SATANIC HOLLYWOOD MK-ULTRA MIND CONTROL PROGRAMMING FOUND IN TODAY'S FILMS
THE OCCULT AND ITS OBVIOUS PRESENCE IN TELEVISION AND FILM What is the Occult? A sinister in its intent, mind-manipulative, millennia-old, cursed communication of demons with mankind. The Occult has always used the arts of man to tell their story, from the earliest cultural myths, to the arcane symbology that rose up from its teachings. Paganism being its counterfeit religion. That art and way of getting across their story has not stopped from ancient times to this much more technological age, having been passed down right into our modern era. Statues, paintings, books, music, and with the advent of film, movies and later, television, all are being used to make you become more Occult in your thinking, for a purpose. As it is with modern Metaphysical books, so too is this trend seen within modern film, catered to an entire pop-cult generation of old and young alike who eagerly turn out to Occult-based cinema depicting the latest Messianic hero churned out by a Satanic-led Hollywood. Certainly our generation is that one which is even now being groomed into Anti-Christ thinking, acceptance, and ultimately, submission. Thus, film, as a medium, is potent at effectively placing subliminal archetypes into the subconscious mind, that linger and can later be awakened using certain visual stimuli, paralleling a form of mass hypnosis. Seeing its efficacious mind control potential early on, film was utilized as the source propaganda tool by Hitler, and his Occult-led Nazi's, to brainwash all of the German people ultimately into total compliance for what they themselves were secretly preparing for. With the advent of globally released film and DVD, it has now been made much easier for the world to be more influenced then ever before by those in control, who can implant Occult ideology into the increasingly receptive minds of this latter-day generation again and again albeit repackaged under a different title. To get to the truth behind why such programming is being propagated today, at this time, we must remember who controls the Film Industry, its own agenda, and who they are in complete service to. Just as our own generation being raised in the radical new age of the 1960's and 70's were likewise pushed somewhat into magical thinking and into a semblance of global awareness, today's kids are being literally assaulted, even brainwashed by an even more relentless far-left liberal, Satanic media machine. While the Occult-filled, Merovingian epic The DaVinci Code is geared for adults, their own children are being bombarded with the same Occult message in books and film geared for their own consumption. The influence of this industry is found everywhere, despite your eyes being trained to only see its subliminal worth hidden in plain sight. Therefore anyone who believes it's all a mere coincidence doesn't know Hollywood or its Occult black hand.
Children are especially being targeted to become future citizens of Satan's coming 'New World' with the onslaught of 'Agenda Programming' running rampant today on their cellphones, televisions, video games, and, naturally, in their music, warping minds far from any semblance of Christian upbringing, into one where the Occult and all its enticing trappings become something from which there is almost no escape. If one is to actually sit and think about it, how many of todays films and TV shows can you name that have either a magical or supernatural theme to them, with supernatural heroes and heroines included? Many. Understand that these same shows directed toward the majority are used by those in control as as a subliminal vehicle to pass along Occult information, and through increasingly blatant methods. In Netflick's own hit series, Stranger Things, its global audience cannot get enough of the government conspiracy elements, with an American government facility that has somehow opened a gate to Hell, allowing a shadowy Satanic figure and his minions to take over an otherwise normal Midwestern town. The main characters, being Will, a boy who gets possessed by the demonic-inspired "Mind Flayer," and a girl whose Dept. of Energy name is only 011, or "Eleven." In Stranger Things, I am already seeing many connections to the reality of what is being forced upon us everyday, from the real life conspiracy that seeks a "Will" to become possessed by Satan himself. Interestingly, Will, was also the name of the very similar supernatural empowered character in the most recent incarnation of The X-Files (Jan. 2018), being the son of Dana [Diana] Scully. He likewise employs supernatural 'alien' powers in order to bring about a coming New Order. The name of Will was also used in the film "The Darkness is Rising," about, once again, a boy who uses his supernatural powers to vanquish evil and establish "The Light." Found throughout these similar storylines, are also similar Occult props and Satanic symbols in the background, which again, unless you're specifically looking for them, go over the heads of the vast majority of people. Combined with such visuals, is also the audio, such as verbal references within the written script itself. You'll begin to notice how every Agenda film makes at least one open reference to Hell or the Devil, in at least one way or another, and always seemingly in passing. Catch phrases such as "What the Hell," or "Speak of the Devil" will always be openly present, while other audio clues are present in the actual soundtrack for the film itself on a more subliminal scale. The use of forward and "backward masking" have been well used and documented to exist within certain songs from the past 50 years, but it never stopped with just music.
The powers that seek to control us also make well use of it in almost every widely seen film made today. I began to notice it decades ago, in films such as Spielberg's "Raiders of the Lost Ark," when they've obviously added in the final mixing, a voice heard by everyone, chanting the name "Satan." Of course, that was many years ago, and could be chalked up to a lone audio person's twisted humor. But how many years have transpired since, when increasingly more films dealing with a similar theme are all doing the exact same thing in their own final mixes placed in the audio of major film releases? This is not exclusive to film either. Just last night, when watching the season one ending of "The Walking Dead," once again, "Satan" can be clearly heard being said as the Center for Disease Control explodes. Bring that scene up on YouTube or Netflix and listen for yourself. In another more recent program presented on BBC, called Britannia, the very same "Satan" name is chanted, albeit using a higher-pitched (sped-up) vocal within the show's intro itself, so this trend has never stopped appearing in much of the programming we have all been exposed to our entire lives. An intelligent mind would have to ask, why, because when taken together, none of this could come about by mere chance, nor could it all be simple coincidence that the increasingly blatant Occult themes being presented, with the familiar visuals, affected audio tracks, Occult-laden scripts, and same Agenda actors consistently used who to push such propaganda into our subconscious minds, are the result of serendipity. Ergo, they must all have the same source, a hive-minded group who are powerful enough to control global media itself. It is therefore no wonder that as we approach the time of their Messiah, that the Antichrist propaganda created by those who worship Satan is also being amped up like never before. Steven Spielberg, who is just one of many connected to the Satanic elite in Hollywood, (who I believe is the power-mogul that Corey Feldman desperately wants to out as a Satanic-worshipping homosexual, but knows he can't due to the obvious power Spielberg has conjured for himself within the Hollywood establishment) certainly has done his part in familiarizing this world with the Antichrist agenda, via his films that have always been strangely steeped in the Occult in one form or another. But all of this extends far beyond Spielberg or any past or present summer blockbuster film, as the most popular television shows in more recent years have become 'Stranger Things' and 'The Walking Dead,' that are both used to impart the same New World Order theme to an ever-expanding global audience. While Stranger Things showcases dark otherworldly forces who are tasked to bring about an apocalyptic end of the world, the Walking Dead showcases a post-apocalyptic world brought about by an unknown virus that spreads death via the re-animated dead themselves. What is yet to bring the Walking Dead into the more familiar Agenda theme however, will be the Season Nine storyline of Rick Grimes' death that will ultimately pattern itself after the Arthurian theme of a "Once and Future King." Rick is seemingly killed by a large explosion on a bridge, only to have a mysterious helicopter pick up his "dead" body to transport him elsewhere to parts unknown. Now, I ask you, where have we read that before? When King Arthur received the mortal head wound that supposedly killed him, he was mysteriously taken adrift on a ship that took him to Avalon for the healing of his wounds. In his absence, the resulting legend surrounding both King Arthur and Rick Grimes depicts a future return to his people when he's needed most. So in much of the hero-centric plots of film and television today, we can see these darker aspects of the Messianic life-death-rebirth dynamic played out repeatedly where such Antichrist propaganda and Arthurian myth are effectively drawn thru archetypal and/or esoteric parallels hidden in plain sight. This is mass mind control. It is largely created by the Tavistock Institute as a way to subvert pop culture toward a well-devised hive mindset that herds society toward their New World and its own Arthurian-like Messianic figure to lead it.
"In a World Plagued by Darkness (or Ruin or Tyranny) Shall One Man (or Legend or a Hero) Rise Out of the Ashes of the Old World, to Battle Darkness (or Evil, or Christ archetype) to Initiate a New World (or New Age or New Era or New Aeon) and Save Us All"
How many times have you heard something very similar to the above coming from any modern movie trailer? Have you ever stopped and asked yourself why are they always talking about "One man" rising up, or one hero with a band of "knights" or "heroes" who help him conquer his enemy and save the world? Probably too many times to count. What is actually being propagated there is the undying notion of a Messianic hero who has supernatural powers, and goes about to save the planet in the most Apocalyptic or epic 'Good vs. Evil' way possible. Of course, many of these same films, of late, are based on one kind of myth or another, whether that myth be modern, as in our comic heroes come to life on the big screen, or ancient. From Star Wars, to The Lord of the Rings, to Promethius, Thor, Alexander, Beowulf, Hercules, and Superman, from the X-Men to the Matrix, are similar storylines of an otherwise ordinary man or Royal Prince/King, whose usually has some kind of issue with his father, but who suddenly rises to become a supernatural hero. and eclipse everything that his father was. "The Heroes Journey" notwithstanding, anyone with eyes can se that there is something very strange and similar running rampant in many of today's film plots, in regards to epic storylines based on both ancient myth or modern heroes.
Compare the 1982 film Excalibur with Star Wars with Highlander with The Matrix, for example, in each you will find the same theme of a young apprentice who is destined by a prophecy, vision, or oracle's intuition to be a great leader, warrior, knight, King, of which 'There can only be One' or "The One" who is secretly mentored, taught, or trained in the ways of fighting an ongoing war via sword, sabre, or magic, using a strict code of conduct, training, or Force, all the while his elder friend, Mentor or teacher provides hints about a perilous mission, hunt, or quest, whose sub-quest involves finding a dark, shadowy, figure that is said to be his mysterious, lost, or dead father, leaving the neophyte to doubt, then exceed, his own strengths, skills, or supernatural abilities. As the young student, apprentice, or Prince grows under the metaphysical teachings of his elder teacher, Jedi mentor, or wizard trainer, he eventually acquires a group of friends, disciples, or knights who attach themselves to his knightly quest to destroy the present order of death/war/chaos and bring in the Golden Age of freedom, light, or balance, to a hurting world on the verge of a New Age. Also interesting is how almost every one of these films depict British actors who are consistently given roles that cast them as villains at the very least, even as the epitome of all evil at worst. The same films or commercial programming are always rife with Occult symbols, props, key Masonic or Illuminati phrasing involving 'the Light,' or "illumination" from which the name Illuminati is derived.
Hollywood just loves the Apocalypse, prophecy and all that religious-themed stuff. End of times movies generally do well, as do movies about demonic possession, angels vs. demons, Jesus making babies with Mary movies. Filmmakers seem to be willing to do anything to rile up the religious folks of the world, or just to give us a fresh take on the end of the world, so maybe Robert Kirkman will do just that. Maybe he'll end The Walking Dead on a religious note, tying it into the Bible.
Because so many films today contain its themes, I would submit that a new film genre has arisen of late, the Magic genre, because both TV and film are now awash in pagan magic that have increasingly created a global cult following all its own, as intended. Since The Craft first appeared on the big screen right up until today's Sci-Fi Channel's series, The Magicians, as well as ABC's Once Upon a Time, BBC's Merlin, and Lifetime's Witches of East End, has this genre dominated the minds of the Harry Potter generation, with similar result, which is to bring about more intense interest in Witchcraft and magic to increasingly younger audiences. At the same time, yet another sub-genre has recently arisen that revolve consistently around the Cainite's own history, with tales of vampirism, royal bloodlines, and global power, with Game of Thrones being just one example of how hungry the current generation is for such programming. Other clear examples include the hit series Grimm, Vampire Diaries, True Blood, The Originals, Van Helsing, Blood Ties, The Strain, and others that focus on powerful bloodline families and Occult lineages fighting for control. Films not including Bloodline storylines, nonetheless are presenting Masonic themes. One example of this type of propaganda, was the 2016 film "Now You See Me 2," that depicted a band of street magicians (called "The Four Horseman of the Apocalypse," so immediately the Book of Revelation is brought into the fray) who are hastily recruited by a secret society called "The Eye," (which is an obvious reference to Freemasonry and it iconic "Eye of Horus"). The Eye wants to put their slight of hand talents to best use by stealing a computer chip by which The Eye could control all of the world's computers (which is a not so subtle allusion to the Beast's own future global financial network) all the while the Horseman are treated to Masonic-sounding lessons of, what else, how to be effectively illuminated by "The Light" and how they can aid 'the Light' to bring about a new era of global peace and prosperity. Sound familiar? In effect, this is what Freemasonry itself teaches their own neophytes, as they ascend the proper "degrees of illumination" until they are finally given the Luciferian-based secrets of the Master Mason. With Tarot cards, spy craft, a strong Occult agenda, and subtle knocks against Christianity, all thrown in for good measure, this film has become a cult favorite among Millennials today. The end scene has the Four Horseman at the headquarters of The Eye, and this clearly went over heads of likely 99% of the global audience who actually sat thru this film, but that black-and-white tiled (Masonic pattern) floor they stood upon at the film's end is the exact same floor tiling that appears in the home of the Queen of England herself. As I said, that will go over most heads today, with very few ever realizing how deep this Royal rabbit hole goes.
Actor Playing a Young Darth Vader Looks Like a Young Prince William
The Occult elite is all about power and symbolism. The above ceremony showcased both. The Occult Elite tell the world that they control the world's resources and manpower. In other words, they are the only ones who can make such projects happen because they control politics, finance and business. Furthermore, by creating overtly Occult ceremonies, the Elite tells the world: "This is what we believe in, this is what we think of you and there is nothing you can do about it."
This is also an example of the psychological skill employed in creating the story told in the Dossiers Secrets. The creators have used other such tricks, particularly in incorporating themes and symbols that possess a potent emotional charge: in other words, archetypes. Special Bloodlines and magical inherited powers routinely crop up in blockbusters, such as Harry Potter and the Star Wars series.
The Sion Revleation p. 20, 281
The role of Secret Societies in such plots - whether Ludlum, LeCarre, JK Rowling, JRR Tolkien, or Dan Brown - is not to be understated.
Secrets of the Code p. 162
There are also Christ/Antichrist themes in the new film. The nine-year-old hero, Anakin Skywalker, who become the evil Darth Vader in later episodes, is said to be "the Chosen one" who is virgin born whose coming was predicted in hundreds of "old prophecies and legends, handed down for centuries as a part of Jedi lore."
[Earle speaking to young Bruce Wayne] You're in excellent hands. We'll be watching the empire. When you grow up, it'll be waiting for you.
Hitler also sought to find the Holy Grail, the Ark of the Covenant, and the Crystal Skulls in order to make that controlling of the entire world not only possible, but necessary, which speaks volumes as to what the Antichrist will seemingly achieve. Spielbergs's Occult comrade in this venture toward creating films that provide audiences both their Occult education as well as instilling the need for a strong heroic figure to rise among us, is George Lucas, the creator of Star Wars. It was Lucas who has admitted that his epic vision for Star Wars was to be a science-fiction "re-telling" of the "old Arthurian theme," but using a science fiction backdrop. (We see this exact same kind of Arthurian story-telling in another global cult favorite, of late, "The Walking Dead," albeit in a much more appropriate setting of a post-apocalyptic theme.) This very candid admission, by Lucas, was made for a recent television History Channel documentary piece about the legend of King Arthur, which proves that today's epic Hero and Superhero films based on the classic themes of truth or justice, are themselves to be subliminally rendered versions that consistently hearken back to the ancient myth of King Arthur and King Arthur's future return. This is clearly evident when you break apart the chivalrous plots and Arthurian-like storyline's of these same modern films, as well as its characters. For example, Luke Skywalker is a youthful, blonde, Messiah-figure having magical blood that is infused with so-called 'Midiclorians,' present in his blood stream, of which a high count results in being powerful in utilizing The Force, which is their word for having supernatural powers, be it good or evil. How very familiar. For any amount of research into the Merovingian Bloodline would quickly educate you that the supernatural abilities attributed to the Royal Merovingians were literally traced thru their Bloodline, that is supposedly attributed to The One, aka Messiah, Christ Himself. Thus, looking closer at the name Midiclorian, which was obviously based on the root word Mitochondria, pertains to the life essence or force of the cell itself, and through these are all connected to the larger Force that governs the cosmos itself. As it was also explained in the film, the Midiclorians connect us to the Will of The Force, a will that can be discerned with proper education and training. Therefore, the message that is being sent to the audience, however subtle, is that living among us are some that are more naturally adept to having supernatural abilities, connected to a unknown 'higher power' of Good/Evil, as a result of their specific bloodline and lineage (much like Satan's own Bloodline within Antichrist that empowers him, supernaturally). Moreover, how difficult is it to obtain the word, Merovingian, or Merovingian names Clovis, or Theodoric from Midiclorian? The links below will provide understanding on how subtly Hollywood instills Antichrist propaganda into your minds.
Star Wars is also not without its own prophecies about a coming Hero of Light and Lord of Darkness that lay at the root of the cosmic war that proceeds them and their followers and descendants. Anakin Skywalker, whose destiny was prophesied to herald in a New Age, actually brought his turning to the dark side, and great ruin for all. Anakin is subtly twisted by the Emperor toward the dark side of the Force, and as every last trace of good in him falls away, he ultimately becomes evil, and is found not to be The One, so prophesied, and so the legacy is passed down to his son, Luke. This storyline was clearly ripped from the pages of early French romances about King Arthur, and most aren't even aware of this. Where it was an elder Merlin who takes the young Arthur to live with foster parents for a time, before coming back and training the older boy in the magic of Druidism and chivalric knighthood, it became Obi-Wan who finds foster parents for young Luke, who lives with them for a time before Obi-Wan returns [exactly like Merlin did] and begins to train Luke in the ways of the Jedi Knighthood, and their all-permeating quasi-God, the Force, the quasi-religion of the Templar-like "Jedi Order." Then there is the whole evil 'Dark Father' aspect to the supposed prophesied Messianic-like son dynamic, that Lucas was keen to include that hearkens back to not only King Arthur's dead and mysterious father, depicted in the original French Arthurian romances, but also the various cultural myths that have spanned the ages, such as seen within the Egyptian Anubis, Isis, and Horus themes where a 'Golden Child' [Messiah/Antichrist archetype] is created to rule the world. Understand, such ancient myths, found within the Egyptian, Greek, and Roman, themselves, are based on far older truths that were imparted to ancient man by those same fallen 'sky gods' he worshipped, to prepare mankind for the reality of the actual 'Dark Father' Satan, and of his earthly son, Cain, who became this world's most ancient Royal progenitor, who via his well-protected lineage that leads to the Antichrist, shall one day rule this world for his evil Father. All of this is done in counterfeit to Genesis 3:15, when God first gave the prophecy of His Son, the true Messiah, who will destroy Satan's seed, the Antichrist, and have His Son set up a Kingdom that from that moment on, could never be destroyed. The Illuminati and their Masonic education machine, that controls history itself, doesn't want us knowing any of that, but instead deceives the world by telling it that Christianity itself is the by-product of Egyptian myth, when in fact the exact opposite is true. By the time he has finished his Jedi training, Luke begins to be tempted by both Darth Vader and the Emperor, with the supposed much greater power of the evil dark side, his true and eventual destiny. This is without a doubt to invoke the enigmatic Father-Son dynamic that is prominent in the Scriptures, regarding the rulers of the Universe, as being God, and God's Son, and the counterfeit, Satan and his Son.
Arthur's sister, Morgana, becomes Princess Leih, whilst Arthur's trusted knight, Lancelot, becomes Han Solo, and so on. In addition, as some have discovered, Yoda exists as yet another more obvious reference to Satanism and the Occult within the Star Wars saga. Incidentally, R2-D2, or more commonly referred to as ART-oo; sounds exactly like Artu, the Latinized form of Arthur. Moreover, George Lucas provided some other very interesting names to his admitted Arthurian retelling, names that provide further insight to where he is going with his story. For example, Anakin Skywalker's name is borrowed from the ancient word Anakim, which later became Annunaki, the aeon of fallen Angels who in Genesis 6 fell due to their lust of mortal women. Luke Skywalker is an obvious reference to Lucifer, who as the 'Prince of the Air,' hovering to and fro above the earth, and as Satan, "walking up and down in it" (see Job 1:7) is for all intents and purposes, thus a 'Sky-Walker,' whose name LU-ke skywalk-ER has a phonetic similarity to LU-cif-ER. His father, who is an obvious Satanic figure under control of the Satan-like Emperor, has a name derived from one of the most renown Arthurian books ever written, Le Morte d'Arthur (French for The Death of Arthur) by Sir Thomas Malory. Although when asked, Lucas will only say that Darth was his play on words to reference "Dark." Vader was itself derived using a play on words, this time from the German word for Father, used to possibly evoke Adolph Hitler, as many believe. Certainly, Darth Vader's unmistakably Nazi-like helmet, and caped black armor, was referencing both Hitler's Occult SS officers, as well as Germany's more ancient Teutonic Knights, possibly even the Knights Templar, the Knights who since the Crusades, have taken power over this world be creating an entire underground that today reach into every facet of both the American and British governments, as well as their Occult-driven security agencies who act as modern knights on behest of their Royal King. The fact that they control every media, from school curriculum and higher academia to global news networks, print, television, and film industries, proves the existence of a global Cainite cabal that have one mind and purpose aside from their role of creating the Antichrist himself, which is to then be his propaganda machine to deceptively force mankind into his worship, even as they slowly groom William into his future role as The Beast. They have waited centuries for his arrival, and now that he exists among us, these more or less subtle positions given him, such as making William the President of one of their most effective evil propaganda industries, film, more clearly shows their elusive controlling hand of guiding the young Prince along his destined, ill-fated path.
In Lucas' sci-fi rehash of the classic Arthurian theme, the questing Knights of the Round Table become a Council of Jedi Knights who also meet around a round (virtual) table with a quest of their own, ensuring that Anakin, then Luke, himself a Prince, son of Queen Amidala, becomes the prophesied One who ultimately fights their rebel cause and defeats the Emperor, a storyline that can be twisted either way, with the classical view that Satan is the evil Emperor, and Luke represents then a Christ-like Messiah, or that Jehovah, who from the skewed Satanic perspective, is the ultimate evil Emperor who forces all to worship Him, and therefore, they see anyone rising up, like Lucifer has done before, against God, and will do again in the future, as a Hero of Freedom and Light. It is precisely this, that these stories are trying to infect impressionable minds with, all of which has the blessing of the President of the British Film Industry, Prince William. Being that Satan has always viewed himself as the original artificer of the arts, which is connected to his time whilst holy, being God's living musical instrument of love and light, by which many of those in the arts (namely in music) throughout the centuries have revered him as such, right up unto the present era. Of the Cainite Bloodline itself, we've have all been entreated to their own history and lore, but many have never recognized or realized it as such when it finds its way into a television storyline, or film premise. As a child growing up in the early to late 1970's, I remember even our early Saturday morning shows that were geared toward our generation touched upon obvious Cainite references. One particular series, called "Land of the Lost" depicted a family stumbling upon an otherworldly gateway that brought them back to a prehistoric time when an ancient race of reptilian creatures called the Sleestak who evolved from the peaceful Altrusians (a likely reference to Atlantis) existed alongside stone-age man and flesh-eating dinosaurs. An elder of that ancient race, named Enik, or Enoch, explained that one advanced entity, named Sol (an obvious reference to the "Sun-god" Lucifer), originally taught them many things that led to the Sleestak's one-time enlightenment, that had since become lost, a common theme in such Satanic Agenda programming. Enik [or Enoch, which is the same name of the firstborn of Cain (See 'Enoch, Son of Cain'] stepped forward to help the family throughout many of the dilemmas that they newly encountered from week to week. Crystals, the "Pylon," time travel, and New Age religious indoctrination were rife in the series. Another Saturday morning program, named Isis, depicted a similar New Age slant, this time utilizing a modern (1970's) school teacher who could become the ancient Egyptian goddess Isis, at will, whenever events demanded that her powers be used for good. In this way, children are exposed to the Masonic agenda, which of itself, is derived from Cainite's own Occult history and lore.
Such shows that were there when I was a child, has more recently given way to even more of a ramping up of Occult themes for the generation that came after mine. Programs that began to appear in the 1990's, such as Are You Afraid of the Dark, Spooksville, Goosebumps, The Haunting Hour, Roswell Conspiracies: Aliens, Myths and Legends, Grimm's Fairy Tale Classics, Marvel Action Hour, ReBoot, Darkstalkers, Sailor Moon, Gargoyles, Batman Beyond, King Arthur and the Knights of Justice, The Mystic Knights of Tir Na Nog, Highlander: The Animated Series, Hercules, Conan the Adventurer, Phantom 2040, Mutant League, Mighty Max, Tenko and the Guardians of the Magic, Mythic Warriors: Guardians of the Legend, to just name a few, all push a Satanic and Antichrist agenda that has now hit complete saturation for this current "Millennial generation." Today, it is Netflix that is churning out the Agenda, with such hits as Stranger Things, showcasing even greater Occult references, so the trend has not slowed down, but is still continuing to exponentially increase with each decade. Because of the increasingly obvious control that such Occultists have in the entertainment world, and even more importantly, their impact on the still unsuspecting masses, as also clearly proven given the way so many people today are embracing some form of an Occult belief, one might ask how far does this apparent mind control agenda go, as it is found not just in films anymore, but in every area of a young person's life, from their classrooms, libraries, and art centers, to nearly 100% of the things they daily watch and listen to on TV, internet, and radio. Many of today's television shows, specifically targeted at school-aged children, for example, have such blatant Occult themes running through them, that you have to wonder how the parents aren't noticing it, at some level. An intelligent mind that is even somewhat awake and observant of the world around them today, would at some point have to ask why do these shows, songs, and videos, all glorify Satan in some hidden or overt way, while at the same time debasing Christ? What benefit does this supposedly all-wise god of such powerfully elite Satanic worshippers, that control entire industries on this planet, have on society?
Certainly, Occult themes in film has been desensitizing the masses in a large way since the Disney era, where tales of Occult indoctrination, magic bloodlines, murder, possession, and horror themes could all hide effectively within an animated 'fairy tale,' but what is new is the frequency and increasingly more obvious Occult propaganda now being presented on a much broader scale then ever before, using live actors. Being the targeted audience of such brainwashing, we have for decades now been made the unwitting victims of their mind control propaganda that ramped up further in the late 1970's thru the 2000's, when George Lucas and Steven Spielberg began to hone their craft. One could argue who is greater among them, but suffice to say, both have taken an entire generation of blockbuster fans into their world of the Occult. Today, this war between Good and Evil is still the storyline of most films that Hollywood is churning out today, largely fought between either super heroes, or the much more realistic, historical legends of old. Either way, a formula for film making has been established, but its one that is absolutely drowning with the Occult and Satanism. From the original Star Wars right up to more recent Hollywood releases such as The Matrix, we are again and again entreated to the same basic themes, with a young neophyte male child (or Royal Prince) imbued with a magical blood or bloodline (or as called in The Matrix, Neo's "way above normal Neurokinetics" and in Star Wars: Episode One, Anakin's unnaturally high amount of Midichlorians found in his blood), are thereby heralded to be "The One," that saves the world, or Universe. Just as King Arthur's Merlin became Obi-Wan in Star Wars, to his apprentice in Luke, Neo's mentor and warrior master became Morpheus, and on and on this theme goes, working its way into many more films that could ever be named here. The Mentor figure in these films then teaches the Messianic apprentice how to achieve great supernatural power that he must use one day to defeat the ultimate evil, as prophesied for him, yet first the boy must confront his father's own dark past, ensuring he is not doomed to repeat it, and upon passing a series of tests, is then guided toward his own epic war that pits the ultimate good against the ultimate evil, in some form of impending Apocalypse. And so, together with his friends, clan, or chosen band of knights, "The One" goes about conquering for the good of all. Some who study classic literature would merely pass all this off as the "Hero's Journey," the nature of any hero, which would be accurate, that is if it weren't for the unique way all of these modern Luciferian films place a rather strange importance, that is at times seemingly out of place, on references to the Occult, supernatural Bloodlines, prophecies, legends, the toppling of the older Father/God establishment, via mutiny, war, deception, and magic, not to mention the placement of a hero protagonist that is akin to a conquering Messiah figure who saves humanity. This same method of passing along Occult information through the guise of a story, has since the days of Mallory's tale, been perfected over the centuries. Today, evil tomes such as HP Lovecraft's Necronomicon, (whether its own 'Mad Arab' backstory is fact or fiction) is still widely used today among Occultists, as well as finding their way into children's cartoons, somehow. Breaking down and reconstituting Occult notions with the goal of infecting children with it's "magic" is as old as fairy tales themselves, yet then it was much more diluted. As we approach closer to the day when the Antichrist is revealed, the powers in control of what we watch and listen to are ramping up their subliminal assault on the masses in order to make them ready to submit on a global scale.
The world was entreated to a very similar theme in DC's Batman, with a son orphaned and taken under the wing of an elder who helps or fosters the child into becoming the dark, brooding anti-hero that everyone can identify with on some level. Thus, it's also no coincidence that Batman has a similar storyline, swapping out the archetypal British mentor figure of Merlin/Obi-Wan Kenobi, with the English Butler, Alfred, who looks after the young Bruce Wayne after the murder of his parents, and eventually helps him develop the Batcave, as well as Wayne's persona toward hero. Thor, Marvel's latest archetypal Antichrist film has been interestingly described as 'the Norse version of King Arthur.' As such, the official storyline reads thusly: "The powerful but arrogant warrior Thor is cast out of the Heavenly realm of Asgard and sent to live amongst humans on Earth, where he becomes one of their fiercest defenders." Interestingly, just as she was used before in the more recent Star Wars trilogy of films, Jerusalem-born actress Natalie Portman plays the intense love interest of the Lucifer/Antichrist-like hero Anakin/Thor/Promethus. What are the Occult producers of these films attempting to subtly portray by tapping a Jewish girl born in Jerusalem to play a young maiden (virgin?) who is swept up by a British (or Anglo-American) hero? Just that. Remember, Israel itself is to be soon deceived with Anglo-Israelism, and "the rising of a Hero." Recall also that Israel was itself referred to as a "young woman" in the Bible, by God Himself, but a woman that has gone whoring after the gods of Satanic nations, making Him angry enough to time and again cause Israel's destruction and/or enslavement, or both. Thus, to the Occult mind of modern film makers, Jerusalem/Israel spiritually falling for the soon-revealed, Anglo-Messiah (Antichrist) can be artfully depicted by a young Jewess, the archetype for Jerusalem/Israel, in this case Natalie Portman, being taken by and falling for the archetypal Arthurian Hero. This exact scenario and storyline employing Ms. Portman was enacted in not only in both recent Thor films, but in all the recent Star Wars films, V for Vendetta, as well as The Other Boleyn Girl. Recall the storyline for Star Wars, where Portman is caught up in her love for Anakin, an Anglo/Norse/Celtic-like boy with a magickal bloodline, great power, and a prophecy foretelling his great humanitarian promise, becoming the hero of the Jedi 'priesthood,' but is turned evil by the Emperor (archetype of Satan). After which, Anakin suddenly turns on Portman's character, and attempts to murder her, to her great shock. Very subtle, when you understand they are depicting the coming true story of how Israel too will one day be thrown in a sudden dismay upon seeing their chosen love, their Moshiach, their so-called Messiah, suddenly turning on them in a single day, to become the ultimate dark-sider. Another Hollywood Jewess being used for their Antichrist propaganda campaign is Scarlett Johansson, starring in "Lucy" (as in Luci-fer), where she plays a woman whose brain is being used to capacity, resulting in her becoming a Goddess having the powers of life, death, and Creation itself, exactly what Lucifer desires most, to become as God.
In one of the promotional posters for the film Thor, a strong visual reference that is undeniably Arthurian in nature, i.e., with Thor seemingly pulling his Hammer from a stone. Thus, in this way and more are they subtly telling you how you are to view this film within an Arthurian pretext and archetype. Certainly, by choosing the one hero whose story/pedigree has him as the once-godly and perfect, turned flawed, fallen, demi-god cast out of Heaven, as Thor was, is to be viewed as the archetype for Lucifer himself, the literal "hero" of Occult believers worldwide. So it is, therefore, that because these films are created by Satan worshippers, their films naturally hold the very Luciferian religious view that Lucifer, albeit fallen from Heaven, is no enemy to man but a glorified defender of him, and therefore should be seen as our collective hero as well. It is this part of the modern literary journey of their "Hero-god," who is ultimately Lucifer, that Hollywood is trying to show us, through their use of myth, via their modern Occult storytelling in film, that Satan is coming soon, in the disguise of a superhero of Light, Lineage, and Magick, and Arthurian at that. Actors used frequently in such films are themselves Occultists and believers of this same insane Satanic religion, many times. Case in point with Christopher Lee, Malcolm McDowell, and David Warner. They also pick actors, like Sean Connery, for example, who themselves are members of one of the myriad of Masonic organizations, to tell their Masonic stories through Occult archetypal films. Many times, the actor need only be British, Scottish, Welsh, or Irish, however. Of course, since the majority of people today have no clue as to what is written in the Bible, it flies completely over their heads when they hear such obvious usage of the Scriptures in film, and since the Occult powers creating these films know the Bible better then even most Christians themselves, ironically, they know they can get away with such Antichrist references with the rest of their intended audiences. Another point these same modern filmmakers want to get across is how to achieve such heights of The Force, or to attain magickal power, you are to completely open yourself to other forces (demonic, of course), and that you should have absolutely "no fear" of doing so. I've lost count of how many films that are overtly preaching this specific mantra.
Perhaps the more obvious Occult influence seen in a recent blockbuster was none other than the film adaptation of J.R.R. Tolkien's "The Lord of the Rings" Trilogy, which showcased more direct Arthurian and Celtic Hero themes. J.R.R. Tolkien was born in South Africa where his father, Arthur, managed a bank. When his father died, his mother, Mabel, returned with her children to Birmingham, England, where she converted to Roman Catholicism. Soon afterward, J.R.R. Tolkien became something of a child prodigy, spending his formidable years in the learning of several languages, including German, French, Latin, and flawless classical Greek. In speech classes, he would surprise his teachers by speaking in Gothic, an ancient form of German. He would also speak medieval Welsh and Anglo-Saxon, and he was developing new languages which, as we all know, were used in his later books. In regard to his later authoring The Lord of the Rings, came to him as a result of the new language that he invented, "Elvish." In time, Tolkien became an Oxford University professor, and while the trilogy was in early manuscript under his pen, he said, “My work has escaped from my control, I have produced a monster.” Tolkien's seminal work certainly lent to bending his Catholic rearing into what would today be called a liberal or New Age interpretation of Christ. For example, Tolkien was a believer in reincarnation, an Anti-Christian tenant to be sure as The Bible does not teach reincarnation and specifically denies it in Hebrews 9:27: “It is appointed unto every man once to die, and afterward comes his judgment.” In fact, there is much blasphemy in Tolkien’s writings, such as the death and resurrection of the wizard Gandalf, who falls into the pit and descends into Hell but comes back transformed and more powerful than before. More liberal Christians see this "white magic" that makes Gandalf a “good wizard” makes him an archetype of Christ, but when Christ Himself was accused of sorcery, He immediately replied that His works were neither the power of Satan nor of his demons. In this, liberal Christianity is easily deceived, never realizing that Satan best operates within the realm of subtlety to destroy all the better. As many of us have known for many decades, the Fantasy genre itself is especially dangerous for children, its intended target. While most children in the 1970s knew enough truth to place divination in the forbidden realm of the Occult, today's children -- who often feel more comfortable with occult games than Biblical truth, see nothing wrong with pagan or sorcery practices whatsoever. Fantasy movies, like Disney's The Lion King, are good matches for the new earth-centered paradigm or world view that is transforming childrens' views of reality. While God told us to continually communicate truth to our children (Deut. 6:5-7), today's culture trains children to see reality through a global, earth-centered filter. This "new" mental framework distorts truth, stretches the meaning of familiar words, and promotes mystical “insights” that are incompatible with Christianity.
Following Helena Petrovna Blavatsky, Tolkien believed in the concept of root races and in the legend of Atlantis. That legend is the touchstone characteristic of theosophy. He said that the Atlanteans were a superior race operating on a superior “spiritual” and physical plane. Many mystics have said that some of those superior beings escaped when Atlantis sank beneath the sea, made their way to India, Tibet, or Egypt, and gave rise to the Aryan race. Berit Kjos says that Tolkien put the legend into the First Age of his mythical history. The destruction of Atlantis came in the Second Age. The Lord of the Rings takes place in the Third Age. But they all fit together as can be seen in "Lord of the Rings: True Mythology." Westcott also believed that the Atlantis story was true and even historical. Tolkien’s ideas about time were mystical as well and as a result, it's not surprising to learn that Tolkien was deeply influenced by the 19th century Romantics, chiefly S. T. Coleridge and George Macdonald, since his friend and literary companion C. S. Lewis, another "Christian" who weaved more New Age into his own works, than Gospel. Tolkien also believed that rationalism and creativity, for example literary work or the creation of a “new” language expressly for his books, were expressions of the incarnation if the Christ spirit into the artist and were from God. Such thoughts showcased Tolkien’s feeling about creativity as an expression of God incarnate *in* man, instead of for man. Verlyn Flieger of the University of Maryland and Mary Carman Rose of Goucher College in Baltimore both have written academic articles on Tolkien’s platonic philosophy. When Professor Ralph Wood reviewed the book, A Question of Time: J.R.R. Tolkien's Road to Faërie by Verlyn Flieger, he concluded that, "Flieger is right to contend that Tolkien shared their neo-gnostic critique of our century's decadent and violent materialism. Yet she fails to see that Tolkien also resists what is spurious in the attempt to have God without incarnation or cross or resurrection-in short, to have God without God." This would surely be a notion not far removed from Satan's own assessment of his Creator, thus, it would seem Tolkien has served two masters, and anyone knowing what that entails also knows it might be expedient for one's own vain spirituality, but in all reality, can only lead to the same destruction as one who actively works against God and His Son. Thus, in a world that is increasingly filled with such a blatant push by Satan's men toward infecting the masses with New Age thinking, seen everywhere in man's leisure, with his books, music, television and films included, Tolkien's works have been well used by Cain's lot to brainwash the next generation into magical thinking focused on Anglo-infused myths of repackaged Satanic Druidism, sorcery and demonology.
As our own generation was beguiled into magickal and Occult thinking through JRR Tolkien's Lord of the Rings trilogy, and CS Lewis' own books, which was always presented not as Occult, but as Christian, how could our own children hope to escape the Occult brainwashing that's happening to them via Harry Potter when Harry Potter itself is being used to infect people with "Christian" notions of the Antichrist? Clearly, children today are being infected by a spirit much more Satanic with each decade as we advance toward Antichrist's revealing. In fact, a recent study by the Barna Group proves 73% of American teens are actively exploring and experimenting with the Occult. Nearly ready, therefore, is this newer generation of increasingly heretical-thinking hive mindsets based on selfish lust, greed, vanity and magick, the hallmarks of paganism and modern Satanism itself. And yet, all of this has been prophesied for our last generation which is depicted in Revelation as being the haters of God and defenders of God's already destroyed kingdoms of Sodom and Gomorrah. Needless to say, Satan has found an audience in this younger generation, and this generation has found him, not as that monstrous villain he truly is, but as some kind of Hero that they desire most, again, as designed. This is precisely why all of today's media is directed as making evil appear as good, and good to appear as evil, and corporations spend billions in this effort. Another recent phenomena that today's children are forced to endure, or enjoy, is the deluge of media that has come about in the wake of Harry Potter's global success. It should come as no great shock, especially to wiser parents, to discover the truth that many of the same words, phrases, spells, symbols, and sigils that are found in such children's books as Harry Potter, are lifted directly from the most obscure and rare, albeit authentic books on Satan and his Occult. The magic of the Harry Potter spell and franchise which has been in effect since the year Princess Diana was killed, has taken over the minds of children the world over. With the membership of her characters bound into a magical Secret Society, via a private (obviously British) school of Magic, one has to wonder if JK Rowling herself is not an Occultist. Her books contain too many clues that have been clearly 'borrowed' liberally from long-established Occult books, not to mention the rune-marked forehead of her magical-learning protagonist. Her 2005 book and later film entitled "Harry Potter and the Half-Blood Prince" makes endless references to magical Bloodlines and a destined Prince to rule, becomes intriguing after understanding Prince William himself is believed to carry a half-magical lineage via his mother's Merovingian Bloodline, a Bloodline entirely connected to Occult Magick. Then we have Rowling's enigmatic choice of the name hARry PotTER rendered via the Occult use of anagrams as Arter, or better, as Arther, if you simply carry over the 'H.' Of course, Harry Potter's name was likely never created by Rowling to begin with, but lifted from the Druid and demonic-inspired 1986 cult film Troll 2.
While Harry Potter is always on a quest that ends in his increasingly taking on more power, The Lord of the Rings that tells the story of an anti-quest, not to find something, per se, but to destroy that which was found, a story amidst much witchcraft, magick, sorcery, epic battles and wars that ends with a "The Return of the King," a story that speaks to Royal Bloodlines and their own importance to the rightful restoration of a King and Kingdom of Peace. Christian or Occult? Interestingly, the first installment of the Peter Jackson's trilogy “The Fellowship of the Ring,” was released in movie form on December 19, 2001, shortly after the two towers of the World Trade Center came down. he second installment was called, interestingly enough, “The Two Towers,” released December 18, 2002. The third installment of Tolkien's work turned movie was named, interestingly enough, “The Return of the King.” It was released December 17, 2003, and broke an all-time record for ticket sales. All three films were released at the time of the Witchcraft sabbat of Yule, and just before the Winter Solstice, a pagan and Satanic high "holy day." Throughout 'The Two Towers' and 'The Return of the King,' it is King Aragorn who struggles with himself, with a failed legacy of his father before him, not knowing if he could carry out what fate has already revealed, as being the one bringing back a lost Golden Age or Age of New Reason (translation: A "New Secular Order"). JRR Tolkien admitted more than once that LOTR borrowed Arthurian archetypes. This would infer that King Arthur became King Aragorn, Merlin taking on a familiar form in Gandalf the Wizard, and the Knights of the Round Table [reminiscent of the nine original Knights Templar who themselves patterned their Order after the early French romances of Arthur's Knights] became the nine-man "Fellowship of the Ring" embarking on their Quest to destroy Sauron's (Satan's) Ring of Power. It would also seem that Tolkien weaved the Book of Revelation into his timeless story, as well. Tolkien's contemporary, C.S. Lewis is another author that is used for the Occult's media purposes into the minds of generations of many, both Christian and non-Christian alike. Even today, many are not aware that he authored "That Hideous Strength" a novel based on King Arthur. 'The Lion, the Witch, and the Wardrobe,' like 'The Lord of the Rings' also presents an unlikely hero who takes on much more than he ever thought he was capable of, until tested. Moreover, many (namely Christians) are deceived into thinking that the cleverly disguised Lion King "Aslan" is somehow based on a resurrected Christ, when the character is actually based on Satan, with the name (Aslan) even being an anagram for Satan. The sequel named 'Prince Caspian' utilizes the same subtle promotion of the Occult path cleverly crafted for the masses, yet easily understood by those less blind to see it.
Certainly, therefore, Bloodlines and Magick, are increasingly being used in these films in order to subtly convey to us all of the little-known histories of Cain's lineage, their Satanic lineage that binds them all to the fallen rebel angel, as well as binds them to their coming Messiah Prince-future King. A perfect example was seen in the original X-Men film released in the year 2000, which used the old comic book storyline about superhero 'mutants' living among us, but were concerned to reveal their presence, to convey that literal mutant hybrid-human beings, descended from their father, Satan, have been quietly living among us all along, but now want to reveal themselves, and their Occult (super)powers, because the time is coming when they shall no longer have to hide, but are to be made as first class citizens in their coming Dark Father's Kingdom. Therefore, we are on the verge of a hostile, global takeover, literally, by Lucifer's children here on earth, as well as those who are not as bound by either time or gravity, and together shall they bring the rest of us into their New Age, that is to last for 1,000 years, as to counterfeit Christ's own Millennium, the true New Age of God with men. Today, there is an indisputable ramping up of Occult symbology seen in modern film, with sun and pyramid symbology being most prevalent, yet also Grail, Round Table, Dragon, Antichrist, and Excalibur symbols as well as both Arthurian and Merovingian histories, art (paintings, tapestries, glyphs, symbols, etc.) appearing in the background and props of these same films. Start looking in the background for symbols and Satanic-looking or Arthurian props, and you'll see it literally everywhere in these films. It's almost as if the writers, producers, even many of the directors down to the set designers and prop-makers themselves are in on the Occult action, dangling clues right in front of our faces all these years knowing that almost none of you will be able to make the connections quick enough to catch on as to what's really being subtly transmitted to you, via their very purposefully done, subliminal and archetypal-based, Occult ideas. By Summer 2009, NBC has released KINGS, a program about a very Prince William-looking King ruling a near future world, and the upcoming June 21st NBC debut of MERLIN. Also in 2009, came the series 'The Walking Dead,' yet another post-apocalyptic program set in America. In 2011, the world was given 'The Game of Thrones,' starring a favorite British actor often used in Antichrist propaganda, Sean Bean, who plays Lord Stark, who looks a lot like what King William V might look in the future. In Game of Thrones, Lord Stark is drawn into schemes against the evil King Baratheon. Notice, Baratheon contains the same letters that make up both the names of THERION and ARTH[E]R.
In Summer 2012, Disney and Pixar released "Brave," a blatant Celtic-themed film whose plot revolves around a magic bear (Arthur means bear in ancient Celtic), pagan stone circles, Celtic Druid magic, and lingering evil spells, all of which is presented as "innocent" storytelling. Most assuredly, the "fairy tale" or Medieval Fantasy theme is being repeated with great success in every kind of media today, with interesting results, as the genre does turn every increasingly younger children into Occult study and research, again, as designed. Also for 2012, look for an NBC television program called Revolution which depicts a post-apocalyptic Chicago, some fifteen years after "the Blackout," that is no doubt tearing a page right out of what's coming to this world in that time just after 'the Collapse.' It's producer, JJ Abrams went on to direct the more recent Star Wars film(s). "Hope Lights the Way" is the show's slogan. The word "Hope" has been well used before in metaphysical and Occult writings, also finding its way into film taglines in recent years as a code word for the Antichrist himself, who apparently to the Occult mindset, is to be a great man of both hope, and change. In fact, the words: Change, Hope, Hero, Rise, and Legend are the five most used buzz words (ad nauseum) used by the television and film industries to subtly denote their own legendary hero of hope, and change that is prophesied in Revelation to "rise from the Pit," the Antichrist. How many times have you heard "Change is Coming" or "Hope Needs a Hero" or "A Legend will Rise?" in TV or film commercials and theater trailers? It's countless. Another trend of late that has been used for centuries among Luciferian societies of the past, is the promotion of the Divine Feminine, of which we know is Lucifer in his role as a pagan Goddess or Oracle who controls nature and the things most connected with the feminine spirit, being elemental nurturing, intuition and magic. This, no doubt, keeps in line with the Occult notion of the all-powerful Mother Goddess, and its 'green religion' that Satan uses in the last days to enslave mankind just long enough until he leads them into Hell. As you may have read on the main page, it is my firm belief that the Antichrist will seemingly worship "a god whom his fathers knew not," in the form of an ancient pagan "God[dess] of Forces" who has seemingly made much more palatable, if not familiar for our consumption. Thus, we see roles of the so-called "Divine Feminine" also being cast in modern film alongside their male Hero counterparts. We've seen this dynamic at work in the recent 'Batman Vs. Superman' film with Wonder Woman (DIANA PRINCE; interesting name) taking a leading role in helping the two male Messianic protagonists destroy the evil god that was "Doomsday.' Interestingly, while the world is besieged with everything anti-Biblical, this has not deterred Hollywood from making its countless not-so-veiled references to such inherently Biblical and Christian concepts as Doomsday, Apocalypse, Armageddon, Messiahs, Gods, Devils, power of the supernatural, Good, Evil, Heroes, and Villains. True, every story must contain the struggle of cosmic duality in some form or another, even as it is the struggle within us all, but doesn't it seem that today's Illuminati programming is ONLY telling the Christian interpretation of Good vs. Evil? Why? Because according to them, Christianity is false, but how can that be when they are constantly debasing Christ and the Bible whilst heavily promoting the Antichrist, Witchcraft, and Satanic cannibalism in some subtle or overt way?
While Satanic-run Hollywood consistently portrays Lucifer as a 'god of freedom' and ultimate excercise of free will, despite his actually becoming the enemy of all mankind that binds man to death and Hell, Christ is made to appear as spiritually flaccid and weak. It's all a battle for your mind, period. The freedom that Christ provides a soul MUST be extinguished on all levels according to the Hollywood paradigm, while in Christ's place, is promoted the Antichrist. The film Tomb Raider, for another example, cast an heroic, goddess-like character in Angelina Jolie (now a UN Ambassador for children) who battles "The Illuminati" in order to save the world against their impending destruction. So here we have a perfect example where Hollywood psychologically pits the Antichrist-like (or Goddess-like, in this case) Hero against the Evil in order to force the narrative that as long as someone stand up to fight an obvious evil, that in turn MUST make the Hero as good. Such a notion easily fits into the coming Antichrist paradigm when Satan presents one evil (to be toppled) by the other evil (that is to be seen as good). Such subtle twists of the Biblical narrative sets the human mind up to believe that if the Hero seems to be good, that he therefore IS good, despite his countless connections to everything evil. In the world of the Occult mindset, everything is backwards and turned upside down, which fulfills the Scripture stating that in the end of days, evil will be called good, and good will be seen as evil. Not to be outdone in this regard, NBC is attempting to keep up with their own spin on the Legend/Hero/Antichrist programming in the form of Rosemary's Baby (no explanation needed there), Constantine, Grimm, Dracula, and several others, whilst the A&E Network has picked up "Damien," and Fox has renewed the hit "Lucifer" for 2018. Hollywood provides their 'rising stars,' as well as their most elite actors, various Occult roles because they're connected to the Satanic 'Blood Royale' themselves, whether they themselves know of it or not - to act as liaison's for the Beast, in which they become our worshipped stars and heroes and act as an effective place-holder for his own arrival on the future 'red' carpet. The red carpet itself was a symbol of European's Royal ancestry and connection to the 'Blood Line.' In turn, most actors never realize they are just another LHP figurehead and puppet for their Illuminati handlers hiding behind the scenes, who are usually the show's producers and those who work for the producers, such as the managers of the star's themselves. In short, the Illuminati have always worked like a cheap pyramid scheme with Satan at the top, his children of Cain ruling the planet for him, and those lowly handlers that kiss up to those global rulers, who carry out the more menial work. In the Hollywood game, this translates to finding new talent to recruit to leech from, but translates into the more sinister kidnapping and Satanic blood sacrifices of children, to all of those Satanists that exist far from the glare of Hollywood's neon lights. Back to the Hollywood example, it is within the last tier of that pyramid that we have the recruited talent, who serve as ass-kissers for their Occult handlers. While always at the bottom rung of the global Satanic pyramid, they are provided low-level Occult knowledge to bring them into the fold, and closer from whence they themselves can ascend toward the next ranking to become the handlers for other younger talent. Johnny Depp, for example, who moved his way up from lowly actor toward handler status, now recruits "new blood" toward puppet status, whereby the circle of evil, that for so long no one else could see, continues toward prepping the world toward Satan's ultimate goal, to rule the world in the flesh via Antichrist, the Son of the Dragon.
A more recent film titled Noah (starring Russell Crowe and Jennifer Connelly) has been released depicting Noah and his family as the last of the righteous line of Seth, the same lineage that goes on to produce Christ, juxtaposed against the villainous King of the Cainite civilization, named Tubal-Cain. Tubal-Cain is the ruler of the city of Enoch, the city built by his ancestor, Cain. Interestingly, Freemasons and other Satanic secret societies collectively worship Tubal-Cain, the son of Cain's seventh generation, as the first Cainite who was born that no longer needed God's mark of protection on him, which is one of the reasons why he is so revered in Satan's societies. Tubal-Cain represents, to them, the Founding Father of all worldly evil. And to let us all know that the creators of this film are knowledgeable in the things of Satan's prodigy, we are treated to one of many clues that link Satan to the Cainites in this film. For example, Tubal-Cain adopts the Satanic credo created by Anton LaVey ("Do what thou wilt, shall be the whole of the Law") with a similar credo of their own that graces the film script: “A man isn’t ruled by the heavens,” Tubal-cain says, but “by his own will.” Director Darron Aronofsky called his movie “the least Biblical Bible film ever made.” Something else that suggests a serious divergence from the Biblical account is that not once during the entire film is the word “God” ever mentioned. The film also adds certain references that are only found in ancient apocryphal works, such as the questionable Book of Enoch. For example, after Cain killed Abel, Cain took refuge under the eyes of those fallen angels called the Watchers, giant multi-armed stone golems, whose leader, Samyaza, ensures that the wandering Cain is protected from those who would seek his death. The Watchers then help Cain and his descendants build the first 'human' empire of decadence, east of Eden, just as the wickedness of man spreads throughout the world. From there, the film takes a major turn away from any known account, to make it appear that the Watchers, who are clearly condemned in the Bible as having "left their first estate" to take mortal wives and fathering the Nephilim, are then forever "reserved unto everlasting chains of darkness until the Day of Judgment." So for the film to depict the very same Samyaza as somehow finding God's forgiveness is immediately suspect, due to the Scriptures actually citing that the very presence of the Watchers, and their offspring upon the earth, along with mankind becoming infected by them, is the primary reason God destroyed that world in the first place! What has every good Christian still reeling to this day is the notion that once Samyaza is killed, he then ascends as a glorious Angel back into Heaven. Such a notion is outright Masonic and Luciferian on its face, because the implication given is that if there is salvation for the rebel Watchers, then there is also forgiveness for the rebel Fallen Angels, as well as their rebel leader, the once Holy Cherub, Lucifer himself.
Because Noah did meet with some box-office success, however, look for more upcoming films to twist the Biblical account for Antichrist aims in the near future. Moreover, look for a big name (such as Spielberg) to make the next Biblical epic using and twisting the Bible according to the Satanic agenda, with the stars of the film being connected to prior Satanic/Occult film works before. Of course, not everyone tapped to play in such roles are themselves Satanic or practicing Satanists, but many actors in Hollywood are however chosen for one reason or another that can relate anywhere from their own Cainite pedigree and/or something as simple as their given name. Case in point with how Charlize Theron's star is rising. Interestingly, her very name Ch-AR-lize THER-on works out to be 'Arthur' using a liberal form of anagram that has been likely noticed by film exec's who make the heavy use of subliminals their business. Theron (which also sounds a lot like the Occult power word, THERION) has recently starred as the Evil Queen (in Snow White & the Huntsman). As bright of a star she may be today, Theron was virtually unknown in 1995, when she played in her first feature film "Children of the Corn III," dealing with ritualistic human sacrifice. Within two short years, Charlize was cast opposite Keanu Reeves as the wife of the Antichrist (played by Keanu Reeves) in The Devil's Advocate. Since he has played in the 1992 adaption of Bram Stoker's Dracula, Reeves was picked to play everything from the literal Antichrist himself in "The Devil's Advocate," a film about becoming enlightened to the dark nature of his true father, the Dark Lord Satan, to The Matrix where Reeves played a Cyber-Messiah named Thomas "Neo" Anderson, with 'Neo' meaning New and 'Anderson' meaning the Son of God, thus, the New Son of God. So, when you factor in the knowledge that Anti-Christ actually means, One who comes instead of Christ, you can see where the Wachowski brothers were going with their Occult-devised, Eastern/New Age religion infused, Anti-hero. Perhaps more telling is that these same Wachowski brothers are well known to be Occultists themselves, which is on full display in the naming of the other characters within the Matrix trilogy, such as: Trinity, Seraph, Apoc[alypse], Smith, Cain, Abel, the Twins, and the Merovingian. In fact, The Matrix contained innumerable veiled references to the Antichrist, his Grail lineage, as well as showcasing his supernatural abilities to kill in a war started by the Machines that secretly control the planet. And yet, some idiots never can see the obvious connections, let alone the agenda behind all of it, because that would require actual working knowledge of both the Occult, and the Bible, two things they're too busy playing video games and buying film and concert tickets to ever notice, despite today's games, film, books, and music deluged in the agenda themselves (and despite the Wachowski brothers admitting more than once, that they used the Occult and the Scriptures to base The Matrix trilogy upon.) Case in point...
Reeves was later asked to play in another recent film dealing with its own not so subtle references to the 'Son of Satan' within it, named Constantine, while the Matrix creators went on to create Jupiter Ascending with its enigmatic title meaning Ascending King, a film that is quite effective in nurturing the idea that one man, a legend, a survivor, shall soon arise to lead us all out of a darkened age. Similar to Jupiter Ascending, is the film "Green Lantern" which subtly depicts the Occult beliefs behind Lucifer's source of power, which is the Emerald "Grail" stone, that fell with him from Heaven and is lost. Once found, it is believed that Lucifer will be restored back to his original glory and overcome God. An even more Occult-laced film named Prometheus finishes the thought of why this Emerald is so important, to Lucifer/Prometheus, and thus his children who reign upon the earth. Interestingly, the 1982 film Excalibur, depicted the magical sword having an eerie green glow, from some unknown source, with the Occult idea being that Excalibur itself, was forged out of and thus powered by Lucifer's Emerald, that once adorned his Heavenly Crown. The same film Excalibur, (again, directed by the same man who directed The Exorcist II) has become a kind of Occult classic, in that it leaves many other Occult clues throughout the film, relating to a coming, future King, who will rule the world, like Arthur once ruled his Camelot. Its actors have also gone on to take other similarly interesting roles. Liam Neehson, for example, has racked up quite an impressive number of films which all relate to the classic Arthurian theme. For another example, In Star Wars Episode I, he plays the Merlin-like elder teacher who trains his young apprentice in the ways of the Jedi Knight, explaining to Annakin about how and why his bloodline is destined to be a conduit to The Force, with the Force used as an archetype for Satan's power. The "Force" itself was obtained from The Bible in the Daniel scripture citing that Antichrist shall worship, and seemingly obtain power by, a God of Forces. Neehson has gone onto play similar roles in such films as: Arthur the King, Kingdom of Heaven, Darkman, Batman Begins, Krull, Rob Roy, and more recently, in Wrath of the Titans, another flim where Angels, demons, and gods clash, in which he makes veiled references to a final war and "the end of the world." Neeson was also the voice in The Lion, Witch, and the Wardrobe as the talking Lion-mentor "Aslan," a name that on its face looks like S-a-l-a-n, or Satan, 'the Lion who goes to and fro in the earth seeking whom he may destroy,' as the Bible describes him in 1 Peter 5:8. Thus, it does appear tht actors chosen for their voice alone also holds archetypal worth.
Sean Connery, who was 'knighted' by the Queen herself, has enjoyed a long and successful acting career starting out with his role as James Bond, a MI-6 Spy who carries out various wet-works (murder) on behalf of Queen and country. What most don't know is how Ian Fleming incorporated Freemasonry's idol/Father, Tubal Cain into the character of Bond, or in this case - Two-balls (00) Cane (7) to arrive at "007." Connery's later films included some very interesting themes in themselves, as many were Arthurian-based. His Arthurian films that span across decades, include: Sword of the Valiant, Sir Gawain and the Green Knight, Indiana Jones and the Last Crusade [a Grail film], and First Knight, where he plays King Arthur himself. Other interesting roles cast for this Scottish Freemason and Queen's Royal Knight, were his Merlin-like role in Highlander, where he plays as a sword-wielding mentor to the vengeful Connor McCloud, an immortal hero archetype who is trained to be "The One."
In Dragonheart, Connery plays as the voice of "the Red Dragon," a lovable, wise-cracking serpent/Dragon who helps a young Arthurian-like hero achieve riches and fame. In the film The Avengers, Connery returns as a wealthy British aristocrat hellbent on conquering the world via controlling weather (HAARP), and as an elder mentor again to 'The League of Extraordinary Gentlemen.' Parallel to an Arthurian theme, Connery played Alexander the Great in the 1980 film 'Time Bandits,' which also starred David Warner, who was casted as Satan himself. Four years earlier, Warner starred in The Omen. Going back further to the late 1960's, David Warner was cast as a struggling British playwright who writes a play about Satan. In 1994, David Warner teamed up with the Omen III's Antichrist actor, Sam Neil, in The Mouth of Madness, about a fictional author Sutter Cain. David Warner, has also lent his uniquely sinister talented voice into other projects connected with Occult and Satanic themes. For example, in the mid-1990's, he took on the role of the evil Druid Wizard in Disney's animated hit "Gargoyles." Interestingly, Sam Neil, who played the Antichrist in The Omen III: The Final Conflict (1981), likewise played in other films with strong Antichrist (Celtic/Pagan) themes including NBC's mini-series Merlin, as Merlin, the infamous wizard to King Arthur. Not to be outdone by anyone in the States, the London-based BBC has produced an Arthurian program of its own directed at British Millennials, called "Merlin," staring Bradley James as Prince Arthur. This one includes very subtle homosexual undertones as a very young, awkward, geeky version of Merlin slowly falls in love with Arthur. The series managed to garner some success both in America and the U.K. Bradley James, the actor who played Arthur, next is to star in his own TV series set for March 7th, 2016, titled "Damien," (based on The Omen) where he will play the Antichrist. From King Arthur to Antichrist, this is not a coincidence.
Another British actor seen in Occult Antichrist films is Michael York, who played Stone Alexander, the British-born Antichrist in two Christian films: 'The Omega Code' and its sequel 'Megiddo.' In between the releases of those two films, York was also cast to play a reincarnation of King Arthur, on the relatively long-running science fiction series 'Babylon V (5).' Remember, King William The Fifth (King William V) will more than likely be the self-given name to Prince William upon his coronation as King. Other examples would include the film "1984" which starred John Hurt, the oppressed protagonist whose world was controlled by Big Brother, a televised Antichrist figure. in 2005's "V For Vendetta," ironically enough, John Hurt this time plays the Orwellian "Chancellor," the tyrannical Big Brother Antichrist archetype who rules Britain with an iron-fist via television monitors and martial law. In many respects, V For Vendetta shows just how one man could assume complete control, over England, even over the rest of the world, after the coming Collapse of society. Such purposeful twists of irony like that seen between 1984 and V For Vendetta, are a rampant-running theme in these increasingly made films where its creators almost seem to thumb their noses at the dim-witted audiences, whilst infusing all manner of subliminal levels of Occult information, clues, and countless references to the Bible, the Antichrist, and the Occult's larger plan of how England shall fair in that time coming under the auspices of its world's leader, the Beast. Incidentally, John Hurt is currently the voice of "the Dragon" in the BBC's new hit TV-series "Merlin," not to be confused with (America's) NBC's own television mini-series "Merlin," that starred the one-time, albeit well-remembered, Antichrist actor from The Omen franchise, Britain's own, Sam Neil. Clearly, the choice of actor to play a specific Occult role largely depends on the former roles he or she has already played. Also interesting is the fact that a single film can then spawn an entire Occult film career. Take the original 1981 Excalibur film for example, the same film that launched the epic film careers of Gabriel Byrne (who played Satan in The End of Days), Nigel Terry, Nicol Williamson, and Patrick Stewart, who have all gone on to even more intriguing roles in later Occult/archetypal films. King William V would be proud. Helen Mirren (Morgana) has played major roles in Elizabeth, and The Queen, respectively, as well as National Treasure II, a film that puts a positive, deceptive, spin on the Satanic Knight's Templar and Masonic roles in the creation of the United States. Michael Caine has played in several blatant Antichrist agenda films, between television and film including The Adventures of Sir Lancelot in 1956, the same year he started out as an actor, The Man Who Would Be King, The Last Witch Hunter, Jack the Ripper, Bewitched, Children of Men, Now You See Me, Kingsman: The Secret Service, and in The Dark Knight films with Christian Bale. Sir Michael Caine was knighted by the Queen in the year 2000. He usually plays a kind of Merlin or elder wise mentor figure to the main character.
Patrick Stewart has been in everything from the alien agenda, and New Age promoting, Star Trek series and films to, most notably, an underrated movie named 'Conspiracy Theory,' where he plays a key member of a Secret Society that kills and tortures people exposing their hidden agenda. In it, Stewart is in charge of kidnapping Mel Gibson's character, a man operating a newspaper that exposes various government conspiracies. Despite his Occult-influenced 'Passion of the Christ film', Mel Gibson seems right at home being used as an Occult dupe going back to at least 1979's Mad Max, a post-apocalyptic film. Since, he has played in everything from Signs, an alien agenda film, to Braveheart, as William Wallace (Scotland's own King Arthur), Gibson has managed to stay well within Hollywood's all seeing eye. As stated, not every actor mentioned here is in known league with Satanism, as some actors are chosen by Occult filmmakers (who are entirely Satanic) merely because of past typecasting where they've been in one or more 'agenda films' before. I believe Mel Gibson, and actors such as Willem Dafoe, fall into this latter category. For example, in 1988, Dafoe starred in the Satanic-beloved film "The Last Temptation of Christ" as Christ, who has visions of having sex with Mary Magdalene (of "Holy Grail Bloodline" infamy). He has also played in at least two vampire films, "The Hunger" and "Shadow of the Vampire," and enjoys a recurring role as a super-villain in the Spiderman franchise. However, it is his more recent, 2009 film titled "Antichrist" [see film poster below] as well as his 2013 Mercedes commercial, where he plays Satan himself, wearing a Masonic ring, that is getting him noticed to be at the very least, used by wealthy ad exec's as their 'go-to man.' Other such actors who've made it their careers to star in similar Occult films, are: Ian McKellen, Ian McDiarmid, Michael York, Sam Neil, John Hurt, Rutger Hauer, John Gielgud, Sean Connery, Christopher Lee, Malcolm McDowell, David Warner, Jürgen Prochnow, Udo Kier, Christian Bale, Ian Holm, Nicholas Cage, Keanu Reeves (Neo), Johnny Depp, Gary Oldman, Michael Ironside, Pete Postlethwaite, Ewan McGregor, Julian Sands, Brad Dourif, Hugo Weaving, Lance Henriksen, Cate Blanchett, Helena Bonham Carter, Anjelica Huston, Ralph Fiennes, Mads Mikkelsen, Daniel Craig, William DaFoe, and Sean Bean.
Nichol Williamson, aforementioned, who was cast as Merlin in The 1981 Excalibur film, was again cast some 18 years later to play a strangely familiar role of a wizard-like mentor figure literally from Hell in the 1997 film, 'Spawn,' which was the first comic book adapted, superhero film to blatantly use Satanic imagery, with Spawn being a conflicted "hero" dispatched by Satan himself, upon the earth. The following year saw another black actor turned comic book hero, named Blade, a film with strong Cainite imagery throughout. In one memorable scene, we are treated with a glimpse into what appears to be an Illuminati group meeting, where Vampires (Cainites) discuss their global affairs and control over the human race. Usually, whenever a choice is made in these type of films for an actor to play the evil Satanic character (or Messiah figure) it is almost always a well-seasoned British actor complete with his heavy British accent, that never seems out of place. For example, the creators of Blade hired on British actor Udo Kier to play Dragonetti, the Illuminati Overlord leading the Vampiric 'House of Erebus.' The House of Erebus was composed of 12 "Pure-Blooded" vampires, which is an obvious wink and nod to the reality of the existence to the so-called 12 Illuminati Families, not to mention the name "Dragonetti" is obviously the fusing together of two words, Dragon (as in Satan) and Illuminati. Together, the subliminal idea given to us is that Satan, in the form of a British Lord, or King, who is born out of one of the Twelve Tribes of Cain, will be the Antichrist. Understand, they are telling us bits and pieces of their Occult knowledge, in a kind of modern archetypal code. You have to open your eyes and ears to catch all of what they want to tell us. Of course, it's more that they are wanting to speak to their own Occult kind, more than inform us of what is coming, because we, as humans, are to be left completely in the dark and entirely deceived by them, being the literal Children of the Devil, and as they see themselves, as our Overlords. They actually believe that they, not God, reigns over us, and more often than not, we have allowed them to control us, as well as manipulate our thinking regarding everything from lifestyle, political viewpoint, to religion, everything they know could keep us as slaves to them. No one can deny the increasing usage of apocalyptic themes in film and television today, which are, in fact, preparing us in another way for what else is coming.
American actor Johnny Depp has starred in a long list of Occult-themed films, from the original 1984 Nightmare on Elm Street (his very first film), to Sleepy Hollow, Fear and Loathing in Las Vegas, Corpse Bride, Sweeney Todd: The Demon Barber, Dark Shadows, Into the Woods, Black Mass (Satanic in title only), From Hell, The Nine Gates, Marilyn Manson Say10, and Fantastic Beasts. Among these, From Hell, focused primarily on the Freemasons involvement in the Jack the Ripper murders in Victorian London, while The Nine Gates, more than any other film he starred in to date, was far and away the most Satanic film Depp has ever been involved with. In the Nine Gates, Depp plays Dean Corso, a New York City rare book dealer who makes his living conning people into selling him valuable antique books at bottom prices before re-selling them to rich private collectors. The film's producer is none other than Roman Polanski, who will never fully escape his own association with affluent friends in Hollywood, murder, illicit sex, and the Devil. Early in his career, Polanski made the influential Antichrist masterpiece Rosemary’s Baby and was falsely rumored to have recruited Anton Lavey, the head of the Church of Satan, to advise him on it (and possibly portray the uncredited Lucifer character that impregnates Rosemary). The film was shot in The Dakota, (the exclusive Manhattan apartment building where John Lennon was later murdered. Interestingly, it is believed that John Lennon’s musical audio landscape Revolution 9 (and the 'White' album} is what unhinged Charles Manson, who shattered Polanski’s life with the gruesome murder of both his wife and unborn child, at a house where Lennon stayed while The Beatles were in California. Despite that, or perhaps because of it, Polanski has never shied away from horror in his later films. As such, thirty years after Rosemary’s Baby, Polanski conjured Satan again in The Ninth Gate. The Ninth Gate is an adaptation of The Dumas Club, a book written by Spanish novelist Arturo Pérez-Reverte. The story revolves around Depp's character who is hired to authenticate a Satanic grimoire known as De Umbrarum Regis Novum Portis or The Nine Gates to the Kingdom of Shadows. As the story goes, The Nine Gates was written in 1666 by the fictional Aristide Torchia while in possession of the Delomelanicon, a book allegedly written by Satan himself.. Lucifer gets partial credit for woodcut engravings, but no residuals because all but three of the books were burned at the stake along with the author. A cult formed around the book believing that it contains instructions on how to conjure Satan. Not coincidentally, Depp's portrayal of a rumored child sex ring member, the late author Hunter S. Thompson in the cult film 'Fear and Loathing in Las Vegas,' made references to child sex enslavement, trafficking, Satanic sacrifice, and obtaining the pineal gland from sacrificed victims in order to obtain the ultimate "high." Whether or not Thompson had involvement with those in the underground traffick rings, knew someone who was, and carried a resulting knowledge of such evil, is not readily known, but it remains of great interest that his book and the film touched upon the topic in a most specific way as to involve the extraction of the pineal glands from unwitting victims, as a ritual of Satanism.
Autumn is always a time of Fear and Greed and Hoarding for the winter coming on. There is always a rash of kidnapping and abductions of schoolchildren in the football months. Preteens of both sexes are traditionally seized and grabbed off the streets by gangs of organized perverts who traditionally give them as Christmas gifts to each other to be personal sex slaves and playthings. Most of these things are obviously Wrong and Evil and Ugly — but at least they are Traditional. They will happen.
Hunter S. Thompson, Kingdom of Fear
No sympathy for the Devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well maybe chalk it up to forced consciousness expansion. What kind of monster client have you hooked up with this time? Satanism freak. I think there's only one source for this stuff - the adrenaline gland from a living human body. I know. The guy didn't have any cash to pay me. He offered me human blood, said it would take me higher than I'd ever been in my life. I thought he was kidding so I told him I'd just as soon have an ounce or so of pure adrenochrome, or maybe just a fresh adrenaline gland to chew on. They nailed this guy for child molesting. He swore he didn't do it. "Why should I fuck with children ?" he said. "They're too small."
Hunter S. Thompson, Fear and Loathing in Las Vegas
Frank Langella (who starred as Dracula on stage and screen) plays Boris Balkan, an affluent man who hires Corso to retrieve 'Satan's Bible.' Roman Polanski’s wife, Catholic convent student turned model and Ultra Orange singer Emmanuelle Seigner, plays the possessed girl, who later turns out to be either Lucifer himself, or one of his demons. Rounding out the cast, Polanski borrowed Barbara Jefford from the Royal Shakespeare Company to play the wheelchair bound, Satanic cult Baroness Frida Kessler, while Jack Taylor, who made a nude appearance in Jesus Franco's 1974 pornographic horror film, Female Vampire, plays Victor Fargas. In the film's climax, with final possession of the formerly missing illustrations of The Nine Gates, the actual power behind the book, Balkan attempts to conjure Satan. He does this at an interesting location known as the Château de Puivert, the castle where the Catholic Church initiated their Crusades against the Cathars, the Knights Templar-like cult in the South of France who were connected to the heretical Holy Grail Christ-Magdalene Bloodline, not coincidentally enough. Believing that he has rendered himself indestructible, Balkan sets himself on fire to prove Satan's power but is surprised to find that the flames are killing him. Corso puts Balkan down with a gunshot and grabs the engravings, barely escaping the flames himself. Once outside, the enigmatic girl waiting for him discovers Corso has been successful in retrieving the true Nine Gates. In her apparent joy at the epic completed task, she proceeds to have sex with Depp's character, seemingly imbuing him with Occult knowledge, as her eyes fill with demonic fire. Corso discovers afterward, that she is actually depicted in the final engraving of the book, as the Whore of Babylon, riding upon a Dragon and motioning to the archway of the illuminated castle entrance. The final scene thus shows Corso walking into the lighted doorway of Château de Puivert, where it is assumed that he has finally become one with the white light of Lucifer, for eternity. Because Lucifer is equated with God to Occultists, the message given is that man can become God, not thru Christ, but only thru Satan. This will also be the ultimate message of the future Antichrist. As such, Polanski presents The Ninth Gate as a seduction, of both flesh and mind, where the Devil operates and works against each one of us.
While Satan has a stranglehold on film audiences, television audiences, as mentioned, have not escaped the torrent of evil Antichrist propaganda either. The ceaseless running of documentaries on our televisions today about apocalyptic disasters, prophecy, legends, and all the obvious fear mongering with end of the world themes are certainly blatant enough, however, its their inclusion of their own brand of a very New Age and Occult interpretations to all these events that's most telling about their spiritual intent. In fact, one way of determining the intent of any Biblical documentary that you're watching, is to see how far they twist the Bible away from its former traditional interpretations into ones that cast a completely alternative "new light" to befit their Satanic New Age paradigm. The History Channel, National Geographic, A&E, Oxygen, Lifetime, and others each have their own slickly-produced documentaries ranging from the heretical Lost Books of the Bible to the 'misunderstood' resurging global religion of Witchcraft and its now 'positive influences' are reshaping society, to Secret Societies and their own 'positive' roles in history, as well as everything else explained to us in skewed documentary form, from demons, poltergeists, ghosts, and other spirit contact, to the Devil himself, Hitler, Occult Nazi's, Nostradamus' prophecies, and now UFO's and their aerial controllers being "Ancient Aliens" who altered man's DNA and imposed themselves into earth's ancient history. Interestingly enough, there has also been a notable spike in American, British, and even European documentaries regarding ancient Britain, with many of them delving into the Dark Ages Era and its legendary hero, King Arthur, hinting that there is increasing evidence for the later romanticized myth surrounding him. Clive Owen, a British actor, who early in his career starred in the recent film adaptation of "King Arthur," as Arthur, an yet another Occult film star is born. King Arthur the film contained scenes that were extremely anti-Christian and pro-Witchcraft/Pagan, to the point where Arthur's men, as well as Arthur himself rounded up and threatened to kill Christians because they were attempting to stamp out Witchcraft from among their peoples. Two short years after the release of King Arthur came "Children of Men," a post-apocalyptic themed film set in Britain. In the film, his character is named Theo Faron, which is supposed to trigger your deep subconscious mind into subtly determining he is an archetype of Ar-Th-e-r-on, or more simply, Arthur, the ever-present, and now post-apocalyptic, hero. The subliminal is even further strengthened when you consider that Clive Owen is playing the epic hero via a more subtle, understated, anti-hero in both films. That is how subtle their work to impose mass brainwashing on such a global scale has become, using film and televised media as a kind of constant background noise played against the backdrop of our busy lives in the 21st century, yet it is that constant bombardment of subtle messaging found everywhere that can affect a persons entire process of thinking, at the cost of their own manipulated and otherwise heavily-tampered, free wills.
Other programs being used to propagate the British Antichrist include the Fox Network's former globally-viewed cult-hit, The X-Files, a television series entirely based on government conspiracy, Alien mind control, UFO's, and Secret Societies of elitist men in absolute power. Towards the end of its initial series run, The X-Files went even further in their archetypal programming by adding the infant Christ-like, alien/human, hybrid, golden child into the storyline, a child of otherworld-influenced destiny and lineage born to Dana Scully (Dana is one letter away from Diana). Interestingly, the child was named William, who carries with him a prophecy to be fulfilled, that states he will one day unite the alien races with the human race, because he himself is a human-alien hybrid. This parallels Satan's own Bloodline and Antichrist plan to the masses, as it will be hung on the deception that the Bloodline of the Holy Grail was originally spawned by an Alien God (Satan), who came to earth in order to "evolve our species." It is this lie that will be used in the future to foster a false narrative regarding the origins of the Universe itself, and our supposed place in it, far removed from what the Holy Scriptures already tell us. From there, Satan is able to manipulate mankind into a descent into Hell, masqueraded by a supposed New Age in a new world by making it appear that he is somehow the author of man's own ascension, toward Godhood. Is this not the very same lie that Satan once beguiled Eve with in the Garden of Eden? Satan tells us that 'man can be as God, if man would only damn himself with special or forbidden knowledge.' This is precisely why the world is once again being manipulated by television, by films, by the news, by books, every single day and night. These same programs are increasingly gaining believability and acceptance among the masses, namely those involved in the very social media-driven "conspiracy community," ironically enough. Again, Satan's media producers have always worked in the realm just beneath subtlety, but now that his arrival in the flesh is drawing ever near, are we seeing the much less subtle, and more obvious displays of their near complete domination, over us. Immediately after the premiere of the new X-Files season started January 24, 2016, the FOX network will pick up from where the former series left off, making several references to Dana's alien-hybrid and supernatural son, William, in early 2018.
A program called "Lucifer," debuts soon on FOX, while "Damien" debuts on March 7th, 2016. Still believe this is all mere coincidence? As I write this, an NBC program titled "You, Me, and the Apocalypse" is on the television in the next room, and as I happen to glance over, there is displayed a countdown clock to a comet strike. Why have those with all the power and money in Hollywood only fanned the flames of the apocalyptic genre, in film, in television, in news stories, even in music, to the point of complete saturation? What are they trying to tell us? If you ask me, what the Illuminati are trying to do is prepare us for what they know is coming. A New World, and so, who do you think will build that New World to arise from the ashes of the old? Who have the elites always needed to build global empires for them? Right. The common man. Thus, while keeping mankind more or less in the dark as to who will lead them in that New World Order, they at least want a good percentage of their "worker bees," to survive the coming Collapse, if only to rebuild the darkened world according to their ancient plan toward Light. When researching Lucifer and his global religion established within paganism and the Occult, one of the facts you're almost immediately struck by is how many involved in the creation of such Agenda-filled productions have strange and deadly curses surrounding them or anyone connected with them, namely several strange events happening among the actors themselves. By far, the greatest example of a clear curse surrounding a major motion picture, is the film that deals directly with the Antichrist himself, called The Omen III: The Final Conflict. The next most infamous case was yet another film dealing with Satan possessing a body, The Exorcist, and closely following that, Poltergeist, proving that while the masses might be entertained by such escapism for an hour or more, those behind the films have literally been assaulted by demons in one form of another, some have even died as a result. For example, Batman: The Dark Knight experienced several strange accidents, fires, and at least one death of a stuntman, yet most didn't consider the 'Batman curse' until the untimely death of its star Heath Ledger, who played a very sadistic version of the Joker, a sinister character that was actually written with "him in mind." Much like River Phoenix before him, who played in Indiana Jones and the Last Crusade (directed by Steven Spielberg, from a story co-written by executive producer George Lucas about the Holy Grail), Ledger was also a young, promising actor who died before his prime of a supposed drug overdoses with mysterious circumstances surrounding them. A quick look into Heath Ledger's own short career list of television and film appearances proves he was used more than once to take on several archetypal British and Occult Antichrist roles, from ROAR, where he played Conor, an ancient Celtic warrior who wants to rid his nation of the invading Romans, just like King Arthur is believed to have done, to his role as the jousting Knight "William" in the film A Knights Tale. He also was in the Secret Society-inspired film, called The Order.
Other actors who have recently passed away in similarly mysterious circumstances are Bruce Lee's son, Brandon, while on set of The Crow, and Patrick Swayze who was dubbed "The Antichrist" in the 2001 film Donnie Darko, died while in production on his first television series, interestingly titled, The Beast. So, television itself, like film, is fast becoming the harbinger for all things Occult, Satanic, alien, or post-Apocalyptic in theme. The ABC/Disney Network itself is never slack in creating new programming drowning in Satanic propaganda. In fact, some of the its more recent films they've created have to deal with the Bloodline of the Holy Grail, Atlantis, and the supposed positive aspects of magick, spirit contact, and what else, that old standby of theirs, Witchcraft. Not to be outdone by ABC or Disney, NBC has Satanic MK-Ultra Mind Control for its own mass audience. I was amazed when just after the release of The DaVinci Code book and film, NBC ran a series of Occult-themed documentaries ranging in topic in everything from Atlantis to the so-called Grail (Magdalene-Christ) Bloodline obviously in reaction to the global popularity of The DaVinci Code, as well as pure Satanic propaganda. No other book of recent memory has literally drawn so many into Occult research, in so little time, than Dan Brown's infamous novel. In fact, it has become the hub by which the world received its latter day Occult education in all things Knights Templar, the Satanic global elite of their era. Some, being so taken with the premise of the novel have even quit the Christian Church altogether, and as a result have taken a much more Gnostic approach to religion, or, in some instances, fell away from the Christian faith altogether (an event something prophesied to occur just before the rise of Antichrist). The unraveling of the mystery within The DaVinci Code requires the solution to a series of quests by way of anagrams, geometric puzzles, rare knowledge, and enigmatic-laced works of Merovingian paintings and art. After which, the solution is found to be intimately connected with the possible location of the Holy Grail, which is proven not to be a cup, but a powerful lineage, as well as to a mysterious society called Opus Dei, the Priory, and the Knights Templar, who are still pulling the strings to alter the global consciousness, from Christ, over to Satan, thus forcing mankind's acceptance of the many changes coming to life, religion, and finance, and world leadership in the decades that lead up to the Antichrist's ascension.
Actress Marysia Kay, who starred in 2005 horror film Forest Of The Damned, is organising an open ritual be held in Dundonald to cater for local Pagans. She claims that films like The Craft, Buffy The Vampire Slayer and Charmed, have helped stoke interest a younger generation. But, she says, it can be hard to find ways to access the community outside of Scotland’s main cities. “Wicca requires commitment,” she adds.
I read all night, fascinated. I literally couldn't put the DaVinci Code down. By morning, when I had finished the book, I wanted to know what was true. As soon as my local bookstore opened I was there rummaging through scores of books that had been mentioned or alluded to: Holy Blood Holy Grail, The Templar Revelation, the Gnostic Gospels, Nag Hammadi Library, and many more. I discovered to my surprise that there were dozens of recent books about Mary Magdalene, Goddess culture, the sacred feminine. I found shelves full of Occult books on Templar traditions, secret societies, and several places mentioned that I had never heard of before.
Secrets of the Code p. xv
In The DaVinci Code's epilogue, Professor Langdon feels the Arago disks pull him south across the Palais Royal...eventually converging on the pyramid which Dan Brown writes has 666 glass panes, a number symbolic of Satan.
Secrets of the Code p. 240-241
As millions are now aware, the most famous feature of the new Louvre is the great glass pyramid [in Paris], seventy feet high and built to the same proportions as the Great Pyramid of Giza. Fans should note that Dan Brown repeats the fallacy that the pyramid is composed of 666 panes of glass- but although it is actually 684 [panes]. It is still intriguing [as] 666+6+6+6 equals 684.
The Sion Revelation p. 427
The Occult timing of the release date of this film worldwide is precise with witchcraft, astrology, and Freemasonry. May 19th 2006, is thirty-three days before the witches’ Sabbat of Midsummer, and the number thirty-three is the most sacred number in the secret society known as the Scottish Rite Lodge of Freemasonry. The witches’ quarter-sabat of Midsummer 2006, is also thirteen days after the full moon of the sixth month or June. We must also remember that in occult numerology as used by witches and Freemasons, the number eighteen is three sixes or 666. The movie release date of The Da Vinci Code was exactly eighteen days before the date of 06/06/06. The release date of The DaVinci Code has Satan’s signature all over it.
Judging from their past Masonic works in film, and the subconscious tools they increasingly use to reprogram the minds of youth, the three goals manifested by the Occult use of film today are as follows:
1) To foster a media consumer-driven world whereby its audience is plugged into a global network that is increasingly desensitizing its followers into a growing sub-culture of globalist-thinking puppets being prepared for a coming global leader, while also bringing about a global audience enamored by a modern, supernatural hero worship and Messianic hero that is NOT Christ. 2) To financially earn billions of pounds worldwide to continually fund this degenerate Antichrist media enterprise of destruction . 3) To awaken the young Antichrist himself, the slated Arthurian hero of the New Age whose own destiny parallels the films they are making, of which, cannot escape the attention of Prince William since the powers that be have ensured that he has been made the President of the entire British Film Industry itself. "The Sorcerer's Apprentice," produced by Jerry Bruckheimer, directed by Jon Turteltaub (the same team behind the overtly pro-Masonic "National Treasure" franchise) sees Nicholas Cage once again attempting to become 'illuminated' by researching the darkest arcane arts, this time as Balthazar, the apprentice to King Arthur's Merlin, who must seek out a modern apprentice in order to defeat the evil Morgana. In the film, Arthur's evil sister seeks to undertake a powerful spell called "THE RISING" that will bring the end of the world as we know it. Throughout the plot, many subtle references are made to known Arthurian characters, not least of which is King Arthur himself, cast as the ultimate benevolent ruler whose time may come again. Even more prominent, is the Dragon Ring, the source that can help the sorcerer's apprentice defeat the ultimate evil. When presented to the young apprentice, the Dragon Ring comes alive and animates to clutch itself tightly around the finger of Balthazar's would-be apprentice. An eerie demand is then made by Cage's character that once you enter into the pact, there is no getting out, which is clearly a reference to pacts made with another Dragon, Satan himself. Pact made, the young apprentice (similar to the Star Wars apprentice, Anakin whose evil mentor was the Emperor) is then in line to inherit all of Merlin's supernatural powers.
Anyone taking the time to actually look at all of the Walt Disney productions made in their entirety can certainly see a common theme running throughout, and that theme is Good, Evil, Celtic sorcery, Western paganism, the paranormal, a counterfeit Heaven on earth without God, and Luciferian ideologies in general. Thus, it's clear to see why Disney chose a Camelot-like theme to best represented his cottage-industry where generations could be drawn into the Antichrist theme masqueraded as a children's fairy tales paralleling the Brothers Grimm tradition. Disney productions are preparing the younger generations for that false Utopian Kingdom coming, the brave 'New World' of the Antichrist, as well as fascinate young minds with magick and sorcery. Disney's "Bride to Terabithia" was just another one of many of their recent films which teaches New Age doctrines, demonizes Christians, denies a literal Hell, all the while making it appear the Black Magic, the Occult, and unseen spirits "found everywhere in nature," are to be contacted or consulted. The Disney Corporation itself has been involved with countless attempts to normalize homosexuality and Witchcraft, while systematically targeting the traditional upbringing found in Christian homes. In order to make movies that contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries which Disney runs, which has allowed them to keep their good image while at the same time fund and promote every kind of evil toward children since at least the 1940's. They also never showed the public the hard core porn that was made for years in secrecy for the elite, that became the staple of the Illuminati family Walt Disney was born into. It's believed that both Walt Disney and his brother were molested as children by their father, and while still a young adult, both Walt and his brother became members of the “Order of DeMolay,” which is described as an international fraternal organization for young and aspiring Freemasons ages 12 to 21.
The Knights of DeMolay are the youth chapter for would-be Freemasons, whose global organization is behind everything from the underage sex trade and slavery in the West, as well as Satanic ritual abuse, murder and cannibalism of children. Interestingly, it was the Templar's Baphomet, as well as the Templar's use of Pentagram's, that often found themselves in Disney's later cartoons, such as in the 1940's Disney film, Fantasia, in which the demon 'Chernabog' took much of its likeness from Baphomet. The order was named after Jacques deMolay, the last Grand Master of the Knights Templar who was burned at the stake by the Pope and the King of France on Friday the 13th of 1314. In fact, DeMolay's last words before the flames consumed him were a curse to the Pope and the King of France, declaring that they would both be dead within a year. When they both died that same year, Friday the 13th became a date known for its 'bad luck' ever since. This same Occult outfit named after him traces its Satanic roots to DeMolay's Knights Templar, who themselves engaged in Satanic Black Masses, infant sacrifice and homosexual rituals that glorified Satan in the form of a demonic statue they named Baphomet. It is really no wonder therefore, that Disney's productions over the years are increasingly filled with Masonic symbolism, Witchcraft, Occult, New Age, Demonic and Satanic overtones, that consistently uses mind control, sexual perversion, magical indoctrination, and subliminal messages directed at children that would leave them completely broken, spiritually and otherwise. In essence, the Disney Corporation of today is nothing but Satan's propaganda machine for the Antichrist, directed at youth. Behind Disney’s good front lies hardcore pornography including sex with animals and the human dead, snuff films, child sex rings and child slavery worldwide, Illuminati mind-control, and the seduction of several generations of youth into drugs, sexual deviancy and their ultimate destruction, spiritually and physically. Movie after movie has cleverly brought Satan, death, and the Occult into the homes of impressionable minds of American, European, and now global, youth, all under the disguise of family entertainment. For instance, it was Disney that brought us the film “Alive,” a film featuring survivors of an airplane crash who turned to cannibalism in order to survive. This film's producer was Robert Watts, a British film producer who is best known for his involvement with all three Indiana Jones films, as well as the three original Star Wars films. Of this film he made for Disney, he said it was a “triumph of the Human Spirit,” albeit a triumph that was only gained by eating their dead. Cannibalism is a major tenet in the Satanic Black Mass going back to earliest pagan civilizations connected to Tubal-Cain.
OCCULT MIND CONTROL AND REPROGRAMMING FOUND IN TODAY'S SATANIC MUSIC INDUSTRY
Then the Lord answered Job out of the whirlwind, and said, Who is this that darkens counsel by words without knowledge? Gird up now thy loins like a man; for I will demand of thee, and you answer Me. Where were you when I laid the foundations of the earth? Declare, if you have understanding. Whereupon are the foundations thereof fastened? Who laid the corner stone thereof, when the Morning Stars [Christ and Lucifer] SANG together, and all the Sons of God shouted for joy? But you have fallen from Heaven, Lucifer, MORNING STAR! Hell from beneath is moved to meet you at your coming: it even stirs up the dead for thee. All they [in Hell] shall say unto thee, Art thou become weak as we? Art thou become like unto us? Your pomp is brought down to the grave, as is the noise of your viols [stringed instruments]. You sealed up the sum, being full of wisdom, and perfect in beauty. You have been in Eden, the Garden of God. Every precious stone was your covering emerald and gold. The workmanship of thy [instrumental] tabrets and of thy pipes was prepared in you in the day that you were created. You were perfect in your ways from the day that you were created, until iniquity was found in you.
I met the Spirit of Music, an appearance of the Devil.
The Lost Writings of Jim Morrison, p. 36-38
To complete "Stairway" and the rest of the album, they changed venues [from Bron-yr-Aur, in Wales] and went to Headley Grange in Hampshire, where they recorded using a mobile studio owned by The Rolling Stones. It was a huge, cold, dusty mansion with no electricity but great acoustics. Bands would go there to get some privacy. Plant's implication that something else was moving his pencil for him led to speculation that it was Satan who was dictating the words, and along with the backward messages and Page's Aleister Crowley connection, there was enough evidence for many listeners that the Devil had some role in creating this song, as if Led Zeppelin sold their souls to the Devil in exchange for "Stairway To Heaven." Supporting this theory is the fact that Jimmy Page bought Aleister Crowley's house in Scotland, known as Boleskine House. In his books, Crowley advocated that his followers learn to read and speak backwards.
Satan's minions that work the entertainment industry, have also infiltrated every genre of music today, as well. Rumors of Satanic worship and Occultism and music go back to at least the 1930's and before, starting with blues music at the turn of the 20th century, but it was clearly the 1960's when it became the most obvious. The British rock band Led Zeppelin certain knew something of the Occult when band leader Jimmy Page began his journey into the Occult when Led Zeppelin formed. He became fascinated with The Great Beast 666, Aleister Crowley, the British Occultist who has permeated the music industry to this day. Aleister Crowley is the occultist and Satanist that is perhaps the most well known. His works “The Book of the Law”, “Magick in Theory and Practice” and “The Book of Thoth” are broadly used in occult circuits. His perhaps most important book is "The Book of the Law, which Crowley himself didn’t take much credit for have written, as he stated it was written by automatic writing, being channeled from a higher being the young Aleister Crowley called Aiwaz (or Aiwass). This being said he had lived in Chaldea during the reign of Hammurabis (around 1750 BC), but later, in his book “Magick in Theory and Practice,” Crowley identified Aiwaz as his own genius. He was actually very proud of this book, which he used as a Bible for his own religion, Thelema. Jim Morrison, lead singer of the Doors, who died "mysteriously" on July 3, 1971, at age 27, became deeply involved in the Occult after meeting his future wife. Morrison married his wife at a Wiccan-styled pagan wedding standing in a pentagram whilst drinking each others blood. Both were avid students of Crowley's writings, as well as his Occult magickal workings. Jim was once photographed with a statue of Crowley's head, posing in obvious veneration, that at the time, amounted to little more than a hidden message to those still not in the know. The real 'hidden' message being sent to all of us by they who control the media couldn't be any clearer. Cain's children exist upon this planet and are for centuries now, been taking control of ... everything. Theirs is a lineage that can only do evil against what only appears to be their fellow man, because theirs is a Bloodline that is traced back to Satan himself. The programming we see today, therefore, naturally depicts every kind of strange interpretation of only their own devising, because their coming Messiah, our Antichrist, can only arise after a vast revolution of counter-culture that has become so brainwashed against God and the Christian Faith, that Satan can finally advance his ancient will toward global rule, and worship. For this reason, it has become the task of his people in this world to become infected with only Antichrist thinking by fostering an environment of Occult learning, magic, mystery, and Occult knowledge, to prepare the world for what is coming next, Satan returning to himself all that he once had, but lost.
Why does Satan take a vested interest in the entertainment industry, with its bright lights, charismatic stars, and creative music? Because, as Ezekiel 28 proves, Lucifer was the chief god of entertainment, having once been a living musical instrument of God, as well as a bright, shining Holy being of beauty, wisdom, and wealth. In short, Satan was the very first bright, beautiful, and thus, charismatic "music star of the spheres," as it were. This is why whenever someone with musical or other similar talent wants to be fast-tracked into achieving quick fame, stardom, status, and wealth, seemingly overnight, they make a pact with the Prince of this world. Once a pact is made, Satan's elites in the entertainment industry then do what they do best and ensure the entertainer is then treated to the working of making them a star, upon which company handlers (all Satanists themselves) are provided to watch over the star, while carrying out all wishes of the record label. If the handler or manager tells the would-be star to make a video filled with Satanic imagery, or go into photo shoots using Satanic hand signs, or to record a song that glorifies darkness, promotes evil, and serenades death, the star obeys because they are told it means more money, and fulfills their contract. In short, once a pact is made with Satan, and a record contract signed, it would be difficult for the client not to obtain fame, wealth, and everything that the elites of this world will temporarily provide them. Along the way, the stars meet others in 'the business,' who get them hooked on drugs, sex, attempt to pull them away from their families (much like a cult does) and subtly destroy any remaining moral fiber the star might have once had before their Luciferian indoctrination. This is precisely why Satan's elites not only have their hands in business, banking, finance, and media, but also the entertainment industry, knowing it is not only a way to ruin the lives of the stars themselves, but the most bankable way to taint the world with their global Antichrist mind control program, their real agenda. I've lost count how many young stars were purposefully put on a path of ruin, almost as a form of protracted sacrifice, only to be replaced with another who all too eagerly steps in their place.
Today's entertainment industry is nothing more than Satanic whoredom on a global level, where you literally sell your eternal soul to Satan to become a (temporary) "god," but even that is a cheap counterfeit of what God has prepared for this who love him. And, as we all know, Satan does not share the spotlight well. In in his grand jealousy, does he come to make good on any former contract made, and takes their life, usually making it appear they killed themselves, via a drug overdose or similar unexpectedly tragic event. For many, this happens at age 27, while others are allowed to achieve a much older age, such as Bob Dylan. Regardless of age, however, Satan never breaks contract. Jimmy Page knows this. Early in his career, Jimmy Page bought up former houses that Aleister Crowley owned and carried out some of his most infamous black magickal workings. Where bands such as The Beatles, The Rolling Stones, The Doors, and Black Sabbath opened the gates for Satan's Occult mantras to take root among the global masses, it was lesser known bands such as Black Widow, that by 1969 paved the way for other openly 'Satanic bands' to make their appearance. Not a heavy metal band or even a hard rock band, per se, Black Widow’s music was more Satanic folk music and creepy, backed up with sinister lyrics that glorified human sacrifice as necessary rites in the true worship of the Devil. And so the piper's shiny kingdom of earthly, material, and false spiritual promises of enlightenment still stands on the promises of old, going back to that original lie given Eve, about being "gods." The most famous today make still make deals with the Devil for fame and fortune and "rock-god" status. Today, Led Zeppelin and Black Sabbath have been replaced today with Madonna, Ke$ha, Beyoncé, Rhianna, and personal student of Anton LaVey, late leader of The Church of Satan, Marilyn Manson. Modern rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the major rock groups through drugs, sex, threats of violence, and even murder. On the other side, publicity, tours, and recordings are financed by record companies connected to British military intelligence circles.
Both sides are intimately entwined with the biggest business in the world, the international drug trade, a trade that is too often connected with the likes the British MI-6, as well as the American CIA, who is well known to have spawned the American counter-culture movement of the 1960's, supplying LSD to the youth disillusioned by traditional American values and thus sought a 'revolution' that would bring about their skewed vision of a hip utopia, far removed from their Christian upbringing, which was the whole point. The so-called "rock stars" are pathetic puppets caught in a much larger scheme. From the moment they receive their first recording royalties, the groups are heavily immersed in drugs. As totally artificial media creations by those who control them, their public image, as well as their music, is fabricated from behind the scenes by those in league with Satan from the start. Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy. The recording company, Thorn EMI, led by British aristocrat and key member of Britain's military intelligence establishment, Sir Joseph Lockwood (also one of Britain's largest producers of military electronics) created a music division which had grown to annual sales of $3.19 billion. His plan was now to use both the Beatles and the Rolling Stones as the means to transform an entire generation into heathen followers of the budding Luciferian New Age Movement, whose own multi-pronged plan was to eventually deploy into film production, our schools, law enforcement agencies, and political leadership. In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult known as the Process Church, recruited the Rolling Stones and the Beatles. During this period, Terry reports that a photo of Rolling Stones leader Mick Jagger's longtime girlfriend, Marianne Faithfull, appeared in an issue of The Process Magazine, a 60's counter-culture zine put out by The Process Church of the Final Judgment, led by a false Christ by the name of Robert de Grimston. A key link between the Rolling Stones and the Process Church is Kenneth Anger, a follower of the founding father of modern Satanism, Aleister Crowley.
Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley. Crowley was born in 1875 and was called the "Great Beast." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil. During 1966-1967, when the Process Church is reported to be recruiting in London, Anger was also on the scene. Author Tony Sanchez describes that Rolling Stones' Mick Jagger and Keith Richard, and their girlfriends Marianne Faithfull and Anita Pallenburg, "listened spellbound as Anger turned them on to Crowley's powers and ideas." While in England, Anger worked on a film dedicated to Aleister Crowley, called Lucifer Rising. The film brought together the Process Church, the Manson Family cult, and the Rolling Stones. The music for the film was composed by Mick Jagger and was supposed to include Led Zeppelin's Jimmy Page, as well. However, while Page wrote the majority of tracks for the film (as heard here) he fell short of one, and was hastily fired by Anger as a result. Process Church follower Marianne Faithfull went all the way to Egypt to participate in the film's depiction of a Black Mass. The part of Lucifer was played by the guitarist of a California rock group, Bobby Beausoleil. Beausoleil was a member of the Manson Family, and Anger's homosexual lover. A few months after filming, under Anger's direction in England, Beausoleil later returned to California to commit the first of the Charles Manson family's series of gruesome murders, dubbed "Helter Skelter" after a song on the Beatles' White Album. In 1967, reflecting their ongoing association with Anger and the Process Church, and as a direct response to The Beatles' Sgt. Pepper's album released six months earlier, the Rolling Stones released their first rock album openly celebrating the Devil, titled Their Satanic Majesties Request, an obvious wording that was taken from British passports of the time, that read "Her Britannic Majesty Requests," with the words "Her Britannic" swapped out to read "Their Satanic..." which apparently evoked the British Royal Family itself, as being somehow Satanic.
A few months earlier, the Beatles had released their first album dedicated to the promotion of psychedelic drugs, Sergeant Pepper's Lonely Hearts Club Band. Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley. It was released 20 years nearly to the day, after Crowley's death in 1947. interestingly enough, The Beatles title song from this same album began with the lyrics, "It was twenty years ago today when Sgt. Pepper taught the band to play." The album's cover even featured a picture of Crowley, among others connected to the entertainment industry, the Occult and/or Satanism. One month after the album's release, the Beatles shocked the world by announcing, publicly, that they were regularly taking LSD. Beatle member Paul McCartney, in an interview with Life magazine said, "LSD opened my eyes. We only use one-tenth of our brain." They also publicly called for the legalization of marijuana, feeling if society were on drugs, the long-awaited revolution toward a Luciferian Utopia, would arrive all the quicker, with everyone's much easier acceptance of it. Aleister Crowley is without a doubt, the main spiritual teacher for rock musicians even today. He is still evoked by such bands as Godsmack, Madonna, Lady Gaga, Beyonce, and Jay Z. In no uncertain terms, Crowley's mission in life was to destroy Jesus Christ and Christianity, while exalting sex perversion, drugs, magick and Satan. Aleister Crowley spews his hatred of Jesus Christ in The World's Tragedy: "I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to its present condition. I take it that Christianity is not only the cause but the symptom of slavery." (Aleister Crowley, The World's Tragedy, p. XXXIX). "That religion they call Christianity; the Devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I HATE and will DESTROY." (Aleister Crowley, The World's Tragedy, p. XXXI). And none of Crowley's plans were lost on the Satanic global elites who control the world under Satan's direct command either. In fact, none of this is actually new. Media (both on the political left and right), the entertainment, film, and music industries, are all part of the greater single network headed up by Satanic elite families since the birth of America itself. As a result, when later Americans invented recording, created both the record and record player, and then, film, radio, and television itself, they all were being heavily used in attempt to erode Christianity from their very onset. It was British MI-5 and their counterpart in the American CIA, with scores of front groups organizations and think tanks, such as Tavistock, that stepped up their clandestine manipulation of events to drag the world into the turbulence of the 1960's, with its sharp moral decline, drug use, and the unleashing of several orchestrated events in order to best prepare society for Crowley's New Age, that ranged in severity from removing God and prayer from the American public school system, to several high profile murders and assassinations.
One of the victims of those murders eventually being JFK, in 1963, and his brother as well as Martin Luther King, in 1968, but not all victims of the Anglo-Masonic government held political office or carried out vital matters of state. The shadow government also had their eye on anyone who influenced society itself. It was strongly believed that Marilyn Monroe herself was a target of assassination, in 1962, who ironically had relations with both Kennedy brothers who met a similar fate. But it was the events that occurred just seven years later, in 1969, that set America truly on edge, and as some believe, opened the Pandora's Box for later MK-Ultra serial killers to rise and carry out similarly gruesome murders upon subliminal orders from their "all-seeing" Overlords. Sharon Tate was an American actress that was trying to advance her career and starred in small roles in the mid-1960's. In 1966, Tate starred in the British Occult film "Eye of the Devil," (1966) in which Sharon plays a neophyte witch making animal, and later human, sacrifices to meet the demands of the “13 Tribunal” Satanic cult. The film itself was made in France and England under the watchful eyes of two particular consultants on Witchcraft behind the camera, Alex and Maxine Sanders, the leaders of a Satanic cult within the Alexandrian Tradition. After Sharon was properly introduced to them, it is believed that both Alex and Maxine Sanders introduced her to Roman Polanski. Tate was immediately taken in by Polanski's boyish charm, and they quickly became a couple. Two years later, the pair married on January 20th, 1968. Polanski, a young Jewish survivor of the Holocaust, had already been mentoring his new wife into the Occult. They also began attending the parties of the Satanic Hollywood elite, which meant for Sharon, a surreal time of drugs and every manner of increasingly strange sex orgies, of which became well documented after her murder. Some believe these events prove how Roman Polanski actually cared very little for Sharon, and at the very least, he merely used her to further climb up the ladder in Hollywood until he reached what he believed would bring him ultimate success in the entertainment industry itself. It was at this time, that Roman Polanski decided to make the film, Rosemary's Baby, based on the novel by Ira Levin of the same name, about a young wife and socialite who gave birth to the Antichrist. What wasn't known at the time, however, was that Polanski's own pregnant wife and unborn son would be ritually murdered the following year. Sharon Tate, was often seen around the film set and it has even been timed, that she became pregnant by Polanski during the filming of Rosemary's Baby, possibly even at the film's location, the infamous Dakota building in New York, (where John Lennon lived and was murdered some 21 years later). It was on the set of this first ever Antichrist film, that later proved to be cursed that Sharon Tate was the subject of a series of photographs taken at the time by Esquire. In retrospect, these images appear as eerie as the movie itself, because her images, as well as her facial expressions, appear strangely ghost-like in quality. She was after all, a woman caught between two worlds even while alive. It was also on the film set that Tate would confide to her close friend, telling her of the many strange people she was meeting and what they were involved with. Upon one such discussion, she disclosed the following to her friend: “The Devil is beautiful. Most people think he’s ugly, but he’s not.”
Two days later Manson told the Family that Helter Skelter was to begin. The following night, August 9th, 1969, four members of Manson's inner circle brutally murdered Sharon Tate and five of her guests in cold blood. As luck would seemingly have it, Roman Polanski happened to be out of the country (in Europe) at the time of his pregnant wife's horrific murder. As the details were later revealed through several jail interviews of the Manson suspects, a absolutely bizarre blood ritual was clearly being employed in the twisted murders. It was revealed that upon the four quietly gaining entry into the house on 10050 Cielo Drive, Manson's right hand, Tex Watson, suddenly announced at the top of his lungs, "I am the Devil, and I'm here to do the Devil's business!" Within minutes, several of Polanski's friends were brutally slaughtered, including his pregnant wife Sharon Tate, who was due to deliver Polanski a son in two weeks. One of Sharon Tate's guests managed to escape out into the yard, but she was easily overtaken and stabbed several times to the point of death, but still managed to utter her last surreal words "I'm already dead." Back inside the house, Tate was loudly pleading for her and her unborn son's life, while Susan Atkins tied her up and ruthlessly stabbed her with a large butcher knife. Atkins used Tate's blood to write the word "Pig" on the front door of the house, before the four drove back to Manson's ranch. Forensics later proved that Sharon managed to fend off her female attacker long enough to prevent the attempted slitting open of her stomach to remove the child from her dying body, as Susan Atkins stated she originally wanted to do. In her own jail interviews, Atkins also explained that Tex Watson was under the influence of a powerful evil entity that night, that she described to be a demon that gave Tex Watson "super human" strength by some force not his own. It was also proven later that Susan Atkins, who confessed to happily stabbing Sharon Tate to death, and tasted her blood, was a former student of Anton LaVey, the author of The Satanic Bible and head priest of the Satanic Church, as well as playing the part of Satan in the Rosemary's Baby rape scene. LaVey and Atkins had met at a local production that hired her to play a blood-drinking vampire. It was also discovered that the white-corded rope Atkins used to tie Sharon Tate before slaughtering her, is infamously used in Masonic ritual and called the "cords of initiation." Of Tex Watson's strange announcement of being the Devil, and there to do "the Devil's business," it becomes yet another point of interest that the Bible explains Satan's work as likened unto that of a common thief, who comes to "steal, kill, and destroy." Conversely, Christ's work in Scripture is described to be that of "His Father's business" of whom gave His Son to the world, to "undo the works of the Devil." Subsequent interviews of Charles Manson revealed that his plan was to have the LaBianca and Tate murders blamed on blacks to incite an Apocalyptic race war that would overtake the U.S. and the world, where he would arise on the other side as some twisted form of the Messianic Antichrist.
The 1968 movie “Rosemary’s Baby” is one of Roman Polanski’s most chilling and acclaimed productions. The movie appeared at a moment of optimum spiritual chaos in American life. Rosemary’s Baby remains an iconic memory. The film describes the manipulation of a young woman by a high-society occult coven for ritualistic purposes. The movie’s unsettling quality does not rely on blood and gore but on its realistic premise, which forces the viewers to ponder on the likelihood of the existence of elite secret societies. Even more unsettling are the eerie real-life events that surrounded the movie involving ritualistic killings and MK Ultra. We will look at the symbolic meaning of “Rosemary’s Baby” and the stranger-than-fiction events that followed its release. Guy learns about Roman’s witch coven and Occult rituals. He is also told that his career will succeed if he were to join them. The price of entry is however steep: He must allow his wife to be drugged and impregnated by Satan during an Occult ritual. One night, Guy brings flowers to Rosemary and abruptly proposes, “Let’s have a baby, all right?” He circles the best days on the calendar to start having sex – October 4th or 5th, 1965. (The coven had determined that these were the prime days for copulation to obtain a numerologically-correct birth). Rosemary’s pregnancy is extremely difficult. She loses weight and she keeps feeling sharp pains in her stomach. Dr. Sapirstein dismisses her concerns, telling her that the pain would go away. Rosemary becomes weary of her neighbors, who are a little too “interested” in her pregnancy. She then obtains a book from a concerned friend (who mysteriously dies afterward) [named] All of Them Witches. The book describes the Castevet’s international secret society, which is known to practice blood rituals.
When Rosemary wakes up, she is told that her baby was dead (it was taken by the coven). Guy tries to comfort his wife by telling her that big movie production companies like Paramount and Universal were interested in hiring him – all rewards for Guy’s initiation into the coven and Rosemary’s sacrifice. Determined to find her baby, Rosemary sneaks into the Castevets’ apartment and stumbles into a Satanic “Adoration of the Magi” scene, with people from all over the world bringing gifts to the baby. When Rosemary sees the baby’s reptilian eyes, she starts screaming. Roman Castevet tells her: “Satan is his father, not Guy. He came up from hell and begat a son of mortal woman..." The birth of Rosemary’s baby is the new “Year One.” It is also accurate by Church of Satan standards to call 1966 Year One. This is a self-conscious, parallel reference to the year of Jesus Christ’s birth, Year One, A.D. Another unstated fact: The baby is born in June 1966, which is numerically 6/66. Rosemary’s Baby is Aleister Crowley’s “Child of the new Aeon”, [the New Age] Horus the son of Isis – the bringer of a new era in world history. Whether it was intentional or not, Rosemary’s Baby did appear at the brink of a new era and became part of an important social change. Shocking events left indelible marks on the public mind, including the mysterious deaths of JFK, Marilyn Monroe and Martin Luther King; horrific ritual murders perpetrated by MK-Ultra patsies like Charles Manson and Son of Sam caused fear and horror. These events slapped America out of its ideals and forced it to stare at an undefinable, yet tangible force influencing society. Conspiracies and cover-ups made the news and the masses gradually discovered the existence of a shadow government.
Before settling on Mia Farrow, Roman Polanski originally envisioned his wife, Sharon Tate, as playing the role of Rosemary. She was not cast in the role, but did make an uncredited appearance in the movie, during a party scene. Fourteen months after the release of the movie, Tate (who was 8 months pregnant) was ritualistically killed by members of the Manson family. She was stabbed 16 times and her killers wrote the word “pig” in her blood on the wall of her house. Charles Manson is described by Fritz Springmeier as “both a Monarch slave and a handler”. According to Springmeier, his programmers knew ahead of time what were going to be the next hits. He was basically used by the elite to carry out ritualistic murders. The murders attributed to the Son of Sam, the Manson Family, and numerous other interconnected killings (including possibly the Zodiac murders) were not what they appeared to be. While these killings appeared to be the random work of serial/mass murderers, they actually were contract hits carried out for specific purposes by an interlocking network of Satanic cults. Charles Manson was programmed with Beatles’ music. They regularly call in slaves and hypnotically make [song] lyrics to be cues for the slaves before the music comes out. What we are witnessing in the wake of the public enactment of these alchemical psychodramas, whose spiritual consequences for mankind are far more momentous than most have thus far guessed, is a process of global Occult initiation.
Why was Sharon Tate “chosen”? She was not Hollywood’s biggest star and she only enjoyed limited commercial success in the model and film industries. Was it the inevitable outcome reserved to stars who go too far into the Occult side of stardom? Her brushes with the obvious evil members of 1960's Hollywood certainly brought attention her way, but perhaps not in the way they she naively hoped they would. Perhaps what's more frightening is that today's Hollywood is being run by the children and elite family friends of those who controlled the same Satanic cabal that carried out such murderous plots, involving the death of a young woman who only wanted fame and fortune for her and her new family. Meanwhile, Roman Polanski himself went on to enjoy some level of success in the time since, but, perhaps, it wasn't what he thought it would be either. Did Roman Polanski sacrifice his wife in the same way Guy "sacrificed" Rosemary and her child, to obtain the favors of powerful Satanists who rule generationally? Soon after his wife's murder, Polasnki allowed himself to be photographed by Life Magazine in the living room where Sharon was viciously attacked, her dried blood still clearly visible on the floor in front of him. The strange photo shoot caused him to be heavily criticized by the general public at the time. Other events did not help his credibility in the years that followed. For example, seven years after Tate’s murder, Polanski was arrested and charged with a number of offenses against 13-year-old Samantha Geimer, including rape by use of drugs, perversion, lewd and lascivious act upon a child under 14, including sodomy. According to Geimer’s testimony to the grand jury, Polanski had asked Geimer’s mother, a television actress and model, if he could photograph the girl as part of his work for the French edition of Vogue (we have already seen the rather sick inclinations of that magazine in the article entitled "Disturbing Sex Kitten French Vogue Photoshoot Featuring Children"). More shocking than that, according to author Michael A. Hoffman, Polanski produced snuff films involving minors for sale on the black market, in Europe and globally, but these allegations remain, as yet, unproven. Despite all of these accusations, Polanski remains a free man to this very moment. Are these events strange coincidences or all methods in which the larger black hand works in Hollywood and beyond? As someone who has been reporting on this single story and others for decades, clearly, when you take the entirety of what can be proven as absolute fact, there is no doubt that there is a systematic and hidden force, within the Western governments, including America and Britain, that influence American pop culture to degrade morality to the point of wanton complacency, with its ultimate intent to destroy Christianity itself.
In 1999, Roman Polanski directed, produced, and co-wrote "The Ninth Gate," an overt Satanic film filled with ritualistic ceremony, murder, and Satanic worship, from beginning to end, starring Johnny Depp. Thus, when one looks at the precise timing in American history and the incredible series of events that followed its release, Rosemary's Baby became a pivotal work symbolizing an important cultural shift in American life. The same way Rosemary discovers the workings of an international witch coven, American society “discovers” a darker side to its entertainment business and internal politics. Mind control slaves are unleashed in the public, shocking mega-rituals occur and pop culture becomes a celebration of depravity. Speaking of which, the death of John Lennon is another strange piece of the puzzle. The murder occurred as John was walking into the Dakota, the building where Rosemary’s Baby was filmed, and where he was living at the time. Mark David Chapman, the “lone nut” who killed Lennon is heavily suspected to be a Monarch mind-control slave. Chapman also had ties with high-profile handlers and the strange circle of occult celebrities. [He] met LaVey’s pal Kenneth Anger, an American disciple of Aleister Crowley, in Honolulu in the late 1970’s. Anger had directed a film called 'Lucifer Rising,' starring Manson follower Bobby Beausoleil. Having lost his star performer, Anger then asked Mick Jagger to play Lucifer in his "Lucifer Rising" film, however, four months after the Manson murders, Jagger became entwined in the infamous Hell's Angels murder that occurred at the Rolling Stones Altamont Free Concert. Anger finally settled upon Anton La Vey to play the part. The film was released in 1969 with its original title 'Invocation To My Demon Brother.' In London, Anger had succeeded in recruiting to Satanism the girlfriend of one of the Rolling Stones, Anita Pallenberg. Pallenberg had met the Rolling Stones in 1965. She immediately began sexual relations with three out of the five members of the group. In 1980, the seventeen-year-old caretaker of Keith Richard's New England estate was found shot to death in Anita Pallenberg's bed. The death, ruled a suicide, was with Pallenberg's gun. Richard's house was located near the East Coast headquarters of the Process Church. According to an article in the English newspaper Midnite, a Connecticut police officer, Michael Passaro, who had responded to the "suicide," also reported bizarre [Satanic] ritual chanting and "strange singing" from the woods, about a quarter mile from Keith Richard's mansion. The newspaper continues, "There have been several evidences of Satanic rituals in the same area over the past five years.
WHAT DOES ALL OF THIS MEAN? WATCH THE VIDEO BELOW TO DERTERMINE FOR YOURSELF
Beyoncé Throws Up Satanic Horns at Same Time Jay-Z Gives 666 Hand Sign
Being so influenced by Crowley's writings, John Lennon was reported as saying: "Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right. We're more popular than Jesus now." John Lennon (San Francisco Chronicle, April 13, 1966, p.26). Of that comment, we should marvel not, for even The Beatles own press manager was reported as saying, in 1964: "They're completely ANTI-CHRIST. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy thing to do." Derek Taylor, Press Officer for the Beatles (Saturday Evening Post, Aug. 8, 1964). For an unprecedented two Sundays in a row, on the Ed Sullivan Show, over 75 million Americans watched the Beatles. On returning to England, the Beatles were rewarded by the British aristocracy they served so well. In October 1965, the four were inducted into the Order of Chivalry, and were personally awarded the accolade of Member of the British Empire by Queen Elizabeth at Buckingham Palace. Artists are brainwashed early on into doing the illuminati’s work, and their fans follow what they do, which is the whole idea behind it. All one has to do is carefully read between the lines of the lyrics and you will see how corrupt they can be. Each of these have been taken in by their handlers, deep into the Occult and Satanic worship, and their service to Satan, as well as their recruiting of millions of their fans, is becoming all too common, even blatant. Beyoncé and Jay-Z, who've met Prince William more than once, are known to brandish the Occult signs, Masonic sigils, and Illuminati symbology of Satan, to the point their global fans now associate the symbols as positive "rock star" symbols of success and affluence. As such, many people have no idea what is going on in the larger world around them, or how they are perceived as mere pawns in a globalist game of control over their lives. Those less ignorant know something is amiss, especially when have hearing the songs of many artists today, backwards, to discover that backward masking wasn't just an old marketing ploy from the 1980's found only on Heavy Metal records, but appears in almost every musical media recorded today, by such top artists as Beyonce, Ke$ha, Rhianna, Drake, etc. The music industry works to brainwash its young target audience by using Occult symbolism, to view, with subliminal messages in music, to hear, following the methods of a ritualistic cult-like process established long ago, namely within Hitler's Germany. Like many of today's films, music videos are also made with Occult, Masonic, Satanic, and Antichrist symbology displayed everywhere in them, to fine tune and enhance the overall brainwashing effect that the production itself is providing the listener, via purposefully manipulated A-V files. Clearly, the music industry is serving the Occult, but what needs to be underscored here, is that they are doing so for a clear and defined purpose that goes far beyond merely attempting to make the counter-culture of Witchcraft, paganism, and the Occult look hip and or be "cool."
Of course, today's murder and death culture within Hip Hop is but a mere shadow of the darker Satanic, Antichrist, and Occult human sacrificial death culture that still permeates the older Rock music culture, from the 1960's to the modern era. One need only read the account of how Led Zeppelin penned "Stairway to Heaven," dedicated to Jimmy Page's "Sweet Satan." Of Stairway to Heaven, Robert Plant would later describe as ‘our single most important achievement,’ to understand how Satan and his Angels can directly involve themselves into the muse process of artistic creation, all for the defined purpose in keeping with the Great Work. Written at Headley Grange, a mansion built in 1795, and reported to give muse to songwriters in need of such inspiration, is where in 1971, on one particular cold night within the equally freezing rooms of the Grange, that Page and Plant wrote their unforgettable signature hit. As told by the songwriters themselves, they were sitting by the raging fireplace with Page strumming the intro chords, that Plant later recalls: "I was holding a pencil and paper, and for some reason I was in a very bad mood. Then all of a sudden my hand was writing out the words, 'There's a lady who's sure all that glitters is gold, and she's buying a stairway to Heaven.' I just sat there and looked at the words and then I almost leapt out of my seat." Jimmy Page later recalled, in interview, that Robert was sitting, with his back leaning against the wall, and was sort of writing, I mean, I'll never forget that, the image of him doing that. Then Robert begins to pitch in and sing, and I tell you, it must have been 90% of the lyrics were already done." The song became a global sensation, and only further launched Led Zeppelin into being one of the greatest rock & roll bands of all time. The song's otherworldly effects and seemingly prophetic words left many to speculate that something else overshadowed him that night back in Headley Grange. Robert Plant spent much of the 1970's answering questions about the lyrics, and where they came from. When asked why the song was so popular, he said it could be its "abstraction," adding, "Depending on what day it is, I still interpret the song a different way." By the late '90s, the radio trade magazine Monday Morning Replay reported that "Stairway" was still played 4,203 times a year by the 67 largest AOR (album-oriented rock) radio stations in the US. At 8 minutes per spin, that works out to roughly 50 years that have been devoted to the song, in total, thus far. Stairway to Heaven was hailed by Kenneth Anger as one of the greatest Satanic works ever, which only further fueled the rumors that there was a cleverly recorded “backward masking” that revealed demonic messages within the song itself: “Oh here’s to my sweet Satan. The One whose little path would make me sad, whose power is Satan. He’ll give those with him 666. There was a little toolshed where he made us suffer, sad Satan…” Crowley was well known for reading The Lords Prayer, the Bible, and other Holy writ, backwards, in order to reverse their effect, thus the rumors that his followers would have created such backward messages was not entirely unsubstantiated. It was also around this time, that those rumors were all but proven fact, when Jimmy Page, a known Crowley aficianado, opened an Occult bookstore, and began purchasing most of Aleister Crowley’s homes around Britain. In the years following Stairway to Heaven, came the unyielding curses that ultimately destroyed the band itself by 1980, leaving Plant's young son, and 32-year old drummer, John Bonham, dead.
Taking all of this forward, who can deny we have today countless Illuminati-serving slaves to the Satanic child-sacrificing system that wants to enslave us all in Hell, using music and "the arts" as an introduction into the Satanic Occult? More than ever before, are the increasingly younger in Hollywood rejecting Christ outright to sometimes publicly announce their service to Satan. The contrast between what Satan offers, and what Satan returns is nothing less than a sick counterfeit to what only God can offer a soul. Don't sell yourself short, therefore, or allow Satan more ground in his own bid over you. A child of the living God deserves God, and His love, despite Satan and his world system. Satan's world order cannot define who we are, as children of God. When the father of lies tell syou that only his way can work in this world, ask yourselves this - did Satan create the world? Only mankind, in his great ignorance of God, has allowed Satan to overrun the place, thus, taking it back starts with each of us. Being that Satan only cares for his own 5 goals otoward achieving global adoration, where does this leave anyone who serves him in any capacity? Evidence proves Satan's people become little more than empty shells of their former selves following after a dead-end "Left Hand Path," no matter how high ranking they become in Satan's service, for that is the truest nature of Satan, in that he demands that every soul die in their many grievous sins and be damned, while he steps on all of their backs to achieve self-ascension in his failed bid to try and become like God. God knowing this, has already condemned Satan. Isaiah 14:12-15 tells us that the Morning Star will finally be cast to the lowest part of the Pit, even the sides of it, underneath the weight of every single person he has brought there. In this way, is Satan only heaping unto himself a greater burden with each soul he corrupts to smother him forever during his own eternal destruction. Satan attempts to make people believe that they've committed so many atrocities and sins, that they have become literal demons themselves, and can no longer receive Salvation thru God's perfect love and grace, but I am here to tell you, that is a damned LIE. You were beguiled by his lies originally, with the vain belief that you are your own 'gods.' So take back that which he is stealing from you now. As long as you have breath, it's never too late to ask your actual Creator for forgiveness, and allow God's infinite love to overtake Satan's infinite hate of you. To anyone reading this who is trapped in the unyielding hands of their Illuminati handlers, know that we are praying for you, and that we love you. A serious look into any entertainers life that have entered into the Satanic Hollywood cabal, and all you see is the underpinnings of complete destruction of their lives. Satan, the ultimate vampire, leaves no one with anything at their own ultimate end, other than the massive amount of sins that stay attached to their souls when they finally descend into Hell. One look at Johnny Depp, of late, proves that. Depp's own long since dead mentor, Aleister Crowley himself worked through everything Satan had to offer him, only to end up a depraved and penniless drug fiend whose punishment in Sheol must match that of Hitler's himself. For the genocidal maniac that was Crowley helped to send untold millions toward an eternity in Hell, with many more yet to come. Crowley's books commands that any true student of Occult magic needs to sacrifice children in homage to Satan, who again, hates mankind enough to have man murder his own kind, in his name. At Judgement, God shall lay the cursed before the feet of those they harmed, who are forever wrapped in God's eternal love, protection, and infinite glory, while they are trapped in the void of unyielding contempt, shame, and nakedness, having the kind of inexplicable fear that they gave the children they sacrificed, and so shall they all be cast into Hell, where the smoke of their eternal punishment ascends forever and ever. Amen.
From the houses of the Holy, we can watch the white doves go From the door comes Satan's daughter, and it only goes to show. You know.
There's an Angel on my shoulder, in my hand a sword of gold.
Let me wander in your garden, and the seeds of love I'll sow. You know.
So the world is spinning faster, are you dizzy when you're stoned?
Let 'the music' be your Master. Will you heed the Master's call?
Oh, Satan and man!
Led Zeppelin: Houses of the Holy
There's a sign on the wall But she wants to be sure
cause you know sometimes words have two meanings.
And it's whispered that soon, if we all call the tune,
then the Piper will lead us to reason.
And a new day [New Age] will dawn for those who stand long (survive)...
Yes, there are two paths you can go by [Christ or Satan; read Two Paths] but in the long run, there's still time to change the road you're on.
Your head is humming and it won't go, because you don't know, The Piper (Satan; see Ezekiel 27:13) is calling you to join him.
Led Zeppelin: Stairway to Heaven
The Queen of Light took her bow, and then she turned to go. The Prince of Peace embraced the gloom, and walked the night alone. The Dark Lord rides in force tonight, and time will tell us all.
Side by side we await the might, the darkest of them all.
I hear the horses' thunder, down in the valley below.
I'm waiting for the angels of Avalon, waiting for the eastern glow.
Led Zeppelin: The Battle of Evermore
Robert Plant is a great admirer of all things [occult] mystic, the old English legends and lore and the writings of the Celts. He was immersed in the books Magic Arts in Celtic Britain by Lewis Spence.
King Arthur: Take Excalibur, find a pool [and] throw the sword into it. Perceval: No. King Arthur: Obey me, Perceval. Do it and return. Perceval: [Leaves Arthur's side; disobeys and returns] King Arthur: When you cast it in, what did you see? Perceval: I saw nothing but the wind on the water. King Arthur: [A Dying Arthur stares intently at Perceval] Perceval: My King, I couldn't do it. Excalibur cannot be lost. Other men... King Arthur: Do as I command, Perceval... One day a KING WILL come, and the Sword will RISE AGAIN.
Perceval returns to the pool to cast Excalibur, just as a hand rises from the water to catch it, quickly returning it beneath the waves. Perceval returns to where Arthur laid dying, to see him far out to sea, on a barge being spirited to Avalon for the healing of his wounds.
Film Excalibur (1981)
THE BEAST that you saw was, and is not; but shall RISE out of the bottomless pit, and go into [the Son of] Perdition, and they that dwell on the earth shall marvel, whose names were not written in the Book of Life from the foundation of the world, when they behold the Beast that once was, and is not, and yet is AGAIN [the Once and Future King].
The Holy Bible; Revelation 17:8
We have reached a time in history where we are definitely in the shadow of what can be labeled “The Begotten Antichrist. If we were to project ourselves into the future and look back at the tumultuous times that were the first 20 years into the new millennium, history would have to at least take a moment to put a spotlight on the rise in what can be called Reactionary Satanism, something that is now pervasive in both political and religious fronts [where] world events are not simply circumstantial, but the result of an organized campaign by an elite group of unseen and widely unknown world leaders. Their beliefs in ancient symbolism, secret societal occultism, and ritual magic affect us all. Modern Satanism is intertwined with both cultural narratives of the demonic and the dogmatic rebuking of the religious. With stories in the news about sexual scandals, pedophilia in churches, and corruption, young people today are now becoming more in tune with alternative views on things like socialism, communism, Nazism, voodoo, witchcraft, and Satanism. There are some that say with social media and the lack of the faithful to keep the trust of the youth – the devil looks like an inviting Dark Father.
This year television shows have turned the Devil from an empathetic funny egomaniac in Lucifer, to an apocalyptic reality in “American horror story,” to a darker version of a teen witch named Sabrina, that pulls out all the stops and unveils all kinds of satanic imagery from pentagrams to Baphomet. The idea of the return of Baal or the incarnation of the counterfeit Messiah has always been said to be a secret and that no one really knows or can identify him. Then comes the return of what can only be called a medieval melodrama where rituals are conducted in secret, both pagan and what can be called Satanic Ritualism. The Change is here all in preparation for the world leader: the Antichrist. As mankind becomes more and more used to a “global consciousness” and the “dream” of world unity, as well as the ecumenical movement breaching doctrinal
barriers for the sake of religious unity, it becomes entirely likely the coming Avatar, Beast, Anti-Christ or False Prophet will assume power in this way. The world is already being primed for it. It also follows that in the event of a major worldwide crisis, such a person could rise with calm assurance and strong charismatic leadership to lead the world into the New Age.
The cycle will spin in the direction of a “World Leader” who will gain his throne through divisive means. There are tools and procedures that need to be carried out in order for this to take place. As Manley P. Hall stated in “Secret Teachings of All Ages” the dark monarch that encompasses the yin and the yang, the dark and the light, the balance of all forces, is known as the Great Servitor. He is both the Dark Lord and the bearer of all illumination. This Lord or Messianic figure is as much the product of the people over which he takes hold as it is of the internal charisma of him who ultimately comes to hold messianic power. There has to be that symbiosis between leader and follower; [whose] deep relationship that has been cultivated through social engineering. Soon, if not already, we will become numb to it all. This will be the ultimate response to Reactionary Satanism. His infernal kingdom shall come.