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Q/T: Learning
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Quantum/Thinking: Learning

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Notes
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Bibliography




Bibliography


Armstrong, Robert Plant (1981). The Powers of Presence: Consciousness, 
           Myth, and Affecting Presence. Philadelphia. University of 
           Pennsylvania Press.

Bayles, David and Orland, Ted (1983). Art and Fear. Capra. Santa     
        Barbara, California.

Bierhorst, John. (). The Mythology of Mexico and Central
           America.

---------- (1987). The Naked Bear: Folktales of the
           Iroquois. The William Morrow Company. New York.


---------  (). The Sacred Path: Spells, Prayers, and Power 
           Songs of the American Indians.

Choay, Francoise. (nd). "Jackson Pollock" in Dictionary of Modern 
       Painting. French Academic Press (trade reprints; nd). London.

Clarke, Arthur C. (1980). The Fountains of Paradise.
        Ballentine Books. New York.

Deflem, Mathieu. 1991. “Ritual, Anti-Structure, and Religion: 
        A Discussion of Victor Turner’s Processual Symbolic 
        Analysis.” Journal for the Scientific Study of Religion 
        30(1):1-25.  [web-ref]

Eliade, Mircea. Myths, Dreams, and Mysteries. 1957. Trans. Philip 

Feldman, Edmund Burke (1996). Varieties of visual experience.


Freeland, Cynthia. (2002). But is it art? Oxford University Press.
          Oxford.

Fuller, R. Buckminister (??date??). I seem to be a verb.
           ??pub-info??.

Gardner, Helen. (1970; 5th ed) Art Through the Ages.
         Harcourt-Brace. New York.

Grimes, Ronald L. (1996) Readings in Ritual Studies. Upper Saddle River, NJ: Prentice-Hall.

Langer, Susanne K. (1957, 3rd Ed.) Philosophy in a New Key 
        - A Study in the Symbolism Reason, Rite, and Art.
        Harvard Press. Cambridge (Massachusetts).


Lessa & Vogt. (1970) Entry: “Shaman” in Man, Myth & Magic: An 
              Illustrated Encyclopedia of the Supernatural. Vol. 19. 
              Richard Cavendish, ed. New York: Marshall Cavendish.

Matossian, Nouritza. (1998). Black Angel – The Life of Arshile Gorky. 
           Chatto & Windus. London.


Nehru, Sri Jawaharlal Nehru. (1962). Address to Ceylon 
       Association for the Advancement of Science, Colombo 
       Sri Lanka. As quoted in [Clarke, P. iv].

Parezo, Nancy J. (ca 1983) Navajo SandPainting: From religious act to commercial Art. Tuscon, Ariz. University of Arizona Press.

Rappaport, Roy A. [Grimes: Pp.427-440] The Obvious Aspects of Ritual. Grimes: OpCit.

Roberts, J. M. (1992). History of The World.
         Oxford University Press. Oxford, England.

Saint_, Toni (2001). "Liminality and Altered States of Mind in Cyberspace"
        "toni.sant@nyu.edu".  [web-ref]

Smith, Johnathon Z. [Grimes, P.478-481].The Bare Facts of Ritual. Grimes: OpCit.


Silvester, Mary Nicole. (2006). The Artist as Shaman: Madness, Shapechanging, 
           and Art in Terri Windling's The Wood Wife.
           Downloaded on Nov. 21, 2006 from   
  http://www.mythicjourneys.org/passages/septoct2003/newsletterp10.html



Staniszewski, Mary Anne (1975). Believing Is Seeing: Creating the 
              Culture of Art. Englewood Cliffs, NJ: Prentice Hall 
              Regents.

Turner, Victor W. (1967) Symbols in Ndembu Ritual. Grimes: OpCit, 
        Pp. 520-529.

Turner, Victor (1969). "Liminality and Communitas" in The Ritual   
               Process. New York: Aldine de Gruyter.


Van Gennep, A. (1960). The Rites of Passage. Chicago, 
               Illinois: The University of Chicago Press.