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The Novel
Read It
Characters
Covers
Summary
Story of the Angel
Erik’s Red Death
Myth of O. G. House on the Lake
Don Juan Triumphant
Letters, Notes, Documents
Favorite Quotes

The Musical
Lyrics
History
The Cast
Favorite Quotes
Birthday Card
Impressions of the Show

The Movies
2004
1998
1991
1990 (1)
1990 (2)
1989
1987/88
1983
1962
1960
1943
1925
1916
Favorite Quotes

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Poe's Red Death

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Pitch to the Networks

Prequels, Sequels, and Knock-Offs
On Film
In Print

Where we go to talk Phantom

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Empy
Listed
Masks & Capes Fanlisting







3

“The film looks and sounds fabulous … it’s an extraordinarily fine document of the show. Of course, it’s a different animal to the stage show and as a consequence I’ve written several minutes of new music, but it doesn’t threaten the integrity of the show in any way. Joel Schumacher has taken the same material and made it into a wonderful film version. It’s not at all based on the theater visually or direction wise, but it’s still got exactly the same essence … if anything it’s expanded it and given it perhaps an even deeper emotional center.”

-------------------------------ANDREW LLOYD WEBBER


4

“Andrew’s music is lush and searingly romantic, and the story is a great love story, but it’s also dark, it’s got a Gothic horror side to it, and that appealed to me. I think above all Andrew’s version really makes the Phantom much more of a tragic lover, a sensitive romantic, not just a creature of horror and fear. Christine’s relationship with Raoul is really her romantic awakening as a teenager. But I think that her pull towards the Phantom is a very sexual, very deep, soulful union.”

------------------------------- JOEL SCHUMACHER











Box Front - Back
Case Center
Pages 1-2
Pages 3-4
Pages 5-6
Page 7
Page 8
Pages 9-10
Pages 11-12
Pages 13-14
Pages 15-16
Pages 17-18
Pages 19-20
Pages 21-22
Page 23
Pages 24-25
Page 26
Pages 27-28
Pages 29-30