Topic: New Tab Postings
Originally, I started doing this song with the intention of it being a chord chart. I had been working on a chord chart for a different song, and it was proving troublesome, so I shelved it (temporarily, at least) and did this one instead. The plan was for it to be a chord chart with some tab included. But when I was close to being finished, I realized that if I just tabbed the fills for the final Chorus, I would have all the guitar parts in the song transcribed, making it a full tab. So I added in the extra fills. In 1970, Five Man Electrical Band were affiliated with an LA production company which was, in turn, affiliated with movie studio MGM. MGM tapped "Moonshine" to be placed in one of its movies, "The Moonshine War", starring Alan Alda. The film itself proved unsuccessful, leading to much the same fate for the single. The song failed to chart in the US at all, but fared better in Canada, where it reached #21. It was included on Five Man's successful debut album Good-byes & Butterflies (1971) -- a record which also featured the band's biggest hit, "Signs" -- and later appeared on the band's best-of CD Absolutely Right (1995, pictured). In 1973, John Kay (of Steppenwolf fame) covered the song on his second solo album My Sportin' Life. (His version can be heard at YouTube.)
The tab:
https://www.angelfire.com/planet/zerofret/cantab/fiveman-moonshine.txt
Audio:
http://www.imeem.com/people/aKgj4Hs/music/kj-7gqNG/five_man_electrical_band_moonshine_friend_of_mine/
Updated: Thursday, January 15, 2009 2:07 AM EST
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It seems very fitting that a band as quintessentially English as Girlschool would eventually write and record a song that's an affectionate tribute to the city that represents England to the world -- their hometown of London. "London" first appeared on the CD 21st Anniversary: Not That Innocent. The disc was recorded primarily in 1999, the band's 21st Anniversary year, but wasn't released until 2002. It was lead guitarist Kelly Johnson's sixth and final album with the band (five studio albums, one official live album).
First tab entry of the New Year. 
Let's start 2009 with a riff/Intro.
"Step Into Christmas" was released in 1973, likely the most prolific and succesful year of Elton John's career. He began that year with the January release of the album Don't Shoot Me I'm Only The Piano Player. Then, in October, came the release of the legendary Good-bye Yellow Brick Road double-album. The two albums combined produced a total of six hit singles, two from the former album and four from the latter. In late November of that year (after the first two single releases from GYBR), "Step Into Christmas" was released as a non-LP single. It reached #23 on the UK charts. Later, when the 1974 album Caribou was remastered and re-issued in 1995, the song was included on the CD as a bonus track. It's also been included on other Elton John compilation CDs.
ELP's "I Believe In Father Christmas" is probably my favourite contemporary Christmas song by a pop/rock act. After doing the tab of it, I was surprised when I looked on YouTube and couldn't find a copy of the version I had tabbed. The song has had three lives just with Greg Lake/ELP alone. The first version was Greg Lake's recording of it, released as a solo project. (
It's interesting to read comments at YouTube about this song, plenty of people saying that it's anti-religious, anti-Christmas, anti-Christian, etc. I think they mostly object to the first few lines of the second verse. It isn't the cheeriest Christmas song you'll ever hear, but I don't think it's any of those above named things, and Lake has made it clear in interviews that it's not meant to be any of those things. But I think it's a song of its time (written in 1974), a time when "message" songs were the order of the day. The Vietnam war was still ongoing. In the video of the orginal version, Lake sings the last line, "The Christmas we get we deserve", then there's a montage of video clips of the Vietnam war, finishing with a clip of a soldier arriving home and his young son running into his arms. Lake says the song protested the over-commercialization of Christmas, but to me it seems more like a loss of innocence song about how at Christmas adults fill childrens' heads with idealistic platitudes about peace on Earth and good will to men. But as those children grow up they realize that wars and crime and social ills go right on, even at Christmas time. I don't see the song as bitter or depressing; it just seems to be saying that Christmas itself isn't a magic panacea that makes the world a wonderful place. People have to do that. People have to make those platitudes about peace and good will mean something by their actions. The "Christmas we get we deserve" line suggests that the world is only what we make it. Which means there's always the option to make it better. So for me, the song sounds a note of hope and possibility, too. My two cents worth, anyhow.
Calling all "long-haired freaky people".