SATANIC HOLLYWOOD: OCCULT MIND CONTROL AND REPROGRAMMING FOUND IN TODAY'S FILMS
THE OCCULT AND ITS OBVIOUS PRESENCE IN TELEVISION AND FILM What is the Occult? A sinister in its intent, mind-manipulative, millennia-old, cursed communication of demons with mankind. The Occult has always used the arts of man to tell their story, from the earliest cultural myths, to the arcane symbology that rose up from its teachings. Paganism being its counterfeit religion. That art and way of getting across their story has not stopped from ancient times to this much more technological age, having been passed down right into our modern era. Statues, paintings, books, music, and with the advent of film, movies and later, television, all are being used to make you become more Occult in your thinking, for a purpose. As it is with modern Metaphysical books, so too is this trend seen within modern film, catered to an entire pop-cult generation of old and young alike who eagerly turn out to Occult-based cinema depicting the latest Messianic hero churned out by a Satanic-led Hollywood. Certainly our generation is that one which is even now being groomed into Anti-Christ thinking, acceptance, and ultimately, submission. Thus, film, as a medium, is potent at effectively placing subliminal archetypes into the subconscious mind, that linger and can later be awakened using certain visual stimuli, paralleling a form of mass hypnosis. Seeing its efficacious mind control potential early on, film was utilized as the source propaganda tool by Hitler, and his Occult-led Nazi's, to brainwash all of the German people ultimately into total compliance for what they themselves were secretly preparing for. With the advent of globally released film and DVD, it has now been made much easier for the world to be more influenced then ever before by those in control, who can implant Occult ideology into the increasingly receptive minds of this latter-day generation again and again albeit repackaged under a different title. To get to the truth behind why such programming is being propagated today, at this time, we must remember who controls the Film Industry, its own agenda, and who they are in complete service to. Just as our own generation being raised in the radical new age of the 1960's and 70's were likewise pushed somewhat into magical thinking and into a semblance of global awareness, today's kids are being literally assaulted, even brainwashed by an even more relentless far-left liberal, Satanic media machine. While the Occult-filled, Merovingian epic The DaVinci Code is geared for adults, their own children are being bombarded with the same Occult message in books and film geared for their own consumption. The influence of this industry is found everywhere, despite your eyes being trained to only see its subliminal worth hidden in plain sight. Therefore anyone who believes it's all a mere coincidence doesn't know Hollywood or its Occult hand.
"In a World Plagued by Darkness, One Man / Legend / Hero will Rise and He Shall Save Us All / Destroy Evil / Win the Last War and Out of the Ashes of the Old World, Shall a New Era / New Age / New World Be Born!"
Hollywood just loves the apocalypse, prophecy and all that religious-themed stuff. End of times movies generally do well, as do movies about demonic possession, angels vs. demons, Jesus movies, and Jesus making babies with Mary movies. Filmmakers seem to be willing to do anything to rile up the religious folks of the world, or just to give us a fresh take on the end of the world, so maybe Robert Kirkman will do just that. Maybe he'll end The Walking Dead (years down the road, hopefully) on a religious note, tying it into the Bible.
How many times have you heard something very similar to the above coming from any modern movie trailer? Have you ever stopped and asked yourself why are they always talking about "One man" rising up and saving the rest of us, or the whole world? In other words, what is actually being propagated time and time again, is the notion of a Messianic hero who has supernatural powers, enough to save the world undergoing epic disasters. In fact, from Star Wars, to The Lord of the Rings, to Promethius, Thor, Alexander, Beowulf, Hercules, and Superman, to the Matrix, we see the similar storyline of an otherwise ordinary boy/man or Royal Prince/King, who suddenly rises to become a supernatural hero, that is rampant in today's films, and increasingly so. Compare the 1982 film Excalibur with Star Wars with Highlander with The Matrix, in each you will find the same theme of a young apprentice who is destined by a prophecy, vision, or oracle's intuition to be a great leader, warrior, knight, King, [of which 'There can only be One' or "The One"] who is secretly mentored, taught, or trained in the ways of fighting an ongoing war via sword, sabre, or magic, using a strict code of conduct, training, or Force, all the while his elder friend, Mentor or teacher provides hints about a perilous mission, hunt, or quest, whose sub-quest involves finding a dark, shadowy, figure that is said to be his mysterious, lost, or dead father, leaving the neophyte to doubt, then exceed, his own strengths, skills, or supernatural abilities. As the young student, apprentice, or Prince grows under the metaphysical teachings of his elder teacher, Jedi mentor, or wizard trainer, he eventually acquires a group of friends, disciples, or knights who attach themselves to his knightly quest to destroy the present order of death/war/chaos and bring in the Golden Age of freedom, light, or balance, to a hurting world on the verge of a New Age. Also interesting is how almost every one of these films depict British actors who are consistently given roles that cast them as villains at the very least, even as the epitome of all evil at worst. The same films or commercial programming are always rife with Occult symbols, background props, key Masonic or Illuminati phrasing involving "the Light," or "illumination" (from which the name Illuminati is derived) with these actors who seemingly become type cast in very similar roles, but in different films. For example, Nicholas Cage plays one inspired by "the Light" of early American Freemasonry and the Knights Templar, in his quest for "National Treasure," and then makes a series of films afterward with each involving magic, Arthurian themes, or the Occult on some level. And these things are seen everywhere in films today, usually in the Action/Adventure genre, but also Science Fiction and Fantasy, where clearly they were first established in films like the original Star Wars and Close Encounters of the Third Kind, early on.
Because so many films today contain its themes, I would submit that a new film genre has arisen of late, the Magic genre, because both TV and film are now awash in pagan magic that have increasingly created a global cult following all its own, as intended. Since the The Craft first appeared on the big screen right up until today's SyFi Channel's series, The Magicians, ABC's Once Upon a Time, BBC's Merlin, and Lifetime's Witches of East End, has this genre dominated the minds of the Harry Potter book generation. At the same time, yet another sub-genre has recently arisen that is equally generating revenue, that revolve around the Vampiric, Lycan, and other ancient magical bloodlines, as well. NBC's smash hit series "Grimm," Vampire Diaries, True Blood, The Originals, Van Helsing, Blood Ties, The Strain all appearing on other networks have collectively earned as much money as the 'Blade' and 'Underworld' film franchises. Also increasingly becoming blatant is how the Illuminati and Masonic themes are constantly appearing in TV and Film and also Music media targeted toward Millennials. For example, 2016's Hollywood production and film titled "Now You See Me 2" was so obviously filled with Masonic brainwashing from start to finish, you have to wonder if anyone in that hynotized audience could wake up long enough to see what's right in front of them. This film is about a band of magicians called "The Four Horseman" of the Apocalypse - of course, so immediately the Book of Revelation is brought into it. They are recruited by a secret society called "The Eye," an obvious reference to Freemasonry's "Eye of Horus" (Lucifer) that appears over the pyramid... OK, check. The Eye wants to put their slight of hand talents to best use by stealing for them a computer chip that could control all of the world's computers, which is a not so subtle allusion to The coming Beast system with its global financial network, all the while the Horseman are treated to Masonic lessons of, what else, "The Light" and how they must enter or step into it to see more clearly who is really behind it all. With Tarot cards, spy craft, a strong Occult agenda, and subtle knocks against Christianity, all thrown in for good measure, the film has become a cult favorite among young people. The reviews I've read of this film from its targeted age group was the most shocking example of ignorance I've recently seen among Millennials, with absolutely none of them understanding that while the film's own plot is designed to trick and play "The Four Horseman" for fools, as they never became aware of who or what was behind the true agenda of The Eye, the film's audience itself is being played for absolute fools by the real life "Eye," of whose propaganda and Antichrist brainwashing they actually paid their money for. The end scene has the Four Horseman at the headquarters of The Eye, and this clearly went over heads, but that floor that they're standing on with the Masonic checkerboard pattern is the exact same floor that appears in the home of the Queen of England herself. As I said, that will go over most heads, never realizing what that could ever mean. Seen below is the last seconds of the film, with its Masonic eye, Arthurian Round Table, and spiral 666 symbology clearly on display for all to see, but will you ever see it becomes the question.
"Are you listening [name withheld]? When you emerge, and you Will, I Will be there, waiting."
Actor Playing a Young Darth Vader Looks Like a Young Prince William
The Occult elite is all about power and symbolism. The above ceremony showcased both. The Occult Elite tell the world that they control the world's resources and manpower. In other words, they are the only ones who can make such projects happen because they control politics, finance and business. Furthermore, by creating overtly Occult ceremonies, the Elite tells the world: "This is what we believe in, this is what we think of you and there is nothing you can do about it."
This is also an example of the psychological skill employed in creating the story told in the Dossiers Secrets. The creators have used other such tricks, particularly in incorporating themes and symbols that possess a potent emotional charge: in other words, archetypes. Special Bloodlines and magical inherited powers routinely crop up in blockbusters, such as Harry Potter and the Star Wars series.
The Sion Revleation p. 20, 281
The role of Secret Societies in such plots - whether Ludlum, LeCarre, JK Rowling, JRR Tolkien, or Dan Brown - is not to be understated.
Secrets of the Code p. 162
There are also Christ/Antichrist themes in the new film. The nine-year-old hero, Anakin Skywalker, who become the evil Darth Vader in later episodes, is said to be "the Chosen one" who is virgin born whose coming was predicted in hundreds of "old prophecies and legends, handed down for centuries as a part of Jedi lore."
Children are especially being targeted to become future citizens of his New World with a sheer onslaught of warping children's minds far from any semblance of Christian upbringing, into one where the Occult and all its enticing trappings are always there for them to be influenced by. For example, many of todays cartoons and shows that already have a magical or Occult storyline within them, are being used as a vehicle to pass along Occult information, through increasingly blatant methods, such as placing ancient Occult symbols, sigils, and logos on set pieces, showcasing that Occult power can be had by anyone reading Occult books, that are now even read aloud in cartoons, where children as young as toddlers are subjected to actual working spells and Enochian chants that are used by Occultists all over the world to conjure demons. Clearly, this is not random, or the producers of such shows simply playing a prank on the unsuspecting public, because it is done so often, by so many different television and film production houses, and thus is placed within media and directed at parents and their children for a purpose. Judging from the same Occult theme which constantly pops up in todays films and kid's shows, what they are attempting to foster is an introduction into the Occult, with spirit contact with demonic entities being most encouraged, with a close second to that being their getting their hands on actual Occult books, where their real education lies. Little do many of you even know how you've been purposely knighted into Satanic thinking, thru Hollywood and its own Antichrist Occult elements, which have subtly worked their way into more modern mythic tales i.e., today's Occult-laden films. This is why when looking at rosters of both past and present believers in Satanism, you find a startling amount are in not just within the elite political spectrum, but the film and music industry as well, in front of the camera, as well as behind it. Thus, one might ask why would Satanists ever be so entrenched in the pop-media of the day? The answer is simple. Because the Antichrist from the time he was born, and even more so today, has already been made into a pop-media sensation himself, with his image placed on almost every cover of every marketable magazine in the western world today. Notice the way Prince William's face, persona, and overall appearance is attempted to be matched by Hollywood when choosing their male leads in film roles that contain a heavy Antichrist archetypal theme, such as Star Wars, for just one example. Despite such great needed-to-be-told films as 'Schindler's List', Steven Spielberg certainly has done his part in familiarizing the world with those same Occult relics of power by which the Antichrist shall employ in his wider deception toward Israel and the larger world, which becomes equally disturbing since this cinematic propaganda machine will not be stopped until we have another Nazi-connected dictator and hater of Jews attempting to rule the world.
Hitler also sought to find the Holy Grail, the Ark of the Covenant, and the Crystal Skulls in order to make that controlling of the entire world not only possible, but necessary, which speaks volumes as to what the Antichrist will seemingly achieve. Spielbergs's Occult comrade in this venture toward creating films that provide audiences both their Occult education as well as instilling the need for a strong heroic figure to rise among us, is George Lucas, the creator of Star Wars. It was Lucas who has admitted that his epic vision for Star Wars was to be a science-fiction "re-telling" of the "old Arthurian theme." This very candid admission from an interview that was made for a recent television History Channel documentary piece about the legend of King Arthur, which proves that today's epic Hero and Superhero films based on the classic themes of truth or justice, are themselves to be subliminally rendered versions that consistently hearken back to the ancient myth of King Arthur and King Arthur's future return. This is clearly evident when you break apart the chivalrous plots and Arthurian-like storyline's of these same modern films, as well as its characters. For example, Luke Skywalker is a youthful, blonde, Messiah-figure having magical blood that is infused with so-called 'Midiclorians,' present in his blood stream, of which a high count results in being powerful in utilizing The Force, which is their word for having supernatural powers, be it good or evil. How very familiar. For any amount of research into the Merovingian Bloodline would quickly educate you that the supernatural abilities attributed to the Royal Merovingians were literally traced thru their Bloodline, that is supposedly attributed to The One, aka Messiah, Christ Himself. Thus, looking closer at the name Midiclorian, which was obviously based on the root word Mitochondria, pertains to the life essence or force of the cell itself, and through these are all connected to the larger Force that governs the cosmos itself. As it was also explained in the film, the Midiclorians connect us to the Will of The Force, a will that can be discerned with proper education and training. Therefore, the message that is being sent to the audience, however subtle, is that living among us are some that are more naturally adept to having supernatural abilities, connected to a unknown 'higher power' of Good/Evil, as a result of their specific bloodline and lineage (much like Satan's own Bloodline within Antichrist that empowers him, supernaturally). Moreover, how difficult is it to obtain the word, Merovingian, or Merovingian names Clovis, or Theodoric from Midiclorian? The links below will provide understanding on how subtly Hollywood instills Antichrist propaganda into your minds.
Star Wars is also not without its own prophecies about a coming Hero of Light and Lord of Darkness that lay at the root of the cosmic war that proceeds them and their followers and descendants. Anakin Skywalker, whose destiny was prophesied to herald in a New Age, actually brought his turning to the dark side, and great ruin for all. Anakin is subtly twisted by the Emperor toward the dark side of the Force, and as every last trace of good in him falls away, he ultimately becomes evil, and is found not to be The One, so prophesied, and so the legacy is passed down to his son, Luke. This storyline was clearly ripped from the pages of early French romances about King Arthur, and most aren't even aware of this. Where it was an elder Merlin who takes the young Arthur to live with foster parents for a time, before coming back and training the older boy in the magic of Druidism and chivalric knighthood, it became Obi-Wan who finds foster parents for Luke Skywalker, who lives with them for a time before Obi-Wan returns and trains Luke in the ways of the Jedi Knighthood, and The Force. By the time he has finished his Jedi training, Luke begins to be tempted by both Darth Vader and the Emperor, with the supposed much greater power of the evil dark side, his true and eventual destiny. This is without a doubt to invoke the enigmatic Father-Son dynamic that is prominent in the Scriptures, regarding the rulers of the Universe, as being God, and God's Son, as well as Satan/his Son (Antichrist), the coming rulers of this world. Moreover, found within the Star Wars franchise is found key clues and insight to how the Future King himself, the 'Son of Satan,' will be tempted to rule with that of his father, on earth, as they together become the complete antithesis of the Son of God and His Father, in Heaven. In Lucas' sci-fi rehash of King Arthur, the questing Knights of the Round Table become a Council of Jedi Knights who also meet around a round (virtual) table with a quest of their own, ensuring that Anakin, then Luke, himself a Prince, son of Queen Amidala, becomes the prophesied One who ultimately fights their rebel cause and defeats the Emperor, a storyline that can be twisted either way, with the classical view that Satan is the evil Emperor, and Luke represents then a Christ-like Messiah, or that Jehovah, who from the skewed Satanic perspective, is the ultimate evil Emperor who forces all to worship Him, and therefore, they see anyone rising up, like Lucifer has done before, against God, and will do again in the future, as a Hero of Freedom and Light. It is precisely this, that these stories are trying to infect young, impressionable minds with, all of which has the blessing of the President of the British Film Industry, Prince William.
Arthur's sister, Morgana, becomes Princess Leih, whilst Arthur's trusted knight, Lancelot, becomes Han Solo, and so on. In addition, as some have discovered, Yoda exists as yet another more obvious reference to Satanism and the Occult within the Star Wars saga. Incidentally, R2-D2, or more commonly referred to as ART-oo; sounds exactly like Artu, the Latinized form of Arthur. Moreover, George Lucas provided some other very interesting names to his admitted Arthurian retelling, names that provide further insight to where he is going with his story. For example, Anakin Skywalker's name is borrowed from the ancient word Anakim, which later became Annunaki, the aeon of fallen Angels who in Genesis 6 fell due to their lust of mortal women. Luke Skywalker is an obvious reference to Lucifer, who as the 'Prince of the Air,' hovering to and fro above the earth, and as Satan, "walking up and down in it" (see Job 1:7) is for all intents and purposes, thus a 'Sky-Walker,' whose name LU-ke skywalk-ER has a phonetic similarity to LU-cif-ER. His father, who is an obvious Satanic figure under control of the Satan-like Emperor, has a name derived from one of the most renown Arthurian books ever written, Le Morte d'Arthur (French for The Death of Arthur) by Sir Thomas Malory. Although when asked, Lucas will only say that Darth was his play on words to reference "Dark." Vader was itself derived using a play on words, this time from the German word for Father, used to possibly evoke Adolph Hitler, as many believe. Certainly, Darth Vader's unmistakably Nazi-like helmet, and caped black armor, was referencing both Hitler's Occult SS officers, as well as Germany's more ancient Teutonic Knights, possibly even the Knights Templar, the Knights who since the Crusades, have taken power over this world be creating an entire underground that today reach into every facet of both the American and British governments, as well as their Occult-driven security agencies who act as modern knights on behest of their Royal King. The fact that they control every media, from school curriculum and higher academia to global news networks, print, television, and film industries, proves the existence of a global Cainite cabal that have one mind and purpose aside from their role of creating the Antichrist himself, which is to then be his propaganda machine to deceptively force mankind into his worship, even as they slowly groom William into his future role as The Beast. They have waited centuries for his arrival, and now that he exists among us, these more or less subtle positions given him, such as making William the President of one of their most effective evil propaganda industries, film, more clearly shows their elusive controlling hand of guiding the young Prince along his destined, ill-fated path.
From the original Star Wars right up to more recent Hollywood releases such as The Matrix, we are again and again entreated to the same basic themes, with a young neophyte male child (or Royal Prince) imbued with a magical blood or bloodline (or as called in The Matrix, Neo's "way above normal Neurokinetics" and in Star Wars: Episode One, Anakin's unnaturally high amount of Midichlorians found in his blood), are thereby heralded to be "The One," that saves the world, or Universe. Just as King Arthur's Merlin became Obi-Wan in Star Wars, to his apprentice in Luke, Neo's mentor and warrior master became Morpheus, and on and on this theme goes, working its way into many more films that could ever be named here. The Mentor figure in these films then teaches the Messianic apprentice how to achieve great supernatural power that he must use one day to defeat the ultimate evil, as prophesied for him, yet first the boy must confront his father's own dark past, ensuring he is not doomed to repeat it, and upon passing a series of tests, is then guided toward his own epic war that pits the ultimate good against the ultimate evil, in some form of impending Apocalypse. And so, together with his friends, clan, or chosen band of knights, "The One" goes about conquering for the good of all. Some who study classic literature would merely pass all this off as the "Hero's Journey," the nature of any hero, which would be accurate, that is if it weren't for the unique way all of these modern Luciferian films place a rather strange importance, that is at times seemingly out of place, on references to the Occult, supernatural Bloodlines, prophecies, legends, the toppling of the older Father/God establishment, via mutiny, war, deception, and magic, not to mention the placement of a hero protagonist that is akin to a conquering Messiah figure who saves humanity. This same method of passing along Occult information through the guise of a story, has since the days of Mallory's tale, been perfected over the centuries. Today, evil tomes such as HP Lovecraft's Necronomicon, (whether its own 'Mad Arab' backstory is fact or fiction) is still widely used today among Occultists, as well as finding their way into children's cartoons, somehow. Breaking down and reconstituting Occult notions with the goal of infecting children with it's "magic" is as old as fairy tales themselves, yet then it was much more diluted. As we approach closer to the day when the Antichrist is revealed, the powers in control of what we watch and listen to are ramping up their subliminal assault on the masses in order to make them ready to submit to his eventual power.
The world was entreated to a very similar theme in DC's Batman, with a son orphaned and taken under the wing of an elder who helps or fosters the child into becoming the dark, brooding anti-hero that everyone can identify with on some level. Thus, it's also no coincidence that Batman has a similar storyline, swapping out the archetypal British mentor figure of Merlin/Obi-Wan Kenobi, with the English Butler, Alfred, who looks after the young Bruce Wayne after the murder of his parents, and eventually helps him develop the Batcave, as well as Wayne's persona toward hero. Thor, Marvel's latest archetypal Antichrist film has been interestingly described as 'the Norse version of King Arthur.' As such, the official storyline reads thusly: "The powerful but arrogant warrior Thor is cast out of the Heavenly realm of Asgard and sent to live amongst humans on Earth, where he becomes one of their fiercest defenders." Interestingly, just as she was used before in the more recent Star Wars trilogy of films, Jerusalem-born actress Natalie Portman plays the intense love interest of the Lucifer/Antichrist-like hero Anakin/Thor/Promethus. What are the Occult producers of these films attempting to subtly portray by tapping a Jewish girl born in Jerusalem to play a young maiden (virgin?) who is swept up by a British (or Anglo-American) hero? Just that. Remember, Israel itself is to be soon deceived with Anglo-Israelism, and "the rising of a Hero." Recall also that Israel was itself referred to as a "young woman" in the Bible, by God Himself, but a woman that has gone whoring after the gods of Satanic nations, making Him angry enough to time and again cause Israel's destruction and/or enslavement, or both. Thus, to the Occult mind of modern film makers, Jerusalem/Israel spiritually falling for the soon-revealed, Anglo-Messiah (Antichrist) can be artfully depicted by a young Jewess, the archetype for Jerusalem/Israel, in this case Natalie Portman, being taken by and falling for the archetypal Arthurian Hero. This exact scenario and storyline employing Ms. Portman was enacted in not only in both recent Thor films, but in all the recent Star Wars films, V for Vendetta, as well as The Other Boleyn Girl. Recall the storyline for Star Wars, where Portman is caught up in her love for Anakin, an Anglo/Norse/Celtic-like boy with a magickal bloodline, great power, and a prophecy foretelling his great humanitarian promise, becoming the hero of the Jedi 'priesthood,' but is turned evil by the Emperor (archetype of Satan). After which, Anakin suddenly turns on Portman's character, and attempts to murder her, to her great shock. Very subtle, when you understand they are depicting the coming true story of how Israel too will one day be thrown in a sudden dismay upon seeing their chosen love, their Moshiach, their s0-called Messiah, suddenly turning on them in a single day, to become the ultimate dark-sider. Another Hollywood Jewess being used for their Antichrist propaganda campaign is Scarlett Johansson, starring in "Lucy" (Luci-fer?), where she plays a woman whose brain is being used to capacity, resulting in her becoming a Goddess having the powers of life, death, and Creation itself, exactly what Lucifer desires most...to become as God.
Notice, in one of the promotional posters for the film Thor, a strong visual reference that is undeniably Arthurian in nature, i.e., with Thor seemingly pulling his Hammer from a stone. Thus, in this way and more are they subtly telling you how you are to view this film within an Arthurian pretext and archetype. Certainly, by choosing the one hero whose story/pedigree has him as the once-godly and perfect, turned flawed, fallen, demi-god cast out of Heaven, as Thor was, is to be viewed as the archetype for Lucifer himself, the literal "hero" of Occult believers worldwide. So it is, therefore, that because these films are created by Satan worshippers, their films naturally hold the very Luciferian religious view that Lucifer, albeit fallen from Heaven, is no enemy to man but a glorified defender of him, and therefore should be seen as our collective hero as well. It is this part of the modern literary journey of their "Hero-god," who is ultimately Lucifer, that Hollywood is trying to show us, through their use of myth, via their modern Occult storytelling in film, that Satan is coming soon, in the disguise of a superhero of Light, Lineage, and Magick, and Arthurian at that. Actors used frequently in such films are themselves Occultists and believers of this same insane Satanic religion, many times. Case in point with Christopher Lee, Malcolm McDowell, and David Warner. They also pick actors, like Sean Connery, for example, who themselves are members of one of the myriad of Masonic organizations, to tell their Masonic stories through Occult archetypal films. Many times, the actor need only be British, Scottish, Welsh, or Irish, however. Of course, since the majority of people today have no clue as to what is written in the Bible, it flies completely over their heads when they hear such obvious usage of the Scriptures in film, and since the Occult powers creating these films know the Bible better then even most Christians themselves, ironically, they know they can get away with such Antichrist references with the rest of their intended audiences. Another point these same modern filmmakers want to get across is how to achieve such heights of The Force, or to attain magickal power, you are to completely open yourself to other forces (demonic, of course), and that you should have absolutely "no fear" of doing so. I've lost count of how many films that are overtly preaching this specific mantra, but after watching "Green Lantern" recently, this idea of opening yourself up to Occult forces, did not end with Star Wars. Because of the increasingly obvious control that Occultists have in the entertainment world, and even more importantly, their impact on the still unsuspecting masses, as also clearly proven given the way so many people today are embracing some form of an Occult agenda, or belief, whilst completely denouncing Christ and Christianity as a whole, one might ask just how far back does Occult control in the entertainment world go? One could argue all the way back to the origins of entertainment itself, but clearly, in our modern era, it is easily traced to the age of the modern blockbuster film itself, having its beginnings in the latter half of the 1970's and early 1980's.
Certainly by the time Star Wars, Close Encounters of the Third Kind, and Raiders of the Lost Ark were made, that opened a gateway to millions worldwide to be infected with notions of Arthurian, alien, occult relic, and ancient Israelite God themes, it was already there. In fact, I remember sitting in a theater in the early 80's and clearly being able to make out a "Hail Satan" and "Sa-tan" being made audible at precisely the same time a loud booming thunder crashed as the Nazi's were opening the Ark in Raiders of the Lost Ark. To this very day, whoever I happen to be watching that film with, I will not only point this out, yet play it over again to the absolute shock of whomever is in the room, as they can also hear Satan's name being chanted in a film that is supposedly about a relic dedicated only to the God of Israel. Why would the film makers do that, was always my question. Ever since, I've been keenly aware films were being targeted to such large audiences as a way of mind control, and yet, how many parents will flock to take their own children to sit there and watch such films, then and even worse, now? Perhaps worse still, is how the same parents never realize that their kids since the year 1990 cannot even hope to escape Satan and Satanism, in all its many forms, as it is found not just in films anymore, but in every area of a young person's life, from their classrooms, libraries, and art centers, to nearly 100% of the things they daily watch and listen to on TV, internet, and radio. Many of today's television shows, specifically targeted at school-aged children, for example, have such blatant Occult themes running through them, that you have to wonder how the parents aren't noticing it, at some level. Are You Afraid of the Dark, Spooksville, Goosebumps, The Haunting Hour, Roswell Conspiracies: Aliens, Myths and Legends, Grimm's Fairy Tale Classics, Marvel Action Hour, ReBoot, Darkstalkers, Sailor Moon, Gargoyles, Batman Beyond, King Arthur and the Knights of Justice, The Mystic Knights of Tir Na Nog, Highlander: The Animated Series, Hercules, Conan the Adventurer, Phantom 2040, Mutant League, Mighty Max, Tenko and the Guardians of the Magic, Mythic Warriors: Guardians of the Legend, to just name a few, all push a Satanic and Antichrist agenda. The increase of Occult themes for children has gone from, at best, one or two Saturday morning New Age programs, such as Isis and The Land Before Time, in the 1970's, to an absolute assault of blatant Satanic themes spread across scores of new programming by the 1990's, and now has hit complete saturation levels for this current "Millennial generation." An intelligent mind that is even somewhat awake and observant of the world around them today, would at some point have to ask why do these shows, songs, and videos, all glorify Satan in some hidden or overt way, while at the same time debasing Christ?
Perhaps the more obvious Occult influence seen in a recent blockbuster was none other than the film adaptation of J.R.R. Tolkien's "The Lord of the Rings" Trilogy, which showcased more direct Arthurian and Celtic Hero themes. J.R.R. Tolkien was born in South Africa where his father, Arthur, managed a bank. When his father died, his mother, Mabel, returned with her children to Birmingham, England, where she converted to Roman Catholicism. Soon afterward, J.R.R. Tolkien became something of a child prodigy, spending his formidable years in the learning of several languages, including German, French, Latin, and flawless classical Greek. In speech classes, he would surprise his teachers by speaking in Gothic, an ancient form of German. He would also speak medieval Welsh and Anglo-Saxon, and he was developing new languages which, as we all know, were used in his later books. In regard to his later authoring The Lord of the Rings, came to him as a result of the new language that he invented, "Elvish." In time, Tolkien became an Oxford University professor, and while the trilogy was in early manuscript under his pen, he said, “My work has escaped from my control, I have produced a monster.” Tolkien's seminal work certainly lent to bending his Catholic rearing into what would today be called a liberal or New Age interpretation of Christ. For example, Tolkien was a believer in reincarnation, an Anti-Christian tenant to be sure as The Bible does not teach reincarnation and specifically denies it in Hebrews 9:27: “It is appointed unto every man once to die, and afterward comes his judgment.” In fact, there is much blasphemy in Tolkien’s writings, such as the death and resurrection of the wizard Gandalf, who falls into the pit and descends into Hell but comes back transformed and more powerful than before. More liberal Christians see this "white magic" that makes Gandalf a “good wizard” makes him an archetype of Christ, but when Christ Himself was accused of sorcery, He immediately replied that His works were neither the power of Satan nor of his demons. In this, liberal Christianity is easily deceived, never realizing that Satan best operates within the realm of subtlety to destroy all the better. As many of us have known for many decades, the Fantasy genre itself is especially dangerous for children, its intended target. While most children in the 1970s knew enough truth to place divination in the forbidden realm of the Occult, today's children -- who often feel more comfortable with occult games than Biblical truth, see nothing wrong with pagan or sorcery practices whatsoever. Fantasy movies, like Disney's The Lion King, are good matches for the new earth-centered paradigm or world view that is transforming childrens' views of reality. While God told us to continually communicate truth to our children (Deut. 6:5-7), today's culture trains children to see reality through a global, earth-centered filter. This "new" mental framework distorts truth, stretches the meaning of familiar words, and promotes mystical “insights” that are incompatible with Christianity.
Following Helena Petrovna Blavatsky, Tolkien believed in the concept of root races and in the legend of Atlantis. That legend is the touchstone characteristic of theosophy. He said that the Atlanteans were a superior race operating on a superior “spiritual” and physical plane. Many mystics have said that some of those superior beings escaped when Atlantis sank beneath the sea, made their way to India, Tibet, or Egypt, and gave rise to the Aryan race. Berit Kjos says that Tolkien put the legend into the First Age of his mythical history. The destruction of Atlantis came in the Second Age. The Lord of the Rings takes place in the Third Age. But they all fit together as can be seen in "Lord of the Rings: True Mythology." Westcott also believed that the Atlantis story was true and even historical. Tolkien’s ideas about time were mystical as well and as a result, it's not surprising to learn that Tolkien was deeply influenced by the 19th century Romantics, chiefly S. T. Coleridge and George Macdonald, since his friend and literary companion C. S. Lewis, another "Christian" who weaved more New Age into his own works, than Gospel. Tolkien also believed that rationalism and creativity, for example literary work or the creation of a “new” language expressly for his books, were expressions of the incarnation if the Christ spirit into the artist and were from God. Such thoughts showcased Tolkien’s feeling about creativity as an expression of God incarnate *in* man, instead of for man. Verlyn Flieger of the University of Maryland and Mary Carman Rose of Goucher College in Baltimore both have written academic articles on Tolkien’s platonic philosophy. When Professor Ralph Wood reviewed the book, A Question of Time: J.R.R. Tolkien's Road to Faërie by Verlyn Flieger, he concluded that, "Flieger is right to contend that Tolkien shared their neo-gnostic critique of our century's decadent and violent materialism. Yet she fails to see that Tolkien also resists what is spurious in the attempt to have God without incarnation or cross or resurrection-in short, to have God without God." This would surely be a notion not far removed from Satan's own assessment of his Creator, thus, it would seem Tolkien has served two masters, and anyone knowing what that entails also knows it might be expedient for one's own vain spirituality, but in all reality, can only lead to the same destruction as one who actively works against God and His Son. Thus, in a world that is increasingly filled with such a blatant push by Satan's men toward infecting the masses with New Age thinking, seen everywhere in man's leisure, with his books, music, television and films included, Tolkien's works have been well used by Cain's lot to brainwash the next generation into magical thinking focused on Anglo-infused myths of repackaged Satanic Druidism, sorcery and demonology.
As our own generation was beguiled into magickal and Occult thinking through JRR Tolkien's Lord of the Rings trilogy, and CS Lewis' own books, which was always presented not as Occult, but as Christian, how could our own children hope to escape the Occult brainwashing that's happening to them via Harry Potter when Harry Potter itself is being used to infect people with "Christian" notions of the Antichrist? Clearly, children today are being infected by a spirit much more Satanic with each decade as we advance toward Antichrist's revealing. In fact, a recent study by the Barna Group proves 73% of American teens are actively exploring and experimenting with the Occult. Nearly ready, therefore, is this newer generation of increasingly heretical-thinking hive mindsets based on selfish lust, greed, vanity and magick, the hallmarks of paganism and modern Satanism itself. And yet, all of this has been prophesied for our last generation which is depicted in Revelation as being the haters of God and defenders of God's already destroyed kingdoms of Sodom and Gomorrah. Needless to say, Satan has found an audience in this younger generation, and this generation has found him, not as that monstrous villain he truly is, but as some kind of Hero that they desire most, again, as designed. This is precisely why all of today's media is directed as making evil appear as good, and good to appear as evil, and corporations spend billions in this effort. Another recent phenomena that today's children are forced to endure, or enjoy, is the deluge of media that has come about in the wake of Harry Potter's global success. It should come as no great shock, especially to wiser parents, to discover the truth that many of the same words, phrases, spells, symbols, and sigils that are found in such children's books as Harry Potter, are lifted directly from the most obscure and rare, albeit authentic books on Satan and his Occult. The magic of the Harry Potter spell and franchise which has been in effect since the year Princess Diana was killed, has taken over the minds of children the world over. With the membership of her characters bound into a magical Secret Society, via a private (obviously British) school of Magic, one has to wonder if JK Rowling herself is not an Occultist. Her books contain too many clues that have been clearly 'borrowed' liberally from long-established Occult books, not to mention the rune-marked forehead of her magical-learning protagonist. Her 2005 book and later film entitled "Harry Potter and the Half-Blood Prince" makes endless references to magical Bloodlines and a destined Prince to rule, becomes intriguing after understanding Prince William himself is believed to carry a half-magical lineage via his mother's Merovingian Bloodline, a Bloodline entirely connected to Occult Magick. Then we have Rowling's enigmatic choice of the name hARry PotTER rendered via the Occult use of anagrams as Arter, or better yet, as Arther, if you simply carry over the 'H.'
While Harry Potter is always on a quest that ends in his increasingly taking on more power, The Lord of the Rings that tells the story of an anti-quest, not to find something, per se, but to destroy that which was found, a story amidst much witchcraft, magick, sorcery, epic battles and wars that ends with a "The Return of the King," a story that speaks to Royal Bloodlines and their own importance to the rightful restoration of a King and Kingdom of Peace. Christian or Occult? Interestingly, the first installment of the Peter Jackson's trilogy “The Fellowship of the Ring,” was released in movie form on December 19, 2001, shortly after the two towers of the World Trade Center came down. he second installment was called, interestingly enough, “The Two Towers,” released December 18, 2002. The third installment of Tolkien's work turned movie was named, interestingly enough, “The Return of the King.” It was released December 17, 2003, and broke an all-time record for ticket sales. All three films were released at the time of the Witchcraft sabbat of Yule, and just before the Winter Solstice, a pagan and Satanic high "holy day." Throughout 'The Two Towers' and 'The Return of the King,' it is King Aragorn who struggles with himself, with a failed legacy of his father before him, not knowing if he could carry out what fate has already revealed, as being the one bringing back a lost Golden Age or Age of New Reason (translation: A "New Secular Order"). JRR Tolkien admitted more than once that LOTR borrowed Arthurian archetypes. This would infer that King Arthur became King Aragorn, Merlin taking on a familiar form in Gandalf the Wizard, and the Knights of the Round Table [reminiscent of the nine original Knights Templar who themselves patterned their Order after the early French romances of Arthur's Knights] became the nine-man "Fellowship of the Ring" embarking on their Quest to destroy Sauron's (Satan's) Ring of Power. It would also seem that Tolkien weaved the Book of Revelation into his timeless story, as well. Tolkien's contemporary, C.S. Lewis is another author that is used for the Occult's media purposes into the minds of generations of many, both Christian and non-Christian alike. Even today, many are not aware that he authored "That Hideous Strength" a novel based on King Arthur. 'The Lion, the Witch, and the Wardrobe,' like 'The Lord of the Rings' also presents an unlikely hero who takes on much more than he ever thought he was capable of, until tested. Moreover, many (namely Christians) are deceived into thinking that the cleverly disguised Lion King "Aslan" is somehow based on a resurrected Christ, when the character is actually based on Satan, with the name (Aslan) even being an anagram for Satan. The sequel named 'Prince Caspian' utilizes the same subtle promotion of the Occult path cleverly crafted for the masses, yet easily understood by those less blind to see it.
Certainly, therefore, Bloodlines and Magick, are increasingly being used in these films in order to subtly convey to us all of the little-known histories of Cain's lineage, their Satanic lineage that binds them all to the fallen rebel angel, as well as binds them to their coming Messiah Prince-future King. A perfect example was seen in the original X-Men film released in the year 2000, which used the old comic book storyline about superhero 'mutants' living among us, but were concerned to reveal their presence, to convey that literal mutant hybrid-human beings, descended from their father, Satan, have been quietly living among us all along, but now want to reveal themselves, and their Occult (super)powers, because the time is coming when they shall no longer have to hide, but are to be made as first class citizens in their coming Dark Father's Kingdom. Therefore, we are on the verge of a hostile, global takeover, literally, by Lucifer's children here on earth, as well as those who are not as bound by either time or gravity, and together shall they bring the rest of us into their New Age, that is to last for 1,000 years, as to counterfeit Christ's own Millennium, the true New Age of God with men. Today, there is an indisputable ramping up of Occult symbology seen in modern film, with sun and pyramid symbology being most prevalent, yet also Grail, Round Table, Dragon, Antichrist, and Excalibur symbols as well as both Arthurian and Merovingian histories, art (paintings, tapestries, glyphs, symbols, etc.) appearing in the background and props of these same films. Start looking in the background for symbols and Satanic-looking or Arthurian props, and you'll see it literally everywhere in these films. It's almost as if the writers, producers, even many of the directors down to the set designers and prop-makers themselves are in on the Occult action, dangling clues right in front of our faces all these years knowing that almost none of you will be able to make the connections quick enough to catch on as to what's really being subtly transmitted to you, via their very purposefully done, subliminal and archetypal-based, Occult ideas. By Summer 2009, NBC has released KINGS, a program about a very Prince William-looking King ruling a near future world, and the upcoming June 21st NBC debut of MERLIN. Also in 2009, came the series 'The Walking Dead,' yet another post-apocalyptic program set in America. In 2011, the world was given 'The Game of Thrones,' starring a favorite British actor often used in Antichrist propaganda, Sean Bean, who plays Lord Stark, who looks a lot like what King William V might look in the future. In Game of Thrones, Lord Stark is drawn into schemes against the evil King Baratheon. Notice, Baratheon contains the same letters that make up both the names of THERION and ARTH[E]R.
In Summer 2012, Disney and Pixar released "Brave," a blatant Celtic-themed film whose plot revolves around a magic bear (Arthur means bear in ancient Celtic), pagan stone circles, Celtic Druid magic, and lingering evil spells, all of which is presented as "innocent" storytelling. Most assuredly, the "fairy tale" or Medieval Fantasy theme is being repeated with great success in every kind of media today, with interesting results, as the genre does turn every increasingly younger children into Occult study and research, again, as designed. Also for 2012, look for an NBC television program called Revolution which depicts a post-apocalyptic Chicago, some fifteen years after "the Blackout," that is no doubt tearing a page right out of what's coming to this world in that time just after 'the Collapse.' It's producer, JJ Abrams went on to direct the more recent Star Wars film(s). "Hope Lights the Way" is the show's slogan. The word "Hope" has been well used before in metaphysical and Occult writings, also finding its way into film taglines in recent years as a code word for the Antichrist himself, who apparently to the Occult mindset, is to be a great man of both hope, and change. In fact, the words "Hope," "Legend," "Hero" are the three most used buzz words used by the television and film industries to subtly denote their own legendary hero of hope, and change, the Christian Antichrist. I know this because they use these same words are consistently attached to their Satanic Antichrist propaganda ad nauseum. It's almost inescapable. Another trend of late that has been used for centuries among Luciferian societies of the past, is the promotion of the Divine Feminine, of which we know is Lucifer in his role as a pagan Goddess or Oracle who controls nature and the things most connected with the feminine spirit, being elemental nurturing, intuition and magic. This, no doubt, keeps in line with the Occult notion of the all-powerful Mother Goddess, and its 'green religion' that Satan uses in the last days to enslave mankind just long enough until he leads them into Hell. As you may have read on the main page, it is my firm belief that the Antichrist will seemingly worship "a god whom his fathers knew not," in the form of an ancient pagan "God[dess] of Forces" who has seemingly made much more palatable, if not familiar for our consumption. Thus, we see roles of the so-called "Divine Feminine" also being cast in modern film alongside their male Hero counterparts. We've seen this dynamic at work in the recent 'Batman Vs. Superman' film with Wonder Woman (DIANA PRINCE; interesting name) taking a leading role in helping the two male Messianic protagonists destroy the evil god that was "Doomsday.' Interestingly, while the world is besieged with everything anti-Biblical, this has not deterred Hollywood from making its countless not-so-veiled references to such inherently Biblical and Christian concepts as Doomsday, Apocalypse, Armageddon, Messiahs, Gods, Devils, power of the supernatural, Good, Evil, Heroes, and Villains. True, every story must contain the struggle of cosmic duality in some form or another, even as it is the struggle within us all, but doesn't it seem that today's Illuminati programming is ONLY telling the Christian interpretation of Good vs. Evil? Why?
Because Satanic-run Hollywood knows that the Christian "concept" is the only reality and truth, even as they desire to tell not Christ's but, Lucifer's story wrapped in tales that depict him as a once powerful god who rallied his minions to be forever free of God's control. This is why Lucifer is seen as a 'god of freedom' and "ultimate source of the Will," despite his actually becoming the enemy of all mankind and source of all Evil, bringing Death and Hell into the world. Going back a few more years, the creators of the 'Tomb Raider' film, for another example, was astute to cast an heroic, goddess-like character who battles "The Illuminati" in order to save the world against their impending destruction. How ironic, pitting the Hero against the Evil that wants to destroy the world but that's the point, to cause you to always see the Hero, as good, even though they have very strange connections to the dark supernatural world of the Occult themselves. In this light, X-Men has provided us the idea that Mutants (read: Satanic-human hybrids) who while having the same source of supernatural powers as their evil counterparts, are nonetheless seen as Heroes and good, despite their connection to the same source of supernatural power that empowers the evil. Such subtle twists of the Biblical narrative and what we know to be the cosmic absolutes of Good v. Evil sets the human mind up to believe that if the Hero seems to be good, that he IS good, despite his connections to everything evil. Such a notion becomes sinister when understanding that the Illuminati's Antichrist, who will be supernatural in power, and who will only portray himself as good, is actually Evil incarnate but nonetheless gathers the support of the world because he fits the new criteria for what is believed to be good. And what does "good" today mean? Someone who fakes their over-political correctness to 'global humanitarian' levels, upholds everything that is forbidden in Scripture, and seems to be completely swayed by whatever the liberal media is brainwashing the rest of the world with. In the world of the Occult mindset, everything is backwards and turned upside down, and no wonder, for even God is now called Evil, and Satan has become their God. Suffice it to say, all of these aforementioned programs are geared toward the Millennial audience, who've been systematically educated from kindergarten to praise all things Lucifer while hating Christ, literally. Another program, this time on the 'idiot box,' called The Originals carries within its familiar plot such a blatant wink and nod to the controlling kin that have always ruled over this world, from Enoch, their first built city, to the Antichrist's 'Babylon,' their last Cainite empire. The Originals is a spin-off from The Vampire Diaries, which garnered a certain success and amassed a large fanbase for itself among ignorant youth today. Not to be outdone, NBC is attempting to keep up with their own spin on the Legend/Hero/Antichrist genre (programming) in the form of Rosemary's Baby (no explanation needed there), Constantine, Grimm, Dracula, and several others, whilst the A&E Network has picked up "Damien," and Fox has renewed the hit-series "Lucifer" for 2017. Understand, Hollywood provides their rising stars, as well as their most elite actors, various Occult roles because they're connected to the Satanic Blood Royale themselves. Now you're beginning to see how Cain's global operation manifests itself into everything media, and in the next section, you'll understand more of why they seek to control everything beyond media, to better prepare this world for his coming.
None of this is relatively new, for Occult themes in film has been desensitizing youth since the Disney era, but what is new is the frequency and increasingly more obvious Occult propaganda now being presented. Being the targeted audience of such brainwashing, we have for decades now been made the unwitting victims of their mind control propaganda that ramped up further in the late 1960's and 1970's, when George Lucas and Steven Spielberg began to hone their craft. One could argue who is greater among them, but suffice to say, both have taken an entire generation of blockbuster fans into their world of the Occult, as we have all learned about everything from the Biblical Lost Ark of the Covenant and its more destructive powers when used for evil, to another time and place, far, far, away where the ultimate war was being fought between Good and Evil, showing us how a mere boy, with a destined bloodline, could seemingly be seen as good, at first, but afterward turn into the greatest Evil, being guided by a Satanic Emperor. Today, this war between Good and Evil is still the storyline of most films that Hollywood is churning out today, largely fought between either super heroes, or the much more realistic, historical legends of old. Either way, a formula for film making has been established, but its one that is absolutely drowning with the Occult and Satanism. However, because of websites like mine, and others beginning to wake up to all of this obvious propaganda that modern film is awash in, Hollywood will soon, according to reports, seemingly take the other path for a while, and attempt to infuse another kind of Satanic propaganda, which is even more a propaganda for the coming Beast. Odd as it may seem, Hollywood is about to embark on what seems like a deviation from their normal superhero routine of late, by returning to making epic Biblical favorites like Noah, Moses, and King David, However, even with these coming Biblical period films, is their underlying agenda tainted by an unyielding evil, and works in the realm of such complete subtlety, that many would live out their entire lives and never see it, nor are even able to fathom it. Remember, Antichrist and his False Prophet will, in the future, come to be seen by Israel and the world as literal descendants of ancient Israel, and/or in the case with the False Prophet, as Elijah himself, thus, Hollywood knows it has to enlighten, entertain, and moreover, educate the masses about not only Biblical patriarchs like Noah, Moses, Elijah, or Solomon, but most important of all, King David, because it is his supposed Semitic Royal Bloodline by which the Antichrist shall claim to own. Knowing the ways they work in their forged industry of subtle Satanic proselytism, born out of centuries of manipulating mankind toward only evil, do not be surprised to see Cain himself made into some kind of hero, heroic villain, or anti-hero in some film of the future that showcases their veiled history.
A more recent film titled Noah (starring Russell Crowe and Jennifer Connelly) has been released depicting Noah and his family as the last of the righteous line of Seth, the same lineage that goes on to produce Christ, juxtaposed against the villainous King of the Cainite civilization, named Tubal-Cain. Tubal-Cain is the ruler of the city of Enoch, the city built by his ancestor, Cain. Interestingly, Freemasons and other Satanic secret societies collectively worship Tubal-Cain, the son of Cain's seventh generation, as the first Cainite who was born that no longer needed God's mark of protection on him, which is one of the reasons why he is so revered in Satan's societies. Tubal-Cain represents, to them, the Founding Father of all worldly evil. And to let us all know that the creators of this film are knowledgeable in the things of Satan's prodigy, we are treated to one of many clues that link Satan to the Cainites in this film. For example, Tubal-Cain adopts the Satanic credo created by Anton LaVey ("Do what thou wilt, shall be the whole of the Law") with a similar credo of their own that graces the film script: “A man isn’t ruled by the heavens,” Tubal-cain says, but “by his own will.” Director Darron Aronofsky called his movie “the least Biblical Bible film ever made.” Something else that suggests a serious divergence from the Biblical account is that not once during the entire film is the word “God” ever mentioned. The film also adds certain references that are only found in ancient apocryphal works, such as the questionable Book of Enoch. For example, after Cain killed Abel, Cain took refuge under the eyes of those fallen angels called the Watchers, giant multi-armed stone golems, whose leader, Samyaza, ensures that the wandering Cain is protected from those who would seek his death. The Watchers then help Cain and his descendants build the first 'human' empire of decadence, east of Eden, just as the wickedness of man spreads throughout the world. From there, the film takes a major turn away from any known account, to make it appear that the Watchers, who are clearly condemned in the Bible as having "left their first estate" to take mortal wives and fathering the Nephilim, are then forever "reserved unto everlasting chains of darkness until the Day of Judgment." So for the film to depict the very same Samyaza as somehow finding God's forgiveness is immediately suspect, due to the Scriptures actually citing that the very presence of the Watchers, and their offspring upon the earth, along with mankind becoming infected by them, is the primary reason God destroyed that world in the first place! What has every good Christian still reeling to this day is the notion that once Samyaza is killed, he then ascends as a glorious Angel back into Heaven. Such a notion is outright Masonic and Luciferian on its face, because the implication given is that if there is salvation for the rebel Watchers, then there is also forgiveness for the rebel Fallen Angels, as well as their rebel leader, the once Holy Cherub, Lucifer himself.
Because Noah did meet with some box-office success, however, look for more upcoming films to twist the Biblical account for Antichrist aims in the near future. Moreover, look for a big name (such as Spielberg) to make the next Biblical epic using and twisting the Bible according to the Satanic agenda, with the stars of the film being connected to prior Satanic/Occult film works before. Of course, not everyone tapped to play in such roles are themselves Satanic or practicing Satanists, but many actors in Hollywood are however chosen for one reason or another that can relate anywhere from their own Cainite pedigree and/or something as simple as their given name. Case in point with how Charlize Theron's star is rising. Interestingly, her very name Ch-AR-lize THER-on works out to be 'Arthur' using a liberal form of anagram that has been likely noticed by film exec's who make the heavy use of subliminals their business. Theron (which also sounds a lot like the Occult power word, THERION) has recently starred as the Evil Queen (in Snow White & the Huntsman). As bright of a star she may be today, Theron was virtually unknown in 1995, when she played in her first feature film "Children of the Corn III," dealing with ritualistic human sacrifice. Within two short years, Charlize was cast opposite Keanu Reeves as the wife of the Antichrist (played by Keanu Reeves) in The Devil's Advocate. Since he has played in the 1992 adaption of Bram Stoker's Dracula, Reeves was picked to play everything from the literal Antichrist himself in "The Devil's Advocate," a film about becoming enlightened to the dark nature of his true father, the Dark Lord Satan, to The Matrix where Reeves played a Cyber-Messiah named Thomas "Neo" Anderson, with 'Neo' meaning New and 'Anderson' meaning the Son of God, thus, the New Son of God. So, when you factor in the knowledge that Anti-Christ actually means, One who comes instead of Christ, you can see where the Wachowski brothers were going with their Occult-devised, Eastern/New Age religion infused, Anti-hero. Perhaps more telling is that these same Wachowski brothers are well known to be Occultists themselves, which is on full display in the naming of the other characters within the Matrix trilogy, such as: Trinity, Seraph, Apoc[alypse], Smith, Cain, Abel, the Twins, and the Merovingian. In fact, The Matrix contained innumerable veiled references to the Antichrist, his Grail lineage, as well as showcasing his supernatural abilities to kill in a war started by the Machines that secretly control the planet.
Reeves was later asked to play in another recent film dealing with its own not so subtle references to the 'Son of Satan' within it, named Constantine, while the Matrix creators went on to create Jupiter Ascending with its enigmatic title meaning Ascending King, a film that is quite effective in nurturing the idea that one man, a legend, a survivor, shall soon arise to lead us all out of a darkened age. Similar to Jupiter Ascending, is the film "Green Lantern" which subtly depicts the Occult beliefs behind Lucifer's source of power, which is the Emerald "Grail" stone, that fell with him from Heaven and is lost. Once found, it is believed that Lucifer will be restored back to his original glory and overcome God. An even more Occult-laced film named Prometheus finishes the thought of why this EMERALD is so important, to Lucifer/Prometheus, and thus his children who reign upon the earth. Interestingly, the 1982 film Excalibur, depicted the magical sword having an eerie green glow, from some unknown source, with the Occult idea being that Excalibur itself, was forged out of and thus powered by Lucifer's Emerald, that once adorned his Heavenly Crown. The same film Excalibur, (again, directed by the same man who directed The Exorcist II) has become a kind of Occult classic, in that it leaves many other Occult clues throughout the film, relating to a coming, future King, who will rule the world, like Arthur once ruled his Camelot. Its actors have also gone on to take other similarly interesting roles. Liam Neehson, for example, has racked up quite an impressive number of films which all relate to the classic Arthurian theme. For another example, In Star Wars Episode I, he plays the Merlin-like elder teacher who trains his young apprentice in the ways of the Jedi Knight, explaining to Annakin about how and why his bloodline is destined to be a conduit to The Force, with the Force used as an archetype for Satan's power. The "Force" itself was obtained from The Bible in the Daniel scripture citing that Antichrist shall worship, and seemingly obtain power by, a God of Forces. Neehson has gone onto play similar roles in such films as: Arthur the King, Kingdom of Heaven, Darkman, Batman Begins, Krull, Rob Roy, and more recently, in Wrath of the Titans, another flim where Angels, demons, and gods clash, in which he makes veiled references to a final war and "the end of the world." Neeson was also the voice in The Lion, Witch, and the Wardrobe as the talking Lion-mentor "Aslan," a name that on its face looks like S-a-l-a-n, or Satan, 'the Lion who goes to and fro in the earth seeking whom he may destroy,' as the Bible describes him in 1 Peter 5:8. Thus, it does appear tht actors chosen for their voice alone also holds archetypal worth.
Sean Connery, who was 'knighted' by the Queen herself, has enjoyed a long and successful acting career starting out with his role as James Bond, a MI-6 Spy who carries out various wet-works (murder) on behalf of Queen and country. What most don't know is how Ian Fleming incorporated Freemasonry's idol/Father, Tubal Cain into the character of Bond, or in this case - Two-ball (00) Cane (7) to arrive at "007." Connery's later films included some very interesting themes in themselves, as many were Arthurian-based. His Arthurian films that span across decades, include: Sword of the Valiant, Sir Gawain and the Green Knight, Indiana Jones and the Last Crusade [a Grail film], and First Knight, where he plays King Arthur himself. Other interesting roles cast for this Scottish Freemason and Queen's Royal Knight, were his Merlin-like role in Highlander, where he plays as a sword-wielding mentor to the vengeful Connor McCloud, an immortal hero archetype who is trained to be "The One."
In Dragonheart, Connery plays as the voice of "the Red Dragon," a lovable, wise-cracking serpent/Dragon who helps a young Arthurian-like hero achieve riches and fame. In the film The Avengers, Connery returns as a wealthy British aristocrat hellbent on conquering the world via controlling weather (HAARP), and as an elder mentor again to 'The League of Extraordinary Gentlemen.' Parallel to an Arthurian theme, Connery played Alexander the Great in the 1980 film 'Time Bandits,' which also starred David Warner, who was casted as Satan himself. Four years earlier, Warner starred in The Omen. Going back further to the late 1960's, David Warner was cast as a struggling British playwright who writes a play about Satan. In 1994, David Warner teamed up with the Omen III's Antichrist actor, Sam Neil, in The Mouth of Madness, about a fictional author Sutter Cain. David Warner, has also lent his uniquely sinister talented voice into other projects connected with Occult and Satanic themes. For example, in the mid-1990's, he took on the role of the evil Druid Wizard in Disney's animated hit "Gargoyles." Interestingly, Sam Neil, who played the Antichrist in The Omen III: The Final Conflict (1981), likewise played in other films with strong Antichrist (Celtic/Pagan) themes including NBC's mini-series Merlin, as Merlin, the infamous wizard to King Arthur. Not to be outdone by anyone in the States, the London-based BBC has produced an Arthurian program of its own directed at British Millennials, called "Merlin," staring Bradley James as Prince Arthur. This one includes very subtle homosexual undertones as a very young, awkward, geeky version of Merlin slowly falls in love with Arthur. The series managed to garner some success both in America and the U.K. Bradley James, the actor who played Arthur, next is to star in his own TV series set for March 7th, 2016, titled "Damien," (based on The Omen) where he will play the Antichrist. From King Arthur to Antichrist, this is not a coincidence.
Another British actor seen in Occult Antichrist films is Michael York, who played Stone Alexander, the British-born Antichrist in two Christian films: 'The Omega Code' and its sequel 'Megiddo.' In between the releases of those two films, York was also cast to play a reincarnation of King Arthur, on the relatively long-running science fiction series 'Babylon V or 5.' [*Remember, King William The Fifth (or V) will more than likely be the title (self-given) to Prince William upon his coronation as King.] Other examples would include the film "1984" which starred John Hurt, the oppressed protagonist whose world was controlled by Big Brother, a televised Antichrist figure. in 2005's "V For Vendetta," ironically enough, John Hurt this time plays the Orwellian "Chancellor," the tyrannical Big Brother Antichrist archetype who rules Britain with an iron-fist via television monitors and martial law. In many respects, V For Vendetta shows just how one man could assume complete control, over England, even over the rest of the world, after the coming Collapse of society. Such purposeful twists of irony like that seen between 1984 and V For Vendetta, are a rampant-running theme in these increasingly made films where its creators almost seem to thumb their noses at the dim-witted audiences, whilst infusing all manner of subliminal levels of Occult information, clues, and countless references to the Bible, the Antichrist, and the Occult's larger plan of how England shall fair in that time coming under the auspices of its world's leader, the Beast. Incidentally, John Hurt is currently the voice of "the Dragon" in the BBC's new hit TV-series "Merlin," not to be confused with (America's) NBC's own television mini-series "Merlin," that starred the one-time, albeit well-remembered, Antichrist actor from The Omen franchise, Britain's own, Sam Neil. Clearly, the choice of actor to play a specific Occult role largely depends on the former roles he or she has already played. Also interesting is the fact that a single film can then spawn an entire Occult film career. Take the original 1981 Excalibur film for example, the same film that launched the epic film careers of Gabriel Byrne (who played Satan in The End of Days), Nigel Terry, Nicol Williamson, and Patrick Stewart, who have all gone on to some equally intriguing roles in later Occult/archetypal film.
Helen Mirren (Morgana) has played major roles in [Queen] Elizabeth, and The Queen [of England], as well as National Treasure II, a film directly related to the Knight's Templar and Masonic roles in the creation of the United States. Patrick Stewart has been in everything from the alien-agenda and New Age spiritual promoting Star Trek series and films to Conspiracy Theory, where he plays a key member of a Secret Society in charge of kidnapping Mel Gibson's character, a man who exposes government conspiracies. Mel Gibson himself, despite his Occult-influenced Passion of the Christ film, does seem right at home being an Occult film actor going back to 1979 with Mad Max, a post-apocalyptic film. Since, he has played in everything from Signs, an alien agenda film, to Braveheart, as William Wallace, a clear Celtic-Messiah figure from Scotland's history. As stated, not every actor is in known league with Satanism, but it abundantly clear some actors are chosen by Occult filmmakers simply because of the past typecasting that lend to the role. I believe Willem Dafoe falls into this latter category. In 1988, Dafoe starred in the Satanic-beloved film "The Last Temptation of Christ" as Christ, who has visions of having sex with Mary Magdalene (of "Holy Grail Bloodline" infamy). He has also played in at least two vampire films, "The Hunger" and "Shadow of the Vampire," and enjoys a recurring role as a super-villain in the Spiderman franchise. However, it is his more recent, 2009 film titled "Antichrist" [see film poster below] as well as his 2013 Mercedes commercial, where he plays Satan himself, wearing a Masonic ring, that is getting him noticed to be at the very least, used by wealthy ad exec's as their 'go-to man.' Other such actors who've made it their careers to star in similar Occult films, are: Ian McKellen, Ian McDiarmid, Michael York, Sam Neil, John Hurt, Rutger Hauer, John Gielgud, Sean Connery, Christopher Lee, Malcolm McDowell, David Warner, Jürgen Prochnow, Udo Kier, Christian Bale, Ian Holm, Nicholas Cage, Keanu Reeves (Neo), Johnny Depp, Gary Oldman, Michael Ironside, Pete Postlethwaite, Ewan McGregor, Julian Sands, Brad Dourif, Hugo Weaving, Lance Henriksen, Cate Blanchett, Helena Bonham Carter, Anjelica Huston, Ralph Fiennes, Mads Mikkelsen, Daniel Craig, William DaFoe, and Sean Bean.
Nichol Williamson, aforementioned, who was cast as Merlin in The 1981 Excalibur film, was again cast some 18 years later to play a strangely familiar role of a wizard-like mentor figure literally from Hell in the 1997 film, 'Spawn,' which was the first comic book adapted, superhero film to blatantly use Satanic imagery, with Spawn being a conflicted "hero" dispatched by Satan himself, upon the earth. The following year saw another black actor turned comic book hero, named Blade, a film with strong Cainite imagery throughout. In one memorable scene, we are treated with a glimpse into what appears to be an Illuminati group meeting, where Vampires (Cainites) discuss their global affairs and control over the human race. Usually, whenever a choice is made in these type of films for an actor to play the evil Satanic character (or Messiah figure) it is almost always a well-seasoned British actor complete with his heavy British accent, that never seems out of place. For example, the creators of Blade hired on British actor Udo Kier to play Dragonetti, the Illuminati Overlord leading the Vampiric 'House of Erebus.' The House of Erebus was composed of 12 "Pure-Blooded" vampires, which is an obvious wink and nod to the reality of the existence to the so-called 12 Illuminati Families, not to mention the name "Dragonetti" is obviously the fusing together of two words, Dragon (as in Satan) and Illuminati. Together, the subliminal idea given to us is that Satan, in the form of a British Lord, or King, who is born out of one of the Twelve Tribes of Cain, will be the Antichrist. Understand, they are telling us bits and pieces of their Occult knowledge, in a kind of modern archetypal code. You have to open your eyes and ears to catch all of what they want to tell us. Of course, it's more that they are wanting to speak to their own Occult kind, more than inform us of what is coming, because we, as humans, are to be left completely in the dark and entirely deceived by them, being the literal Children of the Devil, and as they see themselves, as our Overlords. They actually believe that they, not God, reigns over us, and more often than not, we have allowed them to control us, as well as manipulate our thinking regarding everything from lifestyle, political viewpoint, to religion, everything they know could keep us as slaves to them. No one can deny the increasing usage of apocalyptic themes in film and television today, which are, in fact, preparing us in another way for what else is coming.
American actor Johnny Depp has starred in a long list of Occult-themed films, from the original 1984 Nightmare on Elm Street (his very first film), to Sleepy Hollow, Corpse Bride, Sweeney Todd: The Demon Barber, Dark Shadows, Into the Woods, Black Mass (Satanic in title only), From Hell, The Nine Gates, Marilyn Manson Say10, and Fantastic Beasts. Among these, From Hell, focused primarily on the Freemasons involvement in the Jack the Ripper murders in Victorian London, while The Nine Gates, more than any other film he starred in to date, was far and away the most Satanic film Depp has ever been involved with. In the Nine Gates, Depp plays Dean Corso, a New York City rare book dealer who makes his living conning people into selling him valuable antique books at bottom prices before re-selling them to rich private collectors. The film's producer is none other than Roman Polanski, who will never fully escape his own association with affluent friends in Hollywood, murder, illicit sex, and the Devil. Early in his career, Polanski made the influential Antichrist masterpiece Rosemary’s Baby and was falsely rumored to have recruited Anton Lavey, the head of the Church of Satan, to advise him on it (and possibly portray the uncredited Lucifer character that impregnates Rosemary). The film was shot in The Dakota, (the exclusive Manhattan apartment building where John Lennon was later murdered. Interestingly, it is believed that John Lennon’s musical audio landscape Revolution 9 (and the 'White' album} is what unhinged Charles Manson, who shattered Polanski’s life with the gruesome murder of both his wife and unborn child, at a house where Lennon stayed while The Beatles were in California. Despite that, or perhaps because of it, Polanski has never shied away from horror in his later films. As such, thirty years after Rosemary’s Baby, Polanski conjured Satan again in The Ninth Gate. The Ninth Gate is an adaptation of The Dumas Club, a book written by Spanish novelist Arturo Pérez-Reverte. The story revolves around Depp's character who is hired to authenticate a Satanic grimoire known as De Umbrarum Regis Novum Portis or The Nine Gates to the Kingdom of Shadows. As the story goes, The Nine Gates was written in 1666 by the fictional Aristide Torchia while in possession of the Delomelanicon, a book allegedly written by Satan himself.. Lucifer gets partial credit for woodcut engravings, but no residuals because all but three of the books were burned at the stake along with the author. A cult formed around the book believing that it contains instructions on how to conjure Satan.
Frank Langella (who starred as Dracula on stage and screen) plays Boris Balkan, an affluent man who hires Corso to retrieve 'Satan's Bible.' Roman Polanski’s wife, Catholic convent student turned model and Ultra Orange singer Emmanuelle Seigner, plays the possessed girl, who later turns out to be either Lucifer himself, or one of his demons. Rounding out the cast, Polanski borrowed Barbara Jefford from the Royal Shakespeare Company to play the wheelchair bound, Satanic cult Baroness Frida Kessler, while Jack Taylor, who made a nude appearance in Jesus Franco's 1974 pornographic horror film, Female Vampire, plays Victor Fargas. In the film's climax, with final possession of the formerly missing illustrations of The Nine Gates, the actual power behind the book, Balkan attempts to conjure Satan. He does this at an interesting location known as the Château de Puivert, the castle where the Catholic Church initiated their Crusades against the Cathars, the Knights Templar-like cult in the South of France who were connected to the heretical Holy Grail Christ-Magdalene Bloodline, not coincidentally enough. Believing that he has rendered himself indestructible, Balkan sets himself on fire to prove Satan's power but is surprised to find that the flames are killing him. Corso puts Balkan down with a gunshot and grabs the engravings, barely escaping the flames himself. Once outside, the enigmatic girl waiting for him discovers Corso has been successful in retrieving the true Nine Gates. In her apparent joy at the epic completed task, she proceeds to have sex with Depp's character, seemingly imbuing him with Occult knowledge, as her eyes fill with demonic fire. Corso discovers afterward, that she is actually depicted in the final engraving of the book, as the Whore of Babylon, riding upon a Dragon and motioning to the archway of the illuminated castle entrance. The final scene thus shows Corso walking into the lighted doorway of Château de Puivert, where it is assumed that he has finally become one with the white light of Lucifer, for eternity. Because Lucifer is equated with God to Occultists, the message given is that man can become God, not thru Christ, but only thru Satan. This will also be the ultimate message of the future Antichrist. As such, Polanski presents The Ninth Gate as a seduction, of both flesh and mind, where the Devil operates and works against each one of us.
While Satan has a stranglehold on film audiences, television audiences, as mentioned, have not escaped the torrent of evil Antichrist propaganda either. The ceaseless running of documentaries on our televisions today about apocalyptic disasters, prophecy, legends, and all the obvious fear mongering with end of the world themes are certainly blatant enough, however, its their inclusion of their own brand of a very New Age and Occult interpretations to all these events that's most telling about their spiritual intent. In fact, one way of determining the intent of any Biblical documentary that you're watching, is to see how far they twist the Bible away from its former traditional interpretations into ones that cast a completely alternative "new light" to befit their Satanic New Age paradigm. The History Channel, National Geographic, A&E, Oxygen, Lifetime, and others each have their own slickly-produced documentaries ranging from the heretical Lost Books of the Bible to the 'misunderstood' resurging global religion of Witchcraft and its now 'positive influences' are reshaping society, to Secret Societies and their own 'positive' roles in history, as well as everything else explained to us in skewed documentary form, from demons, poltergeists, ghosts, and other spirit contact, to the Devil himself, Hitler, Occult Nazi's, Nostradamus' prophecies, and now UFO's and their aerial controllers being "Ancient Aliens" who altered man's DNA and imposed themselves into earth's ancient history. Interestingly enough, there has also been a notable spike in American, British, and even European documentaries regarding ancient Britain, with many of them delving into the Dark Ages Era and its legendary hero, King Arthur, hinting that there is increasing evidence for the later romanticized myth surrounding him. Clive Owen, a British actor, who early in his career starred in the recent film adaptation of "King Arthur," as Arthur, an yet another Occult film star is born. King Arthur the film contained scenes that were extremely anti-Christian and pro-Witchcraft/Pagan, to the point where Arthur's men, as well as Arthur himself rounded up and threatened to kill Christians because they were attempting to stamp out Witchcraft from among their peoples. Two short years after the release of King Arthur came "Children of Men," a post-apocalyptic themed film set in Britain. In the film, his character is named Theo Faron, which is supposed to trigger your deep subconscious mind into subtly determining he is an archetype of Ar-Th-e-r-on, or more simply, Arthur, the ever-present, and now post-apocalyptic, hero. The subliminal is even further strengthened when you consider that Clive Owen is playing the epic hero via a more subtle, understated, anti-hero in both films. That is how subtle their work to impose mass brainwashing on such a global scale has become, using film and televised media as a kind of constant background noise played against the backdrop of our busy lives in the 21st century, yet it is that constant bombardment of subtle messaging found everywhere that can affect a persons entire process of thinking, at the cost of their own manipulated and otherwise heavily-tampered, free will. At any rate, look for more King Arthur films to appear just before the Collapse.
Other programs being used to propagate the British Antichrist even include the Fox Network's former globally-viewed cult-hit, The X-Files, a television series entirely based on government conspiracy, Alien mind control, UFO's, and Secret Societies of elitist men in absolute power, who attempt to keep their conspiracies secret. In effect, the X-Files went even further in their archetypal programming by adding the infant Christ-like, alien/human, hybrid, golden child into their storyline, a child of otherworld-influenced destiny and lineage born to Dana Scully (Dana is one letter away from Diana) who according to the storyline, he was to help guide the world into a peace one day with the aliens. Completely Messianic. As if that weren't enough, the given name for this X-Files magical child was William. I pick this up in the UFO page of this website, regarding the way Aliens and UFO's playing an integral role in the upcoming Antichrist deception, by propagating the future lie that Prince William's lineage itself, is of Alien stock. In other words, to explain Satan's Bloodline to the masses, it will be hung on the deception that the Bloodline of the Holy Grail was originally spawned by an Alien God (Satan), who came to earth in order to "evolve the species." Moreover, this same lie will be used in the future to foster an entire false narrative regarding the origins of the Universe itself, and our place in it. From there, Satan is able to manipulate mankind into his plan toward mankind's descent into Hell, with him, by making it appear that he is somehow the author of man's own ascension, toward Godhood, the very same lie he once told Adam and Eve in the Garden of Eden. Satan same manipulation, that 'man can be as God, if man would only damn himself with special or forbidden knowledge' is once again being propagated today on television every single day and night, via the "Ancient Astronaut" documentaries being run on American and British cable programming. These same programs are increasingly gaining believability and acceptance among the masses, namely those involved in the very social media-driven "conspiracy community," ironically enough. Again, Satan's media producers have always worked in the realm just beneath subtlety, but now that his arrival in the flesh is drawing ever near, are we seeing the much less subtle, and the more in your face displays of their near complete domination.
Is it any wonder that immediately after the premiere of the new X-Files season started January 24, 2016, that the FOX network will pick up from where the former series left off, making several references to Dana's alien-hybrid and supernatural son, William. Immediately following the new X-Files, on FOX, is a new program that stars a young, ascending, male British actor in his slated role as the enigmatic "Lucifer," while on another cable network, just a few weeks later, "Damien" debuts on March 7th, 2016. Still believe this is all mere coincidence? If pure coincidence, than it must also be just another pure coincidence that so much programming these days is increasingly geared toward a Biblical-styled Apocalypse, as well. As I write this, an NBC program titled "You, Me, and the Apocalypse" is on the television in the next room, and as I happen to glance over, there is displayed a countdown clock to a comet strike. Well, interesting that. It's no coincidence that it will be precisely a comet strike that brings the world to its knees, and afterward, the Antichrist to power. Have none of you ever wondered that in an age when the entire planet just witnessed the "failed end-world 2012 prophecy" of the Mayans, that the apocalyptic genre itself has not decreased in the time since, but has only increased since 2012? The questions then should be, why? Why have those with all the power and money in Hollywood only fanned the flames of the apocalyptic genre, in film, in television, in news stories, even in music, to the point of complete saturation? What are they trying to tell us? If you ask me, what the Illuminati are trying to do is prepare us for what they know is coming. A New World, and so, who do you think will build that New World to arise from the ashes of the old? Who have the elites always needed to build global empires for them? Right. The common man. Thus, while keeping mankind more or less in the dark as to who will lead them in that New World Order, they at least want a percentage of mankind, as their "worker bees," to survive the coming Collapse, if only to rebuild the darkened world according to their ancient plan of Light.
When researching the Occult, as it is filtered through television, and especially in film, one of the first facts you're struck by is how many involved in the creation of such productions have really strange and deadly curses surrounding anyone connected with them, namely several strange events happening among the actors themselves. Interestingly, by far the greatest example of a clear curse surrounding a major motion picture, is the film that deals directly with the Antichrist himself, called The Omen III: The Final Conflict. (See Video at top of this page.) The next most infamous case that can be cited was, oddly enough, yet another film dealing with Satan possessing a body, The Exorcist, and closely following that, Poltergeist, proving that while the masses might be entertained by such escapism for an hour or more, those more closely related to the films have certainly felt the Occult power of powerfully wicked demons upon their lives, to the point of ultimately even causing their deaths usually surrounded by several strange circumstances relating back to the Occult films they starred or worked in. For example, Batman: The Dark Knight experienced several strange accidents, fires, and at least one death of a stuntman, yet most didn't consider the 'Batman curse' until the untimely death of its star Heath Ledger, who played a very sadistic version of the Joker, a sinister character that was actually written with "him in mind." Much like River Phoenix before him, who played in Indiana Jones and the Last Crusade (directed by Steven Spielberg, from a story co-written by executive producer George Lucas about the Holy Grail), Ledger was also a young, promising actor who died before his prime of a supposed drug overdoses with mysterious circumstances surrounding them. A quick look into Heath Ledger's own short career list of television and film appearances proves he was used more than once to take on several archetypal British and Occult Antichrist roles, from ROAR, where he played Conor, an ancient Celtic warrior who wants to rid his nation of the invading Romans, just like King Arthur is believed to have done, to his role as the jousting Knight "William" in the film A Knights Tale. He also was in the Secret Society-inspired film, called The Order.
Other actors who have recently died in similarly mysterious circumstances are Bruce Lee's son, Brandon, while on set of The Crow, and Patrick Swayze who was outted as "The Antichrist" in the 2001 film Donnie Darko, died while in production on his first television series, interestingly titled The Beast. Although used much less than film, network and cable television from time to time develops a series that is Antichrist, alien, Occultic, or post-apocalyptic in theme. The ABC/Disney Network itself is never slack in creating new programming slated for the youth of the world, but it might surprise some of you to learn that Disney is also behind some of the most obvious Anti-Christ, Anti-Christian, and New Age propaganda programming on television today. Some of the more recent shows they've created have to deal with the Bloodline of the Holy Grail, Atlantis, and the supposed positive aspects of magick, spirit contact, and Witchcraft. Of course, the undisputed prime-time TV king of the night-time world would have to go to NBC, who just within recent memory of the last few years has gone all out in an obvious New Age and Satanic propaganda campaign, of course creating their own documentaries dealing with Atlantis, as well as the Grail (Magdalene-Christ) Bloodline which since the global popularity of The DaVinci Code. No other book of recent memory has literally drawn so many into Occult research, then Dan Brown's infamous novel. In fact, it has become the hub by which the world has been educated into everything ranging from the Knights Templar and Freemasons and other Masonic-led Societies, and that dodgy "Christ Bloodline" which they are sworn to protect. Some, so taken with the premise of the novel have even quit the Church altogether as a result and instead taken a much more Gnostic approach to the figurehead of Christ, or, in some instances, fell away from the faith altogether (which is something prophesied to occur just before the rise of Antichrist.) The unraveling of the mystery within The DaVinci Code requires the solution to a series of quests by way of anagrams, geometric puzzles, rare knowledge, and enigmatic-laced works of Merovingian paintings and art. After which, the solution is found to be intimately connected with the possible location of the Holy Grail, which is proven not to be a cup, but a powerful lineage, as well as to a mysterious society called Opus Dei, the Priory, and the Knights Templar, who are still pulling the revolutionary strings to change man, to make man accept the changes that are coming, to life, religion, and finance.
Actress Marysia Kay, who starred in 2005 horror film Forest Of The Damned, is organising an open ritual be held in Dundonald to cater for local Pagans. She claims that films like The Craft, Buffy The Vampire Slayer and Charmed, have helped stoke interest a younger generation. But, she says, it can be hard to find ways to access the community outside of Scotland’s main cities. “Wicca requires commitment,” she adds.
I read all night, fascinated. I literally couldn't put the DaVinci Code down. By morning, when I had finished the book, I wanted to know what was true. As soon as my local bookstore opened I was there rummaging through scores of books that had been mentioned or alluded to: Holy Blood Holy Grail, The Templar Revelation, the Gnostic Gospels, Nag Hammadi Library, and many more. I discovered to my surprise that there were dozens of recent books about Mary Magdalene, Goddess culture, the sacred feminine. I found shelves full of Occult books on Templar traditions, secret societies, and several places mentioned that I had never heard of before.
Secrets of the Code p. xv
In The DaVinci Code's epilogue, Professor Langdon feels the Arago disks pull him south across the Palais Royal...eventually converging on the pyramid which Dan Brown writes has 666 glass panes, a number symbolic of Satan.
Secrets of the Code p. 240-241
As millions are now aware, the most famous feature of the new Louvre is the great glass pyramid [in Paris], seventy feet high and built to the same proportions as the Great Pyramid of Giza. Fans should note that Dan Brown repeats the fallacy that the pyramid is composed of 666 panes of glass- but although it is actually 684 [panes]. It is still intriguing [as] 666+6+6+6 equals 684.
The Sion Revelation p. 427
The Occult timing of the release date of this film worldwide is precise with witchcraft, astrology, and Freemasonry. May 19th 2006, is thirty-three days before the witches’ Sabbat of Midsummer, and the number thirty-three is the most sacred number in the secret society known as the Scottish Rite Lodge of Freemasonry. The witches’ quarter-sabat of Midsummer 2006, is also thirteen days after the full moon of the sixth month or June. We must also remember that in occult numerology as used by witches and Freemasons, the number eighteen is three sixes or 666. The movie release date of The Da Vinci Code was exactly eighteen days before the date of 06/06/06. The release date of The DaVinci Code has Satan’s signature all over it.
The Devil's Due European Movie Poster Implored Facebook Users to Change Their Religious Status for a Prize
Children, Teens and Fans of all Ages Enticed to Create Visual "Art" for the 2017 King Arthur Film
Judging from their past Masonic works in film, and the subconscious tools they increasingly use to reprogram the minds of youth, the three goals manifested by the Occult use of film today are as follows:
1) To foster a media consumer-driven world whereby its audience is plugged into a global network that is increasingly desensitizing its followers into a growing sub-culture of globalist-thinking puppets being prepared for a coming global leader, while also bringing about a global audience enamored by a modern, supernatural hero worship and Messianic hero that is NOT Christ. 2) To financially earn billions of pounds worldwide to continually fund this degenerate Antichrist media enterprise of destruction . 3) To awaken the young Antichrist himself, the slated Arthurian hero of the New Age whose own destiny parallels the films they are making, of which, cannot escape the attention of Prince William since the powers that be have ensured that he has been made the President of the entire British Film Industry itself. As such, if you look very closely at the logo for the recent 2017 film "King Arthur: Legend of the Sword," while most can only make out the somewhat broken outline of a Golden Crown, if you look even closer, you can clearly make out Prince William's own initials, W.A. (William Arthur), as well as the Freemason's own stylized Square and Compass logo. So, how many films have you've ever known or seen that actually have their own custom logo or symbol or MARK to represent them? Knowing how Arthurian films have been a source of rich fantasy and magical thinking for children, expect to see many other films arriving in theaters that increasingly entice and educate the audience more about the Occult, than telling a story. Time and again, when you conduct any amount of research regarding big box office films and the Occult, no one production house comes closest toward brainwashing more families of children and their parents alike, than Walt Disney, whose own Occult-rich films span from decade to decade going back to the 1940's. The following are just a few of Walt Disney's more recent productions linked to the exact same topics that make up any research undertaken into the Occult, and the Antichrist. For example, "The Sorcerer's Apprentice," produced by Jerry Bruckheimer, directed by Jon Turteltaub (the same team behind the overtly pro-Masonic "National Treasure" franchise) sees Nicholas Cage once again attempting to become 'illuminated' by researching the darkest arcane arts, this time as Balthazar, the apprentice to King Arthur's Merlin, who must seek out a modern apprentice in order to defeat the evil Morgana. In the film, Arthur's evil sister seeks to undertake a powerful spell called "THE RISING" that will bring the end of the world as we know it. Throughout the plot, many subtle references are made to known Arthurian characters, not least of which is King Arthur himself, cast as the ultimate benevolent ruler whose time may come again. Even more prominent, is the Dragon Ring, the source that can help the sorcerer's apprentice defeat the ultimate evil. When presented to the young apprentice, the Dragon Ring comes alive and animates to clutch itself tightly around the finger of Balthazar's would-be apprentice.
An eerie demand is then made by Cage's character that once you enter into the pact, there is no getting out, which is clearly a reference to pacts made with another Dragon, Satan himself. Pact made, the young apprentice (similar to the Star Wars apprentice, Anakin whose evil mentor was the Emperor) is then in line to inherit all of Merlin's supernatural powers. Anyone taking the time to actually look at all of the Walt Disney productions made in their entirety can certainly see a common theme running throughout, and that theme is Good, Evil, Celtic sorcery, Western paganism, the paranormal, a counterfeit Heaven on earth without God, and Luciferian ideologies in general. Thus, it's clear to see why Disney chose a Camelot-like theme to best represented his cottage-industry where generations could be drawn into the Antichrist theme masqueraded as a children's fairy tales paralleling the Brothers Grimm tradition. Disney productions are preparing the younger generations for that false Utopian Kingdom coming, the brave 'New World' of the Antichrist, as well as fascinate young minds with magick and sorcery. Disney's "Bride to Terabithia" was just another one of many of their recent films which teaches New Age doctrines, denies a literal Hell, demonizes Christian parents, and even portrays Christian fathers as child molesters, all the while making it appear the Black Magic, the Occult, and nurturing unseen spirits found everywhere in nature, are to be heavily promoted. The Disney Corporation itself has been involved with countless attempts to normalize homosexuality and Witchcraft, while systematically targeting the traditional upbringing found in Christian homes. In order to make movies that contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries which Disney runs, which has allowed them to keep their good image while at the same time fund and promote every kind of evil toward children since at least the 1940's. They also never showed the public the hard core porn that was made for years in secrecy for the elite, that became the staple of the Illuminati family Walt Disney was born into. It's believed that both Walt Disney and his brother were molested as children by their father, and while still a young adult, both Walt and his brother became members of the “Order of DeMolay,” which is described as an international fraternal organization for young and aspiring Freemasons ages 12 to 21.
The Knights of DeMolay are the youth chapter for would-be Freemasons, whose global organization is behind everything from the underage sex trade and slavery in the West, as well as Satanic ritual abuse, murder and cannibalism of children. Interestingly, it was the Templar's Baphomet, as well as the Templar's use of Pentagram's, that often found themselves in Disney's later cartoons, such as in the 1940's Disney film, Fantasia, in which the demon 'Chernabog' took much of its likeness from Baphomet. The order was named after Jacques deMolay, the last Grand Master of the Knights Templar who was burned at the stake by the Pope and the King of France on Friday the 13th of 1314. In fact, DeMolay's last words before the flames consumed him were a curse to the Pope and the King of France, declaring that they would both be dead within a year. When they both died that same year, Friday the 13th became a date known for its 'bad luck' ever since. This same Occult outfit named after him traces its Satanic roots to DeMolay's Knights Templar, who themselves engaged in Satanic Black Masses, infant sacrifice and homosexual rituals that glorified Satan in the form of a demonic statue they named Baphomet. It is really no wonder therefore, that Disney's productions over the years are increasingly filled with Masonic symbolism, Witchcraft, Occult, New Age, Demonic and Satanic overtones, that consistently uses mind control, sexual perversion, magical indoctrination, and subliminal messages directed at children that would leave them completely broken, spiritually and otherwise. In essence, the Disney Corporation of today is nothing but Satan's propaganda machine for the Antichrist, directed at youth. Behind Disney’s good front lies hardcore pornography including sex with animals and the human dead, snuff films, child sex rings and child slavery worldwide, Illuminati mind-control, and the seduction of several generations of youth into drugs, sexual deviancy and their ultimate destruction, spiritually and physically. Movie after movie has cleverly brought Satan, death, and the Occult into the homes of impressionable minds of American, European, and now global, youth, all under the disguise of family entertainment. For instance, it was Disney that brought us the film “Alive,” a film featuring survivors of an airplane crash who turned to cannibalism in order to survive. This film's producer was Robert Watts, a British film producer who is best known for his involvement with all three Indiana Jones films, as well as the three original Star Wars films. Of this film he made for Disney, he said it was a “triumph of the Human Spirit,” albeit a triumph that was only gained by eating their dead. Cannibalism is a major tenant in the Satanic Black Mass going back to early pagan civilizations and with Satanists ever since.
OCCULT MIND CONTROL AND REPROGRAMMING FOUND IN TODAY'S SATANIC MUSIC INDUSTRY
Then the Lord answered Job out of the whirlwind, and said, Who is this that darkens counsel by words without knowledge? Gird up now thy loins like a man; for I will demand of thee, and you answer Me. Where were you when I laid the foundations of the earth? Declare, if you have understanding. Whereupon are the foundations thereof fastened? Who laid the corner stone thereof, when the Morning Stars [Christ and Lucifer] SANG together, and all the Sons of God shouted for joy? But you have fallen from Heaven, Lucifer, MORNING STAR! Hell from beneath is moved to meet you at your coming: it even stirs up the dead for thee. All they [in Hell] shall say unto thee, Art thou become weak as we? Art thou become like unto us? Your pomp is brought down to the grave, as is the noise of your viols [stringed instruments]. You sealed up the sum, being full of wisdom, and perfect in beauty. You have been in Eden, the Garden of God. Every precious stone was your covering emerald and gold. The workmanship of thy [instrumental] tabrets and of thy pipes was prepared in you in the day that you were created. You were perfect in your ways from the day that you were created, until iniquity was found in you.
I met the Spirit of Music, an appearance of the Devil.
The Lost Writings of Jim Morrison, p. 36-38
To complete "Stairway" and the rest of the album, they changed venues [from Bron-yr-Aur, in Wales] and went to Headley Grange in Hampshire, where they recorded using a mobile studio owned by The Rolling Stones. It was a huge, cold, dusty mansion with no electricity but great acoustics. Bands would go there to get some privacy. Plant's implication that something else was moving his pencil for him led to speculation that it was Satan who was dictating the words, and along with the backward messages and Page's Aleister Crowley connection, there was enough evidence for many listeners that the Devil had some role in creating this song, as if Led Zeppelin sold their souls to the Devil in exchange for "Stairway To Heaven." Supporting this theory is the fact that Jimmy Page bought Aleister Crowley's house in Scotland, known as Boleskine House. In his books, Crowley advocated that his followers learn to read and speak backwards.
Of course, none of this is limited to the visual-only media of television and film, for Satan's minions have infiltrated every genre of music today, as well. Rumors of Satanic worship and Occultism and music go back to at least the 1960's and before, starting with blues music at the turn of the 20th century, but it was clearly the 1960's when it became the most obvious. The British rock band Led Zeppelin certain knew something of the Occult when band leader Jimmy Page began his journey into the Occult when Led Zeppelin formed. He became fascinated with The Great Beast 666, Aleister Crowley, the British Occultist who has permeated the music industry to this day. Aleister Crowley is the occultist and Satanist that is perhaps the most well known. His works “The Book of the Law”, “Magick in Theory and Practice” and “The Book of Thoth” are broadly used in occult circuits. His perhaps most important book is "The Book of the Law, which Crowley himself didn’t take much credit for have written, as he stated it was written by automatic writing, being channeled from a higher being the young Aleister Crowley called Aiwaz (or Aiwass). This being said he had lived in Chaldea during the reign of Hammurabis (around 1750 BC), but later, in his book “Magick in Theory and Practice,” Crowley identified Aiwaz as his own genius. He was actually very proud of this book, which he used as a Bible for his own religion, Thelema. Jim Morrison, lead singer of the Doors, who died "mysteriously" on July 3, 1971, at age 27, became deeply involved in the Occult after meeting his future wife. Morrison married his wife at a Wiccan-styled pagan wedding standing in a pentagram whilst drinking each others blood. Both were avid students of Crowley's writings, as well as his Occult magickal workings. Jim was once photographed with a statue of Crowley's head, posing in obvious veneration, that at the time, amounted to little more than a hidden message to those still not in the know. The real 'hidden' message being sent to all of us by they who control the media couldn't be any clearer. Cain's children exist upon this planet and are for centuries now, been taking control of ... everything. Theirs is a lineage that can only do evil against what only appears to be their fellow man, because theirs is a Bloodline that is traced back to Satan himself. The programming we see today, therefore, naturally depicts every kind of strange interpretation of only their own devising, because their coming Messiah, our Antichrist, can only arise after a vast revolution of counter-culture that has become so brainwashed against God and the Christian Faith, that Satan can finally advance his ancient will toward global rule, and worship. For this reason, it has become the task of his people in this world to become infected with only Antichrist thinking by fostering an environment of Occult learning, magic, mystery, and Occult knowledge, to prepare the world for what is coming next, Satan returning to himself all that he once had, but lost.
Why does Satan take a vested interest in the entertainment industry, with its bright lights, charismatic stars, and creative music? Because, as Ezekiel 28 proves, Lucifer was the chief god of entertainment, having once been a living musical instrument of God, as well as a bright, shining Holy being of beauty, wisdom, and wealth. In short, Satan was the very first bright, beautiful, and thus, charismatic "music star of the spheres," as it were. This is why whenever someone with musical or other similar talent wants to be fast-tracked into achieving quick fame, stardom, status, and wealth, seemingly overnight, they make a pact with the Prince of this world. Once a pact is made, Satan's elites in the entertainment industry then do what they do best and ensure the entertainer is then treated to the working of making them a star, upon which company handlers (all Satanists themselves) are provided to watch over the star, while carrying out all wishes of the record label. If the handler or manager tells the would-be star to make a video filled with Satanic imagery, or go into photo shoots using Satanic hand signs, or to record a song that glorifies darkness, promotes evil, and serenades death, the star obeys because they are told it means more money, and fulfills their contract. In short, once a pact is made with Satan, and a record contract signed, it would be difficult for the client not to obtain fame, wealth, and everything that the elites of this world will temporarily provide them. Along the way, the stars meet others in 'the business,' who get them hooked on drugs, sex, attempt to pull them away from their families (much like a cult does) and subtly destroy any remaining moral fiber the star might have once had before their Luciferian indoctrination. This is precisely why Satan's elites not only have their hands in business, banking, finance, and media, but also the entertainment industry, knowing it is not only a way to ruin the lives of the stars themselves, but the most bankable way to taint the world with their global Antichrist mind control program, their real agenda. I've lost count how many young stars were purposefully put on a path of ruin, almost as a form of protracted sacrifice, only to be replaced with another who all too eagerly steps in their place.
Today's entertainment industry is nothing more than Satanic whoredom on a global level, where you literally sell your eternal soul to Satan to become like a temporary god. And, as we all know, Satan does not share the spotlight well. In in his grand jealousy, does he come to make good on any former contract made, and takes their life, usually making it appear they killed themselves, via a drug overdose or similar unexpectedly tragic event. For many, this happens at age 27, while others are allowed to achieve a much older age, such as Bob Dylan. Regardless of age, however, Satan never breaks contract. Jimmy Page knows this. Early in his career, Jimmy Page bought up former houses that Aleister Crowley owned and carried out some of his most infamous black magickal workings. Where bands such as The Beatles, The Rolling Stones, The Doors, and Black Sabbath opened the gates for Satan's Occult mantras to take root among the global masses, it was lesser known bands such as Black Widow, that by 1969 paved the way for other openly 'Satanic bands' to make their appearance. Not a heavy metal band or even a hard rock band, per se, Black Widow’s music was more Satanic folk music and creepy, backed up with sinister lyrics that glorified human sacrifice as necessary rites in the true worship of the Devil. And so the piper's shiny kingdom of earthly, material, and false spiritual promises of enlightenment still stands on the promises of old, going back to that original lie given Eve, about being "gods." The most famous today make still make deals with the Devil for fame and fortune and "rock-god" status. Today, Led Zeppelin and Black Sabbath have been replaced today with Madonna, Ke$ha, Beyoncé, Rhianna, and personal student of Anton LaVey, late leader of The Church of Satan, Marilyn Manson. Modern rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the major rock groups through drugs, sex, threats of violence, and even murder. On the other side, publicity, tours, and recordings are financed by record companies connected to British military intelligence circles.
Both sides are intimately entwined with the biggest business in the world, the international drug trade, a trade that is too often connected with the likes the British MI-6, as well as the American CIA, who is well known to have spawned the American counter-culture movement of the 1960's, supplying LSD to the youth disillusioned by traditional American values and thus sought a 'revolution' that would bring about their skewed vision of a hip utopia, far removed from their Christian upbringing, which was the whole point. The so-called "rock stars" are pathetic puppets caught in a much larger scheme. From the moment they receive their first recording royalties, the groups are heavily immersed in drugs. As totally artificial media creations by those who control them, their public image, as well as their music, is fabricated from behind the scenes by those in league with Satan from the start. Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy. The recording company, Thorn EMI, led by British aristocrat and key member of Britain's military intelligence establishment, Sir Joseph Lockwood (also one of Britain's largest producers of military electronics) created a music division which had grown to annual sales of $3.19 billion. His plan was now to use both the Beatles and the Rolling Stones as the means to transform an entire generation into heathen followers of the budding Luciferian New Age Movement, whose own multi-pronged plan was to eventually deploy into film production, our schools, law enforcement agencies, and political leadership. In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult known as the Process Church, recruited the Rolling Stones and the Beatles. During this period, Terry reports that a photo of Rolling Stones leader Mick Jagger's longtime girlfriend, Marianne Faithfull, appeared in an issue of The Process Magazine, a 60's counter-culture zine put out by The Process Church of the Final Judgment, led by a false Christ by the name of Robert de Grimston. A key link between the Rolling Stones and the Process Church is Kenneth Anger, a follower of the founding father of modern Satanism, Aleister Crowley.
Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley. Crowley was born in 1875 and was called the "Great Beast." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil. During 1966-1967, when the Process Church is reported to be recruiting in London, Anger was also on the scene. Author Tony Sanchez describes that Rolling Stones' Mick Jagger and Keith Richard, and their girlfriends Marianne Faithfull and Anita Pallenburg, "listened spellbound as Anger turned them on to Crowley's powers and ideas." While in England, Anger worked on a film dedicated to Aleister Crowley, called Lucifer Rising. The film brought together the Process Church, the Manson Family cult, and the Rolling Stones. The music for the film was composed by Mick Jagger and was supposed to include Led Zeppelin's Jimmy Page, as well. However, while Page wrote the majority of tracks for the film (as heard here) he fell short of one, and was hastily fired by Anger as a result. Process Church follower Marianne Faithfull went all the way to Egypt to participate in the film's depiction of a Black Mass. The part of Lucifer was played by the guitarist of a California rock group, Bobby Beausoleil. Beausoleil was a member of the Manson Family, and Anger's homosexual lover. A few months after filming, under Anger's direction in England, Beausoleil returned to California to commit the first of the Charles Manson family's series of gruesome murders. One of the victims of those murders eventually being Sharon Tate, who in 1966, starred in the British Occult film "Eye of the Devil," a film that was overseen by Alexandrian/Wiccan High Priest and High Priestess Alex and Maxine Sanders, known for their involvement with both British Witchcraft and Satanic Occult practices. After Sharon was properly introduced to them, she then met her future husband, Roman Polanski. Polanski went on to more recently direct, produce, and co-write "The Ninth Gate," an overt Satanic film filled with sex, murder, and ritual Occult Satanic worship, in 1999. However, back in 1968, Roman Polanski was a young film maker who was suddenly placed the fast track of success for his critically acclaimed, "Rosemary's Baby," depicting the birth of the Antichrist.
Eye of the Devil (1966) Sharon Tate plays a neophyte Satanist meeting demands of the “13 Tribunal.”
While filming, Polanksi's wife, Sharon Tate, was often seen around the film set and it has even been timed, that she became pregnant by Polanski during the filming of Rosemary's Baby, possibly even at the film's location, the infamous Dakota building in New York (where John Lennon would be murdered some 21 years later). It was on the set of this first ever Antichrist film, that later proved to be cursed that Sharon Tate was the subject of a series of photographs taken at the time by Esquire. (In retrospect, these images appear as eerie as the movie itself). It was also on the film set that Tate would confide to her close friend, saying “The Devil is beautiful. Most people think he’s ugly, but he’s not.” Whoever convinced her of that also remains a mystery to this day. Rosemary's Baby had a sick and twisted plot that would be played out a short year later, when Sharon Tate (who was impregnated by Polanski during the filming of Rosemary's Baby) would be horrifically slaughtered in the August 1969 Helter Skelter murders. While Polanski happened to be in Europe at the time, Tex Watson, one of Charles Manson's cult followers, entered the Polanski house and announced "I am the Devil, and I'm here to do the Devil's business!" (The Bible explains Satan's business thusly: 'steal, kill, and destroy.') Within minutes, several of Polanski's friends were brutally killed, including his pregnant wife Sharon Tate, who was due to deliver in two weeks. Forensics and jailhouse interviews of the Manson killers later proved that Tate managed to fend off her attackers long enough to prevent the attempting slitting open of her stomach to remove the child from her dying body. It was revealed later that Charles Manson believed The Beatles' White Album was sending him coded messages via Occult methods. It is true that at least one song contains Satanic backward masking, revolving around death. Charles Manson first heard The Beatles during their first visit to the United States in February 1964. At the time he was serving a prison sentence for attempting to cash a forged US Treasury check. He was taught to play the guitar by a fellow inmate, and quickly became obsessed with The Beatles, as well as wanting to meet music industry heads and seek a music career, once freed. Manson also became inspired by a belief in "Helter Skelter," a term taken from The Beatles' song of the same name, which signified an apocalyptic race war he believed would arise between blacks and whites. As well as the music of The Beatles, Manson's scenario was also inspired by the New Testament's Book of Revelation. On July 27, a dispute over money arose within the Family. Bobby Beausoleil murdered fellow member Gary Hinman, at Manson's instruction. Afterwards Beausoleil daubed the words "Political piggy" on a wall in Hinman's blood. Beausoleil was arrested on August 6th.
Two days later Manson told the Family that Helter Skelter was to begin. The following night, 9 August, three members murdered Sharon Tate and four others. It was Tate's killer, Susan Atkins, who wrote "Pig" on the front door of the murder scene, at 10050 Cielo Drive, in Sharon Tate's own blood. It was also proven later that Susan Atkins, who originally confessed to stabbing Sharon Tate to death, and tasted her blood, was a former student of Anton LaVey, author of The Satanic Bible and head of the First Church of Satan. They had met at a local production that hired her to play a blood-drinking vampire. Atkins explained that she and the others were under the influence of a powerful evil entity that night, an evil that gave Tex Watson near "super human strength" by some force not his own. Besides advancing his non-existent 'music career,' Charles Manson's plan was to have all the murders blamed on blacks to incite an apocalyptic race war, where he would arise on the other side as the Antichrist. Beausoleil was himself later arrested, and is still serving a life sentence in prison, along with Manson and his followers. Having lost his star performer, Anger then asked Mick Jagger to play Lucifer in his "Lucifer Rising" film, however, four months after the Manson murders, Jagger became entwined in the infamous Hell's Angels murder that occurred at the Rolling Stones Altamont Free Concert. Anger finally settled upon Anton La Vey to play the part. The film was released in 1969 with its original title 'Invocation To My Demon Brother.' In London, Anger had succeeded in recruiting to Satanism the girlfriend of one of the Rolling Stones, Anita Pallenberg. Pallenberg had met the Rolling Stones in 1965. She immediately began sexual relations with three out of the five members of the group. In 1980, the seventeen-year-old caretaker of Keith Richard's New England estate was found shot to death in Anita Pallenberg's bed. The death, ruled a suicide, was with Pallenberg's gun. Richard's house was located near the East Coast headquarters of the Process Church. According to an article in the English newspaper Midnite, a Connecticut police officer, Michael Passaro, who had responded to the "suicide'' reported ritual chanting and "strange singing" from the woods a quarter mile from the Richard's mansion. The newspaper continues, "There have been several bizarre satanic rituals in the area over the past five years."
In 1967, reflecting their ongoing association with Anger and the Process Church, and as a direct response to The Beatles' Sgt. Pepper's album released six months earlier, the Rolling Stones released their first rock album openly celebrating the Devil, titled Their Satanic Majesties Request, an obvious wording that was taken from British passports of the time, that read "Her Britannic Majesty Requests," with the words "Her Britannic" swapped out to read "Their Satanic..." which apparently evoked the British Royal Family itself, as Satanic. Clever, that. A few months earlier, the Beatles had released their first album dedicated to the promotion of psychedelic drugs, Sargeant Pepper's Lonely Hearts Club Band. Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley (pictured to left). It was released 20 years nearly to the day, after Crowley's death in 1947. interestingly enough, The Beatles title song from this same album began with the lyrics, "It was twenty years ago today when Sgt. Pepper taught the band to play." The album's cover even featured a picture of Crowley, among others connected to the entertainment industry, the Occult and/or Satanism. One month after the album's release, the Beatles shocked the world by announcing, publicly, that they were regularly taking LSD. Beatle member Paul McCartney, in an interview with Life magazine said, "LSD opened my eyes. We only use one-tenth of our brain." They also publicly called for the legalization of marijuana, feeling if society were on drugs, the long-awaited revolution toward a Luciferian utopia, would naturally result. Aleister Crowley is without a doubt, the main spiritual "teacher" of rock music. Crowley's mission in life was to destroy Jesus Christ and Christianity, while exalting sex perversion, drugs, magick and Satan. Aleister Crowley spews his hatred of Jesus Christ in The World's Tragedy: "I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to it's present condition. I take it that Christianity is not only the cause but the symptom of slavery." (Aleister Crowley, The World's Tragedy, p. XXXIX). "That religion they call Christianity; the devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I HATE and will DESTROY." (Aleister Crowley, The World's Tragedy, p. XXXI).
WHAT DOES ALL OF THIS MEAN? WATCH THE VIDEO BELOW TO DERTERMINE FOR YOURSELF
Beyoncé Throws Up Satanic Horns at Same Time Jay-Z Gives 666 Hand Sign
Being so influenced by Crowley's writings, John Lennon was reported as saying: "Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right. We're more popular than Jesus now." John Lennon (San Francisco Chronicle, April 13, 1966, p.26). Of that comment, we should marvel not, for even The Beatles own press manager was reported as saying, in 1964: "They're completely ANTI-CHRIST. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy thing to do." Derek Taylor, Press Officer for the Beatles (Saturday Evening Post, Aug. 8, 1964). For an unprecedented two Sundays in a row, on the Ed Sullivan Show, over 75 million Americans watched the Beatles. On returning to England, the Beatles were rewarded by the British aristocracy they served so well. In October 1965, the four were inducted into the Order of Chivalry, and were personally awarded the accolade of Member of the British Empire by Queen Elizabeth at Buckingham Palace. Artists are brainwashed early on into doing the illuminati’s work, and their fans follow what they do, which is the whole idea behind it. All one has to do is carefully read between the lines of the lyrics and you will see how corrupt they can be. Each of these have been taken in by their handlers, deep into the Occult and Satanic worship, and their service to Satan, as well as their recruiting of millions of their fans, is becoming all too common, even blatant. Beyoncé and Jay-Z, who've met Prince William more than once, are known to brandish the Occult signs, Masonic sigils, and Illuminati symbology of Satan, to the point their global fans now associate the symbols as positive "rock star" symbols of success and affluence. As such, many people have no idea what is going on in the larger world around them, or how they are perceived as mere pawns in a globalist game of control over their lives. Those less ignorant know something is amiss, especially when have hearing the songs of many artists today, backwards, to discover that backward masking wasn't just an old marketing ploy from the 1980's found only on Heavy Metal records, but appears in almost every musical media recorded today, by such top artists as Beyonce, Ke$ha, Rhianna, Drake, etc. The music industry works to brainwash its young target audience by using Occult symbolism, to view, with subliminal messages in music, to hear, following the methods of a ritualistic cult-like process established long ago, namely within Hitler's Germany. Like many of today's films, music videos are also made with Occult, Masonic, Satanic, and Antichrist symbology displayed everywhere in them, to fine tune and enhance the overall brainwashing effect that the production itself is providing the listener, via purposefully manipulated A-V files. Clearly, the music industry is serving the Occult, but what needs to be underscored here, is that they are doing so for a clear and defined purpose that goes far beyond merely attempting to make the counter-culture of Witchcraft, paganism, and the Occult look "cool."
Of course, today's murder, mayhem, and death culture within Hip Hop is but a mere shadow of the darker Satanic, Antichrist, and Occult human sacrificial death culture that still permeates the older Rock music culture, from the 1960's to the modern era. One need only read the account of how Led Zeppelin penned "Stairway to Heaven," dedicated to Jimmy Page's "Sweet Satan." Of Stairway to Heaven, Robert Plant would later describe as ‘our single most important achievement,’ to understand how Satan and his Angels can directly involve themselves into the muse process of artistic creation, all for the defined purpose in keeping with the Great Work. Written at Headley Grange, a mansion built in 1795, and reported to give muse to songwriters in need of such inspiration, is where in 1971, on one particular cold night within the equally freezing rooms of the Grange, that Page and Plant wrote their unforgettable signature hit. As told by the songwriters themselves, they were sitting by the raging fireplace with Page strumming the intro chords, that Plant later recalls: "I was holding a pencil and paper, and for some reason I was in a very bad mood. Then all of a sudden my hand was writing out the words, 'There's a lady who's sure all that glitters is gold, and she's buying a stairway to Heaven.' I just sat there and looked at the words and then I almost leapt out of my seat." Jimmy Page later recalled, in interview, that Robert was sitting, with his back leaning against the wall, and was sort of writing, I mean, I'll never forget that, the image of him doing that. Then Robert begins to pitch in and sing, and I tell you, it must have been 90% of the lyrics were already done." The song became a global sensation, and only further launched Led Zeppelin into being one of the greatest rock & roll bands of all time. The song's otherworldly effects and seemingly prophetic words left many to speculate that something else overshadowed him that night back in Headley Grange. Robert Plant spent much of the 1970's answering questions about the lyrics, and where they came from. When asked why the song was so popular, he said it could be its "abstraction," adding, "Depending on what day it is, I still interpret the song a different way." By the late '90s, the radio trade magazine Monday Morning Replay reported that "Stairway" was still played 4,203 times a year by the 67 largest AOR (album-oriented rock) radio stations in the US. At 8 minutes per spin, that works out to roughly 50 years that have been devoted to the song, in total, thus far. Stairway to Heaven was hailed by Kenneth Anger as one of the greatest Satanic works ever, which only further fueled the rumors that there was a cleverly recorded “backward masking” that revealed demonic messages within the song itself: “Oh here’s to my sweet Satan. The One whose little path would make me sad, whose power is Satan. He’ll give those with him 666. There was a little toolshed where he made us suffer, sad Satan…” Crowley was well known for reading The Lords Prayer, the Bible, and other Holy writ, backwards, in order to reverse their effect, thus the rumors that his followers would have created such backward messages was not entirely unsubstantiated. It was also around this time, that those rumors were all but proven fact, when Jimmy Page, a known Crowley aficianado, opened an Occult bookstore, and began purchasing most of Aleister Crowley’s homes around Britain. In the years following Stairway to Heaven, came the unyielding curses that ultimately destroyed the band itself by 1980, leaving Plant's young son, and 32-year old drummer, John Bonham, dead.
From the houses of the Holy, we can watch the white doves go
From the door comes Satan's daughter, and it only goes to show. You know.
There's an Angel on my shoulder, in my hand a sword of gold.
Let me wander in your garden, and the seeds of love I'll sow. You know.
So the world is spinning faster, are you dizzy when you're stoned?
Let 'the music' be your Master. Will you heed the Master's call?
Oh, Satan and man!
Led Zeppelin: Houses of the Holy
There's a sign on the wall But she wants to be sure
cause you know sometimes words have two meanings.
And it's whispered that soon, if we all call the tune,
then the Piper will lead us to reason.
And a new day [New Age] will dawn for those who stand long (survive)...
Yes, there are two paths you can go by [Christ or Satan; read Two Paths] but in the long run, there's still time to change the road you're on.
Your head is humming and it won't go, because you don't know, The Piper (Satan; see Ezekiel 27:13) is calling you to join him.
Led Zeppelin: Stairway to Heaven
The Queen of Light took her bow, and then she turned to go. The Prince of Peace embraced the gloom, and walked the night alone. The Dark Lord rides in force tonight, and time will tell us all.
Side by side we await the might, the darkest of them all.
I hear the horses' thunder, down in the valley below.
I'm waiting for the angels of Avalon, waiting for the eastern glow.
Led Zeppelin: The Battle of Evermore
Robert Plant is a great admirer of all things [occult] mystic, the old English legends and lore and the writings of the Celts. He was immersed in the books Magic Arts in Celtic Britain by Lewis Spence.
King Arthur: Take Excalibur, find a pool [and] throw the sword into it. Perceval: No. King Arthur: Obey me, Perceval. Do it and return. Perceval: [Leaves Arthur's side; disobeys and returns] King Arthur: When you cast it in, what did you see? Perceval: I saw nothing but the wind on the water. King Arthur: [A Dying Arthur stares intently at Perceval] Perceval: My King, I couldn't do it. Excalibur cannot be lost. Other men... King Arthur: Do as I command, Perceval... One day a KING WILL come, and the Sword will RISE AGAIN.
Perceval returns to the pool to cast Excalibur, just as a hand rises from the water to catch it, quickly returning it beneath the waves. Perceval returns to where Arthur laid dying, to see him far out to sea, on a barge being spirited to Avalon for the healing of his wounds.
Film Excalibur (1981)
THE BEAST that you saw was, and is not; but shall RISE out of the bottomless pit, and go into [the Son of] Perdition, and they that dwell on the earth shall marvel, whose names were not written in the Book of Life from the foundation of the world, when they behold the Beast that once was, and is not, and yet is AGAIN [the Once and Future King].
The Holy Bible; Revelation 17:8
'There exists in the world today, and has existed for thousands of years, a body of enlightened humans [Cainites] united in what might be termed, an Order of the Quest. It is composed of those whose intellectual and spiritual perceptions have revealed to them that civilization has secret destiny. The outcome of this 'secret destiny' is a World Order ruled by a King with supernatural powers. This King was descended of a divine race; that is, he belonged to the Order of the Illumined [Illuminati] for those who come to a state of wisdom then belong to a family of HEROES-perfected human beings.'
The day has come when Fellow Craftsman [Freemasons] must know and apply their knowledge. The lost key to their grade is the mastery of emotion, which places the energy of the universe at their disposal. When the Mason learns that the key ... is the proper application of the dynamo of living power, he has learned the mystery of his Craft, the seething energies of LUCIFER are in his hands, and before he may step onward and upward, he must prove his ability to properly apply [that Luciferian] energy. He must follow in the footsteps of his forefather, Tubal-Cain.