OUR SITE GUIDELINES ARE LOOSE FOR A REASON - SOMETIMES YOU RECEIVE A SUBMISSION THAT IS SO GOOD, YOU SIMPLY CAN'T TURN IT DOWN
A LETTER TO SHOOTER
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I don?t know when I finally realized I didn?t have the necessary talent to make it in the music world. The realization didn?t come as an epiphany or a moment of enlightenment, instead coming through a series of minor disappointments and setbacks over an extended period of my early music career.
Sure, there was the audition I made my way to at age 21 in the big city. A classic scenario really, farm boy wannabe musician, best bass player in the county, answers a public audition call posted on the bulletin board in a music store only to find out there sure are a lot of good bass players in the big city. Or the constant compromising of one?s dreams and aspirations. Fame, fortune, any degree of measurable success really, always remaining elusive, out of my grasp. The revolving door of band members, the never quite getting our act together, always seeming to land us on some puny little stage in some dingy, smoke filled bar playing mostly cover tunes for beer money in front of a semi-hostile audience. Simply a music career that never seemed able to get off the ground.
Still, through all of this, the countless hours of basement practise, failures and setbacks I still stuck with my music. Nothing enriches the soul or reaches to the very core of one?s being the way a few well laid down guitar riffs do??.when all is said and done I remained in the game for the love of music. Remained long enough to wake up one day to find myself in my late 30?s playing in another basement band with a group of buddies, all in the same circumstance.
We had all played in Rock bands of one form or another most of our adult lives. As we got older and had children with households to be responsible for we became part timers. Jamming occasionally, playing the odd wedding ( sometimes the weddings were very odd ) or company Christmas parties etc., all of us barely keeping up our chops. We were in it purely for the love of it, having long forgotten any thought of being full timers or making a career out of it.
But this story is not about me or my other musician wannabe friends?.it is about how we came to play in a band briefly with one of the best rock and roll guitarists in the world.
To pick up the odd gig we had a permanent flyer posted on the bulletin board of the local music store. From this flyer one day we were approached by the organizers of the local Bluesfest to do a one hour set at the annual weekend event they held every summer. They were looking for more local content and we fit the bill nicely. The event was 6 months away so we had plenty of time to prepare but almost immediately a dark cloud appeared on the horizon....our Guitarist who held a day job as a banker got transferred out of town......like really out of town to the other side of the country. So we put out the word we were looking for a new guitarist.
I don't know if you have ever gone through the audition process but it can be comical and painful at the same time. Dreamers, jokers and losers all seem to answer this call to fame. We were simply looking for a rock and roll guitarist capable of playing some blues classics with us for this one hour set and possibly another jamming buddy to join us on our path to music oblivion.
What we got instead were a couple of teenagers who had never heard of Muddy Waters or John Lee Hooker, some heavy handed heavy metal aficionados...I kid you not, a demented ukulele player who thought the Tiny Tim thing was ready for a revival and a few other wannabe chuckleheads, worse wannabes than us....not one suitable guitarist for our needs.
We had given up hope, were almost at the point of telling the Bluesfest organizers that we had to pull out and then Shooter walked in to audition.
From the minute he opened his guitar case to pull out his traditional sunburst US Custom Strat. we were impressed, when he began to play we were awed. He looked the part as well. Think of a man from another era, tall and thin with long middle of the back length, greying hair and you have Shooter. He was a hippie guitar player displaced in time, sent by the music gods to make us a much better band......or so we thought.
Underneath his fluid playing style and his seemingly unlimited supply of talent lay a deep, dark secret. The man was losing a life long battle with inner demons. His mental health always so painfully fragile. Though one of the most talented of his generation he had worn out his welcome in Southern California, with one too many recording sessions disrupted, one too many gigs gone bad, one too many concert no shows?..all as a result of his inability to hold it together....he made his way back to his native Canada and to deeper obscurity within the music industry?.eventually to find us in our basement.
His music career credits were impressive though somewhat vague. He bandied about suggestions he had done stints with The Band and Big Brother and the Holding Company as well as recounting numerous recording sessions with a host of other successful Southern California bands of the 60?s era. Contentions we merely took at face value as his playing ability spoke for his authenticity.
Impostor or not he certainly had accomplishments with the accompanying chops, above and beyond anything any of us had ever achieved.
With his help we put our set together. We had become " plunk-alongs ", an old music industry term for those who were just trying to keep up with a much more talented band member. His wealth of experience and seemingly limitless repertoire gave us ample material for our set. No sign of his mental problems apparent while we prepared, practising 3 times a week....... until the Summer, weekend festival was upon us.
When the big day arrived we walked out onto the massive stage and introduced ourselves as Greyrock...a name we had chosen just for this event and that seemed to fit the fact all of us were sporting varying amounts of grey hair . Our opening number was an up tempo " Got my Mojo Working " and it seemed to be going well, next we hit them with " Flip Flop and Fly " and then some classic 12 bar blues in " My Momma Left Me Here" then a bastardized version of B.B. King's " The Thrill is Gone" ...followed by the Powder Blues Band's " Hear that Guitar Ring" with James Cotton's version of " Rocket 88" next, even threw in " We Gotta get out of this Place " by the Animals as our closing number.
It went very well and the crowd gave us the obligatory call for an encore. At this point it was more a polite gesture on their part....everyone who played this event was asked back for an encore....no one could have known what Shooter had in store for them.
Drawn from his wealth of experience he had explained to us previously that while playing a Bluesfest you are obliged to play a mix of classic blues numbers with blues style tempo at the same time limiting your up tempo numbers as it was after all a Bluesfest and not a rock and roll fest........but all bets are off for the encore...in his words " For an encore you hit them over the head with your best up tempo number "
We had practised Chuck Berry's " Oh Carol ? at Shooter's insistence as an encore number. To us it was a joke being so presumptuous as to expect an encore request.......as it was not something that happened to us a lot prior to his arrival..... if you can imagine.
As we jumped into it Shooter became transformed, his accomplished musicianship had now been unleashed and by transformed I mean for those brief few moments I didn?t recognize the person standing 6 feet away from me on that massive stage, he laid down guitar licks I didn't know were possible. If the man did in fact host inner demons they were now controlling his mind and his fingers manifesting themselves to masterfully blast out a tune I would imagine he had practised for over 30 years.
The audience stared at the stage in stunned silence but not just the paying Bluesfest patrons, the beer servers, the stage crew, the other musicians?everyone who bore witness to this phenomena stood motionless as if in suspended animation. Taking in every note, every riff, every change up, every modulation, knowing somehow they were witnessing magic of some sort.. I can honestly say that it was the best rock and roll guitar performance I have ever seen.
For dramatic effect as we hit the last note of the song in a surprisingly tight finish he threw his guitar down on the stage floor and walked off....the crowd went wild...so wild in fact that they were standing on their chairs demanding another encore but it was not to be. Shooter had just kept on walking?..out of the open air concert area, out onto the street to his car and then drove home.
I quickly made a joke to the audience " he has an appointment with his parole officer " as we packed up our gear to head off the stage.
We didn't know it at the time but he had kept his marbles together just long enough to finish that one song. I phoned his house later that evening and his girlfriend told me he was in bed weeping and had been for 4 hours. This sounded serious...she went on to explain he had suffered another one of his "breakdowns". It turned out that this was the last time we would ever play as a band with Shooter.
He had given me the highlight of my musical career if you can call my now semi serious, part time approach to music a career.
The Bluesfest organizers had tape rolling throughout the entire concert, with our final number recorded they have used the sound bite from the last 30 seconds with Shooter's fantastic guitar playing and the wild applause from the crowd in their radio adds for the event for years now. Re-affirming my contention that it was the best rock and roll guitar performance any of us, organizers and participants alike, had ever witnessed........
In the following years we lost track of Shooter but every Summer as the Bluesfest organizers geared up for yet another annual weekend concert our sound bite was played in advertisements over and over on the local radio in the weeks leading up to the event. For me it was the pinnacle of my career as a musician.
The countless times I?ve heard that sound bite a feeling of satisfaction wells up inside me, satisfaction so deep it is a justification or the validation of a life spent as an aspiring musician. It?s funny, that?s all it took, playing along in one masterfully executed rock and roll song with a fine musician. No song credits, no monetary rewards, no real recognition of any kind but somehow that one experience made it all worthwhile?..a reward for me far greater than any of the aforementioned, solidifying my lifelong love of playing music.
I wonder where Shooter is today and I hope he has finally made peace with his inner demons. If you are out there Shooter all I can say to you is thank you ?. for the experience of a lifetime.
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Author?s Note: The name Shooter is analogous and has been changed to protect the privacy of a man I truly hope finds his inner peace.
SUBMITTED BY: Gomedome
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