Orphan Newsboys 
Marty Grosz Delights with Patter and Acoustic Playing

When Marty Grosz appears before audiences, half those present have come to hear his inimitable acoustic guitar playing, a dying art in this era of electric instruments. The other half thoroughly enjoys his engaging stories and the amusing asides that pepper each set. 

Marty Grosz will appear with the Orphan Newsboys, a jazz quartet that is as entertaining as it is authentic in its presentation. The Watchung Arts Center will host the foursome on Friday evening, March 23, starting at 8 PM. Tickets are just $12, with no extra charge for refreshments, or the laughs.

The Orphan Newsboys are no strangers to Watchung's venerable Jazz Series, having visited several times over the years. Peter 
Ecklund is essential to the unique sound of this group, playing cornet mostly, with a substantial collection of mutes that com-
plement the crisp acoustics of the intimate room. Dan Block plays an Albert system clarinet, rarely heard these days, in addition to a variety of saxophones. Rounding out the group is Murray Wall, providing a lusty low end on his upright bass.

But it is the close-up seating in Watchung's gallery setting, surrounded by the monthly art exhibit, that allows the interplay with the audience that makes this event special. 

Because of the limited seating, reservations are encouraged. They may be made by phone, calling (908) 753-0190 and leaving a message outside of the 1 to 4 PM office hours. Tickets are held for pickup and payment at the door.

Marty Grosz is one of the few jazz guitarist who still adheres exclusively to his acoustic instrument. "It's a very different sound," he explains. "You can hear each string being struck. Electric instruments deny you that feeling." But it is his razor-sharp wit and the patter that goes with each selection that has endeared him to his many fans. No two Marty Grosz concerts are anything near alike, even if they share a few tunes. 

Peter Ecklund has played at Watchung with many groups, a tribute to the versatility of this popular cornet/trumpet player. He has the power to hit the high notes needed for a Louis Armstrong tribute, yet can coax muted tones from the horn when surrounded exclusively by strings. Occasionally, he will haul out his own guitar, or simply whistle a chorus.

"Versatile reed player Scott Robinson replaces Dan Block, mentioned in earlier announcements, on clarinet and saxophone."

Murray Wall's talent on the string bass is that of being felt as much as heard. He provides a strong underpinning for the quartet, becoming at times the entire rhythm section when Marty plays melody or does a vocal. His pulse is steady, allowing the group to work without drums, or even a piano.

The Jazz Series makes its home at the Watchung Arts Center, whose historic building overlooks the Watchung Circle. It is easily reached from four surrounding counties and beyond, since it is just a mile from either Interstate 78 (exit 40) or Route 22 (Plainfield overpass). Free parking is available in the newly-paved lot surrounding the building or at municipal lots nearby.

Frequent concerts featuring jazz, vocals, folk and other musical forms are just part of the program at the non-profit Watchung Arts Center. Request a sample newsletter when making reservations.

CONTACTS:

Watchung Arts Center (1 to 4 PM best) (908) 753-0190
Bruce M. Gast, Jazz Series Publicity (908) 755-2483
Peter Ecklund, Orphan Newsboys (212) 463-0830
Marty Grosz, Orphan Newsboys (914) 359-6952