-laden programs began to appear in the 1990's, such as : Are You Afraid of the Dark, Spooksville, Goosebumps, The Haunting Hour, Roswell Conspiracies: Aliens, Myths and Legends, Grimm's Fairy Tale Classics, Marvel Action Hour, ReBoot, Darkstalkers, Sailor Moon, Disney's Gargoyles, Batman Beyond, King Arthur and the Knights of Justice, The Mystic Knights of Tir Na Nog, Highlander: The Animated Series, Hercules, Conan the Adventurer, Phantom 2040, Mutant League, Pokeman, Mighty Max, Tenko and the Guardians of the Magic, Mythic Warriors: Guardians of the Legend, to just name a few, all push a Satanic and Antichrist agenda that has now hit complete saturation for this current "Millennial generation." Because of the increasingly obvious control that our Controllers have placed in the entertainment industries, that is having its negative spiritual impact on the still unsuspecting masses (as proven by the way so many today are actually embracing some form of Occult belief) one might ask how far does this apparent mass mind control agenda go, as it is found not just in film, but in every area of a person's life, from their classrooms, libraries, and art centers, to nearly 100% of the things they daily watch and listen to. Many of today's television shows, specifically targeted at school-aged children, for example, have such blatant Occult themes, that you have to wonder how the parents aren't noticing it on a conscious level. An intelligent mind that is even somewhat awake and observant of the world around them, would at some point have to ask why do these shows, songs, and videos, all glorify Satan in some hidden or overt way, while at the same time debasing Christ? What benefit does this supposedly all-wise god of such powerfully elite Satanic worshippers, that control entire industries on this planet, have on society? Certainly, Occult themes in film has been desensitizing the masses in a large way since the Disney era, where tales of Occult indoctrination, magic bloodlines, murder, possession, and horror themes could all hide effectively within an animated 'fairy tale,' but what is new is the frequency and increasingly more obvious Occult propaganda now being presented on a much broader scale then ever before. Being the targeted audience of such brainwashing, we have for decades now been made the unwitting victims of their mind control propaganda that ramped up further in the late 1960's thru the 1970's, when George Lucas and Steven Spielberg began to hone their craft. Now you can see why the Old Testament Scripture commanded never to allow a witch or warlock to live, because they have always sought to corrupt society toward Satan in his war against us, as well as God. One could argue who is greater among them, but suffice to say, both have taken an entire generation of blockbuster fans into their world of the Occult. Today, this war between Good and Evil is still the storyline of most films that Hollywood is churning out today, largely fought between either superheroes, or the more realistic heroes derived from actual historic accounts, such as King Arthur or William Wallace.
From the original Star Wars right up to more recent Hollywood releases such as The Matrix, we are again and again entreated to the same basic themes, with a young neophyte male child (or Royal Prince) imbued with a magical blood or bloodline (or as called in The Matrix, Neo's "way above normal Neurokinetics" and in Star Wars: Episode One, Anakin's unnaturally high amount of Midichlorians found in his blood), are thereby heralded to be "The One," that saves the world, or Universe. Just as King Arthur's Merlin became Obi-Wan in Star Wars, to his apprentice in Luke, Neo's mentor and warrior master became Morpheus, and on and on this theme goes, working its way into many more films that could ever be named here. The Mentor figure in these films then teaches the Messianic apprentice how to achieve great supernatural power that he must use one day to defeat the ultimate evil, as prophesied for him, yet first the boy must confront his father's own dark past, ensuring he is not doomed to repeat it, and upon passing a series of tests, is then guided toward his own epic war that pits the ultimate good against the ultimate evil, in some form of impending Apocalypse. And so, together with his friends, clan, or chosen band of knights, "The One" goes about conquering for the good of all. Some who study classic literature would merely pass all this off as the "Hero's Journey," the nature of any hero, which would be accurate, that is if it weren't for the unique way all of these modern Luciferian films place a rather strange importance, that is at times seemingly out of place, on references to the Occult, supernatural Bloodlines, prophecies, legends, the toppling of the older Father/God establishment, via mutiny, war, deception, and magic, not to mention the placement of a hero protagonist that is akin to a conquering Messiah figure who saves humanity. This same method of passing along Occult information through the guise of a story, has since the days of Mallory's tale, been perfected over the centuries. Today, evil tomes such as HP Lovecraft's Necronomicon, (whether its own 'Mad Arab' backstory is fact or fiction) is still widely used today among Occultists, as well as finding their way into children's cartoons, somehow. Breaking down and reconstituting Occult notions with the goal of infecting children with it's "magic" is as old as fairy tales themselves, yet then it was much more diluted. As we approach closer to the day when the Antichrist is revealed, the powers in control of what we watch and listen to are ramping up their subliminal assault on the masses in order to make them ready to submit on a global scale. As their captive audience for two hours, global audiences were also spoon fed a very similar Masonic and/or Arthurian theme in DC's Batman, with a son orphaned and taken under the wing of an elder who helps or fosters the child into becoming the dark, brooding anti-hero that everyone can identify with on some level. Thus, it's also no coincidence that Batman has a similar storyline, swapping out the archetypal British mentor figure of Merlin/Obi-Wan Kenobi, with the English Butler, Alfred, who looks after the young Bruce Wayne after the murder of his parents, and eventually helps him develop the Batcave, as well as Wayne's persona toward hero. Thor, Marvel's latest archetypal Antichrist film has been interestingly described as 'the Norse version of King Arthur.' As such, the official storyline reads thusly: "The powerful but arrogant warrior Thor is cast out of the Heavenly realm of Asgard and sent to live amongst humans on Earth, where he becomes one of their fiercest defenders." Once again, the fall of Lucifer's account is obviously being told, but in the modern version, Hollywood is making him the hero which is the whole point.
Christopher Nolan, known for his highly successful Batman trilogy, was the mind behind Tenet (a more recent film that didn't do as well at the box office, proving not all of the Antichrist mind control resonates with audiences) managed to cast some very familiar agenda actors, like Michael Cain, with new and upcoming ones, such as Australian actress, Elizabeth Debicki, fresh off her role as Princess Diana from 'The Crown.' In addition to Cain, the film also pairs her up with Twilight (and soon Batman) star Robert Pattinson, who has been reported to be DNA-related to both Prince William, and Vlad the Impaler, the original Dracula. The film's premise is not without its comparisons to the Terminator plot, with John David Washington cast as a character code-named the Protagonist, who has been sent from the future to stop World War III by saving Elizabeth Debicki's character and that of her son. Sound familiar? Remember how these filmmakers use archetypes. Princess Diana and her son must be saved at all costs, or mankind risks destruction. Without any knowledge of how Hollywood uses predictive programming or occult mind control, a writer for "The Grio interestingly reports: "Despite all these seeming positives, the movie descends into that decidedly dated yet surprisingly enduring film trope: Save the White Woman at All Costs. According to Vulture, this is a rarity for Nolan, who in his previous ten films knocked off white female characters with chilling aplomb." Of course, the writer doesn't understand that "she" was decidedly knocked off in real life, with her son left behind to fulfill his role of creating a New World. This same recurring theme is not limited to just books or films any more either. Then there's the film's name TENET, which is an obvious nod to the Occult's SATOR Square whose numbers equate to 15, 15, 15 or 5+1 5+1 5+1 (666), with the shape of the word TENET itself forming an equal-sided Maltese Cross, the Mark of the Beast. With this knowledge, perhaps the SATOR Square's entire palindrome mystery connects itself to the Scripture found in Revelation 13: "Here is wisdom. Let him that hath understanding count the number of the Beast: For it is the number of a man; and his number is six hundred and sixty-six (666)." As one writer for Vox puts it: "The title of Tenet — a movie about people who figure out how to move both forward and backward in time — is a palindrome. “Tenet” is also the name of the film’s shadowy organization that’s trying to keep the world from ending. So the connection between the events of the movie and its title seems clear. But Nolan didn’t stop at the title or story. The other four words in the Sator square also show up in Tenet: “Sator” is the last name of Kenneth Branagh’s character, a cruel Russian oligarch who is communicating with the future. “Arepo” is the last name of an unseen Spanish art forger whose copies of two Goya paintings become blackmail fodder early in the film. The first scene in the movie takes place in an opera house, where an orchestra is tuning up, and chaos quickly sets in. In one sequence, guards who work for “Rotas Security” try to protect a freeport (a building that’s been acquired by collectors but not yet taxed). So in a sense, the Sator square is seeded throughout Tenet, woven into its fabric in a way that is easy to miss. Yet it’s unmistakably present, and since the movie itself contains sequences that move, in essence, forward and backward — and are the same yet different when you watch them — it functions, in a way, like a kind of cinematic Sator Square." ROTAS is also an anagram for ARTOS, the Latinized form of Arthur, and is one letter off from SORATH, which adds up to 666 in the Hebrew Gematria. (More information on this resides in the '666' page of this website.)
In one of the promotional posters for the film Thor, a strong visual reference that is undeniably Arthurian, depicts Thor seemingly about to pull his Hammer from a stone, an event that doesn't seem to be found anywhere within Thor's original comic storyline. In this way and more are they subtly telling you how you are to view this film within an Arthurian pretext and archetype. However, when taking into account Marvel's storyline of Thor, being the once godly and perfect, turned flawed, fallen, demi-god cast out of Heaven/Valhalla, there does appear the rather undeniable parallel to Lucifer himself. Because these films are created by Hollywood's own cabal, their films naturally hold the very Luciferian religious view that Lucifer, albeit fallen from Heaven, is no enemy to man, as it were, but should be viewed as glorified defender of mankind, and thus should be viewed as our collective hero, leaving God as man's true enemy. As mentioned, many of the actors used most frequently in such agenda films are themselves occultists and/or have lineages connecting themselves to the Grail Bloodline. They also pick actors, like Sean Connery, for example, who are prominent members of Freemasonry or belong to one of many other occult secret societies who pay homage to Lucifer in one form or another. Many times, the actor need only be British, Scottish, Welsh, or Irish, however, to convey the underlying subliminal of Anglo-domination, perennial power, and global control. Of course, since the majority of people today have no clue as to what is written in the Bible, which is yet another symptom of Masonic propaganda control taxed against modern society resulting from their education in both Masonic-controlled America and Masonic-controlled Europe, the rest of the Masonic propaganda is completely missed on the conscious level, but never the unconscious, which is the point. Not to mention, the occult powers behind the creation of these films know the Bible better than even most Christians themselves, ironically. Their TV and film productions being filled with sex, drugs, murder, marital cheating, or other family destruction, as well as promote anything Occult, Messianic (Anti-Christ) proves the ones creating these stories are themselves sadistic, blood thirsty, and starving to have their power known, which is why they constantly dangle such obvious clues of their control in our faces. That said, it is still their horror films that really showcase what their true natures are like, which borders on the sinister and insane, which the most twisted of horror and gore films literally being designed to make us all more like them, evil, murderous, and sadistic. As mentioned, that whole evil Father-to-mentored Son dynamic, for one example, is there to portray how the Antichrist himself will be guided into the Occult, as his own anger, hate, and need for revenge will be stoked in such a way so that the Devil will be provided the perfect foothold from which the man is later possessed by him. In showing how the 'Magickal Child' achieves such 'mutant powers' or can be guided by such an outside "Force," is likewise how your own children are likewise being taught to best emulate the Antichrist, so that they will one day follow him. Basic common sense should remind any loving parent that this is precisely the kind of mindset that what you don't want developed in your children during their most impressionable years. One could only imagine what Millennials and Gen Z would have their own children believing in.
Perhaps the more obvious Occult influence seen in a recent blockbuster was none other than the film adaptation of J.R.R. Tolkien's "The Lord of the Rings" Trilogy, which showcased more direct Arthurian and Celtic Hero themes. J.R.R. Tolkien was born in South Africa where his father, Arthur, managed a bank. When his father died, his mother, Mabel, returned with her children to Birmingham, England, where she converted to Roman Catholicism. Soon afterward, J.R.R. Tolkien became something of a child prodigy, spending his formidable years in the learning of several languages, including German, French, Latin, and flawless classical Greek. In speech classes, he would surprise his teachers by speaking in Gothic, an ancient form of German. He would also speak medieval Welsh and Anglo-Saxon, and he was developing new languages which, as we all know, were used in his later books. In regard to his later authoring The Lord of the Rings, came to him as a result of the new language that he invented, "Elvish." In time, Tolkien became an Oxford University professor, and while the trilogy was in early manuscript under his pen, he said, “My work has escaped from my control, I have produced a monster.” Tolkien's seminal work certainly lent to bending his Catholic rearing into what would today be called a liberal or New Age interpretation of Christ. For example, Tolkien was a believer in reincarnation, an Anti-Christian tenant to be sure as The Bible does not teach reincarnation and specifically denies it in Hebrews 9:27: “It is appointed unto every man once to die, and afterward comes his judgment.” In fact, there is much blasphemy in Tolkien’s writings, such as the death and resurrection of the wizard Gandalf, who falls into the pit and descends into Hell but comes back transformed and more powerful than before. More liberal Christians see this "white magic" that makes Gandalf a “good wizard” makes him an archetype of Christ, but when Christ Himself was accused of sorcery, He immediately replied that His works were neither the power of Satan nor of his demons. In this, liberal Christianity is easily deceived, never realizing that Satan best operates within the realm of subtlety to destroy all the better. As many of us have known for many decades, the Fantasy genre itself is especially dangerous for children, its intended target. While most children in the 1970s knew enough truth to place divination in the forbidden realm of the Occult, today's children -- who often feel more comfortable with occult games than Biblical truth, see nothing wrong with pagan or sorcery practices whatsoever. Fantasy movies, like Disney's The Lion King, are good matches for the new earth-centered paradigm or world view that is transforming children's views of reality. While God told us to continually communicate truth to our children (Deut. 6:5-7), today's culture trains children to see reality through a global, earth-centered filter. This "new" mental framework distorts truth, stretches the meaning of familiar words, and promotes mystical “insights” that are incompatible with Christianity.
Following Helena Petrovna Blavatsky, Tolkien believed in the concept of root races and in the legend of Atlantis. That legend is the touchstone characteristic of theosophy. He said that the Atlanteans were a superior race operating on a superior “spiritual” and physical plane. Many mystics have said that some of those superior beings escaped when Atlantis sank beneath the sea, made their way to India, Tibet, or Egypt, and gave rise to the Aryan race. Berit Kjos says that Tolkien put the legend into the First Age of his mythical history. The destruction of Atlantis came in the Second Age. The Lord of the Rings takes place in the Third Age. But they all fit together as can be seen in "Lord of the Rings: True Mythology." Westcott also believed that the Atlantis story was true and even historical. Tolkien’s ideas about time were mystical as well and as a result, it's not surprising to learn that Tolkien was deeply influenced by the 19th century Romantics, chiefly S. T. Coleridge and George Macdonald, since his friend and literary companion C. S. Lewis, another "Christian" who weaved more New Age into his own works, than Gospel. Tolkien also believed that rationalism and creativity, for example literary work or the creation of a “new” language expressly for his books, were expressions of the incarnation if the Christ spirit into the artist and were from God. Such thoughts showcased Tolkien’s feeling about creativity as an expression of God incarnate *in* man, instead of for man. Verlyn Flieger of the University of Maryland and Mary Carman Rose of Goucher College in Baltimore both have written academic articles on Tolkien’s platonic philosophy. When Professor Ralph Wood reviewed the book, A Question of Time: J.R.R. Tolkien's Road to Faërie by Verlyn Flieger, he concluded that, "Flieger is right to contend that Tolkien shared their neo-gnostic critique of our century's decadent and violent materialism. Yet she fails to see that Tolkien also resists what is spurious in the attempt to have God without incarnation or cross or resurrection-in short, to have God without God." This would surely be a notion not far removed from Satan's own assessment of his Creator, thus, it would seem Tolkien has served two masters, and anyone knowing what that entails also knows it might be expedient for one's own vain spirituality, but in all reality, can only lead to the same destruction as one who actively works against God and His Son. Thus, in a world that is increasingly filled with such a blatant push by Satan's men toward infecting the masses with New Age thinking, seen everywhere in man's leisure, with his books, music, television and films included, Tolkien's works have been well used by Cain's lot to brainwash the next generation into magical thinking focused on Anglo-infused myths of repackaged Satanic Druidism, sorcery and demonology. It's also interesting to note here that long before Tolkien ever penned the first words that became his epic Middle Earth series of books, or such specific works as 'The Return of the King,' that he had in mind the heroic deeds of King Arthur as evidenced in his unfinished 1933 long poem, 'The Fall of Arthur.' Disney's most recent incarnation of the Star Wars epic that is being created for its streaming service Disney+, is The Mandalorian, which sounds a bit close to the Merovingian(s), the line of French nobility who created the Knights Templar and went on to influence the creation of the Masonic cult in London we know today as the Freemasons, the same shadowy global organization that many blame for the destruction of the 'Two Towers' that once stood prominent among New York city's skyline.
Le Morte D'Arthur (The Death of Arthur) Written by Mallory in 1485 The Source of the Name "Darth Vader" by George Lucas in 1974
La Caduta di Artu (Fall of Arthur) Written by Tolkien in 1933 The Source of the name R2-D2 by George Lucas in 1974
As our own generation was beguiled into magickal and Occult thinking through JRR Tolkien's Lord of the Rings trilogy, and CS Lewis' own books, which was always presented not as Occult, but as Christian, how could our own children hope to escape the Occult brainwashing that's happening to them via Harry Potter when Harry Potter itself is being used to infect people with "Christian" notions of the Antichrist? Clearly, children today are being infected by a spirit much more Satanic with each decade as we advance toward Antichrist's revealing. In fact, a recent study by the Barna Group proves 73% of American teens are actively exploring and experimenting with the Occult. Nearly ready, therefore, is this newer generation of increasingly heretical-thinking hive mindsets based on selfish lust, greed, vanity and magick, the hallmarks of paganism and modern Satanism itself. And yet, all of this has been prophesied for our last generation which is depicted in Revelation as being the haters of God and defenders of God's already destroyed kingdoms of Sodom and Gomorrah. Needless to say, Satan has found an audience in this younger generation, and this generation has found him, not as that monstrous villain he truly is, but as some kind of Hero that they desire most, again, as designed. This is precisely why all of today's media is directed as making evil appear as good, and good to appear as evil, and corporations spend billions in this effort. Another recent phenomenon that today's children are forced to endure, or enjoy, is the deluge of media that has come about in the wake of Harry Potter's global success. It should come as no great shock, especially to wiser parents, to discover the truth that many of the same words, phrases, spells, symbols, and sigils that are found in such children's books as Harry Potter, are lifted directly from the most obscure and rare, albeit authentic books on Satan and his Occult. The magic of the Harry Potter spell and franchise which has been in effect since the year Princess Diana was killed, has taken over the minds of children the world over. With the membership of her characters bound into a magical Secret Society, via a private (obviously British) school of Magic, one has to wonder if JK Rowling herself is not an Occultist. Her books contain too many clues that have been clearly 'borrowed' liberally from long-established Occult books, not to mention the rune-marked forehead of her magical-learning protagonist. Her 2005 book and later film entitled "Harry Potter and the Half-Blood Prince" makes endless references to magical Bloodlines and a destined Prince to rule, becomes intriguing after understanding Prince William himself is believed to carry a half-magical lineage via his mother's Merovingian Bloodline, a Bloodline entirely connected to Occult Magick. Then we have Rowling's enigmatic choice of the name Harry Potter's name was likely never created by Rowling to begin with but lifted from the Druid and demonic-inspired 1986 cult film Troll 2 that centers around a small American town filled with human cannibals and their demonic allies in the form of trolls.
While Harry Potter is always on a quest that ends in his increasingly taking on more power, The Lord of the Rings that tells the story of an anti-quest, not to find something, per se, but to destroy that which was found, a story amidst much witchcraft, magick, sorcery, epic battles and wars that ends with a "The Return of the King," a story that speaks to Royal Bloodlines and their own importance to the rightful restoration of a King and Kingdom of Peace. Christian or Occult? Interestingly, the first installment of the Peter Jackson's trilogy “The Fellowship of the Ring,” was released in movie form on December 19, 2001, shortly after the two towers of the World Trade Center came down. he second installment was called, interestingly enough, “The Two Towers,” released December 18, 2002. The third installment of Tolkien's work turned movie was named, interestingly enough, “The Return of the King.” It was released December 17, 2003, and broke an all-time record for ticket sales. All three films were released at the time of the Witchcraft sabbat of Yule, and just before the Winter Solstice, a pagan and Satanic high "holy day." Throughout 'The Two Towers' and 'The Return of the King,' it is King Aragorn who struggles with himself, with a failed legacy of his father before him, not knowing if he could carry out what fate has already revealed, as being the one bringing back a lost Golden Age or Age of New Reason (translation: A "New Secular Order"). JRR Tolkien admitted more than once that LOTR borrowed Arthurian archetypes. This would infer that King Arthur became King Aragorn, Merlin taking on a familiar form in Gandalf the Wizard, and the Knights of the Round Table [reminiscent of the nine original Knights Templar who themselves patterned their Order after the early French romances of Arthur's Knights] became the nine-man "Fellowship of the Ring" embarking on their Quest to destroy Sauron's (Satan's) Ring of Power. It would also seem that Tolkien weaved the Book of Revelation into his timeless story, as well. Tolkien's contemporary, C.S. Lewis is another author that is used for the Occult's media purposes into the minds of generations of many, both Christian and non-Christian alike. Even today, many are not aware that he authored "That Hideous Strength" a novel based on King Arthur. 'The Lion, the Witch, and the Wardrobe,' like 'The Lord of the Rings' also presents an unlikely hero who takes on much more than he ever thought he was capable of, until tested. Moreover, many (namely Christians) are deceived into thinking that the cleverly disguised Lion King "Aslan" is somehow based on a resurrected Christ, when the character is actually based on Satan, with the name (Aslan) even being an anagram for Satan. The sequel named 'Prince Caspian' utilizes the same subtle promotion of the Occult path cleverly crafted for the masses, yet easily understood by those less blind to see it.
Certainly, therefore, Bloodlines and Magick, are increasingly being used in these films in order to subtly convey to us all of the little-known histories of Cain's lineage, their Satanic lineage that binds them all to the fallen rebel angel, as well as binds them to their coming Messiah Prince-future King. A perfect example was seen in the original X-Men film released in the year 2000, which used the old comic book storyline about superhero 'mutants' living among us, but were concerned to reveal their presence, to convey that literal mutant hybrid-human beings, descended from their father, Satan, have been quietly living among us all along, but now want to reveal themselves, and their Occult (super)powers, because the time is coming when they shall no longer have to hide, but are to be made as first class citizens in their coming Dark Father's Kingdom. Therefore, we are on the verge of a hostile, global takeover, literally, by Lucifer's children here on earth, as well as those who are not as bound by either time or gravity, and together shall they bring the rest of us into their New Age, that is to last for 1,000 years, as to counterfeit Christ's own Millennium, the true New Age of God with men. Today, there is an indisputable ramping up of Occult symbology seen in modern film, with sun and pyramid symbology being most prevalent, yet also Grail, Round Table, Dragon, Antichrist, and Excalibur symbols as well as both Arthurian and Merovingian histories, art (paintings, tapestries, glyphs, symbols, etc.) appearing in the background and props of these same films. Start looking in the background for symbols and Satanic-looking or Arthurian props, and you'll see it literally everywhere in these films. It's almost as if the writers, producers, even many of the directors down to the set designers and prop-makers themselves are in on the Occult action, dangling clues right in front of our faces all these years knowing that almost none of you will be able to make the connections quick enough to catch on as to what's really being subtly transmitted to you, via their very purposefully done, subliminal and archetypal-based, Occult ideas. By Summer 2009, NBC has released KINGS, a program about a very Prince William-looking King ruling a near future world, and the upcoming June 21st NBC debut of MERLIN. Also in 2009, came the series 'The Walking Dead,' yet another post-apocalyptic program set in America. In 2011, the world was given 'The Game of Thrones,' starring a favorite British actor often used in Antichrist propaganda, Sean Bean, who plays Lord Stark, who looks a lot like what King William V might look in the future. In Game of Thrones, Lord Stark is drawn into schemes against the evil King Baratheon. Notice, Baratheon contains the same letters that make up both the names of ARTH[U]R and THERION, an occult form of the name for the Antichrist that adds up to 666 in the Hebrew /Greek gematria.
Stranger Things Cast Find "Satan's Baby" To Save Them From a Demonic Creature
In Summer 2012, Disney and Pixar released "Brave," a blatant Celtic-themed film whose plot revolves around a magic bear (Arthur means bear in ancient Celtic), pagan stone circles, Celtic Druid magic, and lingering evil spells, all of which is presented as "innocent" storytelling. Most assuredly, the "fairy tale" or Medieval Fantasy theme is being repeated with great success in every kind of media today, with interesting results, as the genre does turn every increasingly younger children into Occult study and research, again, as designed. Also for 2012, look for an NBC television program called Revolution which depicts a post-apocalyptic Chicago, some fifteen years after "the Blackout," that is no doubt tearing a page right out of what's coming to this world in that time just after 'the Collapse.' It's producer, JJ Abrams went on to direct the more recent Star Wars film(s). "Hope Lights the Way" is the show's slogan. The word "Hope" has been well used before in metaphysical and Occult writings, also finding its way into film taglines in recent years as a code word for the Antichrist himself, who apparently to the Occult mindset, is to be a great man of both hope, and change. In fact, the words: Change, Hope, Hero, Rise, and Legend are the five most used buzz words (ad nauseum) used by the television and film industries to subtly denote their own legendary hero of hope and change that is prophesied in Revelation to "rise from the Pit," the Antichrist. How many times have you heard "Change is Coming" or "Hope Needs a Hero" or "A Legend will Rise?" in TV or film commercials and theater trailers? It's countless. Another trend of late that has been used for centuries among Luciferian societies of the past, is the promotion of the Divine Feminine, of which we know is Lucifer in his role as a pagan Goddess or Oracle who controls nature and the things most connected with the feminine spirit, being elemental nurturing, intuition and magic. This, no doubt, keeps in line with the Occult notion of the all-powerful Mother Goddess, and its 'green religion' that Satan uses in the last days to enslave mankind just long enough until he leads them into Hell. As you may have read on the main page, it is my firm belief that the Antichrist will seemingly worship "a god whom his fathers knew not," in the form of an ancient pagan "God[dess] of Forces" who has seemingly made much more palatable, if not familiar for our consumption. Thus, we see roles of the so-called "Divine Feminine" also being cast in modern film alongside their male Hero counterparts. We've seen this dynamic at work in the recent 'Batman Vs. Superman' film with DIANA PRINCE as Wonder Woman taking a leading role in helping the two male Messianic protagonists destroy the evil god that was "Doomsday.' Interestingly, while the world is besieged with everything anti-Biblical, this has not deterred Hollywood from making its countless not-so-veiled references to such inherently Biblical and Christian concepts as Doomsday, Apocalypse, Armageddon, Messiahs, Gods, Devils, power of the supernatural, Good, Evil, Heroes, and Villains. True, every story must contain the struggle of cosmic duality in some form or another, even as it is the struggle within us all, but doesn't it seem that today's Illuminati programming is only presenting the Christian interpretation of Good vs. Evil? Why? Because according to them, Christianity is false, but how can that be when they are constantly debasing Christ and the Bible whilst heavily promoting the Antichrist, Witchcraft, and Satanic cannibalism in some subtle or overt way? While Satanic-run Hollywood consistently portrays Lucifer as a 'god of freedom' and ultimate exercise of free will, despite his actually becoming the enemy of all mankind that binds man to death and Hell, Christ is made to appear as spiritually flaccid and weak. It's all a battle for your mind, period. The freedom that Christ provides a soul must be extinguished on all levels according to the Hollywood paradigm where in Christ's place, is promoted the Antichrist.
The film Tomb Raider, for another example, cast an heroic, goddess-like character in Angelina Jolie (now a UN Ambassador for children) who battles "The Illuminati" in order to save the world against their impending destruction. So here we have a perfect example where Hollywood psychologically pits the Antichrist-like (or Goddess-like, in this case) Hero against the Evil in order to force the narrative that as long as someone stand up to fight an obvious evil, that in turn MUST make the Hero as good. Such a notion easily fits into the coming Antichrist paradigm when Satan presents one evil (to be toppled) by the other evil (that is to be seen as good). Such subtle twists of the Biblical narrative sets the human mind up to believe that if the Hero seems to be good, that he therefore IS good, despite his countless connections to everything evil. Another show that subliminally depicted Cainites as heroic 'mutants' (which is often with the mutant/superhero genre as also seen in the X-Men franchise) titled Mutant X, ran from 2001 to 2004. It's synopsis as displayed on its IMDB page is as follows: "A secret government project to create genetic mutants results in them being released into the general population. Adam Kane has sworn to try and help them, while his partner, Mason Eckhart, plans on using the project for his own ends. Adam assembles four mutants and forms the group "Mutant X" to help recruited mutants to oppose Mason Eckhart." This is not the only show or film which uses both Cain/Kane and Mason as main character names. The Eckart name used in Mutant X was obviously derived from the infamous Dietrich Eckart, as to tie in Hitler's racist Aryan beliefs and their twisted experiments on humans whilst attempting to create a "master race" of super-human hybrids. Notice again how they use evil to appear as good, to fight against evil in their subliminal 'good cop/bad cop' way of hiding evil themes that have their parallels in the real world. Such heroes are presented in the storylines as necessary, world-saving, and good, instead of the evil that's always present underneath their subversive messianic themes. In the world of the Occult mindset, everything is backwards and turned upside down, which fulfills the Scripture stating that in the end of days, evil will be called good, and good will be seen as evil. Not to be outdone in this regard, NBC is attempting to keep up with their own spin on the Legend/Hero/Antichrist programming in the form of Rosemary's Baby (no explanation needed there), Constantine, Grimm, Dracula, and several others, whilst the A&E Network has picked up "Damien," and Fox has renewed the hit "Lucifer" for 2018. Hollywood provides their 'rising stars,' as well as their most elite actors, various Occult roles because they're connected to the Satanic 'Blood Royale' themselves, whether they themselves know of it or not - to act as liaison's for the Beast, in which they become our worshipped stars and heroes and act as an effective place-holder for his own arrival on the future 'red' carpet. The red carpet itself was a symbol of European's Royal ancestry and connection to the 'Blood Line.' In turn, most actors never realize they are just another LHP figurehead and puppet for their Illuminati handlers hiding behind the scenes, who are usually the show's producers and those who work for the producers, such as the managers of the stars themselves. In short, the Illuminati have always worked like a cheap pyramid scheme with Satan at the top, his children of Cain ruling the planet for him, their security services that protect them, the media machine, and closer to the bottom are the recruiters, who carry out the more menial task of hand-picking talent from either the business or entertainment worlds, bringing them into first hedonistic then depraved acts that, in time, end up in the blood sacrifices of babies, children, or adults in their worship of Satan himself. They are always promised increased fame and riches, with every inhumane act they help in some way to fund or commit.
Hollywood's version of Noah (starring Russell Crowe and Jennifer Connelly) remains quite telling in how Darren Aronofsky (writer/producer/director) chose to present it. Starting immediately with the film's intro, which exposes the truth of how Cain's descendants built cities to enslave the rest of mankind, and how Noah, of the line of Seth, was deemed by God Himself as the only rightful heir to survive the flood, juxtaposed against the villainous King of the Cainite civilization, named Tubal-Cain. Tubal-Cain is the ruler of the city of Enoch, the city built by his ancestor, Cain. Interestingly, Freemasons and other Satanic secret societies collectively worship Tubal-Cain, the son of Cain's seventh generation, as the first Cainite who was born that no longer needed God's mark of protection on him, which is one of the reasons why he is so revered in Satan's societies. Tubal-Cain represents, to them, the Founding Father of all worldly evil. And to let us all know that the creators of this film are knowledgeable in the things of Satan's prodigy, we are treated to one of many clues that link Satan to the Cainites in this film. For example, Tubal-Cain adopts the Satanic credo created by Anton LaVey ("Do what thou wilt, shall be the whole of the Law") with a similar credo of their own that graces the film script: “A man isn’t ruled by the heavens,” Tubal-cain says, but “by his own will.” Director Darron Aronofsky called his movie “the least Biblical Bible film ever made.” Something else that suggests a serious divergence from the Biblical account is that not once during the entire film is the word “God” ever mentioned. The film also adds certain references that are only found in ancient apocryphal works, such as the questionable Book of Enoch. For example, after Cain killed Abel, Cain took refuge under the eyes of those fallen angels called the Watchers, giant multi-armed stone golems, whose leader, Samyaza, ensures that the wandering Cain is protected from those who would seek his death. The Watchers then help Cain and his descendants build the first 'human' empire of decadence, east of Eden, just as the wickedness of man spreads throughout the world. From there, the film takes a major turn away from any known account, to make it appear that the Watchers can be redeemed, who are clearly condemned in the Bible as having "left their first estate" to take mortal wives and fathering the Nephilim (giants). These same fallen ones are further explained in the Scriptures as being "reserved unto everlasting chains of darkness until the Day of Judgment," meaning they were turned to stone unto the day they shall be judged. (The film, while clearly exposing itself as having an anterior agenda to that of God's Word, displays some knowledge of the Occult on part of the film's creator by depicting these fallen Watchers as giant creatures made of stone. Ancient man from Ireland to the , who were helped by demons revealing to them many secrets, knew of this truth and created all manner of ancient stone circles using those same stones of former Watchers; stone circles from Ireland to the far east were made in reverence to these Annunaki, the former "Shining Ones" who "fell from their former estate.") So for the film to depict the very same Samyaza as somehow finding God's forgiveness is immediately suspect, due to the Scriptures actually citing that the very presence of the Watchers, and their offspring upon the earth, along with mankind becoming infected by them, is the primary reason God destroyed that world in the first place, as plainly noted in Genesis 6. Near its end, the film also pushes the Masonic and Luciferian notion that once the Luciferian-like Samyaza is killed, he ascends like Christ back into Heaven to regain his once powerful position ruling over God's Holy Angels. Only Satanists would ever promote such an idea as to, on the one hand, give credence to the idea of Heaven, which is truth, and on the other, ensure Satan attains his former position and glory in eternity in Heaven, which is a lie. As we learned from The Exorcist years earlier, demonic attacks can also be psychological, as they mix lies with the truth to deceive us.
Because Noah did meet with some box-office success, look for more upcoming films to twist the Biblical account for Antichrist aims in the near future. Moreover, look for a big name (such as Spielberg) to make the next Biblical epic using and twisting the Bible according to the Satanic agenda, with the stars of the film being connected to prior Satanic/Occult film works before. Of course, not everyone tapped to play in such roles are themselves Satanic or practicing Satanists, but many actors in Hollywood are however chosen for one reason or another that can relate anywhere from their own Cainite pedigree. A much less Biblical-based film "Green Lantern" which subtly depicts the Occult beliefs behind Lucifer's source of power, which is the Emerald "Grail" stone, that fell with him from Heaven and is lost. Once found, it is believed that Lucifer will be restored back to his original glory and overcome God. An even more Occult-laced film named Prometheus finishes the thought of why this Emerald is so important, to Lucifer/Prometheus, and thus his children who reign upon the earth. Interestingly, the 1982 film Excalibur, depicted the magical sword having an eerie green glow, from some unknown source, with the Occult idea being that Excalibur itself, was forged out of and thus powered by Lucifer's Emerald, that once adorned his Heavenly Crown. The same film Excalibur, directed by John Boorman, who directed The Exorcist II, had actors that have gone on to take interesting roles after his 1981 Arthurian film. Liam Neeson, for example, has racked up quite an impressive number of agenda films and also does voices in post-apocalyptic video games like Fallout 3, that also contains human cannibalism and Revelation's prophecy about the end of the world. In Star Wars Episode I, Neeson plays the Merlin-like mentor who trains his Arthurian-like young apprentice in the ways of a Jedi Knight, explaining to Annakin about how and why his bloodline is destined to be a conduit to The Force. This term "Force" was obtained from The Bible in the Daniel 11:38 stating that Antichrist shall worship "a god of forces," but that it's actually Satan gives him his destructive power. Liam Neeson has gone onto play Arthur the King, Kingdom of Heaven, Darkman, Batman Begins, Krull, Rob Roy, and more recently, in Wrath of the Titans, another film where Angels, demons, and gods clash, in which he makes veiled references to a final war and "the end of the world." Neeson was also the voice in The Lion, Witch, and the Wardrobe as the talking Lion-mentor "Aslan." Gabriel Byrne, who played Satan in the 1999 film, End of Days, starred in other films such as Royal Deceit, Quest for Camelot, Live From Lincoln Center (as King Arthur), Secret State, Stigmata, and Vampire Academy. Patrick Stewart became the iconic Starfleet captain Picard in the reboot of Star Trek, as well as starred as the evil doctor in a Mel Gibson thriller named "Conspiracy Theory," and more recently, The Kid Who Would Be King, about the rise of a 21st century King Arthur. Helen Mirren (Morgana) went on to have roles in Elizabeth, and The Queen, as well as in National Treasure II, a film that puts a positive spin on the Satanic Knight's Templar and Freemason's role in the creation of the United States. Nicol Williamson (Merlin) played as a priest in The Exorcist III, and an another Merlin-like mentor role in the film Spawn. Another actor who played in Exorcist III was Scott Wilson, as Dr. Temple. He went on to star in such films as South of Heaven, West of Hell, The Twilight Zone, an episode of the X-Files, and The Omen-based TV series, Damien (about the Antichrist), but his more well-known role ultimately became Hershel Greene in AMC's The Walking Dead.
Sean Connery, who was 'knighted' by the Queen herself, has enjoyed a long and successful acting career starting out with his role as James Bond, a MI6 Spy who carries out various wet works (murder) on behalf of Queen and country. What most don't know is how Ian Fleming incorporated Freemasonry's idol/Father, Tubal Cain into the character of Bond, or in this case - Two-ball (00) Cane (7) to arrive at "007." Connery's later films included some very interesting themes in themselves, as many were Arthurian based. His Arthurian films that span across decades, include: Sword of the Valiant, Sir Gawain and the Green Knight, Indiana Jones and the Last Crusade [a Grail film], and First Knight, where he plays King Arthur himself. Other interesting roles cast for this Scottish Freemason and Queen's Royal Knight, were his Merlin-like role in Highlander, where he plays as a sword-wielding mentor to the vengeful Connor McCloud, an immortal hero archetype who is trained to be "The One." In Dragonheart, Connery plays as the voice of "the Red Dragon," a lovable, wise-cracking serpent/Dragon who helps a young Arthurian-like hero achieve riches and fame. In the film The Avengers, Connery returns as a wealthy British aristocrat hellbent on conquering the world via controlling weather (HAARP), and as an elder mentor again to 'The League of Extraordinary Gentlemen.' Parallel to an Arthurian theme, Connery played Alexander the Great in the 1980 film 'Time Bandits,' which also starred David Warner, who was casted as Satan himself. Four years earlier, Warner starred in The Omen. Going back further to the late 1960's, David Warner was cast as a struggling British playwright who writes a play about Satan. In 1994, David Warner teamed up with the Omen III's Antichrist actor, Sam Neil, in The Mouth of Madness, about a fictional author Sutter Cain. David Warner, has also lent his uniquely sinister talented voice into other projects connected with Occult and Satanic themes. For example, in the mid-1990's, he took on the role of the evil Druid Wizard in Disney's animated hit "Gargoyles." Interestingly, Sam Neil, who played the Antichrist in The Omen III: The Final Conflict (1981), likewise played in other films with strong Antichrist (Celtic/Pagan) themes including NBC's mini-series Merlin, as Merlin, the infamous wizard to King Arthur. Not to be outdone by anyone in the States, the London-based BBC has produced an Arthurian program of its own directed at British Millennials, called "Merlin," staring Bradley James as Prince Arthur. This one includes very subtle homosexual undertones as a very young, awkward version of Merlin slowly falls in love with Arthur. The series managed to garner some success both in America and the U.K. Bradley James, the actor who played Arthur, next is to star in his own TV series set for March 7th, 2016, titled "Damien," (based on The Omen) where he will play the Antichrist. From King Arthur to Antichrist, this is not a coincidence. So the Arthurian context and tale keeps repeating, and done in such a way to almost ensure that at least everyone has heard of the legend of Arthur at least once in their lives. Another British actor seen in more than a few Occult agenda-orientated films is Michael York, who played Stone Alexander, the British-born Antichrist in two Christian films: 'The Omega Code' and its sequel 'Megiddo.' In between the releases of those two films, York was also cast to play a reincarnation of King Arthur, on the relatively long-running science fiction series 'Babylon V (5).' Remember, King William The Fifth (King William V) will more than likely be the self-given name to Prince William upon his coronation as King.
Other examples would include the film "1984" which starred John Hurt, the oppressed protagonist whose world was controlled by Big Brother, a televised Antichrist figure. in 2005's "V For Vendetta," ironically enough, John Hurt this time plays the Orwellian "Chancellor," the tyrannical Big Brother Antichrist archetype who rules Britain with an iron-fist via television monitors and martial law. In many respects, V For Vendetta shows just how one man could assume complete control, over England, even over the rest of the world, after the coming Collapse of society. Such purposeful twists of irony like that seen between 1984 and V For Vendetta, are a rampant-running theme in these increasingly made films where its creators almost seem to thumb their noses at the dim-witted audiences, whilst infusing all manner of subliminal levels of Occult information, clues, and countless references to the Bible, the Antichrist, and the Occult's larger plan of how England shall fair in that time coming under the auspices of its world's leader, the Beast. Incidentally, John Hurt is currently the voice of "the Dragon" in the BBC's new hit TV-series "Merlin," not to be confused with (America's) NBC's own television mini-series "Merlin," that starred the one-time, albeit well-remembered, Antichrist actor from The Omen franchise, Britain's own, Sam Neil. Clearly, the choice of actor to play a specific Occult role largely depends on the former roles he or she has already played. Patrick Stewart has been in everything from the alien agenda, and New Age promoting, Star Trek series and films to, most notably, an underrated movie named 'Conspiracy Theory,' where he plays a key member of a Secret Society that kills and tortures people exposing their hidden agenda. In it, Stewart is in charge of kidnapping Mel Gibson's character, a man operating a newspaper that exposes various government conspiracies, until one day, they come looking for him. Despite his Occult-influenced 'Passion of the Christ film', Mel Gibson seems right at home being used as an Occult dupe going back to at least his first major work in 1979's Mad Max, a post-apocalyptic film. Since, he has played in everything from Signs, an alien agenda film, to Braveheart, as William Wallace, Scotland's version of King Arthur. As stated, not every actor in Hollywood is in known league with Satanism, but most actors are being used by the Satanic cabal in Hollywood to draw audiences to see its films. I believe Mel Gibson, and actors such as Willem Dafoe, fall into this latter category. For example, in 1988, Dafoe starred in the Satanic-beloved film "The Last Temptation of Christ" as Christ, who has visions of having sex with Mary Magdalene (of "Holy Grail Bloodline" infamy). He has also played in at least two vampire films, "The Hunger" and "Shadow of the Vampire," and enjoys a recurring role as a super-villain in the Spiderman franchise. However, it is his more recent, 2009 film titled "Antichrist" [see film poster below] as well as his 2013 Mercedes commercial, where he plays Satan himself, wearing a Masonic ring, that is getting him noticed to be at the very least, used by wealthy ad exec's as their 'go-to man.' Other such actors who've made it their careers to star in similar Occult films, are: Ian McKellen, Ian McDiarmid, Ian Holm, Ian McShane, Michael York, Sam Neil, John Hurt, Rutger Hauer, Donald Sutherland, Kiefer Sutherland, John Gielgud, Sean Connery, Christopher Lee, David Warner, Jürgen Prochnow, Udo Kier, Oleg Stefan, Christian Bale, Jamie Campbell Bower, Nicholas Cage, Keanu Reeves (Neo), Johnny Depp, Gary Oldman, Jeff Bridges, Daniel Craig, Michael Ironside, Jim Carter, Jim Carrey, Pete Postlethwaite, Ewan McGregor, Julian Sands, Brad Dourif, Hugo Weaving, Terence Stamp, Graham McTavish, Patrick Wilson, William DaFoe, Michael Biehn, Jason Momoa, William Moseley, Lance Henriksen, Cate Blanchett, Helen Mirren, Eva Green, Genevieve Gaunt, Malcolm McDowell, Amelia Crouch, Nicole Kidman, Katie Holmes, Amy Adams, Helena Bonham Carter, Anjelica Huston, Elizabeth Hurley, Veronica Cartwright, Ralph Fiennes, Odeya Rush, Morgan Freeman, Alexander Skarsgard, Mads Mikkelsen and Sean Bean, Cameron Monaghan, and Bill Nighy
Can You See the Devil's Horns in the "V for Vendetta" Logo?
Nichol Williamson, aforementioned, who was cast as Merlin in The 1981 Excalibur film, was again cast some 18 years later to play a strangely familiar role of a wizard-like mentor figure literally from Hell in the 1997 film, 'Spawn,' which was the first comic book adapted, superhero film to blatantly use Satanic imagery, with Spawn being a conflicted "hero" dispatched by Satan himself, upon the earth. The following year saw another black actor turned comic book hero, named Blade, a film with strong Cainite imagery throughout. In one memorable scene, we are treated with a glimpse into what appears to be an Illuminati group meeting, where Vampires (Cainites) discuss their global affairs and control over the human race. Usually, whenever a choice is made in these types of films for an actor to play the evil Satanic character (or Messiah figure) it is almost always a well-seasoned British actor complete with his heavy British accent, that never seems out of place. For example, the creators of Blade hired on British actor Udo Kier to play Dragonetti, the Illuminati Overlord leading the Vampiric 'House of Erebus.' The House of Erebus was composed of 12 "pure-blooded" vampires, which is an obvious wink and nod to the reality of the existence to the so-called 12 Illuminati Families, not to mention the name "Dragonetti" is obviously the fusing together of two words, Dragon (as in Satan) and Illuminati. Together, the subliminal idea given to us is that Satan, in the form of a British Lord, or King, who is born out of one of the Twelve Tribes of Cain, will be the Antichrist. Disney's "The Lion King" is itself filled with occult imagery and subliminal mind control. The evil character Scar, who is voiced by the British actor Jeremey Irons (who has his own impressive list of agenda films) manipulates events in the way Satan himself does, through subterfuge and malevolent intrigue. In the film, Scar kills Mufasa, the king of the lions, and then attempts to kill Simba, the son of the king, to sets himself up as a tyrannical king. In one unforgettable scene, when Scar reveals to his demonic-like hyena's how he will kill Mufasa (Messiah?), the Disney team did everything they could to show Scar is actually Satan in Hell, complete with his injured one eye, and revealing to his demonic minions what they must do to ensure he alone is worshipped, and not the King of kings. In this same scene, look for a stylized "666" made out of a skeletal rib carcass that litters the floor of Scar's cavern, that suddenly fills up with Hell fire, with Scar enthroned on a high hill overlooking his lesser minions of evil. The song Scar sings here, named "Be Prepared" drops such hints as "We're talking kings and successions, a shiny new era is tip-toeing nearer, the future is littered with prizes, so prepare for the coup of the century, be prepared for the murkiest scam, meticulous planning, tenacity spanning, decades of denial, is simply why I'll, be king undisputed, respected, saluted, and seen for the wonder I AM. Be prepared!" Disney so obviously dreamed this scene up while thinking of what's stated about their counterfeit god of light, as described in 1 Peter 5:8: "Be sober and vigilant, because your adversary the Devil is as a roaring lion who travels about, seeking whom he may devour." Understand, like most Satanists who can't wait to see Satan possessing a certain future king, they have been revealing to us bits and pieces of their Occult knowledge for decades, knowing most will never see it, and even less would understand it. You have to open your eyes and ears to catch all of what they want to tell us, or blissfully claim ignorance and be swept away in the deluge of their mind control and global deceptions to come. No one can deny the increasing usage of apocalyptic and Satanic themes in film and television today, which are, in fact, preparing us for what else is coming.
American actor Johnny Depp has starred in a long list of Occult and/or Satanic-themed films such as Nightmare on Elm Street, Sweeney Todd: The Demon on Barber St., Dark Shadows, Into the Woods, Black Mass (Satanic in name only), Marilyn Manson Say10, Sleepy Hollow, Corpse Bride, Fantastic Beasts, From Hell, The Ninth Gate, and more. In particular, Fear and Loathing in Las Vegas (based on the 1971 book of the same name written by 'Gonzo-journalist' Hunter S. Thompson. Fear and Loathing infamously made references to 'reptilian' elites, sex enslavement and trafficking, Satanic sacrifice and obtaining the pineal gland ("adrenochrome") from victims of Satanic sacrifice in order to obtain "the ultimate high" (which sounds a lot like Satanists attempting to normalize their sadistic crimes via a convulated story about questing for a rare high, when in fact such sacrifices have been carried out since Cain for the purposes of power, not drug use.) Depp made fast friends of Hunter and even played him as the lead role in the film. Incidentally, Hunter was rumored to be a child sex ring member who engaged in killing at least one child used for sacrifice and made privy to the dark underworld of Satanic elite. As soon as those rumors starting getting traction in 2005, Thompson, like Antony Kidman who was later blamed for the same Satanic crime(s) in 2014, was soon found dead of a supposed suicide. Whether or not Thompson had involvement with those in the underground child-trafficking rings, knew someone who was and merely wrote about what he was told is not readily known, but it remains of great interest that his book and film of the same name touched upon the topic in a most specific way as to involve the extraction of the pineal glands from unwitting victims as a ritual of Satanic Black Masses. In 1999, Depp also worked with Roman Polanski who cast him in The Ninth Gate. The Ninth Gate is an adaptation of The Dumas Club, a book written by Spanish novelist Arturo Pérez-Reverte whose story revolves around Dean Corso, a rather curious book dealer who makes his living conning people into selling him valuable antique books at low prices before re-selling them to rich private collectors. Depp's character is then hired to authenticate and obtain three Satanic grimoires known as De Umbrarum Regis Novum Portis or The Nine Gates to the Kingdom of Shadows by an elite named Boris Balkan, played by Frank Langella (who starred as Dracula on stage and screen). As Polanski's story goes, The Nine Gates tome(s) were written in 1666 by the fictional Aristide Torchia (anagram?) while in possession of the Delomelanicon, a book allegedly written by Satan himself. A cult formed around the book believing that it contains instructions on how to conjure Satan himself. Roman Polanski’s own wife, Emmanuelle Seigner, plays the possessed girl that befriends Corso during his quest, and later turns out to be Lucifer himself. Rounding out the cast, Polanski borrowed Barbara Jefford from the Royal Shakespeare Company to play the wheelchair bound, Satanic cult Baroness Frida Kessler, while Jack Taylor, who made a nude appearance in Jesus Franco's 1974 pornographic horror film, Female Vampire, plays Victor Fargas. In the film's climax, with final possession of the formerly missing illustrations of The Nine Gates, the actual power behind the book, Balkan attempts to conjure Satan. He does this at an interesting location known as the Château de Puivert, the castle where the Catholic Church initiated their Crusades against the Cathars, the Knights Templar-like cult in the South of France who were connected to the heretical Holy Grail Christ-Magdalene Bloodline, not coincidentally enough.
Believing that he has rendered himself indestructible, Balkan sets himself on fire to prove Satan's power but is surprised to find that the flames are killing him. Corso puts Balkan down with a gunshot and grabs the engravings, barely escaping the flames himself. Once outside, the enigmatic girl waiting for him discovers Corso has been successful in retrieving the true Nine Gates. In her apparent joy at the epic completed task, she proceeds to have sex with Depp's character, seemingly imbuing him with Occult knowledge as her eyes fill with the illumination Hell's fire. Corso discovers afterward, that she is actually depicted in the final engraving of the book as the Whore of Babylon, riding upon a Dragon and motioning to the archway of the illuminated castle entrance. The final scene thus shows Corso walking into the lighted doorway of Château de Puivert, where it is assumed that he has finally become one with the white light of Lucifer, for eternity. Roman Polanski, of Rosemasry's Baby fame, will never escape his own association with his former elite friends in Hollywood, murder, child sex rings, sacrifice for perceived power, and the Devil. Polanski brought the influential Antichrist masterpiece Rosemary’s Baby to movie theaters in 1968 and was rumored to have recruited both his then wife, Sharon Tate for a small cameo in the film, as well as Anton Lavey, the head of the Church of Satan to advise him on Satan's part. It is still believed Anton LaVey was the mysteriously uncredited Satan character that impregnates Rosemary to create the Antichrist. The film was shot in The Dakota, the exclusive Manhattan apartment building where John Lennon was later murdered. It became a proven fact that John Lennon’s musical landscape Revolution 9 and The Beatles' White Album are what unhinged Charles Manson to kill (by proxy) Sharon Tate (Polanski's pregnant wife) at a house where Lennon stayed while The Beatles were in California. Whether Manson was part of a Manchurian Candidate-styled hit on Sharon Tate for the purposes of Polanski to gain power in Hollywood, as was believed, has since become the stuff of conspiracy theory but one with very intriguing people with known underworld connections that similarly played out with the deaths of Marilyn Monroe and more recently with Lady Diana. Because Lucifer is equated with God to occultists, the message given is that man can become God, not thru Christ, but only thru Satan. This will also be the ultimate message of the future Antichrist. As such, Polanski presents The Ninth Gate as a seduction, of both flesh and mind where the Devil wins another convert, by leading Depp's character, through a series of events toward a counterfeit enlightenment. With Depp, the film makes for a solid case of art imitating his life. Depp has been rumored for decades of being involved with Hollywood's Satanic cabal. As evidence of his Satanic fascination, and out of every single newsworthy murder he could have picked to throw his Hollywood weight behind, Depp travelled to a small town in Arkansas to put his star power to work behind the defense of the "West Memphis Three," imprisoned for their overt Satanic crimes of sodomizing, mutilating, then murdering three 8-year old boys in May 1993.
"The Cross of Lorraine" is the Ancient Symbol of Satan's Bloodline (See Video)
Damien Echols, the leader of the three killers, failed his lie detector test, while two others testified Echols also bragged to them about the killings. An eyewitness put Echols at the scene, while fibers of the murdered the three boys' clothing were found in Echols' home. In addition, Echol's told police that he understood the boys had been mutilated, before officers had released such details. Echol's was put on death row, while his accomplices, Jessie Misskelley Jr. and Jason Baldwin each received life sentences in 1996. Eleven years later, in July 2007, new DNA evidence was presented, and a craftily worded report was jointly issued by both the state and the defense team which stated: "Although most of the genetic material recovered from the scene was attributable to the victims of the offenses, some of it cannot be attributed to either the victims or the defendants." That report created a wide enough legal loophole that the defense later drove a proverbial truck through. On August 19, 2011, the West Memphis Three were freed under what's known as the Alford plea, a rarely used legal defense where defendants concede that prosecutors have sufficient evidence against them to secure a conviction by which they plead guilty in court, but claim not to be guilty. In other words, anyone imprisoned [but having the right connections] could be released no matter what crime they've committed, as long as the court accepts the use of the Alford plea in their case. Judge David Laser accepted the pleas and sentenced the three to time served, while Terry Hobbs, a stepfather of one of the murdered boys, is being used as a scapegoat to the murders. In 2013, Hollywood released the film Devil's Knot made about his supposed involvement, a film clearly created show that Damien Echols, Jessie Misskelley Jr. and Jason Baldwin were innocent of the crimes they've been successfully proved in court to have committed. NOTE: While supposedly being innocent of ritualistic sacrifice of children, Damien Echols, became a well-received author on Satanic "High Magick" during his time in prison for sodomizing and brutally mutilating three 8-year-old boys. It is well known what Echols' spiritual mentor in Aleister Crowley was calling for when he infamously wrote in regard to obtaining high magick: "A male child of perfect innocence and high intelligence is the most satisfactory and suitable victim." Today, Echols enjoys the life of a jet-setting celebrity, paragliding in New Zealand with 'Lord of the Rings' filmmaker, Peter Jackson, and attending lavish Hollywood parties with actor friend Johnny Depp. "If it wasn't for Peter Jackson, and if it wasn't for Eddie Vedder, I really honestly have no idea what we would have done," noted Echols. "Johnny has been with us every single step of the way since I got out." Echols further states that he and Depp are "talking about making a movie based on his book, or possibly a TV mini-series." Depp is also almost never photographed without his signature 'devil rings' on his fingers with one in particular clearly depicting the "Cross of Lorraine," the symbol of the Satanic Merovingian bloodline, coincidentally enough. Ironically, his ex-wife Amber Heard's character in Aquaman is Mera, Queen of Atlantis, who shares the same mythic name of the goddess Mera who is believed to have sired "the Blood Royale" via her son, Meroveus from which came the historical Merovingian kings of France. In myth, Mera shares a very similar name with Maru (a lost continent akin to Atlantis) as well as a similar role with the legendary Europa, who was raped and impregnated in the sea by the leviathan Quinotaur, which ot itself parallels the account of Eve beguiled and impregnated by Satan, spawning Cain, the actual progenitor of the Cainite and later Merovingian bloodlines. In this way are the cultural myths of the past found to contain kernals of hidden/occult truths within them. Interestingly, this same Cainite lineage (also called "Holy Grail") leads to the Merovingian and later Stuart Dynasty whose later descendant was most infamously Princess Diana herself. (See also Ancient Merovingian King Discovered Buried in Germany.)
While Satan has a stranglehold on film and television audiences, as mentioned, the ceaseless running of also documentaries on our televisions today, regarding apocalyptic disasters, prophecy, legends, and all the obvious fear mongering with end of the world themes are certainly blatant enough, however, it's their inclusion of New Age and Occult interpretations to all these events that's most telling about their intent. In fact, one way of determining the intent of any Biblical documentary that you're watching, is to see how far they twist the Bible away from its former traditional interpretations into ones that cast a completely alternative "new light" to befit their Satanic New Age paradigm. The History Channel, National Geographic, A&E, Oxygen, Lifetime, and others each have their own slickly-produced documentaries ranging from the heretical Lost Books of the Bible to the 'misunderstood' resurging global religion of Witchcraft and its now 'positive influences' are reshaping society, to Secret Societies and their own 'positive' roles in history, as well as everything else explained to us in skewed documentary form, from demons, poltergeists, ghosts, and other spirit contact, to the Devil himself, Hitler, Occult Nazi's, Nostradamus' prophecies, and now UFO's and their aerial controllers being "Ancient Aliens" who altered man's DNA and imposed themselves into earth's ancient history. Interestingly enough, there has also been a notable spike in American, British, and even European documentaries regarding ancient Britain, with many of them delving into the Dark Ages Era and its legendary hero, King Arthur, hinting that there is increasing evidence for the later romanticized myth surrounding him. Clive Owen, a British actor, who early in his career starred in the recent film adaptation of "King Arthur," as Arthur, an yet another Occult film star is born. King Arthur the film contained scenes that were extremely anti-Christian and pro-Witchcraft/Pagan, to the point where Arthur's men, as well as Arthur himself rounded up and threatened to kill Christians because they were attempting to stamp out Witchcraft from among their peoples. Two short years after the release of King Arthur came "Children of Men," a post-apocalyptic themed film set in Britain. In the film, his character is named Theo Faron, which is supposed to trigger your deep subconscious mind into subtly determining he is an archetype of Ar-Th-e-r-on, or more simply, Arthur, the ever-present, and now post-apocalyptic, hero. The subliminal is even further strengthened when you consider that Clive Owen is playing the epic hero via a more subtle, understated, anti-hero in both films. That is how subtle their work to impose mass brainwashing on such a global scale has become, using film and televised media as a kind of constant background noise played against the backdrop of our busy lives in the 21st century, yet it is that constant bombardment of subtle messaging found everywhere that can affect a persons entire process of thinking, at the cost of their own manipulated and otherwise heavily tampered, free wills. I myself am still catching up with older films that reveal other aspects of what Hollywood really wants to show us. For example, in the film The Net with Sandra Bullock, that contains the usual subliminals, including the name "Jack Devlin," is the name given in the film of "Ruth Marx," which is an interesting little anagram for the name "Arthur." The premise of the film, that unmasks a world of intrigue involving the internet, showcases many things which seem innocuous on their face, such as Bullock's character having "Pizza.Net" on her quick links, but today stand out as predicted programming, given the way Pizzagate has taken root. (See What We Learned About Technology From 1995's The Net.)
Autumn is always a time of Fear and Greed and Hoarding for the winter coming on. There is always a rash of kidnapping and abductions of schoolchildren in the football months. Preteens of both sexes are traditionally seized and grabbed off the streets by gangs of organized perverts who traditionally give them as Christmas gifts to each other to be personal sex slaves and playthings. Most of these things are obviously Wrong and Evil and Ugly — but at least they are Traditional. They will happen.
Hunter S. Thompson, Kingdom of Fear
No sympathy for the Devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well maybe chalk it up to forced consciousness expansion. What kind of monster client have you hooked up with this time? Satanism freak. I think there's only one source for this stuff - the adrenaline gland from a living human body. I know. The guy didn't have any cash to pay me. He offered me human blood, said it would take me higher than I'd ever been in my life. I thought he was kidding so I told him I'd just as soon have an ounce or so of pure adrenochrome, or maybe just a fresh adrenaline gland to chew on. They nailed this guy for child molesting. He swore he didn't do it. "Why should I fuck with children ?" he said. "They're too small."
Hunter S. Thompson, Fear and Loathing in Las Vegas
Other programs being used to propagate the British Antichrist include the Fox Network's former globally-viewed cult-hit, The X-Files, a television series entirely based on government conspiracy, Alien mind control, UFO's, and Secret Societies of elitist men in absolute power. Towards the end of its initial series run, The X-Files went even further in their archetypal programming by adding the infant Christ-like, alien/human, hybrid, golden child into the storyline, a child of otherworld-influenced destiny and lineage born to Dana Scully (Dana is one letter away from Diana). Interestingly, the child was named William, who carries with him a prophecy to be fulfilled, that states he will one day unite the alien races with the human race, because he himself is a human-alien hybrid. This parallels Satan's own Bloodline and Antichrist plan to the masses, as it will be hung on the deception that the Bloodline of the Holy Grail was originally spawned by an Alien God (Satan), who came to earth in order to "evolve our species." It is this lie that will be used in the future to foster a false narrative regarding the origins of the Universe itself, and our supposed place in it, far removed from what the Holy Scriptures already tell us. From there, Satan is able to manipulate mankind into a descent into Hell, masqueraded by a supposed New Age in a new world by making it appear that he is somehow the author of man's own ascension, toward Godhood. Is this not the very same lie that Satan once beguiled Eve within the Garden of Eden? Satan tells us that 'man can be as God, if man would only damn himself with special or forbidden knowledge.' This is precisely why the world is once again being manipulated by television, by films, by the news, by books, every single day and night. These same programs are increasingly gaining believability and acceptance among the masses, namely those involved in the very social media-driven "conspiracy community," ironically enough. Again, Satan's media producers have always worked in the realm just beneath subtlety, but now that his arrival in the flesh is drawing ever near, are we seeing the much less subtle, and more obvious displays of their near complete domination, over us. Immediately after the premiere of the new X-Files season started January 24, 2016, the FOX network will pick up from where the former series left off, making several references to Dana's alien-hybrid and supernatural son (William) for early 2018. A program called "Lucifer," debuts soon on FOX, while "Damien" debuts on March 7th, 2016. Still believe this is all mere coincidence? As I write this, an NBC program titled "You, Me, and the Apocalypse" is on the television in the next room, and as I happen to glance over, there is displayed a countdown clock to a comet strike. Why have those with all the power and money in Hollywood only fanned the flames of the apocalyptic genre, in film, in television, in news stories, even in music, to the point of complete saturation? What are they trying to tell us? If you ask me, what the Illuminati are trying to do is prepare us for what they know is coming. A New World, and so, who do you think will build that New World to arise from the ashes of the old? Who have the elites always needed to build global empires for them? Their slaves, common men. Thus, while keeping mankind more or less in the dark as to who will lead them in that New World Order, they at least want a good percentage of their "worker bees," to survive the coming Collapse, if only to rebuild the darkened world according to their ancient plan toward Light. When researching Lucifer and his global religion established within paganism and the Occult, one of the facts you're almost immediately struck by is how many involved in the creation of such Agenda-filled productions have strange and deadly curses surrounding them or anyone connected with them, namely several strange events happening among the actors themselves. By far, the greatest example of a clear curse surrounding a major motion picture, is the film that deals directly with the Antichrist himself, called The Omen III: The Final Conflict.
The next most infamous case was yet another film dealing with Satan possessing a body, The Exorcist, and closely following that, Poltergeist, proving that while the masses might be entertained by such escapism for an hour or more, those behind the films have literally been assaulted by demons in one form of another, some have even died as a result. For example, Batman: The Dark Knight experienced several strange accidents, fires, and at least one death of a stuntman, yet most didn't consider the 'Batman curse' until the untimely death of its star Heath Ledger, who played a very sadistic version of the Joker, a sinister character that was actually written with "him in mind." Much like River Phoenix before him, who played in Indiana Jones and the Last Crusade (directed by Steven Spielberg, from a story co-written by executive producer George Lucas about the Holy Grail), Ledger was also a young, promising actor who died before his prime of a supposed drug overdoses with mysterious circumstances surrounding them. A quick look into Heath Ledger's own short career list of television and film appearances proves he was used more than once to take on several archetypal British and Occult Antichrist roles, from ROAR, where he played Conor, an ancient Celtic warrior who wants to rid his nation of the invading Romans, just like King Arthur is believed to have done, to his role as the jousting Knight "William" in the film A Knights Tale. He also was in the secret society-inspired film, called The Order. Another actor who has recently passed away but was connected to the Antichrist agenda in some interesting ways was Patrick Swayze, who was called out for being "The Antichrist" in the 2001 film Donnie Darko. He died while in production on his first television series, interestingly titled, The Beast. So, both television and film are being used to disseminate occult propaganda, as designed. The ABC/Disney Network, for another example, is never slack in creating new programming absolutely drowning in Satanic propaganda. Some of the its more recent films they've created deal with subject matters as: Atlantis, evil bloodlines, good versus evil (with an unusual penchant toward evil), child abduction, homosexuality, and the supposed positive aspects of death, ghosts, spirit contact, and what else, that old standby of theirs, witchcraft. Not to be outdone by ABC or Disney, NBC has Satanic MK-Ultra Mind Control for its own mass audience. I was amazed when just after the release of The DaVinci Code book and film, NBC ran a series of Occult-themed documentaries ranging in topic in everything from Atlantis to the so-called Grail (Magdalene-Christ) Bloodline obviously in reaction to the global popularity of The DaVinci Code, as well as pure Satanic propaganda. Other than 'Holy Blood Holy Grail,' no other book of recent memory has literally drawn so many into Occult research in so little time than Dan Brown's infamous novel. In fact, it has become the hub by which the world received its latter day Occult education in all things Knights Templar, the Satanic global elite of their era. Some, being so taken with the premise of the novel have even quit the Christian Church altogether, and as a result have taken a much more Gnostic approach to religion, or, in some instances, fell away from the Christian faith altogether (an event something prophesied to occur just before the rise of Antichrist). The unraveling of the mystery within The DaVinci Code requires the solution to a series of quests by way of anagrams, geometric puzzles, rare knowledge, and enigmatic-laced works of Merovingian paintings and art. After which, the solution is found to be intimately connected with the possible location of the Holy Grail, which is proven not to be a cup, but a powerful lineage, as well as to a mysterious society called Opus Dei, the Priory, and the Knights Templar, who are still pulling the strings to alter the global consciousness, from Christ, over to Satan, thus forcing mankind's acceptance of the many changes coming to life, religion, and finance, and world leadership in the decades that lead up to the Antichrist's ascension.
I read all night, fascinated. I literally couldn't put the DaVinci Code down. By morning, when I had finished the book, I wanted to know what was true. As soon as my local bookstore opened, I was there rummaging through scores of books that had been mentioned or alluded to: Holy Blood Holy Grail, The Templar Revelation, the Gnostic Gospels, Nag Hammadi Library, and many more. I discovered to my surprise that there were dozens of recent books about Mary Magdalene, Goddess culture, the sacred feminine. I found shelves full of Occult books on Templar traditions, secret societies, and several places mentioned that I had never heard of before.
Secrets of the Code p. xv
In The DaVinci Code's epilogue, Professor Langdon feels the Arago disks pull him south across the Palais Royal...eventually converging on the pyramid which Dan Brown writes has 666 glass panes, a number symbolic of Satan.
Secrets of the Code p. 240-241
As millions are now aware, the most famous feature of the new Louvre is the great glass pyramid [in Paris], seventy feet high and built to the same proportions as the Great Pyramid of Giza. Fans should note that Dan Brown repeats the fallacy that the pyramid is composed of 666 panes of glass- but although it is actually 684 [panes]. It is still intriguing [as] 666+6+6+6 equals 684.
The Sion Revelation p. 427
The Occult timing of the release date of this film worldwide is precise with witchcraft, astrology, and Freemasonry. May 19th 2006, is thirty-three days before the witches’ Sabbat of Midsummer, and the number thirty-three is the most sacred number in the secret society known as the Scottish Rite Lodge of Freemasonry. The witches’ quarter-sabat of Midsummer 2006, is also thirteen days after the full moon of the sixth month or June. We must also remember that in occult numerology as used by witches and Freemasons, the number eighteen is three sixes or 666. The movie release date of The Da Vinci Code was exactly eighteen days before the date of 06/06/06. The release date of The DaVinci Code has Satan’s signature all over it.
Judging from their past Masonic works in film, and the subconscious tools they increasingly use to reprogram the minds of youth, the three goals manifested by the Occult use of film today are as follows:
1) To foster a media consumer-driven world whereby its audience is plugged into a global network that is increasingly desensitizing its followers into a growing sub-culture of globalist-thinking puppets being prepared for a coming global leader, while also bringing about a global audience enamored by a modern, supernatural hero worship and Messianic hero that is not Christ. 2) To financially earn billions of pounds worldwide to continually fund this degenerate Antichrist media enterprise of destruction . 3) To awaken the young Antichrist himself, the slated Arthurian hero of the New Age whose own destiny parallels the films they are making, of which, cannot escape the attention of Prince William since the powers that be have ensured that he has been made the President of the entire British Film Industry itself. "The Sorcerer's Apprentice," produced by Jerry Bruckheimer, directed by Jon Turteltaub (the same team behind the overtly pro-Masonic "National Treasure" franchise) sees Nicholas Cage once again attempting to become 'illuminated' by researching the darkest arcane arts, this time as Balthazar, the apprentice to King Arthur's Merlin, who must seek out a modern apprentice in order to defeat the evil Morgana. In the film, Arthur's evil sister seeks to undertake a powerful spell called "THE RISING" that will bring the end of the world as we know it. Throughout the plot, many subtle references are made to known Arthurian characters, not least of which is King Arthur himself, cast as the ultimate benevolent ruler whose time may come again. Even more prominent, is the Dragon Ring, the source that can help the sorcerer's apprentice defeat the ultimate evil. When presented to the young apprentice, the Dragon Ring comes alive and animates to clutch itself tightly around the finger of Balthazar's would-be apprentice. An eerie demand is then made by Cage's character that once you enter into the pact, there is no getting out, which is clearly a reference to pacts made with another Dragon, Satan himself. Pact made, the young apprentice (similar to the Star Wars apprentice, Anakin whose evil mentor was the Emperor) is then in line to inherit all of Merlin's supernatural powers.
Anyone taking the time to actually look at all of the Walt Disney productions made in their entirety can certainly see a common theme running throughout, and that theme is Good, Evil, Celtic sorcery, Western paganism, the paranormal, a counterfeit Heaven on earth without God, and Luciferian ideologies in general. Thus, it's clear to see why Disney chose a Camelot-like theme to best represented his cottage-industry where generations could be drawn into the Antichrist theme masqueraded as a children's fairy tales paralleling the Brothers Grimm tradition. Disney productions are preparing the younger generations for that false Utopian Kingdom coming, the brave 'New World' of the Antichrist, as well as fascinate young minds with magick and sorcery. Disney's "Bride to Terabithia" was just another one of many of their recent films which teaches New Age doctrines, demonizes Christians, denies a literal Hell, all the while making it appear the Black Magic, the Occult, and unseen spirits "found everywhere in nature," are to be contacted or consulted. The Disney Corporation itself has been involved with countless attempts to normalize homosexuality and Witchcraft, while systematically targeting the traditional upbringing found in Christian homes. In order to make movies that contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries which Disney runs, which has allowed them to keep their good image while at the same time fund and promote every kind of evil toward children since at least the 1940's. They also never showed the public the hardcore porn that was made for years in secrecy for the elite, that became the staple of the Illuminati family Walt Disney was born into. It's believed that both Walt Disney and his brother were molested as children by their father, and while still a young adult, both Walt and his brother became members of the “Order of DeMolay,” which is described as an international fraternal organization for young and aspiring Freemasons ages 12 to 21. The Knights of DeMolay are actually the youth chapter for would-be Freemasons, whose global organization is behind everything from the underage sex trade and slavery in the West, as well as Satanic ritual abuse, murder and cannibalism of children, whilst creating front organizations, various workshops, and other entities that are used for recruitment purposes, as well as attempting to make it appear Freemasons themselves are benefitting society instead of secretly destroying it in the West. Their methods and ways of holding such seemingly benevolent causes designed to distance themselves from what is their Satanic legacy, such as their "Save a Child" campaign, that are used to gather information on children at risk, is astounding in its evil intent and morally corrupt purpose. In another stunning insight into Disney's darker side were the many examples of his anti-semitism and racism. During the war, Disney even personally hosted the Occult-leaning Nazi propagandist Leni Riefenstahl at his studio. As Jews were being daily slaughtered by the thousands in Europe, she infamously said it was “gratifying to learn how thoroughly proper Americans are to distance themselves from the smear campaigns of the Jews." She went also to lend her support for Disney and his upholding American values. Where she likely knew he was a fellow occultist, there remain those who dispute whether she knew or not that Disney was bisexual.
Interestingly, it was the Templar's Baphomet, as well as the Templar's use of Pentagram's, that often found themselves in Disney's later cartoons, such as in the 1940's Disney film, Fantasia, in which the demon 'Chernabog' took much of its likeness from Baphomet. The order was named after Jacques deMolay, the last Grand Master of the Knights Templar who was burned at the stake by the Pope and the King of France on Friday the 13th of 1314. In fact, DeMolay's last words before the flames consumed him were a curse to the Pope and the King of France, declaring that they would both be dead within a year. When they both died that same year, Friday the 13th became a date known for its 'bad luck' ever since. This same Occult outfit named after him traces its Satanic roots to DeMolay's Knights Templar, who themselves engaged in Satanic Black Masses, infant sacrifice and homosexual rituals that glorified Satan in the form of a demonic statue they named Baphomet. It is really no wonder therefore, that Disney's productions over the years are increasingly filled with Masonic symbolism, Witchcraft, Occult, New Age, Demonic and Satanic overtones, that consistently uses mind control, sexual perversion, magical indoctrination, and subliminal messages directed at children that would leave them completely broken, spiritually and otherwise. In essence, the Disney Corporation of today is nothing but Satan's propaganda machine for the Antichrist, directed at youth. Behind Disney’s good front lies hardcore pornography including sex with animals and the human dead, snuff films, child sex rings and child slavery worldwide, Illuminati mind-control, and the seduction of several generations of youth into drugs, sexual deviancy and their ultimate destruction, spiritually and physically. Movie after movie has cleverly brought Satan, death, and the Occult into the homes of impressionable minds of American, European, and now global, youth, all under the disguise of family entertainment. For instance, it was Disney that brought us the film “Alive,” a film featuring survivors of an airplane crash who turned to cannibalism in order to survive. This film's producer was Robert Watts, a British film producer who is best known for his involvement with all three Indiana Jones films, as well as the three original Star Wars films. Of this film he made for Disney, he said it was a “triumph of the Human Spirit,” albeit a triumph that was only gained by eating their dead. Cannibalism is a major tenet in the Satanic Black Mass going back to earliest pagan civilizations connected to Tubal-Cain. The Disney companies' own carefully worded and very selective language used to describe Dinseyland's Masonic-styled secret lodge of CLUB 33 on 33 ROYAL Street is interesting all its own, claiming "dignitaries, celebrities, and even US Presidents might be spotted entering Club 33." The exclusive club also boasts an invite-only membership, a 14-year wait list, and a $100k initiation fee.
In 2021, Disney Teamed Up with Prince Wiliam at Cruella's London Release with This Car on Display
Young Disney joined The Order of DeMolay (named for Jacques de Molay, the last Grand Master of the Knights Templar) in 1920. He was 19 years old. By 1935, Walt Disney was summoned to Paris, France to receive a medal for the creation of Mickey Mouse from the League of Nations. During his European tour, Disney dined with the British Royal family, had a private audience with the Pope, and had a long interview with Italian dictator, Benito Mussolini. It was during this European trip, that Disney had a lunch with writer and prophet, H.G. Wells (a major inspiration for Disney’s Tomorrowland), who, through his predictions of the future, conditioned the public to prepare for …the New World Order. In addition to sponsoring a Masonic Club for Disneyland employees, Walt Disney also created the infamous Club 33, located at 33 Royal Street in Disneyland, which is located on the 33rd parallel. The secretive club’s décor is reminiscent of a Masonic lodge [and] has an invite-only membership, a 14-year wait list, and a $100k initiation fee.
A year after Tomorrowland’s opening, the FBI file recorded a meeting between their Los Angeles Special Agent in Charge (SAC) and Walt Disney. Disney requested the meeting in efforts to include the FBI in his vision of Tomorrowland. Their partnership was so close, that by the time of Tomorrowland’s opening in 1955, the FBI was referring to Walt Disney as a close contact of the Special Agent in Charge. Operation Mockingbird, a large-scale CIA program organized by Allen Dulles and designed to manipulate news media for propaganda purposes, also began in the early 1950s. The CIA spent millions per year hiring journalists in Corporate Media from Disney/ABC and others, to promote their point of view. The original operation reportedly included nearly 3,000 CIA operatives and 400 journalists. According to the Congressional report published in 1976, “The CIA currently maintains a network of several hundred individuals around the world who provide intelligence for the CIA and at times attempt to influence opinion through the use of covert propaganda. These individuals provide the CIA with direct access to a large number of media outlets.”
Disney has had a cozy relationship with the CIA going back decades. In fact, the CIA likes to brag about Disney’s special effects wizard, Robert Carey Broughton, creating “award-winning films” for both Disney and the OSS. Files obtained through FOIA reveal that the DoD and CIA have backed and influenced the production of 100’s of movies and TV shows, many of which are owned by The Walt Disney Company. Perhaps the most sinister of all known CIA projects, is MK-ULTRA/ ARTICHOKE/ MONARCH, authorized under Allen Dulles in 1953, as a direct result of Nazi scientists influence on US Intelligence through Project Paperclip. The projects involved the use of “many methodologies to manipulate individual mental states and alter brain function, including the surreptitious administration of drugs and other chemicals, sensory deprivation, isolation, verbal and sexual abuse”, in order to induce a state of trauma-based mind control in their victims.
The relationship between Walt Disney and the CIA was so close, that they actually played a key role in helping Disney with the purchase of the land to build Disney World. Disney’s close associations with the CIA have continued on to the present day, using Big Brother spying techniques, which have been shared with the intelligence community. “Disney World is responsible for the nation’s largest single commercial application of biometrics” and after 9/11 the government sought “Disney’s advice in intelligence, security and [Mark of the Beast-styled] biometrics.” With all eyes on the rapidly developing Epstein case, new information connecting Disney to Epstein’s “Pedo Island” have come to light. Disney Cruise Lines sponsors a snorkeling expedition to the island now known for its connection to child sex trafficking, sparking citizen investigative journalists, who have speculated that there are underground dungeons within the island, to dig deeper into a potential connection with child trafficking to the island.
What’s even more concerning is that between 2000 and 2014, nearly 200 passengers went missing from cruise ships and the maritime laws for passengers, particularly children, are shockingly lenient – offering no protection under the current law for any compensation for children who die due to the cruise ship’s negligence. Given Disney’s extensive history with nefarious activities involving the intelligence community as well as pedophilia, and considering that sexual assaults are the most widely reported crimes that occur on cruise ships, it’s no wonder that a Disney sponsored trip to Little St. James [Epstein's 'Pedo-Sex Island'] raises concerns.
It has been eight days since the public first learned from a leaked video of journalist Amy Robach that ABC News executives in 2016 spiked her reporting on high-powered, globe-trotting pedophile Jeffery Epstein and his network of well-connected sexual predators. It has been seven days since the public first learned that ABC conspired with CBS News to have an individual fired from her job with the latter because ABC suspected that she is the one who leaked the video. In all this time, ABC [Disney] has refused to provide the public with a credible or reasonable explanation for any of its actions. I cannot stress enough just how big of a media scandal this is. ABC News spiked a story about a prolific pederast and his cohort because, according to the journalist whose coverage was killed, the report implicated a member of the royal family and the news network was hungry for an exclusive interview with Prince William and Catherine, Duchess of Cambridge. There is no version of reality where ABC does not look evil in this. This entire episode is about much, much more than a report failing to meet the network’s “editorial standards.” The way things look, ABC is involved in a far-ranging conspiracy to protect child abusers.
OCCULT MIND CONTROL AND REPROGRAMMING FOUND IN TODAY'S SATANIC MUSIC INDUSTRY
Then the Lord answered Job out of the whirlwind, and said, Who is this that darkens counsel by words without knowledge? Gird up now thy loins like a man; for I will demand of thee, and you answer Me. Where were you when I laid the foundations of the earth? Declare, if you have understanding. Whereupon are the foundations thereof fastened? Who laid the corner stone thereof, when the Morning Stars [Christ and Lucifer] SANG together, and all the Sons of God shouted for joy? But you have fallen from Heaven, Lucifer, MORNING STAR! Hell from beneath is moved to meet you at your coming: it even stirs up the dead for thee. All they [in Hell] shall say unto thee, Art thou become weak as we? Art thou become like unto us? Your pomp is brought down to the grave, as is the noise of your viols [stringed instruments]. You sealed up the sum, being full of wisdom, and perfect in beauty. You have been in Eden, the Garden of God. Every precious stone was your covering emerald and gold. The workmanship of thy [instrumental] tabrets and of thy pipes was prepared in you in the day that you were created. You were perfect in your ways from the day that you were created, until iniquity was found in you.
I met the Spirit of Music, an appearance of the Devil.
The Lost Writings of Jim Morrison, p. 36-38
To complete "Stairway" and the rest of the album, they changed venues [from Bron-yr-Aur, in Wales] and went to Headley Grange in Hampshire, where they recorded using a mobile studio owned by The Rolling Stones. It was a huge, cold, dusty mansion with no electricity but great acoustics. Bands would go there to get some privacy. Plant's implication that something else was moving his pencil for him led to speculation that it was Satan who was dictating the words, and along with the backward messages and Page's Aleister Crowley connection, there was enough evidence for many listeners that the Devil had some role in creating this song, as if Led Zeppelin sold their souls to the Devil in exchange for "Stairway To Heaven." Supporting this theory is the fact that Jimmy Page bought Aleister Crowley's house in Scotland, known as Boleskine House. In his books, Crowley advocated that his followers learn to read and speak backwards.
Satan's minions that work the entertainment industry, have also infiltrated every genre of music today, as well. Rumors of Satanic worship and Occultism and music go back to at least the 1930's and before, starting with blues music at the turn of the 20th century, but it was clearly the 1960's when it became the most obvious. The British rock band Led Zeppelin certain knew something of the Occult when band leader Jimmy Page began his journey into the Occult when Led Zeppelin formed. He became fascinated with The Great Beast 666, Aleister Crowley, the British Occultist who has permeated the music industry to this day. Aleister Crowley is the occultist and Satanist that is perhaps the most well-known. His works “The Book of the Law”, “Magick in Theory and Practice” and “The Book of Thoth” are broadly used in occult circuits. His perhaps most important book is "The Book of the Law, which Crowley himself didn’t take much credit for have written, as he stated it was written by automatic writing, being channeled from a higher being the young Aleister Crowley called Aiwaz (or Aiwass). This being said he had lived in Chaldea during the reign of Hammurabis (around 1750 BC), but later, in his book “Magick in Theory and Practice,” Crowley identified Aiwaz as his own genius. He was actually very proud of this book, which he used as a Bible for his own religion, Thelema. Jim Morrison, lead singer of the Doors, who died "mysteriously" on July 3, 1971, at age 27, became deeply involved in the Occult after meeting his future wife. Morrison married his wife at a Wiccan-styled pagan wedding standing in a pentagram whilst drinking each other's blood. Both were avid students of Crowley's writings, as well as his Occult magickal workings. Jim was once photographed with a statue of Crowley's head, posing in obvious veneration, that at the time, amounted to little more than a hidden message to those still not in the know. The real 'hidden' message being sent to all of us by they who control the media couldn't be any clearer. Cain's children exist upon this planet and are for centuries now, been taking control of ... everything. Theirs is a lineage that can only do evil against what only appears to be their fellow man, because theirs is a Bloodline that is traced back to Satan himself. The programming we see today, therefore, naturally depicts every kind of strange interpretation of only their own devising, because their coming Messiah, our Antichrist, can only arise after a vast revolution of counterculture that has become so brainwashed against God and the Christian Faith, that Satan can finally advance his ancient will toward global rule, and worship. For this reason, it has become the task of his people in this world to become infected with only Antichrist thinking by fostering an environment of Occult learning, magic, mystery, and Occult knowledge, to prepare the world for what is coming next, Satan returning to himself all that he once had, but lost.
Why does Satan take a vested interest in the entertainment industry, with its bright lights, charismatic stars, and creative music? Because, as Ezekiel 28 proves, Lucifer was the chief god of entertainment, having once been a living musical instrument of God, as well as a bright, shining Holy being of beauty, wisdom, and wealth. In short, Satan was the very first bright, beautiful, and thus, charismatic "music star of the spheres," as it were. This is why whenever someone with musical or other similar talent wants to be fast-tracked into achieving quick fame, stardom, status, and wealth, seemingly overnight, they make a pact with the Prince of this world. Once a pact is made, Satan's elites in the entertainment industry then do what they do best and ensure the entertainer is then treated to the working of making them a star, upon which company handlers (all Satanists themselves) are provided to watch over the star, while carrying out all wishes of the record label. If the handler or manager tells the would-be star to make a video filled with Satanic imagery, or go into photo shoots using Satanic hand signs, or to record a song that glorifies darkness, promotes evil, and serenades death, the star obeys because they are told it means more money, and fulfills their contract. In short, once a pact is made with Satan, and a record contract signed, it would be difficult for the client not to obtain fame, wealth, and everything that the elites of this world will temporarily provide them. Along the way, the stars meet others in 'the business,' who get them hooked on drugs, sex, attempt to pull them away from their families (much like a cult does) and subtly destroy any remaining moral fiber the star might have once had before their Luciferian indoctrination. This is precisely why Satan's elites not only have their hands in business, banking, finance, and media, but also the entertainment industry, knowing it is not only a way to ruin the lives of the stars themselves, but the most bankable way to taint the world with their global Antichrist mind control program, their real agenda. I've lost count how many young stars were purposefully put on a path of ruin, almost as a form of protracted sacrifice, only to be replaced with another who all too eagerly steps in their place. Today's entertainment industry is nothing more than Satanic whoredom on a global level, where you literally sell your eternal soul to Satan to become a (temporary) "god," but even that is a cheap counterfeit of what God has prepared for this who love him. And, as we all know, Satan does not share the spotlight well. In in his grand jealousy, does he come to make good on any former contract made, and takes their life, usually making it appear they killed themselves, via a drug overdose or similar unexpectedly tragic event. For many, this happens at age 27, while others are allowed to achieve a much older age, such as Bob Dylan. Regardless of age, however, Satan never breaks contract. Jimmy Page knows this. Early in his career, Jimmy Page bought up former houses that Aleister Crowley owned and carried out some of his most infamous black magickal workings. Where bands such as The Beatles, The Rolling Stones, The Doors, and Black Sabbath opened the gates for Satan's Occult mantras to take root among the global masses, it was lesser-known bands such as Black Widow, that by 1969 paved the way for other openly 'Satanic bands' to make their appearance. Not a heavy metal band or even a hard rock band, per se, Black Widow’s music was more Satanic folk music and creepy, backed up with sinister lyrics that glorified human sacrifice as necessary rites in the true worship of the Devil.
And so the Piper's shiny kingdom of earthly, material, and false spiritual promises of enlightenment still stands on the original lie given Eve, about becoming "gods," if one would disavow God in favor of Satan. As such, many artists to this day still undertake such oaths to obtain what they desire most, fame and riches at the cost of their immortal souls. Led Zeppelin and Black Sabbath have been replaced today with Madonna, Ke$ha, Beyoncé, Rihanna, and personal student of Anton LaVey (late leader of The Church of Satan) Marilyn Manson. Modern rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the major rock groups through drugs, sex, threats of violence, and even murder. On the other side, publicity, tours, and recordings are financed by record companies connected to British military intelligence circles. Both sides are intimately entwined with the biggest business in the world, the international drug trade, a trade that is too often connected with the likes the British MI6, as well as the American CIA, who is well known to have spawned the American counter-culture movement of the 1960's, supplying LSD to the youth disillusioned by traditional American values and thus sought a 'revolution' that would bring about their skewed vision of a hip utopia, far removed from their Christian upbringing, which was the whole point. The so-called "rock stars" are pathetic puppets caught in a much larger scheme. From the moment they receive their first recording royalties, the groups are heavily immersed in drugs. As totally artificial media creations by those who control them, their public image, as well as their music, is fabricated from behind the scenes by those in league with Satan from the start. Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy. The recording company, Thorn EMI, led by British aristocrat and key member of Britain's military intelligence establishment, Sir Joseph Lockwood (also one of Britain's largest producers of military electronics) created a music division which had grown to annual sales of $3.19 billion. His plan was now to use both the Beatles and the Rolling Stones as the means to transform an entire generation into heathen followers of the budding Luciferian New Age Movement, whose own multi-pronged plan was to eventually deploy into film production, our schools, law enforcement agencies, and political leadership. In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult known as The Process Church, recruited the Rolling Stones and the Beatles, despite the fact that both The Beatles and Rolling Stones were themselves facilitated and funded early on by the Tavistock Institute of London to tear down the Christian fabric instituted in the West. The Process Church of the Final Judgment, originated in Louisiana in the 1960's and was led by a psychopathic false Christ by the name of Robert de Grimston (CIA) to become a counter-culture terrorist organization who wanted to be the harbinger of every kind of evil so that the process toward Western society receiving Antichrist was hastened. They published an underground 'zine called The Process Magazine, that featured such icons of the time as Mick Jagger's longtime girlfriend, Marianne Faithfull, who later became a devotee of Crowley disciple Kenneth Anger.
Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley. Crowley was born in 1875 and was called the "Great Beast." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil. During 1966-1967, when the Process Church is reported to be recruiting in London, Anger was also on the scene. Author Tony Sanchez describes that Rolling Stones' Mick Jagger and Keith Richard, and their girlfriends Marianne Faithfull and Anita Pallenburg, "listened spellbound as Anger turned them on to Crowley's powers and ideas." While in England, Anger worked on a film dedicated to Aleister Crowley, called Lucifer Rising. The film brought together the Process Church, the Manson Family cult, and the Rolling Stones. The music for the film was composed by Mick Jagger and was supposed to include Led Zeppelin's Jimmy Page, as well. However, while Page wrote the majority of tracks for the film (as heard here) he fell short of one, and was hastily fired by Anger as a result. Process Church follower Marianne Faithfull went all the way to Egypt to participate in the film's depiction of a Black Mass. The part of Lucifer was played by the guitarist of a California rock group, Bobby Beausoleil. Beausoleil was a member of the Manson Family, and Anger's homosexual lover. A few months after filming, under Anger's direction in England, Beausoleil later returned to California to commit the first of the Charles Manson family's series of gruesome murders, dubbed "Helter Skelter" after a song on the Beatles' White Album. Many believe, like Guy Woodhouse, Polanski made his young wife a blood sacrifice for his still-untouchable status in Hollywood and beyond. Others maintain the Manson murders were the result of a much larger Satanic conspiracy involving Tavistock and the British Royals themselves. Interestingly, The White Album (dedicated to Satanist Aleister Crowley) was largely written by Lennon and McCartney at an Indian meditation with Mia Farrow in attendance. The song title “Helter Skelter,” albeit misspelled, was scrawled in blood at the crime scene. And, a dozen years later, John Lennon was assassinated at the Dakota building, the landmark building where Rosemary’s Baby was filmed. Another point of internet, the Sgt. Pepper album by The Beatles was released twenty years after the infamous Satanist Aleister Crowley's death in 1947. The title song from the album began with the lyrics, "It was twenty years ago today, when Sgt. Pepper taught the band to play..." The album's cover also featured a picture of the renowned Satanist. Reflecting their ongoing association with Kenneth Anger and the Process Church, and as a direct response to The Beatles' Sgt. Pepper's album released six months earlier, the Rolling Stones released their own album openly celebrating the Devil, titled Their Satanic Majesties Request, an obvious wording that was taken from British passports of the time, that read "Her Britannic Majesty Requests," with the words "Her Britannic" swapped out to read "Their Satanic..." which apparently evoked the British Royal Family itself as being Satanic.
Billie Eilish Plays the Fallen Angel Lucifer in Her New Video
The Beatles shocked the world by announcing, publicly, that they were regularly taking LSD. In an interview with Life magazine Paul McCartney said, "LSD opened my eyes... [when writing songs] we only use one-tenth of our brain." Like Crowley before them, they eventually called for the legalization of drugs, including marijuana, feeling if society were on drugs, the long-awaited revolution toward a Luciferian utopia would arrive all the quicker. Aleister Crowley has been the main spiritual teacher for rock musicians ever since. He is still evoked by bands like Godsmack, Madonna, Lady Gaga, Beyoncé, and Jay Z, who've all paid strange homage to Crowley. In no uncertain terms, Crowley's mission in life was to advance the time toward the Antichrist, destroy Christianity, while exalting drugs, sexual perversion, human and animal sacrifices to Satan, and the Occult. Aleister Crowley spews his hatred of Jesus Christ in The World's Tragedy: "I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to its present condition. I take it that Christianity is not only the cause but the symptom of slavery." (Aleister Crowley, The World's Tragedy, p. XXXIX). "That religion they call Christianity; the Devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I HATE and will DESTROY." (Aleister Crowley, The World's Tragedy, p. XXXI). And none of Crowley's plans were lost on the Satanic global elites who control the world under Satan's direct command either. In fact, none of this is actually new. Media (both on the political left and right), the entertainment, film, and music industries, are all part of the greater single network headed up by Satanic elite families since the birth of America itself. As a result, when later Americans invented recording, created both the record and record player, and then, film, radio, and television itself, they all were being heavily used in attempt to erode Christianity from their very onset. It was British MI5 and their counterpart in the American CIA, with scores of front groups organizations and think tanks, such as Tavistock, that stepped up their clandestine manipulation of events to drag the world into the turbulence of the 1960's, with its sharp moral decline, drug use, and the unleashing of several orchestrated events in order to best prepare society for Crowley's New Age, that ranged in severity from removing God and prayer from the American public school system, to several high profile murders and assassinations. One of the victims of those murders eventually being JFK, in 1963, and his brother as well as Martin Luther King, in 1968, but not all victims of the Anglo-Masonic government held political office or carried out vital matters of state. The shadow government also had their eye on anyone who influenced society itself. It was strongly believed that Marilyn Monroe herself was a target of assassination, in 1962, who ironically had relations with both Kennedy brothers who met a similar fate.
But it was the events that occurred seven years later, in 1969, that set America truly on edge, and as some believe, opened the Pandora's Box for later MK-Ultra serial killers to rise and carry out similarly gruesome murders upon subliminal orders from their "all-seeing" Overlords. Sharon Tate was an American actress that was trying to advance her career and starred in small roles in the mid-1960's. In 1966, Tate starred in the British Occult film "Eye of the Devil," (1966) in which Sharon plays a neophyte witch making animal, and later human, sacrifices to meet the demands of the “13 Tribunal” Satanic cult. The film itself was made in France and England under the watchful eyes of two particular consultants on Witchcraft behind the camera, Alex and Maxine Sanders, the leaders of a Satanic cult within the Alexandrian Tradition. After Sharon was properly introduced to them, it is believed that both Alex and Maxine Sanders introduced her to Roman Polanski. Tate was immediately taken in by Polanski's boyish charm, and they quickly became a couple. Two years later, the pair married on January 20th, 1968. Polanski, a young Jewish survivor of the Holocaust, had already been mentoring his new wife into the Occult. They also began attending the parties of the Satanic Hollywood elite, which meant for Sharon, a surreal time of drugs and every manner of increasingly strange sex orgies, of which became well documented after her murder. Some believe these events prove how Roman Polanski actually cared very little for Sharon, and at the very least, he merely used her to further climb up the ladder in Hollywood until he reached what he believed would bring him ultimate success in the entertainment industry itself. It was at this time, that Roman Polanski decided to make the film, Rosemary's Baby, based on the novel by Ira Levin of the same name, about a young wife and socialite who gave birth to the Antichrist. What wasn't known at the time, however, was that Polanski's own pregnant wife and unborn son would be ritually murdered the following year. Sharon Tate, was often seen around the film set and it has even been timed, that she became pregnant by Polanski during the filming of Rosemary's Baby, possibly even at the film's location, the infamous Dakota building in New York, (where John Lennon lived and was murdered some 21 years later). It was on the set of this first ever Antichrist film, that later proved to be cursed that Sharon Tate was the subject of a series of photographs taken at the time by Esquire. In retrospect, these images appear as eerie as the movie itself, because her images, as well as her facial expressions, appear strangely ghost-like in quality. She was after all, a woman caught between two worlds even while alive. It was also on the film set that Tate would confide to her close friend, telling her of the many strange people she was meeting and what they were involved with. Upon one such discussion, she disclosed the following to her friend: “The Devil is beautiful. Most people think he’s ugly, but he’s not.” One other point of interest regarding Rosemary's Baby, is its list of 75 actors who went uncredited, many of whom were names in Hollywood. For example, A-lister Tony Curtis was uncredited, who joined the film to merely be a voice on the other end of the phone talking to Rosemary, if that makes sense. Were many of these actors themselves part of the Hollywood cabal, wanting to join a film they knew was dedicated to Satan? We may never know.
Polanski had relocated to California alongside his new girlfriend, actress Sharon Tate, who was fresh off her first movie role as a witch in Eye of the Devil, just before filming began. She [Sharon Tate] had gunned hard for the lead role in Rosemary's Baby, but Paramount cast Mia Farrow. Tate instead loitered around the set, appearing uncredited like a ghost in the background of Rosemary's young-people-only party scene and, say some, becoming increasingly obsessed with the occult. Many years later, a friend quoted her in print as having said, “the devil is beautiful. Most people think he’s ugly, but he’s not.” Polanski last saw Tate, by then his wife and very pregnant, in July 1969, noting in his autobiography a “grotesque thought” he had at the time: “You will never see her again,” he wrote. Tate was brutally murdered on August 8 by the Manson Family, as was their unborn son—all while Rosemary’s Baby still lingered in theaters.
On August 9th, 1969, four members of Manson's inner circle brutally murdered Sharon Tate and five of her guests in cold blood. As luck would seemingly have it, Roman Polanski happened to be out of the country (in Europe) at the time of his pregnant wife's horrific murder. As the details were later revealed through several jail interviews of the Manson suspects, a absolutely bizarre blood ritual was clearly being employed in the twisted murders. It was revealed that upon the four quietly gaining entry into the house on 10050 Cielo Drive, Manson's right hand, Tex Watson, suddenly announced at the top of his lungs, "I am the Devil, and I'm here to do the Devil's business!" Within minutes, several of Polanski's friends were brutally slaughtered, including his pregnant wife Sharon Tate, who was due to deliver Polanski a son in two weeks. One of Sharon Tate's guests managed to escape out into the yard, but she was easily overtaken and stabbed several times to the point of death, but still managed to utter her last surreal words "I'm already dead." Back inside the house, Tate was loudly pleading for her and her unborn son's life, while Susan Atkins tied her up and ruthlessly stabbed her with a large butcher knife. Atkins used Tate's blood to write the word "Pig" on the front door of the house, before the four drove back to Manson's ranch. Forensics later proved that Sharon managed to fend off her female attacker long enough to prevent the attempted slitting open of her stomach to remove the child from her dying body, as Susan Atkins stated she originally wanted to do. In her own jail interviews, Atkins also explained that Tex Watson was under the influence of a powerful evil entity that night, that she described to be a demon that gave Tex Watson super-human strength by a force not his own. It was also proven later that Susan Atkins, who confessed to happily stabbing Sharon Tate to death, and tasted her blood, was a former student of Anton LaVey, the author of The Satanic Bible and head priest of the Satanic Church, as well as playing the part of Satan in the Rosemary's Baby rape scene. LaVey and Atkins had met at a local production that hired her to play a blood-drinking vampire. It was also discovered that the white-corded rope Atkins used to tie Sharon Tate before slaughtering her, is infamously used in Masonic ritual and called the "cords of initiation." Of Tex Watson's strange announcement of being the Devil, and there to do "the Devil's business," it becomes yet another point of interest that the Bible explains Satan's work as likened unto that of a common thief, who comes to "steal, kill, and destroy." Subsequent interviews of Charles Manson revealed that his plan was to have the LaBianca and Tate murders blamed on blacks to incite an apocalyptic race war that would overtake America, where he would arise on the other side as some twisted form of Antichrist Messiah.
The 1968 movie “Rosemary’s Baby” is one of Roman Polanski’s most chilling and acclaimed productions. The movie appeared at a moment of optimum spiritual chaos in American life. Rosemary’s Baby remains an iconic memory. The film describes the manipulation of a young woman by a high-society occult coven for ritualistic purposes. The movie’s unsettling quality does not rely on blood and gore but on its realistic premise, which forces the viewers to ponder on the likelihood of the existence of elite secret societies. Even more unsettling are the eerie real-life events that surrounded the movie involving ritualistic killings and MK Ultra. We will look at the symbolic meaning of “Rosemary’s Baby” and the stranger-than-fiction events that followed its release. Guy learns about Roman’s witch coven and Occult rituals. He is also told that his career will succeed if he were to join them. The price of entry is however steep: He must allow his wife to be drugged and impregnated by Satan during an Occult ritual. One night, Guy brings flowers to Rosemary and abruptly proposes, “Let’s have a baby, all right?” He circles the best days on the calendar to start having sex – October 4th or 5th, 1965. (The coven had determined that these were the prime days for copulation to obtain a numerologically-correct birth). Rosemary’s pregnancy is extremely difficult. She loses weight and she keeps feeling sharp pains in her stomach. Dr. Sapirstein dismisses her concerns, telling her that the pain would go away. Rosemary becomes weary of her neighbors, who are a little too “interested” in her pregnancy. She then obtains a book from a concerned friend (who mysteriously dies afterward) [named] All of Them Witches. The book describes the Castevet’s international secret society, which is known to practice blood rituals.
When Rosemary wakes up, she is told that her baby was dead (it was taken by the coven). Guy tries to comfort his wife by telling her that big movie production companies like Paramount and Universal were interested in hiring him – all rewards for Guy’s initiation into the coven and Rosemary’s sacrifice. Determined to find her baby, Rosemary sneaks into the Castevets’ apartment and stumbles into a Satanic “Adoration of the Magi” scene, with people from all over the world bringing gifts to the baby. When Rosemary sees the baby’s reptilian eyes, she starts screaming. Roman Castevet tells her: “Satan is his father, not Guy. He came up from hell and begat a son of mortal woman..." The birth of Rosemary’s baby is the new “Year One.” It is also accurate by Church of Satan standards to call 1966 Year One. This is a self-conscious, parallel reference to the year of Jesus Christ’s birth, Year One, A.D. Another unstated fact: The baby is born in June 1966, which is numerically 6/66. Rosemary’s Baby is Aleister Crowley’s “Child of the new Aeon”, [the New Age] Horus the son of Isis – the bringer of a new era in world history. Whether it was intentional or not, Rosemary’s Baby did appear at the brink of a new era and became part of an important social change. Shocking events left indelible marks on the public mind, including the mysterious deaths of JFK, Marilyn Monroe and Martin Luther King; horrific ritual murders perpetrated by MK-Ultra patsies like Charles Manson and Son of Sam caused fear and horror. These events slapped America out of its ideals and forced it to stare at an undefinable, yet tangible force influencing society. Conspiracies and cover-ups made the news and the masses gradually discovered the existence of a shadow government.
Before settling on Mia Farrow, Roman Polanski originally envisioned his wife, Sharon Tate, as playing the role of Rosemary. She was not cast in the role, but did make an uncredited appearance in the movie, during a party scene. Fourteen months after the release of the movie, Tate (who was 8 months pregnant) was ritualistically killed by members of the Manson family. She was stabbed 16 times and her killers wrote the word “pig” in her blood on the wall of her house. Charles Manson is described by Fritz Springmeier as “both a Monarch slave and a handler”. According to Springmeier, his programmers knew ahead of time what were going to be the next hits. He was basically used by the elite to carry out ritualistic murders. The murders attributed to the Son of Sam, the Manson Family, and numerous other interconnected killings (including possibly the Zodiac murders) were not what they appeared to be. While these killings appeared to be the random work of serial/mass murderers, they actually were contract hits carried out for specific purposes by an interlocking network of Satanic cults. Charles Manson was programmed with Beatles’ music. They regularly call in slaves and hypnotically make [song] lyrics to be cues for the slaves before the music comes out. What we are witnessing in the wake of the public enactment of these alchemical psychodramas, whose spiritual consequences for mankind are far more momentous than most have thus far guessed, is a process of global Occult initiation.
In a strange parallel, Princess Diana herself was rumored to be pregnant at the time of her death, which has already been connected by a former British security service member's wife as having been orchestrated by the British Government (and senior members of the royal family) in what would be her August 1997 murder. Why was Sharon Tate “chosen” that August night in 1969? She was not Hollywood’s biggest star and she only enjoyed limited commercial success in the model and film industries. Was it the inevitable outcome reserved to stars who go too far into the Occult side of stardom? Her brushes with the obvious evil members of 1960's Hollywood certainly brought attention her way, but perhaps not in the way they she naively hoped they would. Are these events strange coincidences or all methods in which the larger black hand works in Hollywood and beyond? As someone who has been reporting on this single story and others for decades, clearly, when you take the entirety of what can be proven as absolute fact, there is no doubt that there is a systematic and hidden force within the Western governments that influence American pop culture to degrade morality to the point of wanton complacency, with its ultimate intent to destroy morality (Christianity) itself. Interestingly, Rosemary's Baby is today considered a "hallmark of film-making." In 2014, the film was selected for preservation in the National Film Registry by the American Library of Congress, being deemed "culturally, historically, and aesthetically significant." Perhaps what's more frightening is that today's Hollywood is being run by the children and elite family friends of those who controlled Hollywood of the 1960's. Meanwhile, Roman Polanski himself went on to enjoy some level of success in the time since, but, perhaps, it wasn't what he thought it would be either. Did Roman Polanski sacrifice his wife in the same way Guy "sacrificed" Rosemary and her child, to obtain the favors of powerful Satanists who rule generationally? Soon after his wife's murder, Polanski allowed himself to be photographed by Life Magazine in the living room where Sharon was viciously attacked, her dried blood still clearly visible on the floor in front of him. The strange photo shoot caused him to be heavily criticized by the general public at the time. Other events did not help his credibility in the years that followed. For example, just seven years after Tate’s murder, Polanski was arrested and charged with a number of offenses against 13-year-old Samantha Geimer, including rape by use of drugs, perversion, lewd and lascivious act upon a child under 14, including sodomy. Polanski’s autobiographical account of the crime does not smack of a man overly burdened with feelings of guilt. He describes grooming a 13-year-old girl on the drive to another underage photoshoot in Europe: From his book: “I asked when she’d first started having sex,” he writes, as if that’s a normal thing for a 43-year-old man to ask a 13-year-old girl. At Jack Nicholson’s house, Polanski recounts what he describes as “making love,” to her, saying she spread herself and I entered her. This is how Gailey recalled the crime: “He didn’t answer me when I said no ... he lifted up my legs farther and he went in through my anus.” In 2010, British actress Charlotte Lewis said Polanski abused her in 1983 when she was 16. Last year, four more allegations emerged: former US actor Mallory Millett said Polanski tried to rape her in 1970; German actor Renate Langer said the director raped her in Gstaad in 1972 when she was 15; a woman identified as Robin M said Polanski assaulted her in 1973 when she was 15; and a third, Marianne Barnard, accused him of assaulting her in 1975 when she was 10. Polanski is more recently being accused of an extremely violent rape upon Valentine Monnier, a French actress in 1975. More shocking than that, according to author Michael A. Hoffman, Polanski produced snuff films involving minors for sale on the black market, in Europe and globally, but those allegations remain, as yet, unproven. And yet, Polanski remains a free man to this very day.
In 1999, Roman Polanski directed, produced, and co-wrote "The Ninth Gate," an overt Satanic film filled with ritualistic ceremony, murder, and Satanic worship, from beginning to end, starring Johnny Depp. Thus, when one looks at the precise timing in American history and the incredible series of events that followed its release, Rosemary's Baby became a pivotal work symbolizing an important cultural shift in American life. The same way Rosemary discovers the workings of an international witch coven, American society “discovers” a darker side to its entertainment business and internal politics. Mind control slaves are unleashed in the public, shocking mega-rituals occur and pop culture becomes a celebration of depravity. Speaking of which, the death of John Lennon is another strange piece of the puzzle. The murder occurred as John was walking into the Dakota, the building where Rosemary’s Baby was filmed, and where he was living at the time. Mark David Chapman, the “lone nut” who killed Lennon is heavily suspected to be a Monarch mind-control slave. Chapman also had ties with high-profile handlers and the strange circle of occult celebrities. [He] met LaVey’s pal Kenneth Anger, an American disciple of Aleister Crowley, in Honolulu in the late 1970’s. Anger had directed a film called 'Lucifer Rising,' starring Manson follower Bobby Beausoleil. Having lost his star performer, Anger then asked Mick Jagger to play Lucifer in his "Lucifer Rising" film, however, four months after the Manson murders, Jagger became entwined in the infamous Hell's Angels murder that occurred at the Rolling Stones Altamont Free Concert. Anger finally settled upon Anton La Vey to play the part. The film was released in 1969 with its original title 'Invocation To My Demon Brother.' In London, Anger had succeeded in recruiting to Satanism the girlfriend of one of the Rolling Stones, Anita Pallenberg. Pallenberg had met the Rolling Stones in 1965. She immediately began sexual relations with three out of the five members of the group. In 1980, the seventeen-year-old caretaker of Keith Richard's New England estate was found shot to death in Anita Pallenberg's bed. The death, ruled a suicide, was with Pallenberg's gun. Richard's house was located near the East Coast headquarters of the Process Church. According to an article in the English newspaper Midnite, a Connecticut police officer, Michael Passaro, who had responded to the "suicide," also reported bizarre [Satanic] ritual chanting and "strange singing" from the woods, about a quarter mile from Keith Richard's mansion. The newspaper continues, "There have been several evidences of Satanic rituals in the same area over the past five years.
WHAT DOES ALL OF THIS MEAN? WATCH THE VIDEO BELOW TO DERTERMINE FOR YOURSELF
Beyoncé Throws Up Satanic Horns at Same Time Jay-Z Gives Hand Sign for 666
Being so influenced by Crowley's writings, John Lennon was reported as saying: "Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right. We're more popular than Jesus now." John Lennon (San Francisco Chronicle, April 13, 1966, p.26). Of that comment, we should marvel not, for even The Beatles own press manager was reported as saying, in 1964: "They're completely ANTI-CHRIST. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy thing to do." Derek Taylor, Press Officer for the Beatles (Saturday Evening Post, Aug. 8, 1964). For an unprecedented two Sundays in a row, on the Ed Sullivan Show, over 75 million Americans watched the Beatles. On returning to England, the Beatles were rewarded by the British aristocracy they served so well. In October 1965, the four were inducted into the Order of Chivalry, and were personally awarded the accolade of Member of the British Empire by Queen Elizabeth at Buckingham Palace. Artists are brainwashed early on into doing the illuminati’s work, and their fans follow what they do, which is the whole idea behind it. All one has to do is carefully read between the lines of the lyrics and you will see how corrupt they can be. Each of these have been taken in by their handlers, deep into the Occult and Satanic worship, and their service to Satan, as well as their recruiting of millions of their fans, is becoming all too common, even blatant. Beyoncé and Jay-Z, who've met Prince William more than once, are known to brandish the Occult signs, Masonic sigils, and Illuminati symbology of Satan, to the point their global fans now associate the symbols as positive "rock star" symbols of success and affluence. As such, many people have no idea what is going on in the larger world around them, or how they are perceived as mere pawns in a globalist game of control over their lives. Those less ignorant know something is amiss, especially when have hearing the songs of many artists today, backwards, to discover that backward masking wasn't just an old marketing ploy from the 1980's found only on Heavy Metal records, but appears in almost every musical media recorded today, by such top artists as Beyonce, Ke$ha, Rhianna, Drake, Billy Eilish, etc. The music industry works to brainwash its young target audience by using Occult symbolism, to view, with subliminal messages in music, to hear, following the methods of a ritualistic cult-like process established long ago, namely within Hitler's Germany. Like many of today's films, music videos are also made with Occult, Masonic, Satanic, and Antichrist symbology displayed everywhere in them, to fine tune and enhance the overall brainwashing effect that the production itself is providing the listener, via purposefully manipulated A-V files. Clearly, the music industry is serving the Occult, but what needs to be underscored here is that they are doing so for a defined purpose that goes far beyond merely attempting to make the counterculture of Witchcraft, paganism, and the Occult look hip. (See also Occult Meaning of ‘The Divine King 666’ Hand Sign.)
Of course, today's murder and death culture within Hip Hop is but a mere shadow of the darker Satanic, Antichrist, and Occult human sacrificial death culture that still permeates the older Rock music culture, from the 1960's to the modern era. One need only read the account of how Led Zeppelin penned "Stairway to Heaven," dedicated to Jimmy Page's "Sweet Satan." Of Stairway to Heaven, Robert Plant would later describe as ‘our single most important achievement,’ to understand how Satan and his Angels can directly involve themselves into the muse process of artistic creation, all for the defined purpose in keeping with the Great Work. Written at Headley Grange, a mansion built in 1795, and reported to give muse to songwriters in need of such inspiration, is where in 1971, on one particular cold night within the equally freezing rooms of the Grange, that Page and Plant wrote their unforgettable signature hit. As told by the songwriters themselves, they were sitting by the raging fireplace with Page strumming the intro chords, that Plant later recalls: "I was holding a pencil and paper, and for some reason I was in a very bad mood. Then all of a sudden my hand was writing out the words, 'There's a lady who's sure all that glitters is gold, and she's buying a stairway to Heaven.' I just sat there and looked at the words and then I almost leapt out of my seat." Jimmy Page later recalled, in interview, that Robert was sitting, with his back leaning against the wall, and was sort of writing, I mean, I'll never forget that, the image of him doing that. Then Robert begins to pitch in and sing, and I tell you, it must have been 90% of the lyrics were already done." The song became a global sensation, and only further launched Led Zeppelin into being one of the greatest rock & roll bands of all time. The song's otherworldly effects and seemingly prophetic words left many to speculate that something else overshadowed him that night back in Headley Grange. Robert Plant spent much of the 1970's answering questions about the lyrics, and where they came from. When asked why the song was so popular, he said it could be its "abstraction," adding, "Depending on what day it is, I still interpret the song a different way." By the late '90s, the radio trade magazine Monday Morning Replay reported that "Stairway" was still played 4,203 times a year by the 67 largest AOR (album-oriented rock) radio stations in the US. At 8 minutes per spin, that works out to roughly 50 years that have been devoted to the song, in total, thus far. Stairway to Heaven was hailed by Kenneth Anger as one of the greatest Satanic works ever, which only further fueled the rumors that there was a cleverly recorded “backward masking” that revealed demonic messages within the song itself: “Oh here’s to my sweet Satan. The One whose little path would make me sad, whose power is Satan. He’ll give those with him 666. There was a little toolshed where he made us suffer, sad Satan…” Crowley was well known for reading The Lords Prayer, the Bible, and other Holy writ, backwards, in order to reverse their effect, thus the rumors that his followers would have created such backward messages was not entirely unsubstantiated. It was also around this time, that those rumors were all but proven fact, when Jimmy Page, a known Crowley aficionado, opened an Occult bookstore, and began purchasing most of Aleister Crowley’s homes around Britain. In the years following Stairway to Heaven, came the unyielding curses that ultimately destroyed the band itself by 1980, leaving Plant's young son, and 32-year old drummer, John Bonham, dead.
Taking all of this forward, who can deny we have today countless Illuminati-serving slaves to the Satanic child-sacrificing system that wants to enslave us all in Hell, using music and "the arts" as an introduction into the Satanic Occult? More than ever before, are the increasingly younger in Hollywood rejecting Christ outright to sometimes publicly announce their service to Satan. The contrast between what Satan offers, and what Satan returns is nothing less than a sick counterfeit to what only God can offer a soul. Don't sell yourself short, therefore, or allow Satan more ground in his own bid over you. A child of the living God deserves God, and His love, despite Satan and his world system. Satan's world order cannot define who we are, as children of God. When the father of lies tell syou that only his way can work in this world, ask yourselves this - did Satan create the world? Only mankind, in his great ignorance of God, has allowed Satan to overrun the place, thus, taking it back starts with each of us. Being that Satan only cares for his own 5 goals toward achieving global adoration, where does this leave anyone who serves him in any capacity? Evidence proves Satan's people become little more than empty shells of their former selves following after a dead-end "Left Hand Path," no matter how high ranking they become in Satan's service, for that is the truest nature of Satan, in that he demands that every soul die in their many grievous sins and be damned, while he steps on all of their backs to achieve self-ascension in his failed bid to try and become like God. God knowing this, has already condemned Satan. Isaiah 14:12-15 tells us that the Morning Star will finally be cast to the lowest part of the Pit, even the sides of it, underneath the weight of every single person he has brought there. In this way, is Satan only heaping unto himself a greater burden with each soul he corrupts to smother him forever during his own eternal destruction. Satan attempts to make people believe that they've committed so many atrocities and sins, that they have become literal demons themselves, and can no longer receive Salvation thru God's perfect love and grace, but I am here to tell you, that is a damned LIE. You were beguiled by his lies originally, with the vain belief that you are your own 'gods.' So take back that which he is stealing from you now. As long as you have breath, it's never too late to ask your actual Creator for forgiveness, and allow God's infinite love to overtake Satan's infinite hate of you. To anyone reading this who is trapped in the unyielding hands of their Illuminati handlers, know that we are praying for you, and that we love you. A serious look into any entertainers life that have entered into the Satanic Hollywood cabal, and all you see is the underpinnings of complete destruction of their lives. Satan, the ultimate vampire, leaves no one with anything at their own ultimate end, other than the massive amount of sins that stay attached to their souls when they finally descend into Hell, with him. Depp's own long since dead mentor, Aleister Crowley himself worked through everything Satan had to offer him, only to end up a depraved and penniless drug fiend whose punishment in Sheol must match that of Hitler's himself. For the genocidal maniac that was Crowley helped to send untold millions toward an eternity in Hell, with many more yet to come. Crowley's books commands that any true student of Occult magic needs to sacrifice children in homage to Satan, who again, hates mankind enough to have man murder his own kind, in his name. At Judgement, God shall lay the cursed before the feet of those they harmed, who are forever wrapped in God's eternal love, protection, and infinite glory, while they are trapped in the void of unyielding contempt, shame, and nakedness, having the kind of inexplicable fear that they gave the children they sacrificed, and so shall they all be cast into Hell, where the smoke of their eternal punishment ascends forever and ever. Amen.
From the houses of the Holy, we can watch the white doves go From the door comes Satan's daughter, and it only goes to show. You know.
There's an Angel on my shoulder, in my hand a sword of gold.
Let me wander in your garden, and the seeds of love I'll sow. You know.
So the world is spinning faster, are you dizzy when you're stoned?
Let 'the music' be your Master. Will you heed the Master's call?
Oh, Satan and man!
Led Zeppelin: Houses of the Holy
There's a sign on the wall But she wants to be sure
cause you know sometimes words have two meanings.
And it's whispered that soon, if we all call the tune,
then the Piper will lead us to reason.
And a new day [New Age] will dawn for those who stand long (survive)...
Yes, there are two paths you can go by [Christ or Satan; read Two Paths] but in the long run, there's still time to change the road you're on.
Your head is humming and it won't go, because you don't know, The Piper (Satan; see Ezekiel 27:13) is calling you to join him.
Led Zeppelin: Stairway to Heaven
The Queen of Light took her bow, and then she turned to go. The Prince of Peace embraced the gloom, and walked the night alone. The Dark Lord rides in force tonight, and time will tell us all.
Side by side we await the might, the darkest of them all.
I hear the horses' thunder, down in the valley below.
I'm waiting for the angels of Avalon,
waiting for the eastern glow.
Led Zeppelin: The Battle of Evermore
We have reached a time in history where we are definitely in the shadow of what can be labeled “The Begotten Antichrist. If we were to project ourselves into the future and look back at the tumultuous times that were the first 20 years into the new millennium, history would have to at least take a moment to put a spotlight on the rise in what can be called Reactionary Satanism, something that is now pervasive in both political and religious fronts [where] world events are not simply circumstantial, but the result of an organized campaign by an elite group of unseen and widely unknown world leaders. Their beliefs in ancient symbolism, secret societal occultism, and ritual magic affect us all. Modern Satanism is intertwined with both cultural narratives of the demonic and the dogmatic rebuking of the religious. With stories in the news about sexual scandals, pedophilia in churches, and corruption, young people today are now becoming more in tune with alternative views on things like socialism, communism, Nazism, voodoo, witchcraft, and Satanism. There are some that say with social media and the lack of the faithful to keep the trust of the youth – the devil looks like an inviting Dark Father.
This year television shows have turned the Devil from an empathetic funny egomaniac in Lucifer, to an apocalyptic reality in “American horror story,” to a darker version of a teen witch named Sabrina, that pulls out all the stops and unveils all kinds of satanic imagery from pentagrams to Baphomet. The idea of the return of Baal or the incarnation of the counterfeit Messiah has always been said to be a secret and that no one really knows or can identify him. Then comes the return of what can only be called a medieval melodrama where rituals are conducted in secret, both pagan and what can be called Satanic Ritualism. The Change is here all in preparation for the world leader: the Antichrist. As mankind becomes more and more used to a “global consciousness” and the “dream” of world unity, as well as the ecumenical movement breaching doctrinal barriers for the sake of religious unity, it becomes entirely likely the coming Avatar, Beast, Anti-Christ or False Prophet will assume power in this way. The world is already being primed for it. It also follows that in the event of a major worldwide crisis, such a person could rise with calm assurance and strong charismatic leadership to lead the world into the New Age.
The cycle will spin in the direction of a “World Leader” who will gain his throne through divisive means. There are tools and procedures that need to be carried out in order for this to take place. As Manley P. Hall stated in “Secret Teachings of All Ages” the dark monarch that encompasses the yin and the yang, the dark and the light, the balance of all forces, is known as the Great Servitor. He is both the Dark Lord and the bearer of all illumination. This Lord or Messianic figure is as much the product of the people over which he takes hold as it is of the internal charisma of him who ultimately comes to hold messianic power. There has to be that symbiosis between leader and follower; [whose] deep relationship that has been cultivated through social engineering. Soon, if not already, we will become numb to it all. This will be the ultimate response to Reactionary Satanism. His infernal kingdom shall come.