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ma: Fractalist x Jazzist ()
See also:  [L/D]  [S/D]
See also:  [af/art3/pkda2001 - pizoig gaming projects]
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Cross Product Space




Abs x Abs

Abs x Art

Abs x Frc

Abs x Fut

Abs x Hum

Abs x Jazz

Abs x Sci

Abs x Spi

 
Art x Abs

Art x Art

Art x Frc

Art x Fut

Art x Hum

Art x Jaz

Art x Sci

Art x Spi

 
Frc x Abs

Frc x Art

Frc x Frc

Frc x Fut

Frc x Hum

Frc x Jazz

Frc x Sci

Frc x Spi

 
Fut x Abs

Fut x Art

Fut x Frc

Fut x Fut

Fut x Hum

Fut x Jazz

Fut x Sci

Fut x Spi

 
Hum x Abs

Hum x Art

Hum x Frc

Hum x Fut

Hum x Hum

Hum x Jazz

Hum x Sci

Hum x Spi

 
Jaz x Abs

Jaz x Art

Jaz x Frc

Jaz x Fut

Jaz x Hum

Jaz x Jazz

Jaz x Sci

Jaz x Spi

 
Sci x Abs

Sci x Art

Sci x Frc

Sci x Fut

Sci x Hum

Sci x Jazz

Sci x Sci

Sci x Spi

 
Spi x Abs

Spi x Art

Spi x Frc

Spi x Fut

Spi x Hum

Spi x Jazz

Spi x Sci

Spi x Spi






x-product: Fractalist x Jazzist ()

Note that these two concepts are very nearly complete opposites; sort of.

Fractal processes involve very exact calcuations of behaviour
(even when there may be a deliberate LOSS of accuracy at some
or even every step). Further fractals can become chaotic (that
is semi-predicatable even though their long-term behaviour is
NOT predictable) and in the limit become non-repeatable. Further,
they can become catastrophic in that they have (as in the case
of some simple chaotic systems) a limited number of states and
must necessarily be in one of those states but can not be predicted
when or if they will shift from one to the next. THis of course
leads towards quantum as well as toally random behaviour.

Jazz processes involve the carefull production of a tune, and
the deliberate "playing with" that tune. This process is almost
NEVER random (although ti could be argued that the decisions made
moment to moment in the performer's brain ARE random). Indeed,
the tune is "deformed" (much like a fractal can deform a line 
or surface, etc) either according to a specific "feel" (are 
emotions every truely random?) or by means of a clearly codifid
transformation (the kind usually associated with classical 
music's concept of "theme and variations").Using so-called
"stochastic" methods (statistical or "Markov" processes) the music
can approach totally random behaviour.

In the limiting case, the two behaviours can converge.



Jump down to:  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  

  

Fractalist x Absurdist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Artist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Fractalist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Futurist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Humanist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Jazzist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Scientist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  


  

Fractalist x Spiritualist

Jump randomly to:  {x-product}  {Abs}  {Art} {Frc} {Fut} {Hum} {Jazz} {Sci} {Spi}  





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